language and learning, language and culture, south australian department of education

Sunshine Bon Thomas Reserve Feasibility Study and Conceptual Plan for Sunshine City Council Scott & Furphy Engineers Pty Ltd Landscape Divisionbon thomas reserve, quinn street, deer park, herbert arthur "bon" thomas

Twelve pages booklet: Lansell's Fortuna. On the front and back cover conceptual drawings for the development of Fortuna Villa by the contemporary architect W.O. Beebe. After an introduction by the Commanding Officer the book details the history of Fortuna and then it gives instruction on the best tour route.place, fortuna, fortuna villa

This padlock provides conceptual knowledge regarding the padlocks used in Victorian goldfield gaols. Brass padlock under brown paint. Dents and scratches. No key. Open shackle. "JACKSONS" engraved in arch across keyhole. Smeared fingerprints in paint. gaol, prisoner, padlock

The padlock give a conceptual understanding of functional objects used in early Victorian goldfield gaols. Padlock with cracked blue enamel paint. Attached functional key Object #1241 Five screws on front - nine screws on back#11 in red paint. gaol, incarceration, goldfields, prisoner

“Maybe here” is a constant thought running through the back of my mind that something might happen where I’m standing. Tension builds at the slightest sound or suggestion of movement. How much of this fear is self-perpetuated and how much of it is warranted. How different would my experience be if I was someone else.This series is a departure from Janelle’s conceptual interests around Australian identity and multiculturalism. Using the project as a vehicle to confront and challenge her own personal concerns as well as a means to represent a more universal female experience.

“Maybe here” is a constant thought running through the back of my mind that something might happen where I’m standing. Tension builds at the slightest sound or suggestion of movement. How much of this fear is self-perpetuated and how much of it is warranted. How different would my experience be if I was someone else.This series is a departure from Janelle’s conceptual interests around Australian identity and multiculturalism. Using the project as a vehicle to confront and challenge her own personal concerns as well as a means to represent a more universal female experience.

“Maybe here” is a constant thought running through the back of my mind that something might happen where I’m standing. Tension builds at the slightest sound or suggestion of movement. How much of this fear is self-perpetuated and how much of it is warranted. How different would my experience be if I was someone else.This series is a departure from Janelle Low’s conceptual interests around Australian identity and multiculturalism. Using the project as a vehicle to confront and challenge her own personal concerns as well as a means to represent a more universal female experience.Donated by the artist

Lansell's Fortuna Brochure -Stapled brochure -sketch of main entrance to Lansell's Fortuna Villa on the front cover /rear page shows 'Conceptual elevation for the development of Fortuna Villa by architect W.O. Beebe / the first page shows "Commanding Officer's Introduction 'with mention of George Lansell's most likely approval of the Army's acquisition of his property /the brochure contains black and white and coloured photosdocument, fortuna villa, lansell

Mary MODEEN (1953- ) Born United States of America Lives Scotland Mary Modeen is an artist/printmaker and interdisciplinary academic who also works in artist books, installations, and recently, in video and sound. She is also an academic of nearly 30 years full-time experience in higher education, residing in Scotland where she convenes the Art, Philosophy and Contemporary Practices at the Duncan of Jordanstone College of Art and Design, University of Dundee. Modeen’s research has several threads: perception as a cognitive and interpretive process, and place-based research, which tends to connect cultural values, history and embodied experience. In 2000, while a Visiting Research Fellow at the University of Ballarat (later Federation University Australia), Mary Modeen was commissioned to create a sculpture in a Public Art context for the campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.An external sculpture commissioned in a Public Art context for the Mt Helen campus Business Building (B Building) by Scottish Artist and Visiting Research Fellow, Mary Modeen. Mary Modeen's three dimensional sculptures and installations draw on her interest in "light" relating to artworks and conceptual art. The 'plugs' in the sculpture represent students, while the blue acrylic disk represents alumni, and the spread and impact of our students throughout the community. art, artwork, sculpture, mary modeen, business school art collection

Sonia PAYES (1956- ) Born Melbourne, Victoria Sonia Page is a conceptually-based artist Australian artist working with photography, multi-media, animation and sculpture. She continually pushes the boundaries between photography, sculptural work and new media, with a strong environmental narrative permeating her work. A large photographic tryptich depicting the studio of prominent Australian artist Jeffrey Smart. Sonia Payes art practice is grounded in her training as a photographer. In 2005 Sonia Payes started a large project involving photographing artist's portraits, art works and surrounds. Depicting the idiosyncratic, and often private, lives of artists the project resulted in a visual book titled ‘Untitled. Portraits of Australian Artists', published by McMillan Art Publishing in 2007. studio, eisel, geoffrey smart, sonia page

Brendan Michael COOPER (13/5/1968 - ) Born Papua New Guinea Arrived Australia 1974. Bachelor of Visual Arts (Fine Arts) with distinction in 2016 Established printmaker and sculptor predominantly concerned with the urban and natural environment, who works with conceptual art and sacred geometry. 2018 completed an honours in Fine Arts with distinction at RMIT, and started a Masters Fine Arts at RMIT in 2019. Three limited edition prints Aluminum etching over eucalyptus transfer on 350 gsm archival Wild Letter Printing Paper brendan cooper, artwork, printmaking

Beginning as sketchbook drawings at the park, this artwork is based upon a series of site drawings that map the landscape around Yambla Pavilion. Views from around the walking tracks and ovals are sketched from a range of perspectives. The drawings capture a mix of viewpoints across the site, coming together to form a shared landscape. It celebrates the ways the community collectively uses the park, the pavilion, the oval, the seating and shared facilities, highlighting how these spaces foster connection and bring people together. The fabrication process involved taking elements away from sheets of aluminium, revealing the drawing as the metal was removed. This process is a nod to the previous use of the site as a quarry, where materials were taken away to then create something new. Small off-cuts from the fabrication process are installed around the pavilion, adding to the space and extending the interplay of positive and negative form. The colours in the artwork are two-toned: the background a deep forest green to tie the artwork into the surrounding environment, with a dusty pink powder coating, a soft welcoming colour that aims to promote inclusion and create a public artwork that feels inviting to all.‘View Point’ is an integrated artwork that meaningfully engages with the Yambla Pavilion site and reflects the diverse communities that utilise its facilities. Its conceptual and artistic delivery is strongly aligned with the commission objectives outlined in the Yambla Concept Design Brief. ‘View Point’ (2026) was commissioned by Yarra City Council (Council) as part of the Yambla Pavilion redevelopment project, in accordance with Council’s Public Art Policy 2015-2020 Percent for Art scheme. The artwork consists of 1000mm high laser-cut aluminium panels that depict sightlines observed and sketched by the artist on site at Quarries Park, March 2026. It features floral, landscape and architectural motifs in a dusty pink hue against a forest green background. N/Aanimals, flora, cities, park