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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, christening gown c1900, c1900
... clothing childrens... pioneers bentleigh market gardeners baptism clothing childrens ...The pioneer settlers and market gardeners of Moorabbin Shire were very committed to their religious observances. The meetings and celebrations of religious rites gave them companionship and support during the difficult times of establishing their market gardens. The craftsmanship and skills of the families is shown in the clothing they made. The skill and craftsmanship shown in this christening - baptism - gown is and example of the clothing made by the pioneer settlers and market gardeners in Moorabbin ShireA long, white, cotton, baby's christening gown with lace and inserts and pin-tucking.brighton, moorabbin, pioneers, bentleigh, market gardeners, baptism, clothing childrens, religious rites, dressmakers -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's nightgown, c1900
... clothing childrens... cheltenham market gardeners oakleigh clothing childrens dressmakers ...This cotton baby's nightgown is and example of the dressmaking skills of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utnesils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A long, white cotton baby's nightgown with collar and bodice ties. Lace panel to bodice, and guipure frills and hand embroidery to collar and cuffs.brighton, moorabbin, pioneers, bentleigh, cheltenham, market gardeners, oakleigh, clothing childrens, dressmakers home -
Mont De Lancey
Child's Romper Pants
... Childrens clothing... (size 18) with button holes and elastic at hem. Childrens ...Child's lemon romper pants (size 18) with button holes and elastic at hem.childrens clothing -
Canterbury History Group
Photograph - Children's Rally at Canterbury
... Childrens Clothing... melbourne Children's Rally at Canterbury Photograph Black and white ...Black and white photograph of Children's Rally at Canterbury. A line of about twenty children in the Canterbury Gardenscanterbury, canterbury gardens, railway lines, maling road, parades and processions, childrens clothing, flags -
Federation University Historical Collection
Photograph - Photograph - black and white, Child with pedal car
... childrens' clothing mid 20th century... century childrens' clothing mid 20th century Child with pedal car ...A child (possibly Alison Watson b1948 in Murtoa, Victoria) standing next to a toy pedal car.pedal car, toys, toys mid 20th century, childrens' clothing mid 20th century -
Whitehorse Historical Society Inc.
Document, Cruse - Markham - Millane christening gown, June 2023
... Childrens Clothing.... Gowns Childrens Clothing Baptisms The history of the Cruse ...The history of the Cruse - Markham - Millane christening gownnon-fictionThe history of the Cruse - Markham - Millane christening gowngowns, childrens clothing, baptisms -
St Kilda Historical Society
Photograph, St Kilda (Brighton Road)Primary School
... Unable to read date in photograph but children's clothing... to read date in photograph but children's clothing suggests early ...Unable to read date in photograph but children's clothing suggests early 1900ssepia photograph mounted fair conditionSt Kilda (Brighton Road)Primary School. (?) Thomeson (?). 721 South Road, Moorabbin. Donated to the Historical Society. -
Greensborough Historical Society
Domestic object - Darner, Darning Mushroom, 1950s
... one, possibly used for children's clothing.... one, possibly used for children's clothing. darning mushrooms ...Used for darning clothing such as socks. This is a small one, possibly used for children's clothing.Small darning mushroom, turned wood, painted fawndarning mushrooms, darners -
Greensborough Historical Society
Article, Latoof and Callil Pty Ltd Greensborough, 1946_06
... A branch of the large dressmaking and childrens' clothing... of the large dressmaking and childrens' clothing manufacturer Latoof ...A branch of the large dressmaking and childrens' clothing manufacturer Latoof and Callil was established at Main Street Greensborough in June 1946. 2 p., printed in blue and black, photographslatoof and callil -
Mont De Lancey
Booklet - Knitting Patterns, Australian Home Journal, 1. Knitting for You and Yours 2. Woollies for Toddlers, c.1940's and 1950's
... patterns for clothing for children and a mother. ... into balls. Inside are various patterns for clothing for children ...Two free knitting pattern booklets for home knitters, c.1940's or 50's. These booklets were a supplement to the Home Journal magazines of the time.Two small Supplements to the 'Australian Home Journal' knitting pattern booklets, c.1940's. 1. The front cover of 'Knitting for You and Yours' depicts a young girl sitting on a chair wearing a knitted dress. 2. 'Woollies for Toddlers' shows two young children winding wool into balls. Inside are various patterns for clothing for children and a mother. non-fictionTwo free knitting pattern booklets for home knitters, c.1940's or 50's. These booklets were a supplement to the Home Journal magazines of the time.knitting, knitting patterns, knitting equipment -
Mont De Lancey
Booklet - Knitting Patterns, Australian Home Journal, 1. Knitting for You and Yours 2. Woolies for Toddlers, c.1940's and 1950's
... patterns for clothing for children and a mother. ... into balls. Inside are various patterns for clothing for children ...Two free knitting pattern booklets for home knitters, c.1940's or 50's. These booklets were a supplement to the Home Journal magazines of the time.Two small Supplements to the 'Australian Home Journal' knitting pattern booklets, c.1940's. 1. The front cover of 'Knitting for You and Yours' depicts a young girl sitting on a chair wearing a knitted dress. 2. 'Woollies for Toddlers' shows two young children winding wool into balls. Inside are various patterns for clothing for children and a mother. non-fictionTwo free knitting pattern booklets for home knitters, c.1940's or 50's. These booklets were a supplement to the Home Journal magazines of the time.knitting, knitting patterns, knitting equipment -
Yarrawonga and Mulwala Pioneer Museum
Mail order catelogues x 3, Rockman's, The Myer Emporium, Wakes of Australia, 1952
... - ladies clothing. Myer emporium - Mens, ladies, childrens clothing..., childrens clothing, beds, electrical appliances, shoes, makeup ...Indicating fashions and homeware styles of the the early 1950'sPaper stapled catelogues all published in 1952. Rockman's - ladies clothing. Myer emporium - Mens, ladies, childrens clothing, beds, electrical appliances, shoes, makeup. Wakes - Ladies and men's clothing, beds, electrical appliances, wall paper, curtains, fabric, crockery, furnituresee photos -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's dress, Mid 19th Century
... This baby's dress is an example of the clothing made... Cottage Museum) Joyce Park Jasper Road Ormond melbourne Clothing ...This baby's dress is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire in mid 19th CThe skill and craftsmanship shown in this baby's dress is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire who had to be self reliant and made their own clothing and utensils.Home-made, infant's short, long-sleeved, cream silk dress. With inset machine-made lace panels and ribbon inserts on bodice and on the sleeve cuffs. Small buttons down the back. .clothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby outfit c 1900, c1900
... This baby's crocheted outfit is an example of the clothing... of the clothing made for their children by the families who had settled ...This baby's crocheted outfit is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire c1900. The Blackburn family were early settlers in Moorabbin ShireThis baby's crocheted cape and dress aesethetically significant as an example of the skill of the women of the families who were pioneer settlers and market gardeners in Moorabbin Shire who made their own clothing for their families. It was made by a member of the early settler Blackburn family and passed down through the generations. This is a white cotton baby's two piece, cape and dress outfit, with extensive hand-crotchet lace trim.clothing, moorabbin, crochet, bentleigh, pioneer settlers, baby outfit -
Kiewa Valley Historical Society
Baby's Bonnet
... and fashion to other children's clothing in KVHS collection which... children's clothing in KVHS collection which indicates this was made ...Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This bonnet is very similar is style and fashion to other children's clothing in KVHS collection which indicates this was made during the early 1900's. This has good historical significance because it shows the fashions during the early 1900's which baby bonnets were made by women of the Kiewa Valley. This item also has good interpretive capacity as it adds to the other babies clothing in the KVHS collection and therefore increases the interpretive capacity for the children's clothesCream muslin with 1 cm wide lace around the face and neck. Pin tucks threaded with fine string and 2 tape ties 13 cm long. Also string used to gather the neck edge.baby. bonnet. christening. clothing. infant. -
Kiewa Valley Historical Society
Apron - Child's
... clothing. children. apron.... to the other children's clothing which indicates it could have been... children's clothing which indicates it could have been made ...Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This apron is very similar in style to the other children's clothing which indicates it could have been made in the early - mid 1900's. It is preventative of aprons which little girls wore over their dresses at the time. This items has good historical significance because it shows the style of aprons which little girls wore over their dresses in the Kiewa Valley during the early to mid 1900's. This is part of the children's clothes in the KVHS collections which gives this item more interpretive capacity. Natural coloured linen with red binding around the edges. 2 white buttons. Would fit a small child.clothing. children. apron. -
Churchill Island Heritage Farm
Textile - Lace Trim
... an understated embellishment to undergarments, bed linen, children’s... to undergarments, bed linen, children’s clothing and is particularly suited ...This is a lovely length of machine made lace trim which combines broderie anglaise diamonds with a subtle embroidered design. It is an insertion trim which would provide an understated embellishment to undergarments, bed linen, children’s clothing and is particularly suited for use on mob caps and aprons. Broderie anglaise patterns and techniques were copied by St Gallen embroidery machines from the 1870s onwards.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.machine length of lace trim with recurring diamond patternsLabel stuck on one end "4 1/2"janet amess lace collection, lace, churchill island, amess -
Merri-bek City Council
Acrylic on watercolour paper, Mandy Nicholson, Birrarung dragonflies in the rain, 2006
... , carvings, murals, prints, designs and children’s clothing. Born..., carvings, murals, prints, designs and children’s clothing. Born ...Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style. She uses the traditional motifs of her people blended with contemporary interpretation. -
Churchill Island Heritage Farm
Textile - Lace Trim
... and would be a pretty trim on a mob cap, a fichu or children’s... and would be a pretty trim on a mob cap, a fichu or children’s ...This is a machine made copy of a bobbin lace featuring ‘spiders’ and double picots on the edge. It appears to be cotton and would be a pretty trim on a mob cap, a fichu or children’s clothing. It is quite narrow and was most likely made on the Barmen machine which was developed in the 1890s in Germany from a braiding machine Its bobbins imitate the movements of the bobbins of a hand-made lace maker and it makes perfect copies of torchon and the simpler hand-made laces. It can only make one width at a time and does not have the pattern potential of the Leavers machineThe Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine made bobbin lace trim with double picots, slightly ivory in colourjanet amess lace collection, lace, churchill island, amess, machine -
Churchill Island Heritage Farm
Clothing - Lace Piece
... in England between 1840 and 1880 for children’s clothing and women’s... between 1840 and 1880 for children’s clothing and women’s ...This piece is a style of machine embroidered lace which can be found in haberdashery stores today. It is known as Broderie Anglaise Cambric Eyelet lace. It was made to be sewn either into or on fabric, and the sweet daisy design and ribbon insertion points would have been highly desirable for a child's or baby's dress, or for delicate undergarments. Broderie anglaise was extremely popular in England between 1840 and 1880 for children’s clothing and women’s undergarments. There was a resurgence of popularity in the 1950s. Beginning in the 1870s it was made using the Swiss hand embroidery machine.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine embroidered (Lace Group Embroiderers Guild 1/3/12) See photos (2)janet amess lace collection, lace, churchill island, amess, machine, embroidery -
Merri-bek City Council
Acrylic on watercolour paper, Mandy Nicholson, Cultural Map of Melbourne, 2003
... , carvings, murals, prints, designs and children’s clothing. Born..., carvings, murals, prints, designs and children’s clothing. Born ...Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style using the traditional motifs of her people blended with contemporary interpretation. Cultural Map of Melbourne shows significant sites across Melbourne. These include scar trees, corroboree trees, stone quarries, bush tucker sites, significant rivers, fresh water wells and traditional campsites. -
Churchill Island Heritage Farm
Textile - Lace Trim
... or for lingerie and children’s clothing. ... or for lingerie and children’s clothing. Churchill Island has a large lace ...A hand crocheted lace, this fine example could also be called a single galloon lace due to the scalloped edge. In lace making the word ‘galloon’ refers to a braid or lace with one or two scalloped edges. These trims were sometimes made of metallic thread and used to trim military uniforms and the word comes from the French “galonner” meaning ‘to trim with braid’. Owing to the structure of the outer edge it could also be referred to as beaded lace as there is space for fine ribbon to be threaded through the stitches. This length of hand crocheted lace would have been a delicate adornment for trimming a fichu or for lingerie and children’s clothing. Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries. Hand crochet ivory lace trim with a scalloped selvedge and even diagonal patternlace, churchill island, janet amess lace collection, amess, handmade, crotchet -
National Wool Museum
Textile - Cook Well Self Raising Flour Bag
... Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE... to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing ...These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico bag with yellow and blue graphic text on front.Front: COOK-WELL \ SELF- \ RAISING \ FLOUR \ PREPARED WITH \ PHOSHATE AERATOR \ HENRY BERRY & Co (A/S??Ltd) \ 568 580 COLLINS STREET \ MELBOURNE \ NET 7 LBSwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - Three Bears Porridge Flaked Oatmeal Bag
... Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE... by Lila Gore. Lila donated Children’s Clothing (RGE 8324 ...These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and red, white and black text. Back of bag shows red and white graphic image of a woman wearing a dress and heeled shoes holding a coffee cup, with red and white text.Front: THREE BEARS \ PORRIDGE \ FLAKED \ OATMEAL \ SOMEBODYS BEEN TASTIN' MY PORRIDGE \ AN' THEY'VE EATEN IT ALL UP \ Jas. F. McKenzie & Co. Pty. Ltd. \ AUSTRALIA \ 7 LBS. NET. Back: MCKENZIES \ EXCELSIOR \ COFFEE \ ESSENCEwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - Three Bears Porridge Rolled Oats Bag
... Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE... by Lila Gore. Lila donated Children’s Clothing (RGE 8324 ...These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - Parsons Rolled Oats Bag
... Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE... Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE ...These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - Harpers Star Avena Brand Rolled Oats Bag
... Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE... to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing ...These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic blue and yellow image and text on front. Image shows head and shoulders of person resting on forearms surrounded by flora. Back of bag shows blue and white image of a cube with text and star graphics.Front: HARPER'S \ STAR \ AVENA \ BRAND \ ROLLED OATS \ ??INCORPOR?? ??STORIA?? \ ????? \ AUSTRALIA Back: THE \ SILVER STAR \ RICE \ STARCH \ ROBERT HARPERS AND CO LIMITED \ AUSTRALIA \ THE \ BEST \ IN \ THE \ WORLD \ WONT \ STICK \ TO THE \ IRON \wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - O*So*Lite Self-Raising Flour Bag
... Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE... Children’s Clothing (RGE 8324) to the museum in 2022 and at her time ...These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico flour bag with red, blue, white and yellow graphic image and text. Image shows head and shoulders of a woman wearing a bakers hat. Reverse side shows same image with slightly different text.Front: O*SO*LITE \ SELF-RAISING \ FLOUR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261 \ SELF RAISING \ SELF RAISING \ SELF RAISING Back: O*SO*LITE \ SELF-RAISING \ FLOUR \ PREPARED WITH PROSPHATE AERATOR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
Kew Historical Society Inc
Print, Elizabeth Morrison, c.1892
... a few haberdashery and children’s clothing stores. The donor's.... Together they had three children: two boys and a girl. The donor's ...Elizabeth Morrison, was born in 1874 and died in 1963, aged 89 years. She was the schoolteacher at Warrigal until she married the donor's grandfather and moved to Melbourne to take up residence with him. Her husband Edward was a porter on the train from Melbourne to Adelaide. Together they had three children: two boys and a girl. The donor's father was the youngest who was born in 1911. The eldest son, Kenneth Morrison, was a Monsignor in the Catholic Church, and an Air Force Chaplain during the Second World War, while the daughter was a spinster who owned a few haberdashery and children’s clothing stores. The donor's father had a newsagency in Bridge Road, Richmond. He and his wife lived in Carson Street, Kew for about 50 years and had four children, two of whom were to become lawyers, another a surgeon and the final child social worker/family therapist.The donor's father lived until he was 100 years of age.Copy of a photograph of the owner of a 19th Century dress in the collectionPhotocopy of a photograph of Elizabeth Morrison (nee Fitzgerald) in c.1892. australian fashion - victorian era - 1890s, elizabeth morrison -
Kew Historical Society Inc
Clothing - Black Silk Damask Mourning Outfit, c.1898
... a few haberdashery and children’s clothing stores. The donor's... examples of women’s, men’s, children’s and infants’ clothing from ...Elizabeth Morrison, was born in 1874 and died in 1963, aged 89 years. She was the schoolteacher at Warrigal until she married the donor's grandfather and moved to Melbourne to take up residence with him. Her husband Edward was a porter on the train from Melbourne to Adelaide. Together they had three children: two boys and a girl. The donor's father was the youngest who was born in 1911. The eldest son, Kenneth Morrison, was a Monsignor in the Catholic Church, and an Air Force Chaplain during the Second World War, while the daughter was a spinster who owned a few haberdashery and children’s clothing stores. The donor's father had a newsagency in Bridge Road, Richmond. He and his wife lived in Carson Street, Kew for about 50 years and had four children, two of whom were to become lawyers, another a surgeon and the final child social worker/family therapist. The donor's father lived until he was 100 years of age.The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The costume, which may have been used as a mourning dress is comprised of a matching heavy black silk skirt and top. The styling of the short bodice is accentuated by pleating and by the use of spirals of Parisian jet (black glass beads) on the bodice and cuffs. Chiffon lace is attached to the cuffs and is of the period. The dress is made of silk damask with a woven design of joined lines and circles. The rigidity of the fitted bodice is achieved by the use of baleen and by a heavy striped cotton fabric. The wide skirt, in contrast, has a stiffened brown cotton lining. There is a small insertion on the inside of the bodice that may have been used for a watch. The dress is in excellent condition. elizabeth morrison, australian fashion - 1890s, women's clothing