PETER CLARKE (1935 - ) Born Deloraine, Tasmania Peter Clarke was both artist and teacher. He held 14 exhibitions between 1957 and 1977, as well as participating in a number of group exhibitions, including Contemporary Australian Painting shown in Los Angeles and San Francisco. He is best known for large colour-field works. Peter Clarke's abstract painting emphasises texture, colour and gesture. He won the George Crouch Memorial Prize in 1967 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting with black, red, yellow, green, blue and white predominating.art, artwork, peter clarke, clarke, abstract, colour-field

Leslie DUMBRELL (14 October 1941 - ) Born Melbourne, Victoria Leslie Dumbrell was a pioneer of geometric abstraction in Australia. After completing a Diploma of Art (Painting) at the Royal Melbourne Institute of Technology (RMIT) in Melbourne in 1962, Leslie Dumbrell adopted the international style of colour field and hard-edged abstraction. She taught alongside Peter Booth, James Doolin and Alun Leech-Jones at RMIT and Prahran College of Advanced Education. In 1966 Dumbrell was appointed to the Prahran College of Advanced Education teacing with Alan Leach-Jones and Jim Doolin. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Geometric AbstractionA large painted canvas with precise, brightly coloured geometric patterns on a black background. Dumbrell uses colour and line to create optical effects which often convey the illusion of movement. art, artwork, dumbrell, hard-edged abstraction, colour field, leslie dumbrell

The letters are written by Alfred G Ferris AIF to his Mother in Terrick Terrick , refer cat No 4183.3P for his service details..1) Envelope, “YMCA”, khaki colour, Field PO stamp dated Aug 27 1918, passed by censor stamp, addressed to in purple. .4) Envelope, plain, rectangular shape, greenish colour, Field PO stamp dated Aug 27 1918, passed by censor stamp, addressed to in purple pencil. .2).3) Letters, “YMCA” letterhead, ruled lines, hand written in pencil, .2) is dated..2) “France 26th Aug 1918”letters, envelopes, ymca

Colour Photograph of Field Street in Ballarat.field street, camp street, ballarat

Letter from Alfred Ferris to his family in Terrick Terrick Victoria, refer Cat No 4183.3P for his service details..1) Envelope rectangular YMCA logo brown colour, Field PO stamp and Passed by censor stamp, hand written in black pencil. .2) .3) letter yellowed rectangular shape, ruled lines, hand written in black pencil. .2) “Monte-Le-telle..” Charleroi Belgium 1st May 1919, Dear Mother and All”letters, envelopes, ymca, belgium

Letter written by Alfred G Ferris No 2156 AIF to his Mother on Xmas day 1917. refer cat No 4183.3P for Alf’s service details..1) Envelope, “YMCA” letter head, rectangular shape, brown colour, Field PO stamp, stamped by the Censor, addressed in black ink. .2).3).4) Letters, rectangular shape, off white colour, hand written in black ink, dated..2).3).4) Main point, “Somewhere in France 25th Dec 1917”.letters, ymca, xmas

Letter sent home by Alfred G Ferris AIF to his Mother in Terrick Terrick. Refer cat No 4183.3P for his service details..1) Envelope, rectangular shape, off white colour, Field PO stamp dated “Sep 20th 1918”, passed by censor stamp, addressed in purple pencil. .2).3).4) Letter, 3 pages, off white ruled line paper, written in black pencil, dated.On letter, “France 5th Oct 1918, Dear Mother and All”letters, envelopes, france

Letter from Alf Ferris to his Mother in Terrick Terrick, refer Cat No 4183.3P..1) Envelope, rectangular shape, light green colour, Field PO stamped dat unclear, censor stamp in black & initialed, hand writing in black pencil. .2).3).4) Letter, rectangular shape, off white colour, plain paper, hand written in black pencil & dated..2) At top, “In France, Sun 13th Jan 1918, Dear Mother”letters, envelopes, france

PETER CLARKE (1935 - ) Born Deloraine, Tasmania Peter Clarke was both artist and teacher. He held 14 exhibitions between 1957 and 1977, as well as participating in a number of group exhibitions, including Contemporary Australian Painting shown in Los Angeles and San Francisco. He is best known for large colour-field works. Peter Clarke's abstract painting emphasises texture, colour and gesture. He won the George Crouch Memorial Prize in 1967 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting with an ink wash.art, artwork, peter clarke, abstract

PETER CLARKE (1935 - ) Born Deloraine, Tasmania Peter Clarke was both artist and teacher. He held 14 exhibitions between 1957 and 1977, as well as participating in a number of group exhibitions, including Contemporary Australian Painting shown in Los Angeles and San Francisco. He is best known for large colour-field works. Peter Clarke's abstract painting emphasises texture, colour and gesture. He won the George Crouch Memorial Prize in 1967 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract drawing with wash.art, artwork, printmaking, peter clarke, mixed media, ballarat teachers' college collection, abstract

Letters written by Alfred Ferris No 2156 AIF to “Mrs W Ferris & Mr J Ferris”, his family in Terrick Terrick. Refer Cat No 4183.3P for Alf’s service details..1).4) Envelopes, “On Active Service” rectangular shape, blue colour, Field PO stamp, all print in black, hand written in purple pencil, dated, .1) 5 May 1917, .4) 4 Apr 1917. .2) Letter, “YMCA” letterhead, ruled lines, print in B & W, handwritten, dated 3.5.1917. .3) Dried leaf. .5).6).7) Letters, hand written.letters, on active service, envelopes

Letters both from Alfred G Ferris AIF to his Mother in Terrick Terrick. Refer cat No 4183.3P for his service details..1), Envelope, yellowish colour, rectangular shape, green and red PO stamps, stamped “Glasgow 5 Aug 1918”, hand addressed in black pen. .2) Brown coloured pressed plant .3) Envelope, rectangular shape, greenish colour, Field PO stamp, passed by censor stamp, hand addressed in purple. .4) letter, “YMCA” letterhead, blue colours, ruled lines, dated..4) dated, “FRANCE 10th Sept 1918, Dear Father”.letters, envelopes, pressed plants,

Letters from ALF Ferris to his Family at Terrick Terrick. Refer Cat No 4183.3P.1) Envelope, rectangular shape, off white colour, Field PO stamped, hand written in purple pencil, dated. .2) Letter, “YMCA with the AIF” letter head, rectangular shape, off white colour, ruled lines, hand written in black pencil, dated. .3).4) Letter, “YMCA with the AIF” letter head, rectangular shape, off white colour, ruled lines, hand written in black pencil, dated..1) At top, “O.A.S”, (On Active Service) .2) “Belgium Sun 3rd March 1918, Dear ones at Home” .3).4) “St Patricks Day Sun 17th March 1918”letters, ymca, envelopes

AUS Colour Patch and AUS Colour patch in field environment, and rising sun, all with DPCU background

Dale HICKEY (31 July 1937 - ) Born Melbourne Dale Hickey studied art at Swinburne College of Technology before teaching at Phillip Institute of Technology (now Royal Melbourne Institute of Technology) from 1973–89. Leaving that position he devoted himself full-time to painting. In 1968 he was included in the National Gallery of Victoria exhibition of Australian minimalism, 'The Field'. His work is known for an awareness of minamalism, colour field and realism. In 1986 Dale Hickey won the Ballarat Fine Art Gallery's Hugh Williamson Art Prize. In 1988 the Ballarat Fine Art Gallery mounted a large retrospective exhibition of his work which was then toured. His work is widely represented in Australian public collections. Framed painting. dale hickey, available

Letters from Alf Ferris to his Family in Terrick Terrick, refer cat No 4183.3P.1) Envelope, YMCA, rectangular shape, light green colour, Field PO stamped, stamped by censor in red & initialed, ruled lines, hand writing in black pencil. .2) Letter, “YMCA with the AIF” letter head, rectangular shape, off white colour, ruled lines, hand written in black pencil and dated. .3) .4) Letter, “YMCA” letter head, rectangular shape, off white colour, ruled lines, hand written in black pen & dated..2) At Top, “France, 2nd April 1918, Dear Mother” .3) Date appears to be, “Sun ..... April 1918, Dear Mother and all at home”.letters, envelopes, ymca

UnknownPortrait of a man in dress uniform (navy blue suit, gold cuffs and epulets, belt and sash, with dress sword hanging in sheath on his left hip). He has white hair and a beard and is looking out of the frame to the upper left. His right elbow is resting on three books on top of a stone plinth. To far left of image is a domed uniform hat with an insignia on the front and a spike on top. Background is a modulating colour field: green/brown on left to darker browns and reds on right. Framed in ornate wooden frame.Front: J. Trangmar Esq. Mayor (brass plate affixed to lower centre front of frame).

COLOUR PHOTOGRAPH GUN CLUB - FIELD AND GAME CLUB HOUSE MT-CAMERON ROAD. CLUNESlocal history, photography, photographs, gun club

Letters from Alf Ferris to his Family at Terrick Terrick, refer Cat No 4183.3P.1) Letter, square paper, off white colour, ruled lines, hand written in black pencil & dated. .2) Envelope, rectangular shape, off white colour, Red postage stamp, PO stamp from Melbourne Victoria, hand written in black pen. .3) Envelope, rectangular shape, off white colour, Field PO stamp, passed by censor stamp in black & initialled, hand written in black pencil. .4) Envelope, “AIF & War Chest Club” , PO stamp in black, date unclear, hand written in black pen. .5) Letter, “AIF & War Chest Club” letter head in black, plain paper, off white, rectangular shape, hand written in black pen & dated..1) At Top, “France 2nd June 1918, Dear Mother and All” .5) At top, “10th Aug 1918, Dear Mother”.letters, envelopes, war chest club

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A colour photograph of 8 Field Ambulance Hospital Red Cross nurses, Janice Webb and Jean Debelle, doing the rounds with the wounded and sick Diggers.photograph, 8 field ambulance hospital, hospital, red cross, janice webb (red cross), jean debelle (red cross), nurses, gibbons collection catalogue, denis gibbons, photographer, vietnam war, diggers, wounded serviceman

Letters written by Alfred G Ferris No 2156 AIF from a training camp near Codford England to his family in Australia. refer cat No 4183.3P for his service details. .1) Envelope, rectangular shape, off white colour, stamped "Field Post Office", stamped "Passed by Censor", hand written address in black ink." .2) Letter, Ünited Navy and Army Board Soldiers Church and Institute" letterhead, all print in black, hand writing in black ink, dated. .3) letter, "YMCA" letterhead, print in black and red, hand written in ink and pencil, dated..1)"Mrs W Ferris Terrick Terrick Via Pyramid Victoria Australia" .2) Main items, "4.10.16", "Dear Marian and all at home" .3) "4.11.1916"letters, envelopes, codford, ww1

The letter "A" is for "Anzac". Issued to those who served on the Gallipoli Peninsula and surrounding Islands, Hospital ships etc and worn as is on the Colour Patches. Instituted in 1917. Service Chevrons are worn on the right arm below the elbow of your uniform. The red one is for those who embarked in 1914, the blue, one for each year of service after. Instituted in 1918. These belonged to Frederick Campbell Moller No 2233 AIF. Refer 1661.3, 1682.5, 1663P. .1) Colour patches, 3rd Field Artillery Brigade, 2 red triangles set onto dark blue felt with a dark dot on the left red triangle. A brass letter "A" is attached to the patch. .2) Same as point .1). .3) Chevrons, 4 blue and 1 red "V" shaped cloth chevrons sewn on to khaki piece of uniform.uniforms-army badges, insignia, chevrons, “a”, colour patches

An abstract figure lies horizontally in the centre of flat and patterned fields of colour. The figure comprises of white, blue and burgundy. The colours in the background comprise of layers of green, blue, dark rose and dark green, which combine to make fields of maroon, aqua, dark green and textured dark blue. Mounted in brown matt, framed in silver painted wooden frame, with red undercoat showing through areas of wear.Front: J Courier (lower left) Reclining figure (lower right) (pencil). Back: Artist J Courier 368 Toorak Rd Sth Yarra. Title: Reclining figure. Price $90 framed, $70 un-framed.abstract, figure, print, nude

This photograph taken c1999/2000, depicts the Burke Museum’s granite façade and vestibule entrance. The museum's large red door is closed and there is a white sign is attached to the door. The museum site dates to the 1857 founding of the Beechworth Public Library and Athenaeum by a newly formed Young Men's Association (YMA). In 1863 the museum was dedicated as a memorial to former Beechworth police superintendent (1854-1858) and explorer Robert O’Hara Burke, following Burke’s death from malnutrition on the Burke and Wills expedition in 1861. Funded by the Victorian Government and the Royal Society of Victoria, the officially titled 'Victorian Exploring Expedition' was tasked with being the first European party to traverse Australia from south to north. The Burke Museum holds objects from the famous expedition and explores the multi-layered history of Beechworth and surrounds from the gold rush era to the present.This photograph is historically significant for its depiction of the Burke Museum c1999/2000. The Burke Museum is Australia’s oldest regional museum and part of Beechworth's Historic and Cultural Precinct, one of Australia’s best preserved historic-town sites and a popular tourist destination. Once the government centre for a vast gold fields region, this collection of nationally significant buildings tells the story of how Australia grew and prospered. The frequent use of honey-coloured local granite as a building material, which can be seen in the museum's fabric, gives Beechworth’s historic buildings a distinct and cohesive local character. This photograph captures this distinctive character and may be compared and studied alongside other images of historic buildings in the Burke Museum Photographic Collection.Rectangular colour photograph printed on photographic paper.Reverse: 7031 / Label: Burke Museum / 1999/2000 /burke museum, indigo shire, beechworth athanaeum, beechworth library, beechworth historic building, historic precinct, burke museum exhibition, from the liedertafel to the skating rink, honey-coloured local granite, robert o'hara burke, victorian gold fields, historic towns in victoria, colonial australia, liedertafel, colonial entertainments, beechworth brass band, historic victorian architecture, australia's oldest regional museum, burke and wills expedition, first europeans to cross australia, yound mens associations, beechworth tourism, things to see in beechworth, beechworth historic trail, young men's associations

This undated photograph depicts two people standing in the vestibule entrance at the Burke Museum, Beechworth. The museum site dates to the 1857 founding of the Beechworth Public Library and Athenaeum by a newly formed Young Men's Association (YMA). In 1863 the museum was dedicated as a memorial to former Beechworth police superintendent (1854-1858) and explorer Robert O’Hara Burke, following Burke’s death from malnutrition on the Burke and Wills expedition in 1861. Funded by the Victorian Government and the Royal Society of Victoria, the officially titled 'Victorian Exploring Expedition' was tasked with being the first European party to traverse Australia from south to north. The Burke Museum holds objects from the famous expedition and explores the multi-layered history of Beechworth and surrounds from the gold rush era to the present.This photograph is historically significant for its depiction of the Burke Museum and Loch Street streetscape. The Burke Museum is Australia’s oldest regional museum and part of Beechworth's Historic and Cultural Precinct, one of Australia’s best preserved historic-town sites and a popular tourist destination. Once the government centre for a vast gold fields region, this collection of nationally significant buildings tells the story of how Australia grew and prospered. The frequent use of honey-coloured local granite as a building material, which can be seen in the museum's fabric, gives Beechworth’s historic buildings a distinct and cohesive local character. This photograph may be compared and studied alongside other images of historic buildings in the Burke Museum Photographic Collection.Rectangular colour photograph printed on photographic paper.Reverse: 3440burke museum, beechworth athenaeum, beechworth library, beechworth historic precinct, robert o'hara burke, australia's oldest regional museum, indigo shire, beechworth athanaeum, beechworth historic building, historic precinct, honey-coloured local granite, victorian gold fields, historic towns in victoria, victoria's high country, colonial australia, beechworth tourism, things to see in beechworth, beechworth historic trail, historic victorian architecture, burke and wills expedition, first europeans to cross australia, young men's associations

Malachite is a water soluble, crystalline, triphenyl methylene chloride salt. It has a close relationship to copper because it is common for Malachite and copper to come from the same ore. Malachite often has shades of green, making it also known as Malachite Green. As a result of it's colour, it is known for being a dye and has been used in the dye industry, the textile industry and in medical fields. Cobar in New South Wales is well known for it's mining. This is because of the number of important deposits present in the area and include three important mining belts where most of the materials are found. These are the 'Cobar belt', the 'Canbelego belt' and the 'Girilambone belt'. The 'Cobar belt' runs underneath the main town. Copper was first discovered in Cobar in 1869 and since then, many deposits of other materials have been found, including Malachite.This specimen is significant because it comes from Cobar, NSW and represents the many deposits of materials found there. Cobar has a long history of mining and is a source of Australia's copper minerals. Malachite is often found in copper deposits meaning that it is representative of Cobar's copper production. Malachite is known for it's vivid green colour and as a result, has many uses, such as meaning used as a dye. This makes it a valuable material and highly significant. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid hand-sized mineral with shades of brown , white and light green throughout.geological specimen, geology, geology collection, burke museum, beechworth, malachite, copper, water soluble, cobar, cobar mines, cobar mining, cobar nsw, nsw, new south wales, mining belts, ore, copper ore, malachite green, dye, green, dye industry, textile industry, desposits, canbelego, girilambone, alfred selwyn

A pocket magnifying glass was a versatile scientific tool. It was ideal for situations in which the specimen was too small to be observed under a magnifying glass and access to a larger microscope would have been impossible.It could be taken on field expeditions and used to examine botanical, zoological and mineralogical specimens. This small magnifying glass could be used for examining specimens of plants or rocks or jewellery.Simple,pocket microscopes had a significant impact on the the general public’s appreciation of both science and the natural world by making the microscopic world accessible and exciting.A small brass pocket magnifying glass with resting arm. The cardboard box is blue / black in colour.magnifying-glass scientific-instrument