This album was presented to the Earl of Stradbroke by the Fathers of Soldiers and Returned Soldiers 16/2/1923. Photo shows Cowes Pier looking north across the bay with Moonah trees and coastal vegetation in the foregroundPhotograph of Cowes Pier looking north across the bay with Moonah tree and other coastal vegetation in the foreground. Photo would have been taken from the Esplanade.Rose Series P 2788. The Pier, Cowes, Phillip Island, Vic.phillip island, cowes, pier, earl of stradbroke, moonah tree

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Judy Hindle and Andrew Shannon worked jointly on saving the Truganina Explosives Reserve from being sold for development by the State Government. Judy was an Altona resident and Andrew was an environment planner, first with Parks Victoria and then the local council. Their motivation was to not only save the site for open space but to capture what Judy described as the only in-tact historical site in the area. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018chirnside, explosives, tin fence, coastal vegetation, parks victoria, joan kirner, cheetham wetlands, doug grant, gahnia, salt marsh, sand ridges, rob andrew, nessie hardy, aboriginal middens, altona, truganina swamp

Also 10 x 15 cm sepia copy, has remnants of glue of the back, little bit fadedBlack and white photograph of Esplanade, showing Maranui Guest House, Police Station, corner of Bellevue Guest House and Club Hotel in distance. Natural vegetation of Coastal Banksia on grass verge between road and waterfront, and beside Maranui Guest House. Lakes Entrance VictoriaThe Esplanade Lakes Entrancewaterfront, township, guesthouses, police

Part of a collection of photographs donated by Bruce Bennett. Taken from different collections: Betty Kuc collection and Wal Steer. Most are photographs taken of postcards and photos.233-08. Black & White photograph of a postcard. Cowes Pier with shed, cranes and old Moonah tree in the foreground. 233-09. Black & White photograph of a postcard. Cowes Pier looking towards the east. Beach and foreshore in the foreground. 233-10. Black & White photograph reproduction of two young ladies in swimming costumes on Cowes Beach with pier in background. 233-11. Black & White photograph of a postcard. Cowes pier and Jetty shed, showing post and rail fence around entrance to pier. Tall Moonah tree near Jetty shed. 233-12. Black & White photograph reproduction of Genesta House with "Welcome Home" sign and Union Jack flags flying. Perhaps a welcome for local ment back home from the war?? 233-13. Black & White photograph reproduction of Genesta House in Cowes, Phillip Island. 233-14. Black & White photograph reproduction of Gullifer's Corner Store on the corner of Thompson Avenue & Chapel Street, Cowes Phillip Island. 233-15. Black & Whtie photograph of a gathering at the Cenotaph in Cowes, Phillip Island. 233-16. Black & White photograph reproduction of the Butcher Shop, Thompson Avenue, Cowes, near the old Shire Hall. 233-17. Black & White photograph reproduction of the lady on the rocks at Erehwon Point. Coastal vegetation behind the beach and two boats on the sand in the distance. 233-18. Black & White photograph reproduction of the Cowes Pier with masted ship and small boat at the pier. 233-19. Black & White photograph of the Garage Tea Rooms in Thompson Avenue, Cowes, with young cypresses which were planted circa 1915.233-08. The Rose Series P659. The Pier, Cowes, Phillip Is., Victoria. 233-09. The Rose Series P658. The Pier, Cowes, Phillip Is., Victoria. 233-11. The Rose Series P672. The Pier, Cowes, Phillip Is., Victoria. 233-16. Cowes - Jan. 1938 cowes pier phillip island, cenotaph cowes phillip island, gullifer's corner store cowes phillip island, garage tea rooms cowes phillip island, genesta house, genesta guesthouse, guesthouses cowes phillip island, erehwon point, cowes, a. smith garage tea rooms cowes phillip island, butcher shop cowes phillip island, bruce bennett, betty kuc collection, wal steer collection

Postcards collected by R.H. Baron while on leave in England during WW1. Part of the "Robert H. Baron" (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service. 1. Coloured coastal scene featuring yachts, beach goers and cliffs. People are standing on a pebbled beach. 2. Coloured coastal scene featuring cliffs and ocean. 3. Coloured coastal scene featuring beach, bathing machines, cliffs and town buildings. 4. Coloured coastal scene featuring beach with boats and town buildings. 5. Sepia toned photograph featuring houses. Stream running in front of house. Footpath between stream and house. 6. Coloured street scene featuring houses fronting a gravel road. 7. Black and white photograph of a street scene featuring buildings, pedestrians and horse drawn transport. 8. Sepia toned photograph of a street scene. Right side lined with houses. Single pedestrian on footpath. 9. Coloured scene featuring standing stones. 10. Coloured photograph of a ruined building overgrown with vegetation.1. Ladram Bay. 2. Ladram Bay. 3. Budleigh Salterton from East. 4. Budleigh Salterton from West. 5. Budleigh Salterton, Cottages at the Granery, 6. Budleigh Salterton, West Terrace. 7. High St. Budleigh Salterton. 8. Budleigh Salterton, Station Road. 9. Stonehenge. 10. Abbey Ruins, Waverley. robert h. baron, cooper collection, postcards, ww1

Part of a collection of photographs out of an old photo album with multiple photos on each page. Donated by Margaret Webster. Margaret's parents were Sir Charles & Lady McGrath who lived near the RSL in Ventnor Road, Cowes.286-18 - Sepia photograph of The Tea Room at Shelly Beach, Phillip Island or San Remo?. Two men, a lady and dog beside two cars. One car has a woman inside. 286-19 - Sepia photograph of a group of 13 people in coastal scrub land at Shelly Beach. 286-20 - Sepia photograph of a group of 13 people in coastal scrub land at Shelly Beach. 286-21 - Sepia photograph of a group of people having a picnic in front of the San Remo Hotel. 286-22 - Sepia photograph of 3 people at The Nobbies, Phillip Island. 286-23 - Sepia photograph of rough seas at The Nobbies, Phillip Island. 286-24 - Sepia photograph of a man with a young penguin possibly at Slummerlands Phillip Island. 286-25 - Sepia photograph of breakers at The Nobbies, Phillip Island. 286-26 - Sepia photograph of The Continental Guesthouse with guests on the verandah. 286-27 - Sepia photograph of an unmade road with scrub vegetation on the sides. 286-28 - Sepia photograph of Cowes foreshore with the Jetty in the background. 286-29 - Sepia photograph of the Cowes Jetty with people arriving off a ferry. 286-30 - Sepia photograph of Cowes foreshore with the Jetty in the background and a ferry.286-18 - "The Teahouse - Shelly Beach" 286-19 - "A Confidential Chat - Shelly Beach" 286-20 - "The Wanders - San Remo" 286-21 - "Lunch at San Remo" 286-22 - "The Nobbies - P.I." 286-23 - "Rough Seas - The Nobbies" 286-24 - "A Young Penguin" 286-25 - "Breakers - The Nobbies" 286-26 - "The Contin - Cowes" 286-27 - "The Road to the Back Beach" 286-28, 29 & 30 - "Beach and Jetty at Cowes"the nobbies phillip island, young penguins, wildlife - penguins, tea house behind shelly beach, shelly beach, san remo hotel, the continental guesthouse, the continental hotel, cowes jetty, margaret webster

3 coloured postcards and 8 coloured photographs of scenes on Churchill Island including an aerial view, homestead, outbuildings, vegetation, views, cairn and coastal scenes.Postcards say Churchill Island, Victoria. Victoria Conservation Trustchurchill island, churchill island heritage farm, churchill island - homestead, samuel amess

Although this book revolves around the supply of power(Electricity) from brown coal it does cover the period 1937 onwards when the Kiewa Hydro Electricity Scheme was first mooted. This area was believed to be far away from aerial bombardment should the coastal power stations be attacked by air in World War II(1939 -1945). After the war, post 1945, the demand for a continual power supply, not affected by seasonal coastal flooding was together with a lower cost of hydro electricity power the major incentive for the Victoria Government of the day to proceed (in the 1940s) with The Kiewa Hydro Electricity Scheme. In 1946 Victorian government sought greater independence from the New South Wales black coal supplies.The significance of this book to the Kiewa Valley and its outlying regions is that it details why the development of an Alpine region was and now still is pocketed with a European flavour both in buildings and in town vegetation(trees and flowers). European (post World War II refugees) where attracted to these alpine areas not only for hard labouring positions but also for their technical skills and some street names offer a distinct European lineage rather than convict or of earlier English settler. The construction phase accommodation continued after completion of the Kiewa Hydro Electricity Scheme to become popular venues for an increasing winter tourism industry. This book has a brown hard cover encapsulated by a cream sleeve with brown and black print. On the front of the sleeve is an embossed circular motif with centre piece S.E.C. emblem and around this the words "50 YEARS OF SERVICE" and below this" STATE ELECTRICITY COMMISSION OF VICTORIA". The book contains 313 double sided pages of black print and black and white photographs.On front of paper sleeve "Brown Power A Jubilee History of the State Electricity Commission of Victoria Cecil Edwards". On the second page, below the Title "Brown Power" there is a pasted, printed presentation certificate, with the S.E.C. emblem and these printed words " Presented by the Chairman and Commissioners to A.G. MILLIST, ESQ. in recognition of long and valued service with the Commission"electricity, victorian power supplies, hydro electricity, brown coal, cecil edwards

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Jon Duthie - Friends of the Bluff Sometimes the work that volunteer groups put in to bringing back nature goes completely unnoticed. When Jon and his colleagues began work at the Barwon Bluff the site was largely devoid of any vegetation. Today most new residents and visitors to Barwon Heads don’t even know that the site is actually a revegetation site. Jon is extremely knowledgeable, dedicated and passionate and has contributed significant amounts of time to raising awareness about the marine and coastal environment. For over twenty years he has also helped to organise Festival of the Sea in Barwon Heads.Image showing an environmental portrait of a man standing on a beach with sand dunes and ocean in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, barwon heads

Ventifacts are sand-blasted rocks that are typically faceted and often display parallel grooves carved by wind-blown sand. They are useful indicators of wind direction and strength in environments such as deserts, mountains, and coastal areas because they are usually not hidden by later sediment, soil or vegetation cover. In Antarctica ventifaction is strongly related to the composition or type of rock. Ventifacts are important because they provide evidence for abraders such as sand, dust or snow and ice crystals, and offer a unique understanding of past wind processes that are effective in the reconstruction of past wind flow conditions and can provides clues to weather and climate changes in the past. Interestingly ventifacts have also been found on the surface of Mars. They were a threat to the NASA rover due to the sharp angles of the facets, created by the Martian wind over the course of millions of years. These Martian ventifacts act like weathervanes for past wind and weather patterns on the red planet in a similar manner to those found on earth.The Geological Survey of Victoria was instigated in response to the Victorian Gold Rush which began around 1851 in the Beechworth, Castlemaine, Daylesford, Bendigo and Ballarat areas. The survey was conducted by Alfred Richard Cecil Selwyn from his arrival in December 1852 until his resignation in 1869and during this time he trained many notable geologists, e.g. Aplin, Wilkinson, Daintree, who went on to other State survey senior positions. This specimen was among those donated to the Burke Museum in 1868.A hand-sized solid mineral specimen in shades of dark and light browns with light lines visible in all configurations and a groove on configuration 2.light lines visible in all configurations and a groove on configuration 2burke museum, beechworth, geological, geological specimen, ventifact, antarctic region, antarctic, alfred richard cecil selwyn, alfred selwyn, wind direction, wind strength, abraders, wind flow, climate change, reconstruction of wind flow conditions, weather change, mars

This is the paired before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number is 01464.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph of the foreshore, showing a small steamer moored at a rough timber jetty, known as 'the Landing' (later Barrier Landing). Three small rowing boats moored to jetty loading fish to steamer identified as ss Bogong. Five men on jetty. Sandy shore strewn with dead seaweed, coastal banksia on bank. Lakes Entrance Victoriajetties, waterfront, boats and boating, vegetation, room display

A volume of ‎ 363 pages 363 pages including 32 colour photos as well as illustrations and maps. It also includes a detailed index and bibliography. This book serves as a comprehensive guide to reserves managed by the National Parks Service in Victoria, covering various aspects like history, geology, flora, fauna, and recreational activities. It divides Victoria into several parts, each with dedicated chapters for national parks, including detailed maps and entry points. Other reserves like State and coastal parks are grouped in a separate chapter. The content spans the diverse landscapes of Victoria, from Lower Glenelg to Burrowa Pine Mountain and the Alps to the desert, describing various types of soil, vegetation, animals, and natural beauty. It is intended for individuals who appreciate the outdoors, conservation, and bushwalking in the Australian bush.national parks and reserves, environment victoria, national parks victoria guide

sand hummocks showing drifting sand overwhelming a stand of coastal banksia trees.Black and white photograph of sand hummocks showing drifting sand overwhelming a stand of coastal banksia trees. Part of western end of township across Cunninghame Arm in distance Lakes Entrance Victoria. Also three black and white photographs showing sandrifts on hummocks overwhelming coastal banksia trees and other vegetation . c1952sand dunes, vegetation, environment

Written in 2025, this book tells the story of a settlement at Cape Conran from early 20th Century until 1986. Cape Conran is on the coast of East Gippsland, Victoria. This book contains memories and photographs and diagrams and letters of the settlement. These were mainly holiday houses and occupied beachfront land by way of permissive occupancies (leases). In the 1980s, the occupants were asked by the Victorian Government to relinquish these leases and demolish the houses. The land then became part of a Coastal Park.beachfront holiday houses at Cape Conran 1900-1986Book of 152 pages. Front cover has a coloured photo of a house surrounded by native vegetation in a beach setting. ln front of the house are cars on the beach. Back cover has a coloured photo of houses, with cars and people on the beach in front of the houses. The background is smokey, possibly from a bushfire.on front cover: THE HOUSES Cape Conran before 1986. Glenys Hammond Judy Jenkinsglenys hammond, judy jenkins, cape conran coastal park, holiday houses