non-fictionthe memoirs of wing commander "bunny" stone dfc, cotton mc, world war 1939-45, burma campaign, aerial operations british, 17 and 43 squadrons.

Messages from the Front during WW1 on Souvenir postcards. Part of the Collection of William (Bill) Thomason. Cat No. 4136P.All cards are white cardboard with multi coloured cotton embroidery images on the front and messages on the back. 1. Image of a Rising Sun on front with Australian Commonwealth across top, Australian Commonwealth Forces across the bottom. Two shields in top corners and Australian and British flags. 2. Stylised Rising Sun image in centre with a British ad Australian Flag coming out and lettering AC and MC in corners. 3. Crossed French and German flags over green flowers and embroidered "Think of Me" at bottom.1. Message on back "To Babe with love from Brother Albert". 2. Detailed letter dated May 27 1916 ad signed from Will. 3. Detailed message dated 14.4.17.collection of william (bill) thomason, postcards, ww1

Unable to locate by either name or number.Faded army green long narrow heavy cotton duffle bag, used for carrying personal items. It has a top draw cord which threads through a series of brass eyelets. The draw cord when closed can be used as a carrying device."216 N. MC GR--OR?" = 3 red lines, "VX18238 61077". On base, "VX18238 61077". passchendaele barracks trust, duffle bag, equipment

Pay book of CPL L. P. WARREN, Reg'n No. 615 Enlisted 18.8.1914 60th Battalion - AAVC 17.5.1917Small book, cotton cloth cover in brown colour with black print on cover. Rising Sun Insignia in centre. 19 pages.Paybook No. 146893. Surname WARREN Christian Names L.P. Reg'n No. 615 Unit AUSTRALIAN IMPERIAL FORCE SOLDIERS PAY BOOK.passchendaele barracks trust, ww1, aif, paybook

The design suggests it was made as a wedding gift. Mountmellick embroidery is a traditional, heavy white-on-white (whitework) hand embroidery style that originated around 1825 in the town of Mountmellick in County Laois, Ireland. Developed by Johanna Carter, the craft is celebrated for its deeply textured, sculptural appearance and all-Irish origins. Strictly monochrome white-on-white (white thread on white fabric). Traditionally worked on heavy, firm cotton satin jean, providing a sturdy, durable base for household items like bedspreads, tablecloths, and doilies. Uses thick, matte, twistless or heavy cotton threads that do not divide, contrasting with the sheen of the cotton jean fabric. Inspired by the local Irish flora, including blackberries, brambles, oak leaves, dog roses, ivy, ferns, and shamrocks, as well as later cultivated garden plants. Features heavily padded and knotted stitches, such as satin stitch, French knots, stem stitch, buttonhole stitch, and the signature Mountmellick stitch (which creates a triangle-like, spiked outline effect).One of pair of pillow shams - see 651. The design is of bull-rushes, water lilies, insects and a bird. The monogramme is decorated with leaves and flowers. Knitted fringe.Mcembroidery, mountmellick, ireland, late 19th century, pillow cases