This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.South façade of Studley House showing the protruding colonnaded verandastudley house, dorothy rogers

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of double storey colonnade of Studley House in Nolan Avenue, Kew. dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of double storey colonnade of Studley House in Nolan Avenue, Kew. dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of double storey colonnade of Studley House in Nolan Avenue, Kew. dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

black and white image: concrete paved walkway, colonnades on either side, curved archways. Doorway at end.bendigo, buildings, bendigo hospital, bendigo, hospital

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white photograph of the singer Robin Vanser in performance with fellow artists and dancers at 'The Colonnades. Sydney, 1966robin vanser, performing arts - australia - 1960s, the colonnades - sydney - 1966

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of the front garden and part of the colonnaded verandah of 'Merridale' (formerly 'Pomeroy'), 43 Sackville Street, Kew.Annotated in ink reverse: "Merridale 43 Sackville St Built 1884/5 / View of drive to portico / Entrance old trees and gardens"merridale, pomeroy, sackville street -- kew (vic.), gardens -- kew (vic.)

This is a hard cover book of 39 short stories. The cover is faded and worn at the edges. The title is reliefed in a gold rectangle with a crown surrounded by couchant royal lion and unicorn. There is a central illustration of a kangaroo with a hunter in the distance framed by rope around a colonnade. There is an arrangement of sporting equipment at the base of the colonnade. There are inscriptions in black ink which have been re written in grey lead in a child's hand.fictionThis is a collection of 37 short stories for boys presented as an annual collection. joe kane, lindsay family, woolsthorpe, quamby

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of Studley House in Nolan Avenue, Kew. The photo shows the entrance flanked by urns and a section of the Nolan Avenue facing rendered and painted colonnade.Annotation verso: "Studley House. Visited by Prince of Wales, Edward VIII. Another view. Front Entrance to Studley house. National Trust".dorothy rogers, studley house -- nolan avenue (kew)

The home was known as 'Montalto'. It was built by Andreas Hansen in 1888. It was purchased by Dr John Box in 1913 and was demolished in the 1950s to make way for Sythney Court. The property was surrounded by extensive grounds and abutted Surrey Gardens. Sythney Court was so named to commemorate the Box family's association with a Cornish village of the same name.A black & white photo of double-storey Victorian mansion. It has a slate roof, has arched colonnades on both levels and is rendered. The garden is established with a feature cypress tree and standard roses.andrea hansen, union road, surrey hills, dr john box, sythney court, surrey gardens, 'montalto'

This former bank building was contructed for the Union Bank of Australia in 1863-64 to the design of architect Leonard Terry. It replaced an earlier building that operated from 1857. The Union Bank disposed of the building in 1951 when it merged with the Bank of Australasia.Double storey bank building. The ground floor facade is designed as a five bay colonnade of engaged Doric columns, a motif repeated above using Corinthian columns to support the balustraded parapet. plaque: 1857-1957 This tablet commemorates the opening on 1st July 1857 of the Ballarat Branch of the Union Bank of Australia Limited. These premises housed the branch until 30th September 1951 when the Union Bank of Australia Limited was merged with the Bank of Australasia to form Australia and New Zealand Bank Limited. union bank of australasia, lydiard street south, ballarat, australa and new zealand bank limited, anz, ballarat branch of the union banl of australasia

This former bank building was contructed for the Union Bank of Australia in 1863-64 to the design of architect Leonard Terry. It replaced an earlier building that operated from 1857. The Union Bank disposed of the building in 1951 when it merged with the Bank of Australasia.Double storey bank building. The ground floor facade is designed as a five bay colonnade of engaged Doric columns, a motif repeated above using Corinthian columns to support the balustraded parapet. union bank of australasia, lydiard street south, ballarat

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Doric columns supporting the first floor colonnade.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Ionic columns forming the first floor colonnade.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House was built in the 1850s for Melbourne and Kew pioneer, John Hodgson. Later owners included John Wren. The building is now part of Xavier Preparatory School. The colonnaded balconies were a twentieth century addition.Photographic print positive of the facade of Studley House in Nolan Avenuestudley house, john hodgson, john wren, xavier college

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Doric columns forming the ground floor colonnade. Note the Victorian tessellated tiles used on the floor of the verandah.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the two storey rendered and painted colonnade featuring Doric columns o the ground floor and Ionic columns on the first floor.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

Small, square, original colour positive photograph of 'Mandalay', Molesworth Street, Kew, taken in 1979 by Elizabeth Mackie. Side view showing double-storey colonnade faced with cement pilasters on first floor and projecting bay window on both floors.Annotated in ink on reverse: " Mandalay, 3 Molesworth St. / once Morrissey family home / Donated by E Mackie 1979"mandalay, historic houses -- kew (vic.), mansions -- kew (vic.), morrissey family

Colour transparency (slide) created in June 1976 during a tour by the Junior National Trust, which was led by members of Kew Historical Society. The collection of 21 slides reveals that the tour covered all parts of Kew, but focused understandably on heritage buildings and sites.Image of an historic place in Kew that can be dated to an exact time and place. The images, albeit amateurish in composition, frequently reveal aspects of important buildings and sites that have changed over time.35mm colour transparency of the left hand porticos of Ross House (aka Charleville) in Cotham Road, Kew. The colour of the original render is intact, and that of the cast iron columns used in the colonnade, at least in 1976, are white. Ross House is a fine example of boom time Italianate architecture. ross house -- cotham road -- kew (vic.), historic houses -- kew (vic), charleville -- cotham road -- kew (vic.)

"The first section of Raheen was commenced in 1870 with an extension added in 1884. It was designed by William Salway and built for Edward Latham of the Carlton Brewery. Sir Henry Wrixon, prominent Melbourne barrister and solicitor, later owned and resided at the property. In 1917 Raheen was purchased by the Catholic Church and became the official residence of Archbishop Mannix, as well as four other Catholic archbishops of Melbourne. In 1981 the Church sold the property and it again reverted to a private residence." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original, monochrome print copy of a photograph of Raheen in Studley Park Road (Kew). The unrendered red brick house with tower has a toe story section at right with a double colonnade and a single story section at left. The photographs predates the restoration of the gardens and house by te. Pratt family. Annotation verso: "Raheen. R. C. Archbishops Palace, Studley Park Road, Kew".reheen, mansions -- kew (vic.), studley park road

Postcard, coloured image of Karlsbad a Spa City in the current Czech Republic. On the front are the words 'Kreuz und Sprudelgasse' that translates as 'Cross and Bubble gases' Picture shows a canal with 5 story buildings on the left and part of a colonnaded building on the right. People strolling on footpaths. Also ' Muhlbrunnenquai' On the back is printed '61614 Herman Poy, Dresden'postcard, photograph, postcard, karlsbad, czech republic, germany

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

Early photograph of the Ballarat Post Office taken from the intersection of Sturt and Lydiard Streets. A gas lamp stands in the middle of the intersection. People standing and talking on the roads. The Post Office was built in two sections. Section one built in 1864. Section two and the tower were built in 1885. It was built in the Victorian Italianate design. Arched headed windows on the ground floor originally formed a colonnade. These were filled in to provide more internal space. The tower was a feature - the top having a cast iron balustraded widow's walk.Ballarat Post Office - view north along Lydiard Street from its intersection with Sturt Street. Image taken in 1897. Gas lamp in the middle of the intersection. Numerous people are seen standing in the middle of the road talking. There are wires noticeable but cannot verify if they are electric or for the telephone. Electricity was produced in Dana Street Ballarat as early as 1895post office, gas lamp, overhead wires, tower, arched headed windows, victorian italianate design, widow's walk, ballarat post office

Colour transparency (slide) created in June 1976 during a tour by the Junior National Trust, which was led by members of Kew Historical Society. The collection of 21 slides reveals that the tour covered all parts of Kew, but focused understandably on heritage buildings and sites.Image of an historic place in Kew that can be dated to an exact time and place. The images, albeit amateurish in composition, frequently reveal aspects of important buildings and sites that have changed over time.35mm colour transparency of the front portico of Burke Hall (formerly Studley Hall, Waverley) and now Xavier Junior School in Nolan Avenue, Kew. Since its construction in the 19th century, the building has had numerous additions made by subsequent owners. The original render has been painted and sections of the original colonnades glazed in. The facade of Burke Hall faces away from Studley Park Road to take advantage of the views to the south.historic houses -- kew (vic), xavier college -- kew (vic.), burke hall -- kew (vic.), waverley -- kew (vic.), nolan avenue -- kew (vic.), studley hall -- kew (vic.)

In 1995, the upper school students from Bulla Primary School attended a camp at Hanging Rock Reserve which is part of the Macedon Ranges. At this camp the students were shown basic rock climbing skills and explored the rock for its interesting geological formations. Hanging Rock, also known as Mount Diogenes, is the traditional land of the Dja Dja Wurrung, Woi Wurrung and Taungurung people. It is a mamelon formed when magma poured from a vent and congealed. There are interesting rock functions at the site such as the Colonnade, the Eagle and the UFO. The highest point on the rock is 718metres above sea level and 105 meters above the land at its base.Hanging Rock is an important geological and volcanic structure in the Macedon Ranges area and in central Victoria. A non-digital coloured photograph of three holiday cabins and a barbecue in a bushland setting. A red car is parked outside one of the cabins as well as two permanent picnic tables.hanging rock, mount diogenes, mamelons, volcanoes, school camps, bulla primary school

The first section of the Ballarat Post Office was built in 1864, the second (including the tower and offices in Lydiard St) in 1885. The original design had the arched windows on the ground floor (facing Sturt St) forming a colonnade, but these were soon filled in to provide more internal space. Here the Post Office is decorated for the 1956 Olympic Games, when the rowing and canoeing events were held on Lake Wendouree. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. post office building, olympic games, lydiard street north, sturt street, federation university, illuminations

This building dated back to the 1880s and had previously operated as Delany's Hotel and then the Royal Hotel. It was built near the site of the original Delany's Hotel, built in 1856. The Royal Hotel closed in 1921 after the area voted to be a 'dry area' in the local option poll. Tower House Day and Boarding School operated from 1921 until 1932. Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s; many were associated with events and activities of the Church of England.Black and white photo of a partially demolished building. The roof and part of the second storey are missing. What remains indicates that it has been a large building in the Victorian style. Along one side at ground level there are 4 arches, perhaps entry to a covered veranda, above which is a colonnade, and perhaps an open veranda on the upper level. There is a mixture of treatments to the surrounds of the windows. On the corner, within an arch which may have once been a doorway, is a sign reading: "TOWER HOUSE / DAY / & / BOARDING SCHOOL". There is a car with a retractable hood in the lower RH Corner of the photo.Rear top centre in blue biro "1932" (crossed out); top RH corner "498" in red biro; centre "Demolition of / Tower House Day & Boarding / cr Canterbury & Broughton Rds / previously Tower House Hotel / originally Royal Hotel / See partner photo."; bottom RH cnr "demol (in red biro) / 20-8-32". All in Jocelyn Hall's handwriting.tower house day and boarding school, schools, education, royal hotel, hotels, construction and demolition, dry area, licensing polls, temperance movement, delany's hotel, norman carter

This image depicts people walking down the street in the early 1900s, giving a glimpse into everyday life of the Edwardian era in rural Australia. The image also captures the Beechworth Post Office, located on the corner of Ford and Camp Streets. The stone post office building was built in 1858 to replace the inadequate wooden building on the same location. It was built from granite sourced from the area and features Architectual designs of the era including a hipped slate roof and a colonnaded entrance surmounted by a parapet. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, 1900s, edwardian era, architecture, granite building