'Rolleston' the home of the Mrs. Ella Vicars-Foote's Collection Palmerston Street, Bendigo. Order of Sale. In Conjunction: E. J. Ainger Pty. Ltd. John Ainger, Auctioneer, Valentine's Antique Gallery (formerly Cliff's Antiques) Allan Valentine Auctioneer. Home originally built by Crawford Family in the 1880's - Gold Speculators and owners of the City Family Hotel. March 1985. Printed by J. J. & D. V. Mulqueen, Kangaroo Flat.place, building, residential, rolleston, mrs ella vicars-foote, e j ainger pty ltd, john ainger, valentines antique gallery, cliff's antiques, allan valentine, crawford family, city family hotel, j j & d v mulqueen

history, peoplePhotocopy of group of Photographs of Crawford Family of Grenville with notes identifying subjects.crawford, family portaits, grenville

Toolamba district history, including local families, school rolls, churchs' history 1840-1983Dust jacket included copy of bush scene woodcarving by late Nicholas Bartels. Brown card cover, gold lettering. 2 copies (L0849).heart of the valley, toolamba, morvell, s, crawford a, tatura, agriculture, goulburn river, books, history, local

Toolamba district history, including local families, school rolls, churchs' history 1840-1983Dust jacket included copy of bush scene woodcarving by late Nicholas Bartels. Brown card cover, gold letteringheart of the valley, toolamba, morvell, s, crawford a, tatura, agriculture, goulburn river, books, history, local

Toolamba district history, including local families, school rolls, churchs' history 1840-1983Dust jacket, cream, included copy of bush scene, wood carving by the late nicholas Bartels. Brown card cover, gold lettering.toolamba, heart of the valley, morvell s, crawford a, tatura, agriculture, goulburn river, books, history, local

A documentary record of a Harston family and farm 1903-2003. Contains family tree and photographsCream cover, black lettering. Photograph of Fenton Hall homestead on frontthe fenton hall story, crawford family, fenton hall, tatura, crawford families, books, history, local

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

P.443.fictionSant' Ilario is an absorbing story depicting the impact of social change on an Italian family during the late 1800s. Set mostly in Rome, it tells the fascinating tale of Sant' Ilario, A Lady of Rome, and Giovanni Saracinesca. The novel presents an interesting picture of the period, describing the spiritual and economic concerns of the aristocracy at a time when its power and position were under attack from the emerging forces of modernity.england - fiction, italy - history

An informative brochure marking the first 21 years of Melbourne Legacy activities, with a heavy focus on the assistance given to children, noting that 10,250 families and 25,872 families were assisted during the 21 years at a total cost of fifty two thousand and ninety seven pounds. It is interesting to note the call for permanent employment positions for boys and girls on the back cover. The notation H56 in blue pen shows that it was part of the archive project that was trying to capture the history of Legacy. It contains a list of the past presidents and Board of Management in 1944 included: President: T M Cosh Vice Presidents: (JLC) B Nathan; (Personnel) A Crawford; (ILC) F J Doolan Liaison Officer: F W Higgins Elected Members: E Sherwen, N C Harris Hon Treasurer: L B Wallace Hon Secretary: W Sheldon.A succinct account of Melbourne Legacy's work from 1923-1944.4 sheets of card, folded and stapled. Printed brown on cream with mustard yellow highlighting, sepia photos.Handwritten 'H56' in blue ballpoint on front cover.history, activities