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matching colonel bush
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Tatura Irrigation & Wartime Camps Museum
Photograph, Lieutenant Colonel Bush and Captain Bain
... Lieutenant Colonel Bush and Captain Bain...Lieutenant Colonel George Bush...Lieutenant Colonel George Bush Group Commandant and Captain...Black and white photograph of Lieutenant Colonel George... Tatura the-murray Lieutenant Colonel George Bush Group Commandant ...Lieutenant Colonel George Bush Group Commandant and Captain R. Bain Adjutant Camp 13. Black and white photograph of Lieutenant Colonel George Bush Group Commandant and Captain R. Bain Adjutant Camp 13. Huts to left and a hill behind. Men both in uniform.camp 13, lieutenant colonel george bush, captain r. bain, camp 13 personnel, camp 13 officers in charge, camp 13 commandant, camp 13 adjutant -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, copy 1989
... Colonel Bush... Commandant Colonel Bush with Captain Bain, Adjutant. Garden right... Tatura the-murray Army officer. WW2 Camps Colonel Bush Captain ...Army officer. WW2 CampsB & W photograph of two (2) male officers WW2. Group Commandant Colonel Bush with Captain Bain, Adjutant. Garden right and left mid distance. Hut left background.colonel bush, captain bain, internment camps, internment camp army officers, tatura internment camp, camp 13 -
Lara RSL Sub Branch
Service Gear, Clothing Military Various - Puggaree
The term ‘puggaree’ originates from the Hindu word, ‘Pagri,’ meaning a turban or thin scarf of muslin. Intended for insulation, the puggaree was a traditional Indian head-wrap, adapted by the British for headdress worn in hot, sunny regions. During World War One (1914-1918) a plain khaki cloth band was worn and this practice continued until compulsory training was suspended in 1929. Following the introduction of Voluntary Training in 1930, new puggarees were issued to the Commonwealth Military Force with different coloured folds denoting Arm or Service. During World War Two, a flat type of band was issued. Troops who were on active service in the Middle East at the time introduced a folded puggaree as a distinguishing mark of active service. Later, the Army reverted to various types of plain bands, green dyed puggarees for example, for jungle warfare. However, the official puggaree at the conclusion of World War Two was still the flat band. The current puggaree has seven pleats, one for each state and one for the Australian Territories. It is made from light khaki coloured cotton and is worn on the slouch hat with a unit colour patch sewn on the right side. While the majority of the Australian Army wear the light khaki coloured puggaree, there are slight variations for members of the 1st Battalion, the Royal Australian Regiment, and the Corps of Staff Cadets. Soldiers of the 1st Battalion, the Royal Australian Regiment, wear jungle green puggaree. The dark green puggaree was introduced during the Battalion’s service in Malaya over the period 1959-61. Unable to get puggarees from Australia for an official parade; the task of producing them was given to the Battalion tailor, Mr. Mohavved Beseek. Mr Beseek used ‘bush shirts’ (common issue British field uniform at the time) to make the puggarees as he was unable to obtain the khaki material locally or from Australia. It is thought that the Commanding Officer, Lieutenant Colonel W. Morrow decided that the green puggaree would be the puggaree worn by the 1st Battalion, the Royal Australian Regiment, in Malaya. After the battalion’s return to Australia, the dark green puggaree was adopted for permanent use. Because the dark green puggaree is so distinctive, the battalion does not wear a colour patch. Royal Military College staff cadets wear a distinctive puggaree of olive drab colour. The puggaree has eight pleats, with seven representing each state and one for the Australian Territories. The eighth pleat signifies the graduation of the first international cadet through the Royal Military College who hailed from New Zealand. Worn on slouch HatHat BandNilpuggaree,hat band, slouch hat, lara rsl -
Bendigo Historical Society Inc.
Document - ART OF SIDNEY NOLAN, PROGRAM FOR EXHIBITION BENDIGO 1972, 07/08/1972
Three copies of program for an art exhibition August 7 until August 11, 1972. Those associated with the exhibition are: City of Bendigo, The National Trust of Australia (Victoria) Central Victorian Branch, Mutual Permanent Building Society, Mrs D. I. Nolan and the Australian Galleries. The brochure names the twelve paintings, on exhibition by Sidney Nolan and Portrait of Sidney Nolan, by Christine Backhaus. There is also a short biography on Sidney Nolan. Handwritten in the top right corner of one copy is: Bush 1972.art, document, art of sidney nolan, city of bendigo, the national trust of australia (victoria) central victorian branch, mutual permanent building society, sidney nolan, cr d e elliott, colonel s r birch o b e, australian galleries, christine backhaus, the age, sidney henry nolan, dora irene nolan (sutherland), mrs l sweet, mrs m goslin, brighton technical school, raymond nolan, malcolm goslin, prahran technical school, national gallery art school, serge lifar, icarus, colonel de basil, kelly gang, unesco gallery paris, paradise gardens, her majesty the queen, arts centre st kilda road, prince phillip, lord snowdon, rev. fr. j p stockdale, mr a j watts, rosalind landells, feargus niall, mari mullins, brian mcgrath, bush -
Wangaratta RSL Sub Branch
Headwear - Army Slouch Hat, Fayrefield of Melbourne
History has it that the origins of the Slouch Hat began with the Victorian Mounted Rifles; a hat of similar design had been worn in South Africa by the Cape Mounted Rifles for many years before 1885. The design of the Victorian Mounted Rifle hat originated from headgear of native police in Burma where Lieutenant-Colonel Tom Price had recognised its value. The Victorian hat was an ordinary bush felt hat turned up on the right side. The intention of turning up the right side of the hat was to ensure it would not be caught during the drill movement of “shoulder arms” from “order arms”. The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol.Slouch Hat - made of fur felt with an 8 fold hat band (puggaree) it has the blue/gold unit badge on the band denoting the 8th Light Horse brigade with a leather chin strap. The right hand side is held by a brass rising sun badge.army, slouch hat -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
Courses Camps were held separate to annual exercise in order to train soldiers in driving and radio operator skillsBlack and white photograph of group in bush setting at Puckapunyal 1983. Standing at centre of group is Sir David Fairbairn, Honorary Colonel 8/13 Victorian Mounted Rifles." Courses Camp 1983. L to R Capt. Cameron, WO11 Gaughan, Hon Col Sir David Fairbairn, Pte Capelhorn, Tpr Marshall." -
Mont De Lancey
Military Medals
Awarded to Colonel Otter.4 round, silver Military Medals attached to striped ribbon Bars:- 1. Silver Medal with image of young Queen Victoria, & Britannia on the reverse. 2. Silver Medal with image of Queen Victoria, & Lion & Bushes on the reverse. 3. 1 large Silver Medal with image of Queen Victoria, & Britannia on the reverse. 1 smaller replica Medal of the larger Medal.1. Baltic 1854-1855 2. South Africa 1877-1878 3. South Africa 1901 Transvaal, Orange Free State, and Cape Colonymilitary medals -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Letter - Appreciation letter from the Governor of Victoria
a Letter of appreciation written by the Governor of Victoria her excellency the Honourable Linda Dessau AC, Governor of Victoria, Representative Colonel of the Royal Victoria Regiment. The letter was provided to the unit after the 2019 bush fire and the letter is been kept in a wooden frame.