Used in ENG1 classroom for engineering subjects prior to degree courses beginning at the college.Differential model of a manual gear shift and clutch for a car or tractor bolted on to a metal base. Used for teaching in Engineering course prior to the Degree programme which commenced in the early 1980sFormeta Baden-Baden. Hawthorn Audio Visual.arboriculture, teaching, motor, gear shift, clutch, agricultural engineering, engineering, model, differential model

Now a BP Service Station opposite McLaughlans Lane, Plentyd.v. brake & clutch & midway motors, diamond creek, diamond creek rd

Student's technical drawing ballarat school of mines, technical drawing, r.h. livingston, alumni

Student's technical drawing ballarat school of mines, technical drawing, k. y. chin

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

Model of a 2-stroke motor, clutch and spark plug cable with one side cut away to show the inside. Used for teaching arboriculture at least until the 1990'sMcCullocharboriculture, teaching, 2-stroke motor, model, clutch, spark plug cable, chainsaw, mcculloch chainsaw

The pencil is enscribed R T King VX20233, Robert Teague King served in the 2nd AIF.The pencil has belonged to VX20233 R T King, who served in the 2nd AIF.A silver coloured metal clutch pencil.R T King AIF VX20233vx20233 r t king, clutch pencil

Barry Lyons owned and managed the Windemere Hotel in Kangaroo Flat along with his wife Betty. Barry was a long time member of the Lions Club of Kangaroo Flat. Barry served as a Bendigo City Councillor from 2008 to 2016, and as Mayor in 2013 - 2014. Collected and owned by Barry Lyons of Bendigo. Clutch pin attachment.bendigo, barry and betty lyons, windemere hotel kangaroo flat, lions club kangaroo flat, special olympics melbourne

Handbag belonged to Myrtle Grant, grandmother of donorBrown leather clutch handbag. Imitation skin design across frontcostume accessories, female

Made by internee Emil Hottelmann at Camp 3 for his wife.Ladies macramé clutch bag with wooden toggle in colours black, yellow & cream.tatura, handcrafts, macrame, sieglinde melton, sieglinde hottelmann

An example of a badge issued by Legacy in 2023 exclusively for the Torch Society members. The Torch Society are people that have made substantial donations to Melbourne Legacy and/or have left a bequest to Legacy in their Will. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of a badge given in thanks to a small number of benefactors. Badge released in 2023 for the Torch Society of Melbourne Legacy. It is made of gold coloured metal with a separate butterfly clutch.torch society, benefactors, bequests

This tie was owned by Walter Alexander Scott. Joined RAF December 1940 to be trained as a pilot, he got his wings December 1941, became a night fighter pilot after OTU and posted to 219 Squadron. Was posted to 603 Squadron December 1942 flying Beaufighters on coastal command convoy escorts, desert patrols, supporting Sicilian and Italian invasions (all from the N.African desert, then on Greek Island " Armed Rovers" until 10 November 1943, just at the end of ops, when he was shot down in the Aegean Sea and became a POW the next day 11 November 1943. Transferred to Germany he was in Stalag IVB for 3 months, before exchanging ID with an Irish soldier ,in order to get out of the main camp into a working sub-camp in order to escape. Post war Walter returned to Australia, he became "Citizen of the Year" in Werribee 1992 for his service to the community. In 1993 he was awarded the Order of Australia Medal for services to youth and to the retired. Manufactured by Austico Australia

Large oval shaped silver plated meat cover with handle and a Lion rampant clutching a sheaf of wheat engraved on one side.Mappin Brothers 222 Regent Street and London Bridgedomestic equipment, food storage & preservation, meat cover, di500

Pilot's qualification wingsAustralian Army Aviation Corps (AAAC) pilot's wings. Australian Army pilot's brevet with Queen's Crown and clutch pin mounting.

Black and white copy of original photograph of a lady wearing a checkered dress with matching jacket, white hat and shoes, holding white clutch and gloves.irene clarke, rene

Ink on tracing paper technical drawings of John Barker's heat Pump project: .1) Magnetic clutch drive pulley .2) Condenser .3) amendment to condenser technical drawing, heat pump project, john barker

Photograph. Black & white photograph of Gertrude Perry. Handbag under her arm & clutching object in her hand. On the back: Walking in Mall. Front of National Bank.person, individual, personal/portrait, gertrude perry collection, perry gertrude

Green frog ornament. Frog is in upright position kneeling on one knee clutching throat with extended arms and upward facing with open mouth. Suspect it to be personal ashtray.ornaments, ceramics, frog, ornament, ashtray, open mouth.

An example of a badges issued by Legacy exclusively for the Torch Society members. The Torch Society are people that have made substantial donations to Melbourne Legacy and/or have left a bequest to Legacy in their Will. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of a rare badge given in thanks to a small number of benefactors. Torch shaped Legacy badge, it is made of gold coloured metal with red enamel flame and around the word Legacy. Badge has a post and a separate butterfly clutch.torch society, bequest, benefactors

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

An example of a Junior Legacy Badge. These were worn by junior legatees. The age of the pin is not known, though it appears older than the 10 pins at 01704. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. It was part of a collection of Legacy items from Valma Hutchinson (nee Wigg), a former junior legatee. Valma was accepted into Junior Legacy club in 1940.A record of the badge given to junior legatees when they joined Legacy.Bronze lapel pin x 2 with the Legacy torch and the words Junior Legacy Club in dark blue enamel. Each badge has a post and a separate butterfly clutch.Junior Legacy Clubjunior legatee, membership, jlc

Coloured photograph of Margaret Brennan clutching book Redesdale Yesterday & Today under glass in thin black and gold timber frame, Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, margaret brennan

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture