Showing 485 items matching community arts centre
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Whitehorse Historical Society Inc.
Memorabilia - Bag - Carrybag, 2013
... map with numbers marking 1. Box Hill Community Arts Centre; 2.... Box Hill Community Arts Centre; 2. Whitehorse Art Space at Box ...Given away at 2013 City of Whitehorse Spring Festival, Whitehorse Civic Centre, Nunawading.Ecru calico carrybag printed on one side with 'Explore Whitehorse - Arts & Culture' in red headline. Underneath is a green map with numbers marking 1. Box Hill Community Arts Centre; 2. Whitehorse Art Space at Box Hill Town Hall; 3. Box Hill Library; 4. Blackburn Library; 5. Nunawading Library 6. Whitehorse Centre; 7. Vermont Library 8. Schwerkolt Cottage and Museum Complex; Contact details for Whitehorse City Council & Logo.City of Whitehorse; Explore Whitehorse-Arts & Culturecivic mementoes, souvenirs -
Port Melbourne Historical & Preservation Society
Archive - Minutes, Port Mission Action Group, 1988
... -90 when it was used as a community arts centre...-90 when it was used as a community arts centre ...The Missions to Seamen building, designed by architect Harry Norris and built in 1937, was located on the site proposed 50 years later for development by the Sandridge Development Company. The building fell into disrepair after it was closed by the church in 1972, but enjoyed a brief and energetic period in 1987-90 when it was used as a community arts centre. These documents record the campaign waged to save the building from demolition. It was demolished in October 1995.Material relating to a campaign to save the Missions to Seamen building, 1987-88: minutes, correspondence and membership details of National Trust-auspiced Port Mission Action Groupmission to seamen, arts and entertainment, mission arts centre, national trust of victoria, harry a norris, pat grainger, barry merat, brian couldrey -
Port Melbourne Historical & Preservation Society
Letter - Correspondence from the Mission Arts Centre, 1987 - 1988
... -90 when it was used as a community arts centre... period in 1987-90 when it was used as a community arts centre ...The Missions to Seamen building, designed by architect Harry Norris and built in 1937, was located on the site proposed 50 years later for development by the Sandridge Development Company. The building fell into disrepair after it was closed by the church in 1972, but enjoyed a brief and energetic period in 1987-90 when it was used as a community arts centre. These documents record the campaign waged to save the building from demolition. It was demolished in October 1995.Material relating to a campaign to save the Missions to Seamen building, 1987-88: correspondence from the Mission Arts Centremission to seamen, arts and entertainment, mission arts centre, national trust of victoria, harry a norris, pat grainger, barry merat, brian couldrey -
Port Melbourne Historical & Preservation Society
Flyer - Promotional material from Mission Arts Centre, 1987 - 1988
... -90 when it was used as a community arts centre... as a community arts centre. These documents record the campaign waged ...The Missions to Seamen building, designed by architect Harry Norris and built in 1937, was located on the site proposed 50 years later for development by the Sandridge Development Company. The building fell into disrepair after it was closed by the church in 1972, but enjoyed a brief and energetic period in 1987-90 when it was used as a community arts centre. These documents record the campaign waged to save the building from demolition. It was demolished in October 1995.Material relating to a campaign to save the Missions to Seamen building, 1987-88: flyers, campaign and promotional material from the Mission Arts Centremission to seamen, arts and entertainment, mission arts centre, national trust of victoria, harry a norris, pat grainger, barry merat, brian couldrey -
Port Melbourne Historical & Preservation Society
Flyer - Promotional material from Mission Arts Centre, 1988
... -90 when it was used as a community arts centre... as a community arts centre. These documents record the campaign waged ...The Missions to Seamen building, designed by architect Harry Norris and built in 1937, was located on the site proposed 50 years later for development by the Sandridge Development Company. The building fell into disrepair after it was closed by the church in 1972, but enjoyed a brief and energetic period in 1987-90 when it was used as a community arts centre. These documents record the campaign waged to save the building from demolition. It was demolished in October 1995.Material relating to a campaign to save the Missions to Seamen building, 1987-88: items relating to an open day at the Missions to Seamen building for Heritage Week, 22 to 25 April 1988, including notes for accompanying guided tourmission to seamen, arts and entertainment, mission arts centre, national trust of victoria, harry a norris, pat grainger, barry merat, brian couldrey, town planning, heritage -
Port Melbourne Historical & Preservation Society
Document - Papers, Correspondence and flyers, campaign to save Missions to Seamen building, 1987 - 1988
... -90 when it was used as a community arts centre... and energetic period in 1987-90 when it was used as a community arts ...The Missions to Seamen building, designed by architect Harry Norris and built in 1937, was located on the site proposed 50 years later for development by the Sandridge Development Company. The building fell into disrepair after it was closed by the church in 1972, but enjoyed a brief and energetic period in 1987-90 when it was used as a community arts centre. These documents record the campaign waged to save the building from demolition. It was demolished in October 1995.Miscellaneous correspondence and flyers relating to a campaign to save the Missions to Seamen building, 1987-88: mission to seamen, arts and entertainment, mission arts centre, national trust of victoria, harry a norris, pat grainger, barry merat, brian couldrey -
Brimbank City Council Art Collection
Mixed Media, Lillian Carland, Gallipoli, 1986-88
... Purchased from exhibition at Footscray Arts Community... Community Arts Centre 775 Ballarat Road Deer Park melbourne Mixed ...Purchased from exhibition at Footscray Arts Community CentreArtist lived in Western Suburbs (Melton)Mixed media artwork -
Glenelg Shire Council Cultural Collection
Booklet - Catalogue - A Community View Exhibition, c. 1984
... Accompanied 'A community View' exhibition, CEMA Arts centre... 'A community View' exhibition, CEMA Arts centre CEMA community arts ...Accompanied 'A community View' exhibition, CEMA Arts centreCatalogue detailing the 'A Community View' Exhibition from the 1980s in Portlandcema, community arts, poster art -
Glenelg Shire Council Cultural Collection
Booklet - Catalogue - A Community View Exhibition, 1984
... Accompanied "A Community View" Exhibition, CEMA Arts Centre... "A Community View" Exhibition, CEMA Arts Centre, 198 community art ...Accompanied "A Community View" Exhibition, CEMA Arts Centre, 198A catalogue for the 'A Community View' exhibition held at the Portland Arts Centre. 1984community art, portland cema -
Eltham District Historical Society Inc
Document - Newspaper article, Diamond Valley News, Help needed on peace message, Aug 1986
... at the Eltham Community Arts Centre at Meruka House. Peace Banner Group... at the Eltham Community Arts Centre at Meruka House. Peace Banner Group ...A River of Life: Eltham Peace Banner 1986 The Hiroshima Day Banner was conceived by Shire of Eltham Artist in Residence, Jacky Talbot and a number of other Eltham women as part of the “As We Are” community banner project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The group promoted it at the new Community Notice Board (Arthur Street and Main Road) on Hiroshima Day (August 6) and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Jacky Talbot, led the team who produced the banner, approximately 4.5 metres by 1.5 metres, of sewn and painted Australian flora and fauna. Workshops were held at the Eltham Community Arts Centre at Meruka House. Peace Banner Group members included Laurel Eckersall, Anne Laurence, Betty Johnson, Margaret Johnson and Joan Maclagan. One of the creators, Joan Maclagan, further gave expression in verse – Banner for Peace The 'River of Life' with about 30 other banners went on display in the “As We Are” exhibition held at the Eltham Community Centre on 9 October 1986, previewed by the Member for Greensborough, Ms Pauline Toner, and Eltham Shire President, Mr Bob Manuell. The full display continued in Woolworths (now Coles) Arcade. The banner was also carried by the group in the 1986 Eltham Festival Grand Parade on November 8, along with other group banner projects including that of the Eltham District Historical Society, after which they were displayed in the Shire of Eltham’s tent in Alistair Knox Park.anne laurence, betty johnson, display panel, eltham peace banner, hiroshima day banner, joan maclagan, laurel eckersall, "as we are" community banner project, banner project, river of life banner, community notice board, jacky talbot -
Eltham District Historical Society Inc
Photograph, "As we are" Community Banner Project, c.Oct. 1986
... was not familiar with Eltham but was an experienced community arts worker... Community Arts Centre when the other textile peace mural Jacky co ...River of Life and Hiroshima Day Banners The River of Life and Hiroshima Day banners were specific peace projects initiated by the CAO and taken up by Eltham Living & Learning Centre and funded by the Victorian Peace Secretariat for IYP. The project was transferred from the Centre to Tracey as part of her artist in the community portfolio. Tracey, as CAO, employed Jacky Talbot, who was not familiar with Eltham but was an experienced community arts worker personally interested in textiles and peace. The project was publicised and a peace banner group formed. Only two of the women knew each other. They had come together from a need to do something for peace, rather than to learn about textiles. Jacky Talbot shared Elizabeth Savage's approach to the banner. She was not 'a peace-expert' and did not want to be seen as such by the group. Like Elizabeth Savage she wanted to encourage an expression of peace as it was perceived by the group. Jacky showed slides of peace images and peace banners. Textile workshops were interspersed with discussions about peace, one of which was led by a local People for Nuclear Disarmament member. The idea for the banner occurred during one of these discussions. One of the women began to talk about feeling like a drop of water lost in the river of life - yet rivers were made of countless droplets which, when joined together, became the powerful force of the river. This group quickly established a commitment, not only to peace, but to the group itself, and this has continued beyond the project. The women, as is the case with many of the groups in the Banner Project, were really surprised at their increasing textile skills and self-confidence. But they were more concerned with their commitment to peace. Each is continuing to find ways in which she can continue to work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. One woman wrote a poem about the project and peace; others have sent telegrams and letters to politicians about peace. A great deal of information about peace and other activities, articles, books, media programs were circulated amongst the group. The Hiroshima Day Banner was made by Jacky Talbot as part of the project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The artist was concerned about the remaining time scheduled for the project and spent several days "whipping" up the banner herself. For the artist this banner was to prove quite significant. The women hung it at the Community Notice Board on Hiroshima Day and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Although no new members joined the group from this activity, the artist felt that she was more fully accepted by the group afterwards. This banner has initiated a small group of women committed to peace. The artist has also continued to liaise and meet with the women as time permits. Future group plans include: making kimonos to wear when carrying the banner, participating in the Palm Sunday March, an observance of Hiroshima Day activity, which is yet to be decided, establishing contact with a sister-town in USA and USSR and supporting Eltham Council's stance as a Nuclear Free Zone. (Source: The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report / by Jacky Talbot, Shire of Eltham, Feb. 1987, pp43-46)35mm colour positive transparency (1 of 2) Mount - Kodak KodachromeProcess Date OCT 86Mbanner project, community banner project, tracey naughton, eltham living and learning centre, eltham peace banner, jacky talbot, river of life banner -
Eltham District Historical Society Inc
Photograph, "As we are" Community Banner Project, c.Oct. 1986
... was not familiar with Eltham but was an experienced community arts worker... was not familiar with Eltham but was an experienced community arts worker ...River of Life and Hiroshima Day Banners The River of Life and Hiroshima Day banners were specific peace projects initiated by the CAO and taken up by Eltham Living & Learning Centre and funded by the Victorian Peace Secretariat for IYP. The project was transferred from the Centre to Tracey as part of her artist in the community portfolio. Tracey, as CAO, employed Jacky Talbot, who was not familiar with Eltham but was an experienced community arts worker personally interested in textiles and peace. The project was publicised and a peace banner group formed. Only two of the women knew each other. They had come together from a need to do something for peace, rather than to learn about textiles. Jacky Talbot shared Elizabeth Savage's approach to the banner. She was not 'a peace-expert' and did not want to be seen as such by the group. Like Elizabeth Savage she wanted to encourage an expression of peace as it was perceived by the group. Jacky showed slides of peace images and peace banners. Textile workshops were interspersed with discussions about peace, one of which was led by a local People for Nuclear Disarmament member. The idea for the banner occurred during one of these discussions. One of the women began to talk about feeling like a drop of water lost in the river of life - yet rivers were made of countless droplets which, when joined together, became the powerful force of the river. This group quickly established a commitment, not only to peace, but to the group itself, and this has continued beyond the project. The women, as is the case with many of the groups in the Banner Project, were really surprised at their increasing textile skills and self-confidence. But they were more concerned with their commitment to peace. Each is continuing to find ways in which she can continue to work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. One woman wrote a poem about the project and peace; others have sent telegrams and letters to politicians about peace. A great deal of information about peace and other activities, articles, books, media programs were circulated amongst the group. The Hiroshima Day Banner was made by Jacky Talbot as part of the project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The artist was concerned about the remaining time scheduled for the project and spent several days "whipping" up the banner herself. For the artist this banner was to prove quite significant. The women hung it at the Community Notice Board on Hiroshima Day and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Although no new members joined the group from this activity, the artist felt that she was more fully accepted by the group afterwards. This banner has initiated a small group of women committed to peace. The artist has also continued to liaise and meet with the women as time permits. Future group plans include: making kimonos to wear when carrying the banner, participating in the Palm Sunday March, an observance of Hiroshima Day activity, which is yet to be decided, establishing contact with a sister-town in USA and USSR and supporting Eltham Council's stance as a Nuclear Free Zone. (Source: The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report / by Jacky Talbot, Shire of Eltham, Feb. 1987, pp43-46)35mm colour positive transparency Mount - Black and Whitebanner project, community banner project, tracey naughton, eltham living and learning centre, eltham peace banner, jacky talbot, river of life banner -
Federation University Historical Collection
Booklet, Camp Street Precinct Action Plan, 10/1998
The camp Street Action Plan aimed to create a vibrant focus of community life, arts and culture in the heart of Ballarat. It included the relocation of the University of Ballarat Visual and Performing Arts from Mt Helen to the Camp Street precinct. Key sits were the Ballarat Post Office, former Ballarat Library, Victorian Business Centre, Police stations, Ballarat fine Art Gallery, field Street Car Parks. Rring bound booklet with clear plastic cover.arts academy, camp street precinct, alfred deakin place, former ballarat mining exchange, mining museum, art gallery of ballarat -
Federation University Historical Collection
Booklet, Gippsland Printers, GIAE Official Opening, 1976
The Gippsland Institute of Advanced Education was established by an Order-in-Council in September 1968. The Council of the Institute included members of the Gippsland community who are prominent in local government, industry, commerce, education and the professions, the Director of the Institute, and representatives of the academic staff, students, and graduates. On its establishment, the institute assumed responsibility for the diploma courses previously offered by the Yallourn Technical College which had commenced diploma teaching in 1929. Initially, all the Institute's teaching was conducted in the diploma building of the Yallourn Technical College. In 1972 the Institute transferred part of its operations to the first of its permanent buildings on a large campus in rural surrounds near the township of Churchill, ten kilometres south of Morwell and one hundred and sixty kilometres east of Melbourne. The Gippsland Institute of Advanced Education was opened on 20 November 1976 by the Honourable Lindsay Thompson, Deputy Premier of Victoria and Minister of Education; and Senator J.L. Carrick, Minister for Education in the Commonwealth Government. Silver and yellow soft covered booklet celebrating the opening of the Gippsland Institute of Advanced Education at Churchill, Victoria. An introduction is written by C.H. Ford, President of Council. The book was designed and produced by the design Centre, G.I.A.E. SChool of Visual Arts.gippsland institute of advanced education, m.w. hopper, c.h. ford, lindsay thompson, j.l. carrick, r.w. muncey, churchill, yallourn, morwell, yallourn technical school, yuncken freeman architects, f.a. gray, f.r. goddard, j. milton-smith, j.r. lawry, b.r. groves, c.p.a. hos, c.w. tolley, k.f. smith, j. dowsley, robert charles bigelow, charles hartley ford, daniel eric kent, barbara lapin, john charles mcgauran, neville thompson, john charles vinall, leslie alfred galvin, maxwell francis gray, john alfred forster oram, donald robert hannington, john perrin kellaway, john james robertson, leslie lawrence shipp, valerie lorraine willington, leonard allan falk, kwong chiu lee dow, brenton robert groves, glen william drover, kenneth francis gibson, maxwell wallace hopper, teunis jan geerit korevaar, j.j. robertson, d.f. kretlow, chancellor and patrick, churchill campus, gippsland campus collection -
Federation University Historical Collection
Book, Beyond Rhetoric: University - Community engagement in Victoria
University - Community enagagement partnerships survey analysedRed and black covered book with pictures of buildings on the front cover. Melbourne Arts Centre, Sky view of Yarra River and more.non-fictionUniversity - Community enagagement partnerships survey analysed beyond rhetoric, university community enagagement, alexandra winter, john wiseman, bruce muirhead, anne badenhorst, david birch, catherine burnheim, brian galligan, ann gervasoni, david jones, anne langworthy, john mcdonald, winsome roberts, maureen rogers, keith boast -
Footscray Community Arts Centre
Industrial Hope, De Clario, Emma, 2005 (exact)
... Footscray Community Arts Centre 45 Moreland Street ...Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios -
Footscray Community Arts Centre
Home Sweet Home, Edwina Bach, (exact); 2003
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Mixed media on wood. DESCRIPTION: A three dimensional work, assemblage art. The base a dark stained natural wood, the second layer is painted in pastels with mixed media. Three painted and mixed media pieces are attached symmetrically positioned alongside one another. Ornate and decorative the centre piece spells home sweet home, also the title of the work.NILhome, art, bach, assemblage, sweet -
Footscray Community Arts Centre
Toolum Boat, Bronwyn Bain, (exact); 2005
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Oil on canvas DESCRIPTION: Blue and white oil painting on canvas, no outer frame. An abstract interpretation of a boat in what appears to be the waters of the coast of Toolum, Mexico. The landscape of Toolum in Central America is dotted with the stark white washed remains of the ruins and temples of the Mayans. This depiction of a Toolum Boat reflects these relics of the land here on its watery gulf. "BB" signature; bottom proper right corneroil, bain, toolum, boat -
Footscray Community Arts Centre
Painting - Painting, Fresco-Strappo, Leaf, 2005
... Footscray Community Arts Centre 45 Moreland Street ...Large, unframed canvas with image of leaf suspended in centre using pink and gold tones. Signature and date appear in yellow on lower right quadrant.Bain 05leaf, bain, fresco, strappo -
Footscray Community Arts Centre
Body Form, Rai Banda, (exact); Taken 1994, Printed 2006
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Photographic print. DESCRIPTION: Black and white photography print, no frame. A figurative nude stands against a cracked and splitting wall, the image captures a faceless woman’s body as it curls inward upon itself, her head and chest guarded and held by her arms and hands. A vulnerable moment captured in black and white photography. Signed and dated across bottom of print.photograph, body, print, banda, form -
Footscray Community Arts Centre
Them Bones, Mandy Bathgate, (exact); 2005
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Oil on paper. DESCRIPTION: Blue, white and brown oil painting on paper, mounted on white board under glass, white outer frame. An abstract close up, bones are lined up vertically along the full length of the canvas against a bright blue background and a centrally placed horizontal earthy toned background, the bones almost appear attached, as to a cowboys belt. Initialed and dated on image, proper left bottom corner.them, oil, bathgate, bones -
Footscray Community Arts Centre
Northcote Sky Over The Meatworks, Jody Bell, (exact); 2004
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Gouache on paper DESCRIPTION: Red, black and blue Image under glass, black frameSigned, titled and dated on backing boardbell, northcote, sky, meatworks, gouache -
Footscray Community Arts Centre
Out in the Crowd, Nina Bove, (estimated); 1999 - 2004
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Acrylic and gouache on canvas. DESCRIPTION: Gold painting on blue background, no frame. Crowded luminous stick figures dominate the canvas; a dark blue midnight sky the background, the strokes rough and brushed, the crowd is captured with sparks of light, points of activity around and amongst the figures gives the work movement. Signed and dated proper left hand side of image.the, in, gouache, bove, out, crowd, acrylic -
Footscray Community Arts Centre
Untitled, Arthur Boyd, (estimated); Signed by artist 1974, Printed 1998
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Screenprint of drawing. DESCRIPTION: Black and white, signed print under glass, black outer frame, white board inner frame.Two figures are central on a light background. A man approaches a woman on a period chair. Signed across bottom of print (proper right).print, boyd, signed, limited, edition -
Footscray Community Arts Centre
Holiday Yardage Mambo, David Bowers, (exact); 2003
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Acrylic on paper. DESCRIPTION: Image ranges from dark brown to pale brown with white. Light colored timber, outer frame with glass covering, white board and an inner frame. A very busy piece full of activity, starting from the bottom left we have an areoplane which is perhaps how this vacation begins, the sun sits above it and a bikini clad woman who has arrived to her destination is placed above the sun. There is cruise ship, a martini glass and a whale embracing the outer scene. Waves, a surfer, a marlin and a small guitar sit at the lower right. A large car takes the viewer to the centre of the picture where we come across a giant guitar. The music is what matters, this piece dances about the canvas in mushroom pinks and chocolates. Little outlines of fish fill the gaps. A very beachy scene. The image lyes quite flat to the eye, rough stick outlines of the images above. Signed proper left hand corner of image.bowers holiday, yardage, mambo acrylic -
Footscray Community Arts Centre
Converge - Collins Street Window Reflection, Greg Considine, 2005
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Photographic print. DESCRIPTION: A photograph of abstract architecture. Black outer frame with glass front panel and white board inner frame. An abstract collection of building faces meeting towards a left off centre vertical line collision point. This picture is a meeting of mirrors, how many remains a mystery. Where one mirror or building starts and another ends, to the viewers eye is met with some uncertainty. Following lines, the clearest meeting of mirrors is where the building on the left appears to be the same and collides with a variety of other buildings coming horizontally in a distinct vertical line to the top of the image. The bulidings on the right have somehow through the skill of the photographer captured a bermuda triangle of walls. The mirroring angles of the walls being from either several different buildings, or from several different mirrors. This creates a strange collecetion of imagery, the viewer unable to make clear distinctions of where something starts or ends or from where it is coming from. The tonal shades and shadows created also play a role in creating an interesting collage of shapes and lines. This piece essentially speaks of lines, angles, geometric shapes, meeting points, shadow and light. Signed and dated on white board inner frame, directly under left corner of image.photograph, st, considine, converge, collins -
Footscray Community Arts Centre
Oh Matise, Jo Darvall, (exact); 2006
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Acrylic on canvas. DESCRIPTION: Blue and black, no external frame. A figurative nude, the close up takes most of the canvas. It sits on a dark background in undefined surroundings. The blue woman sits flat as many of Matisse’s works do, favouring this style over the illusionistic depth to achieve his aim, here we see this replicated. Matisse is also noted for his use of colour as a means of expression rather than description. Here we have a woman painted all in blue, with this knowledge we could say the artist has painted his subject as someone who has been captured in a very relaxed, very calm version of herself, an ocean onto herself, mysterious and captivating in this moment. Her arm slung confidently above and around her head, her view directly facing the viewer provocatively. The only other colour on her other than the thick black lines which outline and shadow her contours, is the circular red of her earring -mirroring the generous sweeping curves of the work. The presence of visible brushstrokes produces a sense of movement and energy as well as providing a decorative quality to the painting.Signed and dated on bottom proper left of center of image (on reverse of canvas).acrylic, darvall, matisse -
Footscray Community Arts Centre
Industrial Hope, Emma de Clario, (exact); 2005
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Oil on kiln dried red gum (wood block) DESCRIPTION: Black figure och blue and white background, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky. The crane set in the lower centre of the canvas almost becomes secondary to the sky and cloud which dominate the wood block. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green, the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives it a strong focal point. Signed and titled on reverse of imageoil, de, hope, clario, industrial, photograp -
Footscray Community Arts Centre
Amber Bead Mandala, Rosemary De Dear, (exact); 2002
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Digital print. DESCRIPTION: A fractal exploration on 192 gsm archival matt. Image ranges from yellow, orange, and red to darker tones. Gold outer frame with a glass front. The Mandalas geometric designs are symbolic of the universe and used in Hinduism and Buddhism as an aid to meditation. The creative possibilities that exist in these sacred circles, are often based on a step-and-repeat principle, centre, and symmetry. Here we see this put into practise. The mandala has an iris quality about it with 16 pillars pulling centrally to what looks like a pupil, the centre of the mandala. This then has more points around it and then more once again. This fractal approach gives the work a textural depth. The use of blurring and merging in a kaleidoscopic fashion creates movement, the circular flow repetitive and calming. The use of reds throughout mandata art represent the glowing sun and of fire, red generally taken to be the color of life, love, joy and rage, the polar values of the color. Orange the colour of cheerfulness and gaiety, a colour mixed from red and yellow, it stands for kind-heartedness and warm-heartedness. Signed, titled, dated and editioned on image across bottom.de, print, digital, dear, amber, bead, mandala, fractal, expolration -
Footscray Community Arts Centre
Lightspace 03, Ian de Gruchy, (exact); 2003
... Footscray Community Arts Centre 45 Moreland Street ...MEDIUM: Inkjet print on cotton rag. DESCRIPTION: Abstract image, black and pale brown/ivory, black outer frame with glass, white board inner frame under glass. The objects appear to be broken up pieces of something greater. Pieces of a greater machine, here re-assembled in hard angular lines and triangular blocks, in abstracted form. The image is a close up, the ink on cotton comes up in rough grainy scratches of shadow. Shades of grey with highlights of blue. Dark angles with patches and corners of pure black. Hard dark lines which meet with white surfaces, blend into grey.Signed, titled and dated on backing board.de, grouchy, lightspace, inkjet