This mask was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions.This mask is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A costume mask of a male character. He has a silver headdress with pink, green and yellow decorations. He has black horns, a black face with pink cheeks, red lips and markings on his forehead, nose and chin. The eyes has been cut out for the wearer to see out of. There is a strap that runs behinds the mask.young chinese league, melbourne, victoria, australia, processions, masks

162 p. : ill. (some col.), facsims., geneal. tables, maps, ports., paperback ; 30 cm.non-fictionA family history of the Male family from Somerset in Englandsimeon male, esther laver

AFB Vice President John Blanch thanks the Russian Male Choir for contributing to White Cane Day celebrations held in Melbourne.1 black and white images of John Blanch and Russian Male ChoirCopy of picture and description in 1980 Annual report: "Visiting Russian Male Choir being thanked by Association Vice President Mr. John Blanch, for their contribution to White Cane Day celebrations in the Melbourne City Mall."association for the blind, john blanch, russian male choir, white cane day

The full costume used traditionally by girls in the 16th to 19th century AD. In Australia used by Thessaloniki Association “The White Tower” in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's dancing costume apron, red velvet with embroidery along outside. Red lining. Part "C" of a 4 piece costume.girl, dancing, costume, apron, βλαχοπούλα, ποδιά, greek, plutarch, στολή

The full costume used traditionally by girls in the 16th to 19th century AD. In Australia used by Thessaloniki Association “The White Tower” in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Yellow girl's dancing costume scarf, triangular in shape, silk with gold and silver embroidery around top. Part "D" of a four piece costume.girl, dancing, costume, scarf, βλαχοπούλα, κασκόλ, greek

The Male Hospital in Sunbury was one of the buildings that was within the grounds of the Sunbury Mental Hospital, later known as the Sunbury Asylum, that opened on 1st December 1879 on She-oak Hill ( Jacksons Hill). Patients and staff from the Ballarat Asylum were transferred there. Prior to the establishment of the Asylum, the Sunbury Industrial School occupied the site from 1865. The Sunbury Asylum, later known as Caloola, continued to operate until the 1992.The Sunbury Mental Hospital was an important institution and was the main source of employment for Sunbury residents for 120 years. It was also one of a number of similar institutions that were established around Melbourne's outer rural centres.A sepia non- digital photo in post card format of a hospital building with verandahs along a section of the front and down the side. Two nurses are standing in front. There are circular garden beds in from of the building. A message dated 23/11.09 from Gregor to Cookie has been written on the back of the card.MALE HOSPITAL/SUNBURYsunbury mental hospital, sunbury asylum, caloola, the hill

Rohan Storey, Architectural Historian of the National Trust of Australia (Victoria) 1990-2011.colour photograph unmountedPhotograph by Nigel Maleluna park, st kilda, rohan storey, national trust

Full costume traditionally worn by ladies in country towns of Greece. Recently worn in parades, Greek dances and theatrical performancesHistorical significance for the purposes it was used by Thessaloniki Association in AustraliaBlack and navy blue velvet and silver embroidery panels, button up at the front costume. Part "A" of a four piece costume. Three in possession of Thessaloniki AssociationΠΑΙΔΙΚΗ ΧΑΡΑlady's costume, jacket, greek, βλαχοπούλα, στολή

See Cat No. 5727.2 for service details.Jacket - Khaki colour cotton twill fabric. Buttons - black bakelite with metal shank. Emblazoned with King's Crown and Wedge tailed eagle in flight. With full belt with bakelite and metal buckle. Brown and cream chevrons on sleeves - Rank. Old Drycleaning labels - four - stapled inside right side.Maker's label - black colour embroidery on white cotton "CITY COSTUME"/COE/1940/ SIZE ..." Below collar - handwritten black ink '1243/GILL".uniforms, raaf, ww2

A photo of two ladies sewing costumes for an Annual Demonstration, it featured in the July 1954 Newsletter. The caption states 'The sewing room is always a hive of activity. Here most of the costumes are made for the Annual Demonstrations. Mrs E Brown and Mrs M M Livingstone take a turn at the machines.' They are possibly mothers of the junior legatees, though sometimes the wives of legatees also helped. Costumes were extremely elaborate and were often reused in different years. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. A record of the ways costumes were prepared for junior legatees in the Annual Demonstration.Black and white photo of two ladies sewing costumes for an annual demonstration.annual demonstration, costumes, sewing, sewing machines

Studio portrait of unidentified male, taken circa 1882. From the Partington collection.Sepia studio portrait of male.In black pen on reverse "Mrs Partington Kindest regards WRC"partington family, studio portraits

Studio portrait of unidentified male, taken circa 1885. From the Partington collection.Sepia studio portrait of unidentified male partington family, portrait photographs

Slide photograph of ladies preparing costumes in Legacy House in the 1950s or 1960s. There is a sewing machine in the background. The lady in centre back is Miss Enez Domec Carre who ran the girls classes for many years. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Costumes for the Annual Demonstration were extremely elaborate and were often reused in different years. The beautiful costumes were made by members of the Junior Legacy Mothers' Club, senior girls, and the Melbourne Legacy Wives' Association. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the the work done for the Annual Demonstration.Colour slide of costume preparations at Legacy House in a navy blue Hanimount cardboard mount.annual demonstration, costumes

Harley Court Pastryblack and white photograph unmounted, good conditionHarley Court Pastry. Acland st Caf�. Photograph by Nigel Male. 94014-501.

History of Women's Costumes - covers ancient Greek/Roman/Britain/Saxons/Normans, spans from 12th to twentieth centuries. Costumes for various types of occasions, including headwear, handbags and shoes.Hard cover book "History of Women's Costume" by Marion Sichel. Green background on cover with four drawings of models in historic costumes.Costume Reference History of Women's Costume Marion Sichelhistoric costumes

Portrait of a Group of People. 1 Male & 19 Females (named) Mr. S. Trend was head teacher at, SS 502 1895-1899. Group are dressed in formal clothing. The male in three piece suit with bow tie. Women in long dresses with lace around the collars. No history of this photo was provided.Group of people 20 people, one male seated in the middle with 19 females seated and standing in the photo.Row from left 1st row. L. Parry, J. Mathers, F. McGregor, N. McCann, E. Lemon. 2nd row. C. McGregor, O. Butcher, A. Henderson, F. Nicholson, S. McPherson, S. Lemon. 3rd row. M. Henderson, C. Thomas, Mr. S. Trend, O. Stout. L. Trend. 4th row. A. Parry, R. McMullin, M. Crerar, M. McLean.stawell

a group of Maling Road traders in period costume posing for a photograph in Maling RoadColoured photograph of a group of Maling Road traders in period costume posing for a photograph in Maling Roadcanterbury, maling road, shops, fashion

Female guides an older male, who is wearing goggles, around obstacles on the footpath outside shops. These obstacles include a signboard, a car parked in a driveway between stores, bike lying down and a duffle bag. This image was probably used to promote the need for people not to leave objects strewn on the footpath where they become trip hazards.1 black and white photograph of female and older maleassociation for the blind, baringa (shepparton)

a group of Maling Road traders posing for a photograph in period costume with the photographer in view in Maling RoadColoured photograph of a group of Maling Road traders posing for a photograph in period costume with the photographer in view in Maling Roadcanterbury, maling road, shops, fashion

Used in Chinese opera in many provinces.Three marionette puppets in Chinese Opera Costume, with stands. .1 Wearing yellow costume with red and white face and white beard. .2 Wearing green costume with red and black face and black beard. .3 Wearing red costume with three eyed gold face. marionette puppets, chinese puppets, opera puppets, chinese opera, souvenir

Coloured photo of Children in Costumeto be entered

Purchased from an opportunity shop, this dress is a stage costume bearing the label of Bonn & Mackenzie, a prominent UK costume designer from the 1950s to the 1970s. The dress appears to have been worn by June Bronhill (1929-2005), a prominent Australian opera singer and actress, whose name is handwritten on the label. Born June Mary Gough, she began using the stage name of Bronhill in 1952 in honour of her NSW home town of Broken Hill as a form of thanks to the local community who had helped raise money to send her overseas for professional training as a singer. Bronhill trained in London and gained early exposure with the English National Opera. She went on to star in many theatrical productions in Australia and the UK. She moved back to Australia permanently in 1976, and in 1980 was cast in her first television role as Mrs Crawford in the Australian version of 'Are You Being Served?'.Full-length short-sleeved dress of white cotton, lace and nylon, featuring elaborately ruffled sleeves and vertical stripes of lace on the skirt and bodice. The dress is open at the back, fastening with hooks and cotton ties to facilitate quick costume changes.Label, white cotton with red text: "BONN & MACKENZIE LTD. / TEMPLE BAR 1393". Handwritten underneath in black pen: "JUNE BRONHILL".june bronhill, bonn & mackenzie, theatre costume

Single sheet of paper which outlines the costume requirements for the Girls' Guild.

Four student teachers pose in costume outside a brick building with bluestone foundations .ballarat technical art school, pre-service teachers, costume, dress-up

This photograph depicts two young Japanese women demonstrating traditional Japanese cultural practice whilst living at Tatura Internment and Wartime Camps during the Second World War.A black and white photograph featuring two young Japanese women in traditional costume.tatura, japanese family camp, japanese, japanese internees, internment, rushworth, goulburn valley, kimono

Euan HENG (1945- ) Born Oban, Argleshire, Scotland Arrived Australia 1977 Euan Heng undertook a Diploma of Art at Duncan of Jordanstone College of Art, Dundee, Scotland in 1974, with a Post Diploma of Art the following year. In 1995 he completed a Master of Arts (research) at RMIT. He is proficient in many artforms, especially painting, printmaking, drawing and sculpture. As Head of Printmaking at Monash University Churchill Campus (now Federation University Gippsland) for 14 years Euan Heng was influential in the development of many Gippsland artists. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a male head.art, artwork, euan heng, portrait, drawing, available

4 coloured photographs (a-d) taken during a display of costumes held at the Whitehorse Historical Society in 2012costumes, whitehorse historical society