OGDEN early model cylindrical lawn mower. Small back roller, no catcher, rope start. Small gold painted petrol tank mounted between handles for gravity feed. Belt driven cylinder blades, aluminium engine cowl, rubber rimmed wheels, engine control on RHS handle."OGDEN" painted on engine cowl.machinery, motor mower

A dorade is a type of ventilator that permits the passage of air in and out of the cabin or engine room of a boat while keeping rain, spray, and sea wash out. The basic form is a low, rectangular box fixed to the deck or cabin top, fitted with interleaving vertical baffles. The baffles alternate to be free at the floor of the box, or free at the ceiling, forming a series of chambers. A horn-shaped ventilation cowl is usually fitted facing forward to a large hole at the top of the chamber at one end of the box with another large hole opening down into the boat from the chamber at the other end. Limber holes perforate the wall of the box at the floor of each chamber. Dorade boxes operate on the principle that air can pass relatively freely through the chambers, yet rain or sea wash will be trapped in successive chambers and drain out the small holes in the sides of the box. The first appearance of Dorade boxes was on the Olin Stephens-designed Dorade, a yacht built in 1929 for ocean racing. As originally built, the Dorade's vents led directly below, but this was found to allow water below, and the vents were modified in the early 1930s.An early piece of marine equipment from the 1930s and 40s that still is in use today on smaller vessels and ships.Dorade Cowl (Ventilator), brass casting with wide open mouth twisted to side. Painted red inside.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, dorade (ventilator), dorade, ventilator, marine equipment, ships fittings

A dorade is a type of ventilator that permits the passage of air in and out of the cabin or engine room of a boat while keeping rain, spray, and sea wash out. The basic form is a low, rectangular box fixed to the deck or cabin top, fitted with interleaving vertical baffles. The baffles alternate to be free at the floor of the box, or free at the ceiling, forming a series of chambers. A horn-shaped ventilation cowl is usually fitted facing forward to a large hole at the top of the chamber at one end of the box with another large hole opening down into the boat from the chamber at the other end. Limber holes perforate the wall of the box at the floor of each chamber. Dorade boxes operate on the principle that air can pass relatively freely through the chambers, yet rain or sea wash will be trapped in successive chambers and drain out the small holes in the sides of the box. The first appearance of Dorade boxes was on the Olin Stephens-designed Dorade, a yacht built in 1929 for ocean racing. As originally built, the Dorade's vents led directly below, but this was found to allow water below, and the vents were modified in the early 1930s.An early piece of marine equipment from the 1930s that still is in use today on smaller vessels to improve below deck ventilation. Dorade Ventilator Cowl brass casting with wide open mouth twisted to side with swivel base. Box and baffles missingNonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ventilator, dorade, maritime equipment, ships fittings, ventilator box

A dorade is a type of ventilator that allows air to move in and out of a vessel's cabin or engine room but baffles or screens within the box it is fitted to prevent the rain and seawater from getting inside. A Dorade was first seen in use on the "Dorade", an ocean racing yacht designed by Olin James Stephenson II and built in 1929. Since then there have been modifications to the original design. The yacht, Dorade, could have been named after the Mediterranian dorade fish.An early piece of marine equipment from the 1930s that still is in use today on smaller vessels to improve below-deck ventilation.Dorade vent cowl; a cast brass ventilator. A' J' shaped hollow brass cylinder with a wide open mouth twisted to the side. The inside is painted. A Dorade vent is normally fitted into a chamber box but this was not included.Noneflagstaff hill, warrnambool, maritime museum, great ocean road, shipwreck coast, ventilator, dorade, vent, cowl, ship fittings, maritime equipment, ventilator box, dorade vent, collector box, cowl vent, olin james stephenson ii

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's jumper with cowl neck knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

A report in the Southern Argus (S.A.) described the bride's dress as: Magnolia chiffon velvet fashioned the lovely wedding gown, made with square-neck bodice, and long tight cowl sleeves, and allied to a softly flaring skirt, which extended at the back into a graceful train. The veil of old Spanish lace (a gift from her aunt) was mounted on filmy magnolia, tulle, caught with an orange blossom halo. Full length Magnolia chiffon velvet wedding dress with square-neck bodice, and long tight cowl sleeves above a softly flaring skirt which extends at the back into a graceful train. The gown was worn by Elsie Lorance (Laurie) Jenkins at St Andrew’s Presbyterian Church, Mildura in 1934.The photo was taken when the dress was displayed at Villa Alba Museum in 2025 as part of an exhibition by Kew Historical Society of 'wedding fashion'.weddings -- mildura (vic.) -- 1934, st andrew’s presbyterian church mildura, elsie lorance (laurie) jenkins, fashion -- 1930s

Nurse's cap, white cotton, cowl-shaped, cotton tape draw string through neck band.costume, sunbury asylum, costume accessories, nurses, uniforms, george evans collection

A rare object, not many were manufactured because of an inherent design fault in positioning the pistons vertically and it was found there was insufficient pressure to deliver oil to the top one.Victa twin cylinder rotary mower with grass catcher. Rubber tired wheels. Painted orange.On engine cowl "500 Twin / 170 cc 2 Stroke". On base "Victa".mower, grass cutting, domestic

Cream coloured collar with lace edging. Collar is cut on the bias in a cowl shape. Lace is machine made cotton lace.costume, female

Wooden cross, medallion and round seeds threaded onto twine. The medallion is oval shaped with a carving of head wearing a cowl. There are five sets of ten beads each. The cross and medallion are painted.rev davis mccaughey ac

Blouse has been altered, probably by shortening the length and attaching the piece to the vee neck to form a drapeCream waist length georgette blouse. V neck has a drape forming a soft cowl. Back is open to waist and has five covered buttons to fasten. Sleeves are extended and garment is fully silk lined.costume, female

Dulcie Jennings, a daughter of William Jonathan and Matilda Jennings (née Michell), married James Corbett in 1935.Photograph of Dulcie Jennings on her wedding day. She is wearing a long satin gown with a cowl neck and elbow-length sleeves, with a full-length train. Her accessories include white gloves and a pearl necklace, and she is holding a bridal bouquet in her right hand.dulcie jennings, dulcie corbett

Donated by the daughter of Edith and Ron Palmer. Bride Edith Lidgerwood married Alexander Palmer on 11 January 1936 at the Box Hill Methodist Church with the reception at the Box Hill Town Hall.The Best Man was the brother of the Groom, Murray Palmer. The bridesmaids were twins, Daphne and Violet Lidgerwood. The Groomsman was Russell Evans. The twin flowergirls were Rona and Margaret Kerr. For full family history and photos of Edith's wedding and sister, Ellen's wedding see Supplementary File NA3818. The dress was worn by Edith at her wedding and Veil worn by both sisters Edith and Ellen Lidgerwood at their wedding ceremonies, Edith in 1936 and Ellen in 1937.Prominent Box Hill families1936 cream textured crepe dress featuring a cowl neck and long sleeve, slit at shoulder to create cowl effect. Slim at lower arm to a point over the hand and fastened at seam with press stud. Bodice cut on the cross under the bust. Cut on the cross figure fitting skirt to the floor, complete with long train. On the back is a slit opening fastened with hook and eye and glass clear buttons. Below the slit are eight glass buttons with false rouleau button loops. The train is made of an added detachable piece. The veil was also worn by her sister at her wedding but with different headdresses. Headdress has small circle of flowers and berries. See veil and headdress NA3817.costume, female ceremonial

This is part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. Thephoto is a close up of a young girl. She is wearing a broad brimmed straw hat and a flowery print dress with lace around the sleeves and a shawl lice cowl edged with lace. She is handing (or receiving) a flower to a woman, whose arm is the only part visible in the photo. The woman is wearing a bracelet with a heart shaped charm.events, parades

The wooden pattern is part of a set that is stored in a strong wooden crate and may be part of another similar pattern. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; unpainted, square wooden block with a semi-circle of dowel added to the centre of the side with rounded corners. Three short dowel pegs are inserted on one flat side; one below the semi-circle and one near the lower corners in an overall triangle configuration. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection, securely stored within a durable wooden crate. This pattern was an essential tool at Briggs’ Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process results in the production of brass and copper alloy items, which are particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper-based, composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. In the early years of Flagstaff Hill, the Briggs family generously donated the crate of patterns along with other related items such as brassware, tools and machinery. These items were prominently displayed in a simulated Brass Foundry within the Village, alongside other working crafts, trades and services typical of a maritime town. From the completion of the building in 1986 until its repurposing in 1994, visitors could view these items and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. The Brass Foundry display featured a historic Cornish chimney, constructed as a working model to illustrate the process of smelting metal in furnaces and pouring it into sand moulds. The chimney, crafted from specially curved bricks, currently stands at approximately two-thirds of its original height, having previously been located at the Grassmere Cheese factory. The craft of sand-casting, which utilises intricately carved wooden patterns to create metal objects, stands as a testament to the enduring value of traditional skills. This age-old technique remains relevant today, linking past craftsmanship to ongoing industrial practices. The foundry pattern set holds particular significance due to its strong associations with brass foundries, both locally and in coastal regions across Victoria. In these areas, marine industries such as ship and boat building have long depended on high-quality metal castings for the machinery, equipment, and fittings essential to their operations. The alloys formulated by Briggs Brass Foundry, crafted from non-ferrous metals, were specifically designed to provide superior longevity and durability in maritime environments. These patterns are closely tied to the history of the Briggs Brass Foundry, a respected and long-running company that specialised in producing cast goods for the marine sector. The foundry was equipped to supply both unique, one-off items and mass-produced components, ensuring that its products found their way onto a variety of sail and steam vessels along the Victorian coast, including in Warrnambool. In addition to its broader marine applications, Briggs Brass Foundry established itself as a bell-founder specialist. The company’s expertise is notably linked to the historic Schomberg Bell at Flagstaff Hill, which they restored to its original splendour as a fine example of a bell from a luxury migrant ship of the mid-19th century. The significance of the pattern set is further heightened by its association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its proficiency in producing, repairing, and restoring ship bells and other marine equipment. Renowned for their non-ferrous metal casting, Briggs Brass Founders consistently supplied high-quality fittings and equipment vital to maritime pursuits. Moreover, the company expanded its influence by opening a branch in Warrnambool. Through this local presence, Briggs Brass Founders supported the regional marine industry and forged strong connections with fishermen and businesses. This not only reinforced their reputation as skilled manufacturers but also highlighted their commitment to community engagement and support. Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, traditional send casting

At Briggs’ Brass Foundry, traditional sand-casting techniques have been practised for generations. Sand casting, a craft that spans over two thousand years, involves creating intricate moulds into which molten metal is poured. This handcrafted process produces durable brass and copper alloy goods, which are particularly suited to marine environments. Items such as bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers have all been made using this technique. The bronze mixture used by Briggs is a copper-based alloy, carefully formulated from locally sourced ingots of copper, tin, zinc and lead in precise quantities. This results in a non-ferrous finished product, renowned for its longevity and resilience, often lasting indefinitely even in harsh conditions. Donation to Flagstaff Hill: In Flagstaff Hill's formative years, 1972-1975, the Briggs family generously donated a range of related items, including casting patterns, brassware, tools, machinery and a cupboard. These patterns illustrate the historic trades of foundering and metalwork, both of which have been essential in supporting marine industries such as shipwrights and boatbuilders. Furthermore, local industries like farming and manufacturing have relied on foundries for the casting of essential equipment. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. Exhibition and Legacy: The donated items were displayed in a simulated Brass Foundry within the Village. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory.The small cupboard holds particular significance due to its association with brass foundries operating across Victoria. Marine industries, including ship and boat building, depend heavily on high-quality castings for their machinery, equipment and fittings. Briggs Brass Foundry developed a specialised brass alloy using non-ferrous metals, ensuring the durability and longevity of its products in demanding marine environments. The cupboard is linked to Briggs Maine, a longstanding business dedicated to producing cast goods tailored for the marine sector. The foundry was equipped to meet requirements for both custom and mass-produced items. Briggs Foundry’s products were commonly installed on sailing and steam vessels operating along Victoria’s coastline, including in Warrnambool. In addition to general marine fittings, Briggs Marine was recognised for its expertise in bell-founding. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry.Cupboard; wooden, painted red with two green doors, round wood door knobs a wood catch. Doors are made from tongue-and-groove wood. Inside are two shelves. Stored on the shelves are an assortment of brass hinges, pipes, handles, ventilators, collars, and so on from the Briggs Foundry, Melbourne.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs, briggs marine, briggs foundry, cupboard, storage, brass objects, briggs family, marine products, village display, briggs brass foundry, briggs marine foundry, briggs marine products, herbert harrison briggs, george edward briggs, cyril falkiner mckinnon briggs, collingwood, moorabbin, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, sand cast, marine equipment, marine fittings, foundry, brass foundry, founders

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; round wooden shape with a wide concave centre and a round flat handle in the middle, painted dark brown. The underside has a large wooden disc added to the centre. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; rectangular wooden block made from laminated sections of wood painted black. A half-cylinder shape was carved into the long side, and a dowel shape was placed at the lower side. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry Pattern: pair of U-shaped carved blocks, unpainted. The blocks have opposing metal pins and holes to hold them together. One block has a disc shape carved into the base. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern: thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint, and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern: a pair of blocks that form a rectangle with a carved centre hole and a disc shape inside. The block is made from laminated pieces of wood with cut corners. Both sides have four drilled holes in a square configuration, but in different positions. The cut faces, and the space carved into them, are painted red; one piece has two dowel pins that fit into two drilled holes on the other. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles is at each short end of the crate, fixed with strong metal bolts. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood, but no active infestation. The patterns were made and used at Briggs Brass Foundry in Melbourne.Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern was possibly made for casting a part for Craftman Marine, makers of engines for boats and other applications. It is part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; rectangular wooden block with a corner cut diagonally. A five-sided shape has been carved into the centre, with one side curved inwards and slightly shallower than the other sides. The cut-out area is painted black. Three holes are drilled in the cut-out side to align the pattern with another piece of work. A wooden slat is fixed across the diagonal side. The back of the pattern has a handwritten inscription, possibly by two writers. The pattern is part of a set of foundry patterns from Briggs Brass Foundry and is connected to Craftman Marine.In black handwriting: "1 # H AL" Handwritten in a different hand: "CRAFTMAN MARINE" Written the the first hand: BRIGGS" (or "BRICK")flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, craftman marine, craftsman marine, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The St. Albans High School opened in 1956 and changed its name to St. Albans Secondary College in 19905536.01 - St. Albans Secondary College 1997 Year 9-5.jpg 3rd Row: Rea Ramos, Pauline Velkoska, Louise Papacharalambous, James De Sante, Mark Abela 2nd Row: Derrick Cassar, Andriana Filipovska, Diane Pirotta, Valentina Dupcinov, Mirjana Kostantinovic, Cindy Xerri, Mac Antansov, Tracylee Chapple Front Row: Louise Mifsud, Georgette Vella, Catherine Sweeney, Laura Campbell, Ryan Watt Teacher: Mrs. D. Coleman Absent: Kasey Wapshott, Steven Calpecos, Hugo Ortiz 5536.02 - St. Albans Secondary College 1997 Year 10-6.jpg 3rd Row: Quoc Anh Tran, James Pham, Luke Baldacchino, Chris Kirkopoulos, Leigh Spicer, Nathan Chick 2nd Row: Natasha Krstevski, Quan Thai, Jenny "Giang" Huynh, Lam Tran, Thanh Pham, Lisa Koutroupis, Thu Van Dang, Lena Celvska Front Row: Phuong Uyen Ho, Cuong Kien Le, My Hgoc Bui, Robert Gatt, Emmy Suwunnakal, Mary Hoang, Katherine Santos, Hong Kim Lee Teacher: Ms. J. Simpson Absent: Leng Be, Vu Nguyen, Thanh Truong 5536.03 - St. Albans Secondary College 1997 Year 11.jpg 8th Row: Pama Moses, Adam O'Flynn, Aaron Locke, Maarit Suonkmi, Sandra Petakovic, Sandra Milunovic, Ranko Vujkovic. Adis Kablar, Michael Ilie, Elvis Kesic, Robert Sarna, Yusuf Belik, Gregory Hluschko, Peter Kolevski, Huseyin Ylahayla, Ben Davies, Martin Mell, Dylan Btytex. Tania Briffa 7th Row: Nada Karaman, Maria Budair, Elena Pavicevic, Josip Kasalo, Troy Caldwell, Marvic Muscat, Suhnil Ilondi, Fndil Klancevle, Trong Dinh, Arturo Rojas, James Burt, Marijaneco Petkovski, Simone Wincar, Keana Kowanjko, Brandan Turner, Lucas Papacharalambous, Sandy D'Silva, Vashna Lal, Valentina Petrovska, Joao Jong 6th Row: Kili Nazifi, Tina Kuxanovska, Lidia Kostantinovic, Marina Kovacic, Marj Jankulovska, Elizabeth Majanovic, An Ho, Paul Cachin, Vu Truong, Neshwan Hurmex, Shane ratnam, Jasmin Allisle, Steven Veljanovski, Joe Tran, David Chieng, Baart Klek, Jimmy Ku, Lung Lai, Royee Lay, Cuong Truong 5th Row: Kerine Gun, Sanah Oblan, Diana Razamvska, Samantha Renda, Allison Bacchetti, Anil Mustafa, Linh Nguy, Gina Antonlo, Jacqueline Mifsud, Mellisa Plsani, David Lie, Leslie Kretzchmar, Kamil Sliwinski, Gebreil Medhanye, Son Nguyen, Jeffrey Lim, Sasko Usinov, Joseph Mercieca, David Kent, Bang Quach, Branka Jurilj 4th Row: Loan Le, Lieu Le, Kirsty Jones, Hung Ngo, Phuoe Pham, Branka Dragicevic, Hong Yvong, Melaine Kusznir, Natalie Kolendowska, Le Hang Tran, Yelly Meulenbrock, Betty Filipovska, Arzu Guncelar, Trang Tran, Elisa Tu'Itupou, Mira Mihajlov, Michelle Schreyer, Allison Anderson, Melissa Hardimann, Hau Nguyen, Jolanta Olesky, Stella Balaban, Maria Srokowska, Shane Willie, Warren O'Brien 3rd Row: Liem Tran, Sandra Gatt, Resmije Demiri, Ninna Clkoja, Ruth Farrugia, Anita Grasic, Nicolina Kondoska, Jaleh Forsyth, Faustina Surrao, Gabriela Avram, Natasha Mancevska, Diana Srbinovska, Tu Le, Huynh Nguyen, Phuong Nguyen, Thang Truong, Nhut Huynh, Renee Hill, Anne Tran, Lan Ngo, Duy He, Teng Sim, Ebru Osman, Maureen Binaday, Paul Spiteri, Marco Theodorou, Anh Vu Nguyen, Mauric Rivas-Sayes 2nd Row: Kim Ang Tran, Linh Lu, Christian Robas, Zora Nedelkovska, Hussein Hussein, Muc Nguyen, Am Iloang, Can Tran, Phuong Pham, Janette Jack, My Nguyen, Thinh Pham, Kristina Zelke, Diana Li, Ngoe Wang, Ue Chau Tran, Anna Abela, Vicky Nguyen Front Row: Thi Be Tran, Linda Tan, Jenny Nguyen, Lan Quach, Nhien Nguyen, Senthuy Tran, Soung Van, Thanh Vuong, Thuy Lam, Phuong Le, Trang Nguyen, Thuy Thi Tran, Michelle Seiberras, Sonta Li, Nuni sim, Frances Selberras, Cemaltye Ahmet, Hang Pham, Van Nguyen, Ly Lu, Ngoc Truong Teachers: Ms. M. Odde, Mr. J. Myers, Ms. Villani, Ms. R. Marehionda Absent: Gezim Alimsovski, Jana Bilali, Jason Bulter, Agim Emini, Elizabeth Cassar, Tien Quach, Lindita Rustemovska, Si Sin, Stacey Trinh, David Nguyen, Phuc Cao 5536.04 - St. Albans Secondary College 1997 Year 12.jpg 8th Row: Nick Sikman, Danial Love, Ovidiu Neagole, Michael Schrvyer, Peter Silkman, Tomhlav Pitra, Ferid Kbncevik, John Favlkie, Scott Mansfield, Daniel Samarxija, Michael Tasbnsan, Vrild Cehle, Daniel Lieurck, Danny Panlic, Vural Ramadan 7th Row: Veeraj Lal, Zlalko Hovaneck, Thai Tzo, Yi Fan Sun, Sam loutas, Patrick Agius, James Czarnoch, Paul Beska Anthea Lonsdale, Vladmir Ristevski, Andrew McKellar, Fady Ghanem, Mustafa Mustafa, Hien Le, Glang Nguyen, Truong Mai 6th Row: Sean Sutton, Darren Zammit, Tansu Cogar, Percival Jose, Nehir Abdicevie, Moses Mondia, Beadley Stamvenkovic, Kelvin Phan, Mervals Tawafi, Bao Nguyen, Rebecca Lutze, Avnija, Bala, Maryanne Tomsale, Julia Stam, Jodi Galea 5th Row: Angela Atanasovska, Bilyana Markovska, Dafina Kojdovska, Karina Locke, Kimblery Hindmarsh, Laura Obeid, Vang Bui, Cung Vu, Ramses Diana, Anh Tran, Nhiem Nguyen, Khuong Nguyen, Snezana Dimitrljevska, Louise Vella, Nada Mitrovic, Sally Petreski 4th Row: Trang Huynh, Taliya Cikoja, Maria Demetriou, Michelle Sie, Natall Musulin, Vkoteta, Bogojov, Anda Barun, Diana Cekovska, Nada Sismanovic, Vieleta Dimitrijecska, Michelle Stewart, Janelle Francis, Rebecca CAmpbell, Natasha Nikolovska, Sonia Dimitrievska, Menka Cyctanovska, Julie Kiriacoudis, Michelle Merceica, Nahida Garibovic 3rd Row: sandra De Sousa, Sifa Bahriyelli, Minushe Demiri, Alicia Cassar, Sonya Karovska, Kathy Debert, Mallorie Allen, Myrna Foentes, Tracey Singh, Meri Gheju, Suzie Mieecie, Stacey Brown, Julie Velevska, Tania Zdravkecska, Phi Tran Tracey Leung, Thao Phuong,, Ly Nguyen, Joanne Darvell, Thao Tran, Antoinette Alemida, Xuan Phan 2nd Row: Karolina Jovaneski, Suzi Ognenovska, Lily Rustemovska, Kirstin Mizis, Michelle Gatt, Phuong Le, Anna Nguyen, Ubanti, Nguy, Kristina Popovacki, Emina Gee, Anda Barisk, Sneza, Nikovski, Vanessa Catania, Front Row: Ngam ngo, Linh Luu, Phuong Lu, Katrina Gatt, Homaira Tawfi, Rosarin Suwuwwakul, Thanh Tran, Alde Lam, Chantha Kindavong, Huong Nguyen, Trang Nguyen, Nhu Ngo Absent: Emirson Allmovski, Stela Bervanakis, Svetlana Micevska, Hang Nguyen, Thang Nguyen, Jack Phillips, Hoang Phan, Phac Truong, Truong Doan, Chi Mai, Maria Oddo, Rosa Marchionda,John Myers, Carmela Vilbni 5536.05 - St. Albans Secondary College 1997 Staff.jpg 5th Row: Nigel tarr, Glenys Stevens, Brian Mundy, John Lacorcia, Rod Bear, Warren Niddrie, Ian Crocker, Andrew Wuttke, Craig Jennings, Maclor Himbury, Andrew McCarter, Peter Sinclair, Surjeet Singh, John Myers 4th Row: David Russell, Carolyn Learmonth, rosemary Banbury, Cinzia Cunningham, Frances Seketa, Trish Lowe, Stavroula Bekiarism, Stewart Fraserm Jon Kortuem, Les Chapman, Michael bowdenm Andrea Federico, Dorothy Coleman, Judy Simpson, Andrew Morrison 3rd Row: Graham Twist. Shayne Rule, Loue Traianou, Carol Greaves, Mark Micallef, Eric Gerqes, Volanda De Santos, John Cowl, Megan Jeffery, George Peart, Leonie McGannon, Kay Williams, Louise Talevska, Athan Theodorou, Denise Kirton, Andrea Miller, Rose Johnson 2nd Row: Janet McKenzie, Laura Gough, Miranda Truong, Stephaine Leontizdes, Michelle Veith, Thu Tran, Linh Dang, Mario Orsini, Roda Marchionda, Gael Meadowcroft Front Row: Vera Mitrovska, sue Brown, Pam Kernohan, ruth Radke, Ruth Hodgson, Kathy Haris, Roger Martin (Assistant Principal), Stewart Homer (Principal), Jo Doherty (Assistant Principal), Marla Oddo, Effie Goulas, Jaune Stephens, Jo Kelly, Amal Seif, Pam Oliver, Bev Davies st. albans high school, main road east, st. albans, st. albans secondary college

The St. Albans High School opened in 1956 and changed its name to St. Albans Secondary College in 19905542.01 - St. Albans Secondary College 2004 Year 7-1.jpg Top Row: Graham Twist, Jessie Clunie, Murtaza Danesh, Thien Do, Hieu Doan, Benjamin Genardini, Nicole Goudge Third Row: Peter Huynh, Asia Izic Second Row: Alen Kusur, Aleksandra Lazarevska, James Le, Henry Martinez, Adisa Mulaejc, Huy Hguyen, loc Nguyen First Row: Suzanne Panecki, Allan Roze, Azra Samjic, Kristy Tramsek, David Tran, Merry Truong, Timothy Wilson, Ivana Zupan Not Featured: Kim Loan Nguyen 5542.02 - St. Albans Secondary College 2004 Year 7-2.jpg Top Row: Anastasha Boado, Samar Chami, David Do, Thuy Do, Thao Ho, Thien Huynh, Michael Kondoski Third Row: Toy Lang, Justin Langley Second Row: David Lapworth, Jesse Nagy, Soraya Nammathao, Quyen Nguyen, Steven Nikolovski, Lidija Poljakovic, Islah San Jose First Row: Jorkleisio Tom, Cong Trinh, Thao Truong, Kristia Maree Tuazon,Iana villar, Trang Vo, Sanela Zecic Not Featured: Alana Armstrong 5542.03 - St. Albans Secondary College 2004 Year 7-3.jpg Top Row: Samuel Bebawi, Troy Calleja, Candice Cini, Michael Daniello, Sara Distefano, Wendy Dominguez, Nathan Franklin Third Row: Samantha Griffiths, Jasmine Humanes, Swendy Huong Hoang, Salih Ibrahim Second Row: Zoran Kajtazovic, Mirsad Kaltak, Thuy Le, Lee Locke, Filip Minoski, Tina Minute, Blake Munro First Row: Steven Nguyen, Jessica Radas, Albert Rustemovski, Lindim Shaqiri, Ellie Tidswell, ly Tran, Dmytro Yarchuck 5542.04 - St. Albans Secondary College 2004 Year 7-4.jpg Top Row: Mark Micallef, Selim Dardovski, Fiona Du, Christopher Hall, Kelvin Isla, John Korytsky, Lan Le Third Row: Thuy Le, Xuon Ngo, Buu Nguyen, Linh Nguyen Second Row: Rebecca Nguyen, Thay Nguyen, Toan Nguyen, Trinh Nguyen, Vincent Nguyen, Vuong Nguyen, Arthur Poulios First Row: Dimitra Poutselas, Iqbal Singh, Kiet Tran, Le Tran, Nghia Tran, Tony Tran, Duy Vo Not Featured: Tram Lam 5542.05 - St. Albans Secondary College 2004 Year 7-5.jpg Top Row: Kurosh Anvari, Shaun Baker, Engel Dean Billosillo, Selma Cindrak, Mirnes Civic, Samantha Danskin, Bao-Long Du Third Row: Duc Hoang, Kiera Hohmann Second Row: Albina Huremovic, Helen Huynh, Alma Ibrahimovic, Quoc Lai, Hao Ngo, Brian Nguyen, Luan Nguyen First Row: Yen Nguyen, Danijela Novakovic, Dalena Pham, Mauro "Elbio" Quintela, Elle Sivakova, Tuan Tran, Tuan Trinh Not Featured: Arron Hohmann, Thanh Ta 5542.06 - St. Albans Secondary College 2004 Year 7-6.jpg Top Row: Athan Theodorou, Elcamaze Ali, Pawel Balchan, Noel Baldcchino, Suzanah Do, Joshua Fitzpatrick, Veronica Grabovic, Salih Hasanacevic Third Row: Kacper Hubiak, Kire Jonoski, Kao Lee, Daniella Mamic Second Row: Wayne Marmo, Tyler Munro, Rebekah Nguyen, Klime Pisteski, Casey Shaw, Tiffany Simoes, Roberta Joanne Thomas First Row: Paul Truong, Jordan Tudor, Matthew Warren, Dylan Wharton, Kim Wiltshire, Angelica Xenos, Juliana Zlatevska 5542.07 - St. Albans Secondary College 2004 Year 7-7.jpg Top Row: Brian Mundy (Teacher), Ajrije Ajro, Ibrahim Bakri, Dino Beslagic, Nikolina Budinovska, Dario Dilber, Anna Duong Third Row: Maueofa Fakauafusi, Janelle Hammal Second Row: Samantha Hood, Miranda Iljzi, Rhys Johns, David Lazarescu, Aaron Magri, Fahima Mohamoud, Jacqueline Musiov First Row: Marilyn Orellana, Yen Phan, Liridon Shaqiri, petar Sterjovski, Katie Tepania, Jake Watson, Arber Zalli Not Featured: Stanimir Krajisnik, Joseph Linares 5542.08 - St. Albans Secondary College 2004 Year 8-1.jpg Top Row: Simon Chalhoub, Adriana D'Aniello, Azra Dedic, Liam Digby, Hannah Esber, Petra Gajic, Ryan Johns Third Row: Steven Kovacic, Aslam Mahamed Second Row: Yasna Mendez, Louie Mircevsi, Tuan Nguyen, Sophie Obradovic, Alben Rustemovski, Mark Schembri First Row: Afrdita Selman, Maryanne Sisfa, Michael Spiteri, Nguyet Tran, Joshus Troncoso, Johnson Vuong Not Featured: Refi Balla, Mathew Incorvaja 5542.09 - St. Albans Secondary College 2004 Year 8-2.jpg Top Row: John Cowl (Teacher), Joie Ancaya, Jawid Attai, Ngoc Bao Pham, Vanessa Borg, Hala Chami, Dardan Djokaj Third Row: Hieu Doan, Dejan Fundurlija Second Row: Nicholas Gontscharrow, Thanh Ha, Denis Kusur, Vincent Lam, Aldin Mulasmajic, Dong "Haj" Nguyen, John Nguyen First Row: Tan Nguyen, Zoran Ninkovic, Dusko Preradovic, Taimi Saafi, Ming Trinh, Laura Tudor, Femy Villanueva Not Featured: Amana Grech, Aaron Mason 5542.10 - St. Albans Secondary College 2004 Year 8-3.jpg Top Row: April Barby, William Guan, Hang Huynh, Kevin Huynh, Trinh Huynh, Patrick Isla, Richard Lay Third Row: Alan Lieu, Thuan Luong, Bowie Man, Andrew McCarter (Teacher) Second Row: Jerrold Medina, David Nguyen, Joyce Nguyen, Brooke Pham, Calen Pham - Nguyen, James Sze, David Tang First Row: Nhuy Tieu, Dong Tran, Huyen Tran, Jenny Tran, Natalie Tran, Michael Truong, Thao "Amy" Vo Not Featured: Dennis Wang 5542.11 - St. Albans Secondary College 2004 Year 8-4.jpg Top Row: Michele Aceska, Fariya Ali, Kristina Avtarovska, Peter Axiak, Shaun Beck, Mandy Bosnjak, Christopher Cagoroski Third Row: Gina Huynh, Sarah Iles Second Row: Aleksandar Kolyovski, Jessica Mahau, Chantelle McCaskill, Murat Mert, Kirsty Mifsud, Suzana Milovanovic, Raphael Negre First Row: Giang Nguyen, Tuan Nguyen, Juan-Jose Portillo, Raina Robson, Edgar Rodriguez, Phuong Trinh, Van-Phuoc Trinh Not Featured: Vladimir Jaksic 5542.12 - St. Albans Secondary College 2004 Year 8-5.jpg Top Row: Grant Clifton (Teacher), Dorothy Coleman (Teacher), David Carlson, Trung Doan, Stacey Fischer, Skye Fury, Guan Guliang Third Row: Steven Hernandez, Ly Hoang Second Row: Alma Husic, Aleksandra Kaludjeroovic, Boris Karabatak, Nathan King, Ryan Korytsky, Edmund Lam First Row: Chao Lee, Quan Luu, Mary-Grace Manalo, Michael Ta, Andrew To, Samantha Warren Not Featured: Kenny Dang, Jeremy Medina 5542.13 - St. Albans Secondary College 2004 Year 8-6.jpg Top Row: Cinzia Cunningham (Teacher), Christopher Attard, Victoria Barnett, Richwell Binaday, Natalia Blagic, Christina Boudib, Nathan Day Third Row: Igor Filipovic, Daniel Johns Second Row: Betty Kabrovska, Ernie Kaukasi, William Kennedy, Christopher Moungaffi, Charlene Schembri, Rhiannon Sheehan, Mark Sortino First Row: Melissa Stojanovic, Salvatore Todaro, Thien Tran, Selma Turcinovic, Matthew Vea, Lidia Veljanovski, Delins Vella 5542.14 - St. Albans Secondary College 2004 Year 8-7.jpg Top Row: Andrea Federico (Teacher), Asim Alisic, Alen Bardak, Natalie Caval, Alexandra Damceska, Claudia Filip, Dean Franklin Third Row: , Nhat Ha, Tahnee Hales Second Row: Jackson Hurmez, Tulle Ibrahim, Timothy Johns, Monica Lam, Tyson Lam, Shaun Le Toille, Ana Mrnjaus First Row: Huan Nguyen, Hung Nguyen, Jason Nguyen, Truc Nguyen, Salih Ograk, Susan Vuong, Mitschel Yassin Not Featured: Kristoffer Blanch, My - Linh Dang 5542.15 - St. Albans Secondary College 2004 Year 9-1.jpg Top Row: Carolyn Learmonth (Teacher), Daniella Azzopardi, Yavuz Berke, Ana Blagojevic, Natalia Daneva, Dean Galea Third Row: Fane Kaukasi, Fong Kim Cheong Second Row: Natalie Meulenbrock, Amanda Moxon, Mitch Munro, Dominic Mustica, Lazarele Ninkovic, Lazar Petrovic First Row: Marko Sestan, Alfred Sisifa, Nikolina Spremo, Srdan Stojanovic, Daniela Sungovska Not Featured: Megan Atkins, Vanessa Sciberras, John Tomasevic 5542.16 - St. Albans Secondary College 2004 Year 9-2.jpg Top Row: Stewart Fraser (Teacher), Jocardo Bechara, Adam Crea, Simon Crea, Toni De Blasiis, Stephanie De Maio, Michael Grabovic Third Row, Natalie Hood, Selena Huynh Second Row: Shirley Lang, Dat le, Dianne Mamo, Vanessa McGee, Sarah Musiov, Justine Nguyen, Melissa Nicolas First Row: Ediz Saydam, Radie Shaqiri, Maciek Sztendur, Jessica Trajkovski, Sang Tran, Daniel Troncoso, Laura Vongkham, Anastastia Xenos Not Featured: Emma Watts 5542.17 - St. Albans Secondary College 2004 Year 9-3.jpg Top Row: Dorothy Coleman (Teacher), Maha Ahmed, Sasa Aleksic, Bobby Bobos, Than Bui, Nguyen Dang, Dejan Djuric Third Row: Ilda Huremovic, Hoda Ismaeil Second Row: Marinko Kovacevic, David Lee, Simon Lee, Antonella Marass, Nermina Mustafic, Karen Nguyen, Karri Nguyen First Row: Nga Nguyen, Ruth Nguyen, Thy Nguyen, Mirna Orellana, Miguel Pamintuan, Lieu Pham, Phille Prior, Elleni Yassin 5542.18 - St. Albans Secondary College 2004 Year 9-4.jpg Top Row: Peter Sinclair (Teacher), Imran Ali, Enoch Aning, Igor Cecavac, Robert Furgal, Jovana Hercegovac Third Row: Hieu Ho, Hai Hoang, Vu Hoang, Azra Ibrahimovic, Kim Le Second Row: Trang Le, Imran Mahamed, Jake Martin, Negra Masic, Annie Nguyen, Jenny Nguyen, Sang Nguyen First Row: Marija Novakovic, Long Phan, Amy "Tho" Tran, Tung Tran, Vu Tran, Taicodi Wilson, Mohamad Zeno Not Featured: Juan Carlos Vargas 5542.19 - St. Albans Secondary College 2004 Year 9-5.jpg Top Row: Rod Bear (Teacher), Feyruza Abdi, Jusuf Avdic, Bashir Danesh, Tien Dang, Lanh Doan, Jennifer Duong Third Row: Rahel Gebremedhin, Danira Hamzic Second Row: Minela Hankic, Aaron Lapworth, Binh Le, Chi Ly, Ilda Quintela - Rocha, Rhapsody Robinson, Thuy Ta First Row: Cong Tran, Samila Trnovac, Asael Trujillo, Son Vo, Yin Yin Trinh, Saymon Toukhana Not Featured: Nathan Bebawi, Robert Nguyen 5542.20 - St. Albans Secondary College 2004 Year 9-6.jpg Top Row: Dorothy Coleman (Teacher), Rosa Marchionda (Teacher), Rocky Borg, Claudia Brasse, Kera Cachia, Ulfet Caltikusu, Salim Hijazeen Third Row: Kim Hohmann, Carthy Huynh, Daniel Ivanovski, Mirjana Knezevic Second Row: Julie Kotevski, Le-Quyen Le, John Nguyen, Tyson Nund, Aleksandar Ognenocski, Andy Pang, Thuy Phan First Row: John Pilkington, Drazen Preradovic, Hannah Robinson, Danielle Tepania, Andriana Trajanovska, John Tran, Ebony Watts Not Featured: Ugar Cellatoglu, Tien Truonng 5542.21 - St. Albans Secondary College 2004 Year 9-7.jpg Top Row: Cinzia Cunningham (Teacher), Kim Bach, Peter Baker, Daryl Binaday, Kyle Coble, Rexhep Demiri Third Row: Michelle Duncan, Mustafa Gurpinar Second Row: Steven Huynh, Benjamin Lay, Tony Le, Brendon Manceski, Thy Mynguyen, Chuong Pham First Row: Letisha Riwhi-Clunie, Tyson Shaw, Anna Tran, Sang Tran, Samantha Watson Not Featured: Celina Greech, Alekasander Miljevic, Son Vo 5542.22 - St. Albans Secondary College 2004 Year 10I.jpg Top Row: Gulcan Adikli, Lisa Akin, Adem Aliskovic, Camille Artuz, Bedri Bala, Jennifer "Dung" Banh, Lu Bao Liang, Gary Brown, Kristy Burns, Jackie Caban, Daniel Cagorski, Edwin Cao Fifth Row: Hong Cao, Lukica Chicha, Yat Ho Chong, Adis Cindrax, Angela Cini, Have Cansu Cogur, Dajana Dakovic, Marina Daneva, Hieu Dang, Chloe De Blasis, Hayley Debono Fourth Row: Darren "Kai-Lon" Deng, Suzana Dragicevic, Stephen D'Silva, Daniel Du, Helen Dukic, David Duong, Timmy Duong, Kevin ?, Adrian Federenko, Alexander Fundurlija, Rebecca Gatt Third Row: Rod Genardini, Goran Gorsoski, Jane Ha, Elizabeth Harrington, Dusko Hercegovac, Quyen Ho, Minh Hoang, Chantelle Humanes, Jack Hurmez, Damir Hussjinovic, Lien Huynh Second Row: Trung Huynh, Thomas Hy, Cory Iles, Muhammad ?, Milan Jakovljevic, Briony Johns, Jacinta Johns, Casey Johnson, Sasha Jovic, Moka Kalkasi, Dorine Khamekeie First Row: Pauline Korenj, Marko Kovacevic, Fatoma Kuloba, Shane Kumar, Jasna Kusur, Kelvin Lay, Don Le, Xuan Le, Jane Lien, Linh Ueu, Linzi Lim Not Featured: Craig Blanch, Michael Butler, ? Do 5542.23 - St. Albans Secondary College 2004 Year10II.jpg Top Row: Mai Lon Tran, Tu Luong, Evangelos Magiras, Peter Marchioni, Christopher Martin, Sammy Masre, Daniel Meissner, Garry Mendez, Borjan Milinkovic, Tanya Mircevska, Zeatko Metrevski, Anh Nguyen Fifth Row: Huy Nguyen, Lily Nguyen, Nam Nguyen, Nguyet Nguyen, Phung Nguyen, Phuong Nguyen, Guyen Nguyen, Tony Nguyen, Milos Movakoviv, Natasa Ordev, Esra Ozen Fouth Row: Vesna Pacarea, Bobby Pajic, Ha Phan, Qui Phung, Kristina Poljakovic, Kalliope Poulios, Natasha Protulipac, Pramanand Radrakeesoon, Ronka Raju, Andrea Rodriguez, Florentina Rotar, Francis Rozas Third Row: Laith Sada, Manel ?, Adaleta Salkovic, Travor Santos, Chatlene Sciberras, Dimitar Sekulovski, Denis Selman, Ivan Sestan, Kristy-Lee Simoes, Mirnes ?, Jessica Smith Second Row: Rebecca Smith, Sandra Spiric, Branko Stipic, Aleksandar Stojanowski, Joanne Sweeney-Soderiou, Melissa Tieu, Ngoc Tieu, Sarah Timpamo, Duncan Tong, Jane Truong, Khanh Truong First Row: Mathew Truong, Rohelle Tuazon, Serka Turonovic, Mimi Vo, Michael Vukovic, Jenni Vuong, Tara Wikie, Vanessa Yang, Fonny Zainal, Brandan Zalewski, Aleksandar ? Not Featured: Thao Ly, Mladen Vrnjaus, Michael Todara, Kristina Topic, Hang Vo 5542.24 - St. Albans Secondary College 2004 Year 11I.jpg Top Row: ? Ardi, Goran Acevski, Jessica Agius, Abel Albmu, ? Ali, Imran Ali, Hayley ?, Afrime Gala, Renata Barc, Malcom Blanch, Peter Brecelj, Luis Burgos Sixth Row: Lorena ?, Rebecca Calleja, Grant Cameron, ? Cao, Timithy Cations, ?, Dragca Dacic, Razia Danesh, Trixc Dang, ? Cauti, Jenny David Fifth Row: Melissa Day, Renee Bebrincat, ?, Anthony ?, ? ?, Tuten do, Hien Doan, ?, Monica ?, ? Fereti, Catlina Filip Fouth Row: ? Filipovski, ?, Nicole Galea, Aaron Gatt, Laurence Gatt, Hana Gebremeohn, ? Grasic, Rohan Guanzon, Emir ?, Mersiha Hankic, Carmen ?, ? Ho Third Row: Durzel Husanovic, Au Hussein, ?, ?, Almira Jaher, Nikolge Jankulovski, Mende Jonoski, ? Joveska, ?, Diana Koltonska, ?, Helena Koutrouis Second Row: Anthony Kustura, ?, Hang Lam, ? Lam, April Langley, Celia Lay, Mandy lay, Chu Le, Lai Le, Thao Le, Xi Le, William Lemus First Row: Dephene Luc, ? Ly, Tan Ly, Di Ma, Phuong Ma, ? Mahamed, Rhea Manalo, Sean Marevic, Ricardo Melder, ?, ? Not Featured: Millian Bodiroca, Crystl Fitton, ? Hallovic, Samantha Hooper, ?, ?, ?, ?, ?, ?, ? 5542.25 - St. Albans Secondary College 2004 Year 11II.jpg Top Row: Danela Mitrevso, Louise Mitroya, Ilche ?, Kyle Moxon, Natalie ?, Esmir Music, ?, Diem Nguyen, ? Nguyen, Hung Nguyen, Kim Nguyen, Mai Nguyen Sixth Row: Tina Nguyen, Tram Nguyen, Wendy Nguyen, ?, Dejan Nikolic, Jovica Obradovic, Sibel ?, Adam Osmic, Mirela Paden, Steve Palos, Cedomir Petrovic Fifth Row: Cahn Pham, Jenny Pham, Amy Pham, ? Pham, Thuong Pham, Tien Pham, Annie Phan, Phuong Phan, Phuong Phan, Thanh Kevin Phan, ?, Daniel Prout Fourth Row: Renegade ?, Vasiuje Rangelov, ?, Nick Risteski, Armando ?, Corneliu Rotar, Cindy ?, Alen ?, Jovana Sancanin, Stefan Sarac Third Row: Michael Soberras, Ivana Sestan, Barbara ?, ?, Goran ?, ?, Jacky Stefanovska, Anthony Surace, Le Ta, Janice Taylor, Phng Tohung, Fatima Tom Second Row: Susan Tomasevic, Steven Trajkovski, Anais Tran, Bioh Tran, ? Tran, Cuong Tran, Liem Tran, Tony Tran, Tri Tran Tri-Thang Tran, Febe ?, ? Truong First Row: Quan Tu, Yusie Usman, Michael Vella, ? Vo, Lee Minh Tuan Vo, Thuan Van Vo, ?, Cathleen Werahiso, Christopher Zammit, Maria Zammit, Ivan Zupan Not Featured: Cannot Read 5542.26 - St. Albans Secondary College 2004 Year 12I.jpg Top Row: Eyman Ahmen, Fadil Ajro, Joanna Anng, Kate Ann ?, Ivan Arguetta, Belinda Atanasovska, Lorraine Attard, Mina Avcic, ? Banh, Jason Barbara, Angelo Baropoulos, Peter Barnett, ? Besig Fifth Row: Angie Boras, Laura Brasse, ? Bui, Thao Bui, Elena Bujukovska, Mark Calpecos, Gamze Cellatoglu, Truc Dang, Aldon Dedic, Dave ?, Van Dinh, Linda Di-Sante Fouth Row: Kien Do, Bowel Du, Slaven Dojak, Jade Pazuc, Sabina Fazlic, Mark Fernandez, Luke Fraser, ? Fury, Ljiljana ?, Lee Galea, Charlene Gatt, George Gewany, Narinderjit Gill Third Row: Semir Habibovic, Adele Hall, Kimberley Hall, Bernard Harrington, Yu "Bill" He, Jelina Hercegovac, Canh ho, Han Hoang, Arjana ?, Rebecca hooper, Alina Horj, Kiet Huynh Second Row: Thao Huynh, Nasiha Ibrahmovic, Natale ilicski, Jennifer Ong, Cindy ?, Meuha Karagic, ? Karasavois, Vaski Klasevski, ? Knezevic, Katerina Koltovska, Michael Koren, Jasmin Kusur First Row: Marina Kuzmanovska, Lam Lam, Thu Lam, Fred Lay, Stephen Lay, Nam Le, Phuong Le, Tai Le, Yen Le, Stephanie Le Minor, Zumreta Ljevakovic, Jennifer Ly Not Featured: Taner Kbar, Chen Le Noogle 5542.27 - St. Albans Secondary College 2004 Year 12II.jpg Top Row: Unh Ma, Sora Mahamed, Thao Mai, Sarah Mamo, Kristy Marccholo, Mathew McCann, jamieson Medina, ? Mcic, Angela Mizzi, Wadng Moungaafi, Adis Mulauc, Esmra Music, Toni Nedelkovski Fifth Row: Diem Nguyen, Duy Nguyen, Giang Nguyen, Khanh Nguyen, Una Nguyen, Lisa Nguyen, Nhi Nguyen, Rachel-Ha Nguyen, Son Nguyen, Tania Nguyen, Thao Nguyen, Thuy Nguyen Fourth Row: Tony Nguyen, Trinh Nguyen, Uyen Nguyen, Tony Nikolovski, ? Ograk, Desanka Ogrizovic, Dilma Orellana, Rafael Pamintgan, John Perez, Camha Pham, Huong "Kim" Phan Karen Lieu Phan, Ngoc Phan Third Row: Anyanee ?, Nick Poulios, Veronica ?, Wahida ?, Mohanned Safatli, Jenny Seca, ? Seumi, Perica Simic, Merryn Snooks, Damian Stawszynski, Claudia Stetcu, Maria Strmota Second Row: Lucas Szpakolski, Michael Sztendur, Chi Tanto, Sofia Tettamanti, Quynh Thai, Vito Tocaro, Enedina Tordo, Aleksandar Trajanovski, Dzung Tran, Hai Tran, Tofanh Tran, Trinh Tran First Row: Bich Trinh, Thungoc Trinh, Leah Trujillo, Chi Truong, Duy Van Pham, dens Veljovic, Thao Vo, Jade West, Sayfonh Xaymongkhonh, ? Yarkin, Steven Zahra, Henny ? Not Featured: Aleksandar ?, Bradley ?, Huong Tran, Anh Vo 5542.28 - St. Albans Secondary College 2004 Year Staff.jpg Top Row: Lorne Anderson, Cathy Armstrong, Rosemary Bambery, Cameron Beale, Rod Bear, Stav Bekiaris, Judy Blum, Michael Bowden, Sue Brown, Les Chapman, Grant Clifton, Dorothy Coleman, John Cowl Fifth Row: Ian Crocker, Onzia Cunningham, Nick O'Aglas, Mellisa D' Amico, Bev Davies, Andrea Federico, Stewart Fraser, Lynette French Fourth Row: ? Goulas, Yoko Hanada, Kathy Haris, Mealor Himbury, Ruth Hodgson, Megan Jeffery, Graig Jennings, Rose Johnson, Trish Keating, Denise Kirton, Jon Kortuem, Robert Lakovski, Carolyn Learmonth Third Row: Stephaine Leontiades, Suzi Livesay, Trish Lowe, Rosa Marchinonda, Wendy Maryakis, Andrew McCarter, Leonie McGannon, Phil McMillan, Mark Micallef, Sheryn Mitrevic, Karen Moore (Principal), Marion Mortimer Second Row: Brian Mundy, john Myers, Asha Narayan, Derek Newsome, Mario ?, Loan Pham, Jeff Rieniets, Mhairi Shepherd, Judith Simpson, Peter Sinclair, Surjeet Singh, Rosemary Sirianni First Row: Beverly Smith, Janne Stephens, Glenys Stevens, Lousie Talevska, Nora Tchexmeyan, Mary Teazis, Atran Theocorou, Loui Traianou, Thu Tran, Graham Twist, Gererd Uhl, Michelle Veith 5542.29 - St. Albans Secondary College 2004 Year Staff.jpg Image only st. albans high school, main road east, st. albans, st. albans secondary college