White fine cotton short sleeved blouse. The front is made of two pieces with a front opening. Each side has two darts from the waist and are slightly gathered at centre front. The front has a V shaped neckline with a border from the shoulder. The border is made up of three rows of cotton featuring drawn work patterns and embroidered flowers. The back is made of two pieces with a centre seam. The front and back pieces are attached to a casing that is attached to a peplum. The neckline is edged with lace at front and back. The front opening is fastened with three buttons and buttonholes plus three cotton tapes threaded through casings around the neckline and around the waist above the peplum.costume, female daywear, cotton blouse

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A long sleeve cream coloured dress shirt with a detachable printed neck tie. The neck tie is decorated in an Australian floral design inspired by the artist Margaret Preston. The shirt has two breast pockets and double sets of cream buttons. The rear of the shirt is unadorned. 8124.4 - Floral fabric sample. 8124.5 - Floral fabric sample.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this blouse for her daughter Judy.Manufactured lace became affordable and plentiful so it was used by home dressmakers like Gladys Reed in City of Moorabbin c1960A white cotton lace, sleeveless blouse c 1960 with opening front fastened by hooks and eyes clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton voile blouse with short sleeves. Neckline ornamented with collar and jabot style front edged with tape lace. Sleeves also ornamented with tape lace. Sleeves and neckline gathered with roulauxfashion and textiles collection - kew historical society, lace, women's clothing, australian fashion

Bodice from donor's mother. Her parents lived in Camberwell and then Box Hill from 1950's.Long sleeved, cream square necked, cotton blouse with a lace insert. Sheer, geogette sleeves gathered in at cuff and with a frill over hand, the bodice is gathered at the bottom. A sheer geogette tie at the waist is anchored at each side of bodice and has tasseled ends on the corners.cotton, blouse, georgette, long sleeved

Clothing. Camisole/Blouse. Cotton, embroidered on front on either side of front opening. Three buttons - modern pearl buttons. Lace top with a band of 2 cms wide broderie anglaise around the square neckline. Darts on either side of bodice front.costume, female, underwear

This fitted cotton blouse with cutwork was made and worn by Mrs Gladys Reed c 1950 whilst a resident of the City of Moorabbin c 1950Mrs Gladys Reed, a member of the Ormond Choral Society c 1950 and was an accomplished dressmaker and craftworker. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin A white cotton fitted lady's blouse with short sleeves, cutwork bodice and flared waist.clothing, dressmaking, cutwork, needlework, ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers, post world war 11 estates, knitting, crochetwork,

This white, cotton, short-sleeved blouse with eyelet work for a young woman is an example of the dressmaking skills of the women pioneer settlers and market gardeners of the Moorabbin Shire c 1900.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. A white, cotton, short-sleeved blouse, with eyelet work for a young woman .brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work, maggs geoff

This small child's dress with insertion and crochet work was worn in 1920- 30 by a child of an early settlers family of MoorabbinEarly settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesA girl's white cotton blouse, with large collar, hand-crochet work and insertion at waistline clothing, moorabbin, dressmaking, cheltenham, market gardners, craftwork, early settlerse

Blouse was handmade by Judith Fry, the donor and Society member and Society PresidentCream cotton blouse with long sleeves. Collar edged with frill. Centre closing and cuffs have pearl buttonscostume, female

This cotton, boy's blouse is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire c1900The Maggs family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these familiesThis is a 2 year old boy's long-sleeved blouse. White cotton with blue pinstripes. Breast pockets and banded waist. C 1910. Some fraying to collar and cuffs. Small tear to body.clothing, brighton, moorabbin, pioneers, bentleigh, dendy henry, market gardeners, dressmakers, early settlers, maggs geoff, garments, craftwork

This white, girl's blouse with ribbon inserts is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The Maggs family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. A white cotton , girl's blouse , decorative with ribbon insert.clothing, brighton, moorabbin, dendy henry, market gardeners, dressmakers, craft work, maggs geoff

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. This white, cotton Lady's blouse with pin-tucked front and back is and example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners in the Moorabbin Shire. Ladies long-sleeved white cotton blouse with high collar. Pin-tucking to front and back, guipure lace inserts on front of bodice. Significant tear at lower edge of the garment.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, home dressmaker, craft work

Costume given to Giselda Bannister by her cousin Jacqueline Pugh who had lived in Sabah, East Malaysia. Embroidery, perhaps traditional?Example of traditional Asian embroidery on traditional style blouse (?)Cotton voile blouse with hand embroidery. Cotton cummerbund for use with blouse.Jacqueline Pugh (name tag)fancy dress costume

White heavy cotton lace blouse with high neck. Large white flowers are 'over' embroidered on lace. 3/4 Length sleeves and hooks and eyes all down the back.costume, female

Worn by Miss Muriel Jones, a sister - in - law to Mrs. Bette Jones in Tunstall (Nunawading) during 1930s. Miss Jones lived at 'Rosemount' Mt Pleasant Rd where Nunawading South State School is now. She was a Home Economics teacher at Swinburne Secondary School. The house was moved to Lorikeet Street Bairnsdale where she lived.White lace short sleeve blouse with cotton piece sewn on bottom.costume, female

This garment provides a good example of the mode of dress that young girls (4yo) wore in the Kiewa Valley circa 1920's early 1940'sHistorically this blouse details the fashion of this era. The simplicity of the cut of the blouse is offset by cotton lace and anglais stitching and piping. piercing colours for youngsters was not in vogue and home made clothing was a greater necessity in the Kiewa ValleyBlouse white cotton/linen for girl. Front opening with four button holes, no buttons. Blouse has set in sleeves, top flares out over hips size approx four(will fit 4 year old), long sleeves with broderie anglais cotton lace on edge of cuffs, piping where sleeves join bodicelace, garment, blouse, broderie, anglais

The sport had its origins during the Depression of the 1930s when teams were formed to keep young women fit and healthy. The sport became more organised during the 1940s with a system of scoring developed to ensure teams could compete against one another. Points were deducted for lack of precisions, dressing, movement and length of pace. At its peak marching competitions drew large crowds of spectators. Teams marched not only in competitions but also frequently appeared in parades and social occasions. Jim Trewin trained Orbost's Marching Girls' team, the Waratahs, and served as vice president of the East Gippsland Marching Girls' zone. His wife, Doris, acted as chaperon Together with a trophy, a chaperone's blazer and photos this uniform forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' uniform It has a white pleated skirt, a long-sleeved white blouse and a red velvet vest with 6 gold buttons. There is a badge on the left shoulder. A red ribbon is attached to the blouse as a bow tie. On the vest shoulders are white tabs with gold buttons. The skirt and blouse are made of cotton. A pair of short white gloves are included.On badge- Victorian Girls Marching Associationuniform marching-girls leisure clubs recreation

This blouse was made by Annie Beryl Mathieson from silk material which came originally from China via family relatives. Annie Beryl Mathieson, born in Western Australia in 1910, married John Harman in Nullawarre in 1939 and made the blouse which she wore under a navy costume for her 'going-away' outfit. They lived at Macarthur and Annie Beryl died in 1983. This blouse is of interest as an example of women's fashions in in the late 1930s and of handmade clothing in the same era.This is a cream silk blouse. It is gathered from the bust line with navy cotton embroidery on the upper section and it has a pointed collar with cream lace edging, small puffed sleeves with navy embroidery and an open neckline laced up with a navy cord. annie beryl harman, warrnambool history

A collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Names for specific styles of collars vary with the vagaries of fashion. A lady's detachable, white, cotton collar with machine lace edge and long ties c1960clothing, collars, ornamental collars, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, shawl collar

Under-bodices were first made of silk, though cotton was the fabric of most underwear from the second half of the century. These bodices were worn to protect against wear and soiling but more often for modesty. Undergarments such as this item were seen as essential to wear under blouses. This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th centuryA hand made white cotton woman's undergarment (chemisette) - an underbodice. It is of fine cotton with lace insertions at back and front. It has four buttons for the front opening. The bottom is gathered.women's-undergarments chemise bodice

Craftwork, Crochet, Knitting Sewing were all popular in post World War 11 Moorabbin as the new settlers established their homes on the previous market garden estates.Craftwork, Crochet, Knitting Sewing were all popular in post World War 11 Moorabbin as the new settlers established their homes on the previous market garden estates.A partly knitted green cotton glove with 4 steel knitting needles wrapped in a silk scarf knitting, clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline.

Clothing. Woman's black waist length long sleeved silk blouse. Wide scooped neckline with fold over collar (10 cm) with rounded corners. Kimono cut sleeves with geometric pattern of black beading at wrist (5 cm wide). Front of bodice has crossover section with fastening across left shoulder. Front section has 30 cm panel of black beading geometric pattern. Waist is gathered by a cotton tape casing 2.5 cm above the hem. The front opening is on the LHS from shoulder to waist with eight metal hooks and cotton loops. Opening across the left shoulder is fastened with four hooks and loops and one press-stud. Back of bodice has matching panel (30cm wide) with a black beading geometric pattern. Garment is unlined. Beading patterns use 1mm black beads.costume, female, woman's black silk blouse.

Clothing. Women's long sleeved smock style blouse of black, grey and cream cotton patterned fabric. High round neckline with folded over collar with rounded corners (8 cm) edged with 2.5 cm frill of cream coloured lace. Vertical pin tucks across back and front from shoulder line (14 - 16 cms). Full length centre front opening placket fastened with five press-studs. Horizontal fabric band (9 cm) around hemline. Long straight sleeves gathered into one cm casing above wrist. End of sleeve trimmed with pin tucks and frill of 2.5 cm cream coloured lace.costume, female, women's long sleeved smock style blouse

Clothing. Women's long sleeved smock style blouse of cream coloured cotton fabric with geometric pattern of squares. High round neckline with 1.5 cm stand up collar. Yokes front and back with scalloped edge. Lower sections gathered into yoke with series of knife pleats. Three box pleats on the back continue from the yoke to the hem. Full length front opening fastened with six press-studs. Long sleeves gathered at shoulders and gathered into casing above the wrist, forming a frill decorated with pintucks.costume, female, women's long sleeved smock style blouse

Clothing. Cream cotton net, woven with a goemetric pattern of filligree diamonds and tiny squares. The garment is fully lined with the most delicate, and sheer cream silk. A peplum ettect 7 cms deep, is finished with 9.5 cm deep peak at the centre front. Two metal hooks, and stitched eyes are the only fasteners, and are located at the waistline on the peplum seam. The curved front bodice is edged with a 3.5 cm deep frill of cream net, which is finished at the outer edge with two rows of stitching in a heavier weight thread. The front bodices are gathered at the centre front to the peplum. The long sleeves are finished at the wrist, with a double frill of plain tulle, also edged with a double row of stitching, in a heavier thread.costume, female, silk and net blouse

Clothing. A concealed full length back opening reveals five tiny covered buttons, 7 mm in diameter and five hand-stitched button holes. This opening is bordered by two groups of five very fine pin tucks with a 3 cm spacing between the two groups. The blouse is made from very fine Swiss lawn cotton fabric, and is very soft to the feel. The front has a broad panel thirty cm wide of exquisite pintucks, crochet, lace and embroidery. The embroidery is white on white, and features flowers and leaves in a curved pattern. A crochet panel below the high neckline is 4 cm x 10 cms and is peaked at the lower edge. This is bordered by 1.5 cm wide cotton lace, and horizontal pintucks. Two panels, one on either side of three pintucks, 1.5 cm panel of lace, and then the central panel of embroidery, pintucks, lace, and crochet. Five pintucks, 1.5 cm panel of lace and five more pintucks run the length of the short sleeves. Sleeves are puffed, and gathered at the shoulder, and at the 1.5 cm deep cuff, which is also pintucked. A 1.5 cm deep 'stand-up' collar, spoke-stitched to the garment, as are the sleeves and shoulder seams. Front hemline is curved. Back hemline is straight.costume, female, a full length back opening blouse