A cost analysis for the extension, alteration and repairs to the Schwerkolt Museum building and construction of a new building for the agricultural exhibits.A cost analysis for the extension, alteration and repairs to the Schwerkolt Museum building and construction of a new building for the agricultural exhibits.city of whitehorse, schwerkolt cottage and museum complex, museum development, agricultural machinery

Report - 68 pages, photocopied onto light cartridge paper with brown covers both sides, overlain with clear plastic covers and black comb bound. Titled "Proposed East Burwood Tramway Extension - Warragul Road to Middleborough Road - Feasibility Study June 1974", looks at the purpose of the extension, possible patronage, construction details, costs, existing services and impact on these, proposed services, operating costs, revenue and social benefit - cost analysis. Has many tables, diagrams including fold out map. Showed that the benefit outweighed the costs of the project. Prepared by the MMTB June 1974 - report on front page notes it is Amendment A, September 1974.Stamped "Australian Electric Traction Association Public Transport Committee" on both cover and inside front page.trams, tramways, burwood, east burwood, feasibility study, new tramway, mmtb, middleborough rd

These City of Sunshine / City of Brimbank documents were collected by Gwenyth "Gwen" Goedecke Papers during the time she was a City of Sunshine Councillor. These items were part of the Gwen Goedecke donation.Box 1| 1970s Financial Statements| Minutes| 1980s Accounts Payable| Admin and Finance Reports | Box 2| 1984 - 85 Sunshine Council Minutes| Sunshine Council Accounts Payable| July 1997 - Brimbank Council meeting notice| August 1993 - Brimbank Minutes + Mayoral Address| 2000 - 2001 - Brimbank Minutes| 2005 - 2006 - Brimbank City Activity Cost Analysis| Folders - Education in Sunshine + Brimbank council.| Newspaper articles on the disadvantaged West 70s to 2000s.| 1972 seminar programme Sunshine Council titled "The Deprived West"| Sunshine Council Housing Commission correspondence (1973 - 1974).| Community Housews in Sunshine Council 70s to 80s. | Box 3| Sunshine/Brimbank Council folders 70s/80s/90s/2000s - Correspondence, newspaper clippings, service directories.| Sunshine Council sacking (1976).|The Sunshine/Keilor Liaison Committee correspondence (1985 - 1987).| Jack Tighe's mayoral diary (1974 - 75).john "jack" augustine tighe, gwenyth "gwen" goedecke, mayor

Report - 96 pages - perfect bound, card covers, titled "Special Report No. 15 - Met Ticket", dated Nov. 1990. Report looks at the introduction of Met Ticket, industrial disputes, cost of introduction, revenue loss and protection, scratch tickets, methodology, consultation and loss of passengers. Includes driver only operation impacts, disability services and financial analysis and cost and savings impactstrams, tramways, tickets, driver only modifications, metcard, scratch tickets, conductors, unions, the met

George Reed was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th C Phrenology is a process that involves observing and/or feeling the skull to determine an individual's psychological attributes. Franz Joseph Gall believed that the brain was made up of 27 individual organs that determined personality, the first 19 of these 'organs' he believed to exist in other animal species. Rev. Brown acknowledges that this printed delineation for self assessment is only approximate and proper analysis would cost time and money for personal consultation.After Charles Darwin, 1809 - 1882, English naturalist whose scientific theory of evolution by natural selection became the foundation of modern evolutionary studies. His nonreligious biology appealed to the rising class of professional scientists and the general public. Phrenology became a popular interest.A paper booklet with diagrams, charts and photos explaining Phrenology in 54 pages by Rev. J.J. Brown Coloured front and back covers have a drawing of a model of the human skull divided into 36 sections Front Cover ; SEVENTEENTH EDITION/ PHYSIOLOGICAL AND PHRENOLOGICAL / CHART / ( IN BOOK FORM) /BY / REV. J.J. BROWN/ Illustrated with 70 Engravingson Wood by S. Calvertgall franz joseph, phrenology, darwin charles, naturalists, jewellers, ezard & clark company moorabbin, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers,housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, draftsman, architect,

Significant in being a almost complete set of rosters for Bendigo prior to closure - appear to be have been copied for a discussion or information document for management at Ballarat. Need to ascertain whether they line up with the actual last timetable. No Sunday tables given - probably did not change them.Set of photocopies of Rosters for Bendigo. Not sure whether these were actually used or were at the stage of a discussion document - see sheet 30. Photocopied onto foolscap size heat sensitive paper and some loosing information. Sheets have been numbered. Generally dated "HAM/70" Page 1 not location 2 - Eaglehawk - Quarry Hill Weekdays 3 - ditto - continued 4 - Golden Square - North Bendigo Weekdays - two different rosters given on two separate sheets. 5 - Eaglehawk - Quarry Hill Saturdays 6 - ditto continued 7 - Golden Square - North Bendigo - Saturdays 8 - Tables - 1AM, 2AM, 3AM 9 - Tables - 4AM, 5AM, 9AM - second sheet gives slightly different arrangements for 5AM 10 - Tables - 10AM, 11AM, 9Assist - second sheet gives slightly different arrangements for 10 & 11AM 11 - Tables - 2PM, 3PM, 4PM 12 - Tables - 6 run, Meal relief & 1, 11 Assist 13 - Tables - 9PM, 10PM, 16 Assist 14 - Tables - 1AM, 2AM, 3AM Conductors 15 - Tables - 4AM, 5AM, 6 run Conductors 16 - Tables - 2PM, 3PM, 4PM Conductors 17 - Tables - 12 Assist Motorman and 13 Assist Conductor - 2 sheets, can't see a difference. 18 - Tables - Saturday, 1AM, 2AM, 3AM 19 - Tables - Saturday, 4AM, 5AM, 9AM 20 - Tables - Saturday, 10AM, 11AM, 1st relief motorman 21 - Tables - Saturday, 9 Assist, 10 Assist, 14 Assist, 15 Assist 22 - Tables - Saturday, 1PM, 2PM, 3PM 23 - Tables - Saturday, 9PM, 10PM, Gol. Sq. relief Motorman 24 - Tables - Saturday, 1AM, 2AM, 3AM conductors 25 - Tables - Saturday, 4AM, 5AM, 1st Meal relief conductor 26 - Tables - Saturday, 1PM, 2PM, 3PM, conductors 27 - Tables - Saturday, 11 Assist, 12 Assist, 13 Assist - conductor 28 - Standby chart - Weekdays and Saturdays 29 - Rotation Roster for Motorman and Conductors - dated 12/5/1970 30 - Comparisons of Present Roster and proposed roster - includes cost impact analysis - 2 copies held. 31 - folded sheet - Weekday Instructions - poor order photocopied - 2nd copy - minor changes 32 - folded sheet - Saturday Instructions - poor order photocopied 33 - Daily hours of Motorman conductors - Weekdays and Saturday 33A - Hours of Motorman and Conductors - Sunday 34 - Weekly Hours - for motorman and conductors - poor order photocopied and data filled in on photocopy. 39 - Tramways - Motorman and Conductors Rotation Roster - dated 5-3-1970trams, tramways, rosters, timetables, sec, bendigo

Document. Cohn Bros. Collection. Large exercise book with worn blue patterned cover and dark brown spine. Book contains recipes for soft drink making and analysis of various ingredients, also includes the cost of products. Written inside front cover in handwriting 'Julius Cohn, McLaren Street, Sandhurst 3/5/86. Chemistry'Julius Cohnorganization, business, cohn bros, cohn bros. collection, brewers, cordial & soft drink makers, julius cohn, moritz cohn, jacob cohn, solomon cohn. cohns soft drinks. cohns lager.

A DECK GALLERY FOR JAPANESE PRINTS. A unique exhibition of Japanese Prints was opened yesterday on Japanese ship Kamo Maru.These pictures are the property of the captain of the Kamo Maru Captain T. Takahata, and are displayed in a specially arranged gallery on the deck of the ship now berthed at No. 13 Victoria Dock. A picture on board yesterday after noon. (Inset) - One of many fine works by Utaguard Toyokuni who died in 1825. Photographer notations on slide: "B21" Published: 23 February 1934 Published title: A DECK GALLERY FOR JAPANESE PRINTS. Published caption: A unique exhibition of Japanese Prints was opened yesterday on Japanese ship Kamo Maru.These pictures are the property of the captain of the Kamo Maru Captain T. Takahata, and are displayed in a specially arranged gallery on the deck of the ship now berthed at No. 13 Victoria Dock. A picture on board yesterday after noon. (Inset) - One of many fine works by Utaguard Toyokuni who died in 1825. Trove article identifier: http://nla.gov.au/nla.news-article203376863 Description: Japanese woodblock prints, probably belonging to Captain Takahata of the Japanese passenger and cargo ship Kamo Maru, who displayed his Japanese Woodblock prints in a special on-board gallery when it visited Melbourne during 1933 and 1934. Research by project volunteer, Louise McKenzie: Plate MCK025 shows a number of Japanese woodblock prints. Three are of traditional “samurai” or Kabuki-style Japanese men in traditional dress and hairstyle; one is a composite of four different prints: two men and two women (samurai/geisha) in traditional dress. There are also several prints appearing to depict traditional scenes of indoor and outdoor life in Japan in the Edo period. An article appeared in The Age in February 1934, covering the visit to Melbourne of Captain T Takahata on the Japanese ship the Kamo Maru. An accompanying photo shows several women, in coats and hats, and a man, closely inspecting a gallery hang of Japanese woodblocks. Inset is a single image of a Kabuki theatre performer, a detail from the full photograph as shown in our slide. This work is attributed to Utagawa Toyokuni (1769-1823), who was mostly known for his prints relating to kabuki theatre and the actors’ dramatic postures. Japanese Kabuki theatre features heavily stylised performances, glamorous, highly decorated costumes and elaborate make-up worn by its performers. It was particularly popular in the Edo period (1615-1868), as was woodblock printing, after its earlier introduction from China around 150 years earlier. Woodblock printing in Japan is a technique best known for its use in the ukiyo-e artistic genre of single sheet images (although books were also created) which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna, and erotica. The term ukiyo-e translates as 'picture[s] of the floating world'. This expression could be confusingly translated as meaning ‘a world of sorrow and grief’, 'erotic’ or ‘stylish’, and later came to describe the hedonistic spirit of the lower classes of the 17th century. Asai Ryōi celebrated this spirit in the novel Ukiyo Monogatari (Tales of the Floating World), c. 1661: “[L]iving only for the moment, savouring the moon, the snow, the cherry blossoms, and the maple leaves, singing songs, drinking sake, and diverting oneself just in floating, unconcerned by the prospect of imminent poverty, buoyant and carefree, like a gourd carried along with the river current: this is what we call ukiyo.” (Wikipedia: 'Ukiyo-e') Mass production of woodblocks during the Edo period was due to high literacy rates: 100% for samurai and 50-60% for farmers. Consequently, cheaper books were produced in large numbers. In the 18th century, Suzuki Harunobu established the technique of multicolor woodblock printing called nishiki-e and greatly developed Japanese woodblock printing culture such as ukiyo-e. Ukiyo-e influenced European Japonisme and Impressionism. Yoshitoshi was called the last great ukiyo-e master, and his cruel depictions and fantastic expressions influenced later Japanese literature and anime. However today the best known exponents from the period are probably Hokusai and Hiroshige.The price of one ukiyo-e at that time was about 20 mon, and the price of a bowl of soba noodles was 16 mon, so the price of one ukiyo-e was several hundred yen to 1000 yen in today's currency. 'Wikipedia: Ukiyo-e' states: “Japanese art, and particularly ukiyo-e prints, came to influence Western art from the time of the early Impressionists. Early painter-collectors incorporated Japanese themes and compositional techniques into their works as early as the 1860s: the patterned wallpapers and rugs in Manet's paintings were inspired by the patterned kimono found in ukiyo-e pictures, and Whistler focused his attention on ephemeral elements of nature as in ukiyo-e landscapes. Van Gogh was an avid collector, and painted copies in oil of prints by Hiroshige and Eisen. Degas and Cassatt depicted fleeting, everyday moments in Japanese-influenced compositions and perspectives. ukiyo-e's flat perspective and unmodulated colours were a particular influence on graphic designers and poster makers. Toulouse-Lautrec's lithographs displayed his interest not only in ukiyo-e's flat colours and outlined forms, but also in their subject matter: performers and prostitutes. He signed much of this work with his initials in a circle, imitating the seals on Japanese prints. Other artists of the time who drew influence from ukiyo-e include Monet, La Farge, Gauguin, and Les Nabis members such as Bonnard and Vuillard. French composer Claude Debussy drew inspiration for his music from the prints of Hokusai and Hiroshige, most prominently in La mer (1905). Imagist poets such as Amy Lowell and Ezra Pound found inspiration in ukiyo-e prints; Lowell published a book of poetry called Pictures of the Floating World (1919) on oriental themes or in an oriental style.” An awareness of and interest in this style of art seems to have been well established by the time Captain Takahata brought his sailing gallery to Australia in the 1930s. The Age article “Colour Prints from Japan” on 22 February 1934 p. 13, consists predominantly of a sophisticated curatorial assessment of the woodblock style and detailed artist and style information, which is remarkable for its in-depth analysis. The writer even draws attention to the existence of female woodprint artists. It has been difficult to verify those noted in this article, but worth drawing attention to the work produced by the daughter of Hokusai, Katsushika Oi, which is documented and has gained attention within Japan and elsewhere. Captain Takahata may have been quite the ambassador: adverts in Australian quarterly magazine, The Home, promoted regular cruises out of Melbourne and Sydney via Queensland, Thursday Island, Phillippines and Hong Kong to Japan at a cost of £90 for a round trip via Yokohama.(The Home, 1 August 1936, pages 76 and 79). It is reported in one of the many newspapers articles printed during 1933/1934 about Captain Takahata and his collection, that he inherited it, and it was not for sale even at an offered £10,000. However, one article makes mention of him scouring antique shops in rural Japan to add to the collection! And even enlisting the help of his children in the hunt. The collection totalled 11,000 prints and apparently 1,500 travelled with him when he sailed. These numbers do differ between reports, but his collection was undoubtedly large, and Captain Takahata enjoyed lecturing on the subject, explaining that each print was handmade. It took painstaking work over months to create the delicate colour tones, with a block being created for each colour used, and transferred onto specially prepared paper. Many of the designs are symbolic, and even those representing figures and scenes have a narrative basis, or represent traditional incidents in the life and history of Japan. (See Japanese Prints, The Sydney Morning Herald, 14 July 1934). In Brisbane in October 1934, The Courier Mail noted that Captain Takahata, now on the Yusen Kaisha steamer ‘Atsuta Mam’ (a sister ship to Kamo Maru) arrived with another 100 prints in his possession, and that he spent his spare time mounting and cataloguing his treasures. One of his new additions dated from 1787 and Captain Takahata “said that it was the only woodcut to depict eyelashes, and with the aid of a magnifying glass, he showed the extremely fine lines around the eyes of the three Japanese ladies on the print.” References: COLOR PRINTS FROM JAPAN. (1934, February 22). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article20338088 A DECK GALLERY FOR JAPANESE PRINTS. (1934, February 23). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article203376863 JAPANESE WOOD-CUTS. (1934, July 14). Daily Commercial News and Shipping List (Sydney, NSW : 1891 - 1954), p. 4. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article161150580 JAPANESE PRINTS. (1934, July 14). The Sydney Morning Herald (NSW : 1842 - 1954), p. 12. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article28024038 RARE WOOD-PRINTS FROM JAPAN (1934, July 16). The Herald (Melbourne, Vic. : 1861 - 1954), p. 20. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article243171208 JAPANESE WOODPRINTS. (1934, July 14). The Sydney Morning Herald (NSW : 1842 - 1954), p. 16. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article28023902 11,000 RARE WOODCUTS (1934, October 11). The Courier-Mail (Brisbane, Qld. : 1933 - 1954), p. 18. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article35647690 A DECK GALLERY FOR JAPANESE PRINTS. (1934, February 23). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article203376863 RARE JAPANESE PRINTS (1934, July 11). The Courier-Mail (Brisbane, Qld. : 1933 - 1954), p. 10. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article36723139 Wikipedia: 'Ukiyo-e', https://en.wikipedia.org/wiki/Ukiyo-e Wikipedia: 'Woodblock printing in Japan', https://en.wikipedia.org/wiki/Woodblock_printing_in_Japan Wikipedia: 'Utagawa Toyokuni', https://en.wikipedia.org/wiki/Utagawa_Toyokuni Wikipedia: 'Kabuki', https://en.wikipedia.org/wiki/Kabuki 'Digital Humanities and Japanese History',https://dh.japanese-history.org/2020-spring-women-in-japanese-history/japanese-women-artists-of-the-edo-period/ '25 Famous Painters in Japanese Art', https://dh.japanese-history.org/2020-spring-women-in-japanese-history/japanese-women-artists-of-the-edo-period/ 'Nyk Kamo Maru', https://blog.shipwatcher.com/index.php/nyk-kamo-maru/ The Home : an Australian quarterly Retrieved March 4, 2024, from http://nla.gov.au/nla.obj-386036987 : Volume 17, No. 8, 1 August 1936.Photographer notations on slide: "B21".japan, prints, ships, art

Conservation Analysis and Management guidelines for H.V. McKay Memorial Gardens March 1994 Prepared by the City of Sunshine and Sunshine and District Historical Society|H.V. McKay Gardens Management Plan Brimbank City Council August 2016|Newspaper Article Star Weekly 8 August 2017 Mrs jean MacDonald Mr Lex Alexander Gray Mr John Willaton Mrs Helen Reid Mr Gilert Bell|H.V. McKay Memorial Gardens Chronology of Events|Letter mosiac for HV McKay Gardens costing $2280 dated 15 December 1998|Newspaper Article The Age 5 September 1992 Keeping gardens and trees of your|Newspaper Article Advocate 25 November 1992 H.V. McKay Memorial Gardens In and around Sunshine|Newspaper Article Advocate 14 September 1994 Historical stone post stolen|Newspaper Article Advocate 21 September 1994 Grand Garden Plan|Newspaper Article Brimbank Independent 11 May 1999 McKay mosaic a tribute to pioneer|Newspaper Article The Advocate 12 May 1999 Civic honour|Letter Film Gardens of Sunshine Harvester Works dated 8 July 1987|Newspaper Article Back to grass roots Restoration the sun shines again for an industrial garden|Newspaper Article Soccer Club get to buy it's ground George Cross|Letter City of Sunshine dated 30 September 1994 Presentation of the H.V. McKay Memorial Gardens Conservation Strategy to council on 20 September 1994|Notes for presentation by Tony Menhennitt|Application form 1997 1998 Parks Victoria Community Environment Fund Closing date 12 September 1997|Newspaper Article Dated 7 August 1953 McKay's offer to transfer gardens to councl|Newspaper Article Advocate 25 September 1953 Council to take over gardens from 1st October 1953|Letter dated 9 October 1953 Tennis club affliated with the Sunshine Gardens application to continue|Newspaper article Advocate 16 Oct 1953 Gardens Named after Late H.V. McKay|Letter dated 5 May 1954 To the Town clerk for proposed Presbyterian Church Kindergarten plan to transfer a portion of the garden to the Church.|Letter dated 28 September 1955 Railway reservice fronting Anderson Road Adjoining Ballarat line|Notes for address given by Tony Menhennitt curator of the H.V. McKay Memorial gardens|Permit 1818 issued May 1962 completed November 1962 Certificate of Title Volume 8465 Folio 234 Presbyterian Church|Extract Sunshine Auto Headers contained H.V. McKay laid Foundation Stone of the New Presbyterian Church at Sunshine in May 1926|Notes regarding Church Manse and Bowling Club exist within the Gardens|Progress Report 15 July 1987 McKay Gardens historical research|H.V. McKay Memorial Gardens Map of Existing Trees and Shrubs March 1994|Newspaper Article Starweekly 21/2/2023 Push to protect gardens (Melbourne Airport Rail Link)|Newspaper Article Starweekly 14/3/2023 Garden plans revealed (Melbourne Airport Rail Link)|Newspaper Article Starweekly 28/3/2023 Garden group up in arms (Melbourne Airport Rail Link)|Newspaper Article Starweekly 28/2/2012 Power poles poised (Regional Railway Link)|H.V. McKay factory letter ro Victorian Railways regarding the repair of the pickett fence adjoining the public gardensh.v. mckay memorial gardens, sunshine gardens, garden

Part of a set of three notebooks belonging to A. Eastwood, all relating to textile courses.Ruled paper notebook with green card cover and textile binding, handwritten notes and cloth samples. Binding is held together with drawstring / laces.Front: [handwritten] Cloth Analysis / Cloth Costing / Calcs & Testing / A. Eastwood / Textile Dept Inside front cover: [handwritten] A. Eastwood / 29 Spring Street / Gt Harwood / Textile Dept.textiles, education, textile industry, workbook, notebook, a. eastwood