graphic design workshop of Leann Edwards Bronwyn Bancroft and Valetta Fenton. Also a black and white photograph of Leann Edwards at an exhibition at Anchorage Coffee Lounge Myers Street Lakes EntranceBlack and white photograph at graphic design workshop of Leann Edwards Bronwyn Bancroft and Valetta Fenton. Also a black and white photograph of Leann Edwards at an exhibition at Anchorage Coffee Lounge Myers Street Lakes Entranceaboriginals, arts and crafts

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. "The Hideaway" was in Sturt Street Ballarat during 1960s-70s. The propriotor was Graeme McKenzie. He was the manager and swimming teacher at the Eureka Pool until it was taken over by the YMCA. He was also on the committee of the Eureka Stockade Memorial Park. Buff coloured thick card with black printzilles printers, graeme mckenzie, the hideaway, coffee lounge and restaurant, sturt street ballarat, eureka pool, eureka stockade memorial park, swimming teacher

The Daltons new business Footbridge Caterers also supplying cake decorating suppliesBlack and white photograph of Bruce Dalton who with his wife Margaret took over Galleon Coffee Lounge, 18 Myer Street Lakes Entrance Victoriabusinesses

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Main Street Stawell. Showing shops and businesses in Main Street. education, shops, main street, streetscape

In the early 1980s, the CBD of Sunbury bounded by Evans, Brook, O'Shanassy and Station Streets underwent major redevelopment. The photograph was taken in the centre of this developed area.A black and white photograph of a small shopping complex showing a craft shop and a coffee lounge. Five people are at the entrance of the small arcade.shopping centres, bakery walk, link arcade, let's be crafty, suzanne's coffee lounge, george evans collection

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

The Classic Restaurant, located in Swanson Street next to Young and Jacksons Hotel, was one of the many businesses owned by Ithacans in Melbourne's CBD. Nakis Raftopoulos ran the business during the 70 & 80s up until the property was sold and became a fast food chain outlet. The building has since been demolished as part of Melbourne's Metro Tunnel project. Many Ithacans who settled in Melbourne in the early years of the twentieth century opened restaurants In the CBD. From the 1950s onwards the number of these Ithacan owned businesses gradually declined and by the 1970s very few remained. The Classic Restaurant was one of the last remaining establishments in the CBD owned and operated by an Ithacan. A black and white photograph of the Classic Restaurant. It is a two storey building large printed letters spelling out the name of the business on the first floor of the building. Three sedans are in front of the building and two people are standing at the tram stop opposite the building.Painted on the second storey of the building: CLASSIC RESTAURANT/ GROUND FLOOR/ COFFEE LOUNGE.

Blue covered catalogue with dark blue printing for an auction sale of Antique Imported Exclusive Furnishings and contents of Burnewang Estate at Elmore. The famous two-storied mansion home of Mrs. A. E. Bayne. Auction was held on 26th, 27th and 28th June, 1945. R. J. Vicars-Foote was the auctioneer. Column down the right hand side of lots to enter selling price.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - burnewang estate, mrs a e bayne, r j vicars-foote, cambridge press print, mr r c dick, buckell & jeffrey pty ltd, the kentucky coffee lounge

1957 C.R.B. Plan of Survey of Part of Crown Portion 13 Section 4 and Crown Allotment 1 Section 1 Parish of Nillumbik, County of Evelyn Eltham-Yarra Glen Road, Shire of Eltham Shows Surveyor field notes, property ownership and building type and construction.eltham-yarra glen road, country roads board, eltham, main road, survey plan, 1957, a.m. & a.a. iowerson, a.mcg. hepburn, cecil street, coffee lounge, diamond street, e.g. murrell, elsa court, h.b. woodhead, j.c. & s.i. harding, la ronde, luck street, r.m. & v.m. white, r.n. mowatt, the board of land & works, w.g. hains, neil webster collection

Black and white photograph taken of spinning wheel and Kenny Koala on truck tray set up for Myer Street Traders Twilight Market. In background Fashion Network previously Stewart's Butchers and Galleon Coffee Lounge Lakes Entrance Victoriatrading, business

Black and white photograph of W2 291, eastbound in Flinders St with the Flinders St viaduct and the Viaduct Coffee Lounge shop in the background. Tram showing Route 28 (City Richmond) . No known details of the photographer or date but the tram still fitted with Trolley wheels.trams, tramways, flinders st, w2 class, route 28, tram 291

Frederick Eldred Griffith. a Real Estate Agent, served as a Councillor on Shire of Eltham Council, 1945 and 1951-1953. This photo appears to be a celebration in the 1960s possibly held at La Ronde Coffee Lounge.Black and white photograph of Councillor and Mrs Griffithcouncillors, griffith, eltham shire council

Black and white negative, by Wal Jack, of W2 529 in Beaconsfield Parade, St Kilda at the tram terminus for route 1 tram. Has the buildings in Fitzroy St in the background. The tram has the destination of route 1, East Coburg. c1954? On the buildings are "RGK", a Coffee Lounge, D F Reszke Cigarettes, Penfolds Winestrams, tramways, w2 class, beaconsfield parade, fitzroy st, route 1, tram 529

Agfa colour slide, blue / white plastic mount, photo by Keith Caldwell of L103 south bound in Swanston St crossing Flinders St, showing Hanna St Depot. Tram has an advert for Renault cars. In the background is the Young and Jackson's Hotel, the Classic Restaurant coffee lounge and cafe, Portmans, a sign for Visit Tasmania and HMV radios. 3/1968In ink "L 3/68"trams, tramways, l class, hanna st, hanna st depot, flinders st, swanston st, tram 103

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Eastern side of High Street, Wodonga. From left Tony Conway's Sports Store, Coffee Lounge Lunch Bar and Take Away. Tony Conway opened his store with partner Jake Elkington in late 1961. In 1969 he bought the former RSL Hall and moved the Sports Store from across the road in High Street. It stayed in the family until 2007 under the management of Nic Conway.wodonga businesses, high st wodonga, conway's sports store