Showing 697 items matching creation
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Kew Historical Society Inc
Decorative object - Paradise Bird Design Linen Curtains, GP&J Baker, 1920s
William Turner, a Scottish born free-lance designer, who was contracted to GP&J Baker, painted the image on which the design was based in 1918. Turner had trained as a furniture designer before leaving for London in the 1890s, where he rose to prominence as an Arts & Crafts designer. The bird that gives this design its name is adapted from Robert Havell’s ‘A Collection of Birds of Paradise’, published in 1835, and was a favourite of Victorian chintz designers.“Paradise Bird” has been in continuous production since its creation. The hand-block print, of which these curtains are an early example, was supplemented by a version engraved on copper rollers in 1962, and was updated onto screens in 1982. The curtains have significance to the collection because of their intrinsic value and for the link to one of the historic mansions in the City of Boroondara. The curtains by G.P & J Baker of London use one of the exemplary designs in this manufacturer’s output. The first use of the design was in 1918, following the Great War, and the design is said to reflect the hope for peace which was a feature of the postwar years. The curtains are an early example of the Paradise Bird design, and were block printed. A pair of curtains originally situated in one of the front reception rooms of 'Tourmont' in Balwyn Road, Balwyn (now Fintona Girls’ School). The fabric in the curtains was manufactured by the English firm of GP&J Baker. The textile design is variably named as ‘Paradise Bird’ or more recently, ‘Hydrangea Bird’. Turner’s bird perches in a blossoming branch directly above a woodpecker, which is an attribute of Mars, god of war. Thus the design reads as a symbolic statement where War is reversed and Paradise returns (a hopeful message at the end of WWI). “Paradise Bird” has been in continuous production since its creation. . curtains, fabric design, historic buildings -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Hywel Glyn Lewis, Reversing language shift : how to re-awaken a language tradition : proceedings of the fourteenth FEL Conference : Camarthen, Wales 13-15 September 2010, 2010
Keynotes, Attitudinal issues, Govenrment-supportedstrategies and community initiated projects, Teaching-resource creation for language revitalization, Language use and standards, The role of the education system in language shift and its reversal, Langauge standardisation, Intergenerational transmissionTablesendangered languages, language revival, language policy -
Glen Eira Historical Society
Photograph, Murrumbeena Road, 227-233, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. MURRUMBEENA VIDEO) Shops at 227 Murrumbeena Road (Bev Baxter CHEMIST MURRUMBEENA PHARMACY) and 225 Murrumbeena Road (MURRUMBEENA VIDEO) are not included in HO12.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment.Colour photograph of a group of commercial properties with ground level shops and upper level two toned brown, unpainted brick residences. The photograph taken from across the road includes the footpath and Bev Baxter chemist, Murrumbeena milk bar, Blue Sea fish and chip, and Leovorno Pizza as well as a section of a video store. 231 Hair Creations, LEOVORNO PIZZA / BLUE SEA FISH & CHIP / MURREMBEENA (sic) MILK BAR / Bev Baxter CHEMIST MURRUMBEENA PHARMACY / MURRUMBEENA VIDEOmurrumbeena, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, beauville estate, murrumbeena road, commercial establishments, shops, pharmacies, milk bars, fish shops, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, brick shops, brick features, hairdressers, pizza shops, restaurants, video shops -
Whitehorse Historical Society Inc.
Article, Civic find, 1989
Public relations officer, Joan Pettigrew found a decorative plaster plaque, believed to have been made in 1925 to mark the creation of the Shire of Blackburn and Mitcham after its separation from Box Hill. The plaque will be hung in the council chamber.Public relations officer, Joan Pettigrew found a decorative plaster plaque, believed to have been made in 1925 to mark the creation of the Shire of Blackburn and Mitcham after its separation from Box Hill. The plaque will be hung in the council chamber.Public relations officer, Joan Pettigrew found a decorative plaster plaque, believed to have been made in 1925 to mark the creation of the Shire of Blackburn and Mitcham after its separation from Box Hill. The plaque will be hung in the council chamber.local government, pettigrew, joan, shire of blackburn and mitcham, smith, dorothy g, fisher, bruce -
Federation University Historical Collection
Photograph - Postcard, Ballarat South Street Competitions Cornet Champion Frank Wright, 1919
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaA black and white photograph of a cornet player depicted in uniform. He wears a medal and holds a cornet. The person depicted is Frank Wright who was the winner of the Champion Cornet Solo at the Ballarat CompetionsPersonal marking "Truly Yours Frank Wright 1/1/1920". Enscription - Ballarat Competitions, 1919, Champion Cornet solo-F.Wright, 1st, Besson"New Creation" Cornetcornet player, frank wright, ballarat competitions, south street competitions -
Kew Historical Society Inc
Clothing - Black Silk & Lace Dress, 1910s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three quarter length black silk dress with a pleated bodice above which is inset a panel of contrasting fabric covered with black rosettes. Given the length of the dress it may have been shortened in the years following its creation due to changing tastes.women's clothing, australian fashion - 1910s, mourning wear -
Glenelg Shire Council Cultural Collection
Document - Account of official excursion undertaken by the Field Naturalist Club 1947, c. 1947
Account of official excursion by committee members of Field Naturalists Club of Victoria to the Lower Glenelg, regarding proposed creation of Glenelg National Forest and Sanctuary. Buff cardboard cover, black print, 91 pages. B.W. Vivian, written in blue ink on front of the flyleaf.glenelg national forest and sanctuary -
Stawell Historical Society Inc
Map, R.O. Robson - Authorised Surveyor, Road from Glenorchy to near Geary's Selection Callawaddy 1880, 29.04.1880
Survey for Road CreationCloth Backed Map. Plan of Road.Parishes of Richella & Callawadda. County of Borong. Plan of Road. R.O. Robson Authorised Surveyor Stawell 29.04.80 -
Port Melbourne Historical & Preservation Society
Education kit, Anna Monea, South Melbourne Gasworks Education Kit, 1997
Duncan King-Smith interviewed 10 former workers who were at the Gasworks from 1920 to 1957. Extracts from these interviews provided the framework for the Education Kit Entered for and (as only entrant) won the Tom Hills Memorial History Prize in 1998. Kit supported by Gasworks Arts, Apple, Australia Foundation, Gas and Fuel Corp. and City of Port PhillipSouth Melbourne Gasworks Education kit prepared in 1997 by Anna Monea (Concept, Development and Creation) with assistance from Rachel Petro (Sound Technician), containing two booklets, three audio cassettes and one USB memory stick containing the same content as the cassette tapes.industry, education, anna monea, rachel petro, south melbourne gasworks, tom hills -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Islamic Museum of Australia
Mosaic, Anisa Sharif, Twin Peacocks —the watchful guardians 2016, 2016
Anisa Sharif is a Melbourne based artist who specialises in glass mosaic. Much of her art is utilised in art-activated initiatives working with marginalised and underprivileged communities. Anisa draws her influence from Moroccan, Indian, Persian and the Art Nouveau genres.Mosaic art glass mosaic featuring twin peacocks. The peacock is a repeating theme in Anisa's work and is the artist's way of acknowledging and appreciating the great diversity of wonder and humour in creation. Visitors are encouraged to touch this piece — facilitating a tactile experience of the picture and the mosaic surface.mosaic, peacock, glass, gems -
Ballan Shire Historical Society
Memorabilia, Ballan Shire President's Board
This Memorial Board lists all the Presidents of the old Ballan Shire and is a complete record from the creation of a Road District in 1862, then the creation of a Shire in 1864 through to when the Shire was amalgamated into the Moorabool Shire in 1994.A large memorial board listing all the Presidents of the Ballan Shire.See photographballan shire president's board., ballan local government -
Kew Historical Society Inc
Photograph - Hawthorn Tram Depot during construction, 1915
One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's tram network in the years preceding and during World War 1.Two faded original horizontal photographs, mounted on vertical card showing external and internal features of the Hawthorn Tram Depot during its construction phase. The top photo shows a panoramic view of the exterior while the second photo shows workers posed within the building.Recto: "The tramways building in course of creation. C/r of Power St & Wallen Road, Hawthorn. Showing one of the original horse drawn trams which ran from Hawthorn Bridge to Auburn Road".. theme --- travelling by tram, theme -- connecting victorians by transport and communications, tramways -- hawthorn -
Tatura Irrigation & Wartime Camps Museum
Photograph, Gradall - Goulburn Valley Duplication Channel, 1957
Photograph of the creation of the Goulburn Waranga duplication channelLarge black and white photograph. Dry mounted to cream board. Channel bank formation. Gradall operated from tray of truck. Man observing operation from base of wall.Below photo - "Gradall Goulburn Waranga Duplication Channel"irrigation, channel, goulburn, victoria state rivers and water supply commission -
National Wool Museum
Report, Department of Defence Woollen Cloth Factore
Photocopy of the original board report for the Woollen Cloth Factory (later Federal Woollen Mills and Classweave) in North Geelong. Original document dates from February 14, 1917. Unclear what year this photocopy is from. Item was discovered onsite when Classweave Industries closed down in 2001. Watermark across the pages of the report read PROVISION OF A COPY OF THIS RECORD HELD BY THE AUSTRALIAN ARCHIVES DOES NOT AUTHORISE ITS PUBLICATION OR REPRODUCTION. Report signed at final page by James Smail, manager.Pale yellow paper document with black text. 6 pages, stapled together at top left corner. Text describes the Woollen Cloth Factory site and its creation, as well as staff numbers, wages and expenditure. Report is signed by site manager James Smail. Certificate of Incorporation on back page. -
Bialik College
Work on paper (Item) - Website Creation
Presentation documents for the creation of a website for Bialik College 2001Technological development of the schoolbialik college, judaism, 2000s -
Orbost & District Historical Society
Book, Grevillea Grove, 2017
This book was compiled and published in 2017. The contents are based on a scrapbook and photographs compiled by Margaret Kleinitz who was Secretary of the Orbost Garden Club during the time when Grevillea Grove was proposed and developed from1979-1989. The development of this garden in a disused quarry in Orbost involved a substantial community campaign and on-going effort, particularly from members of the Garden Club. The demise of Grevillea Grove came when the Vic. Govt. decided to develop this parcel of crown land for a Rainforest Garden and Information Centre. Local resident, Audrey Van Den Berg has compiled this book. Shows the effort and dedication involved in this community project.A 40 page book with cardboard cover. Front cover has 6 colour photos of Grevillea plants overlaid onto a plan of the Grevillea Grove garden. This book contains b/w photographs and a written history of the creation of the Grevillea Grove garden in Orbost. It also has site plans and newspaper articles.GREVILLEA GROVE grevillea grove, orbost -
Kew Historical Society Inc
Plan - 30 Choice Home Sites in Kilby Road, Meldrum Street and Fairway Drive, 1965
Subdivision plans and real estate flyers/brochures reveal a number of aspects of urban development and history. The Kew Historical Society's collection of these plans, as well as advertisements extracted from magazines, cover key aspects of community development and architectural history of Kew and Kew Eat as well as surrounding suburbs. While most of the plans in the collection were gifted to the Society by the former City of Kew, a number of other plans and advertisements have been donated by individuals, of which this is an example.Original 4-page, bifold brochure, one of two in the collection, of home sites created following the creation of the Eastern Freeway which separated a section of land owned by the Kew Golf Club from the main course. The new estate featured 30 lots in Meldrum Street, Kilby Road and Fairway Drive.subdivisions -- kew east (vic.), subdivisions -- kew (vic.), kew golf club -
Kew Historical Society Inc
Plan - 30 Choice Home Sites in Kilby Road, Meldrum Street and Fairway Drive, 1965
Subdivision plans and real estate flyers/brochures reveal a number of aspects of urban development and history. The Kew Historical Society's collection of these plans, as well as advertisements extracted from magazines, cover key aspects of community development and architectural history of Kew and Kew Eat as well as surrounding suburbs. While most of the plans in the collection were gifted to the Society by the former City of Kew, a number of other plans and advertisements have been donated by individuals, of which this is an example.Original 4-page, bifold brochure, one of two in the collection, of home sites created following the creation of the Eastern Freeway which separated a section of land owned by the Kew Golf Club from the main course. The new estate featured 30 lots in Meldrum Street, Kilby Road and Fairway Drive. subdivisions -- kew east (vic.), subdivisions -- kew (vic.), kew golf club -
Flagstaff Hill Maritime Museum and Village
Photograph - Costal View, A. Wilkins, c.1950-1983
Item believed to be of modern creation used to augment a room display A modern item produced after 1950 that is not associated with a historic event, person or place therefore is regarded as having no significance for Flagstaff Hill museum collectionPhotograph of coastal scene in dim light. Frame is dark wood with gold edging around photograph. Inscription. Marked A. Wilkins.Marked, bottom right; "A. Wilkins"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, sea scape, a. wilkins -
Australian National Surfing Museum
Magazine, John Seversen, Surfer Magazine Vol.3 No. 3 1962, July 1962
The first SURFER magzazine to feature Murphy a cartoon creation by Rick Griffin on the cover. SURFER was one of the first international surfing magzines. Created by John Severson the magazine is still in print today. The cartoon on the cover is drawn by Californian artist Rick Griffin who during the sixties and seventies was one of the most influential artists in the world of surfing and later music. This issue was also one of the first international surf magazines to feature images of Midget Farrelly surfing Hawaii and the first pictorial on New Zealand.Colour cover featuring cartoon of a surfer by Rick Griffin. Inside magazine 52 pages of black and white text and photographs.Surfer logo on the covercartoon, surfing, music, hawaii, new zealand, midget farrelly, rick griffin, john severson, murphy -
Tatura Irrigation & Wartime Camps Museum
Photograph, John & Sarah Love Family
Original photograph of the Love family. Early settlers and philanthropists involved with the creation of Moyola. -
Federation University Historical Collection
Negative, Negatives of University of Ballarat Brass Band, c1999
With the creation of Federation University in 2014 the pipeband name changed to Federation Univesity Pipe Band Negatives of University of Ballarat Pipe Banduniversity of ballarat pipe band, bagpipes, tartan, music, pipe band, federation university pipe band -
Glenelg Shire Council Cultural Collection
Programme - Program - Victorian Decentralisation League, MODERN PRINT WARRNAMBOOL, n.d
This league advocated for the creation of a new state encompassing Portland, Warrnambool, Camperdown and Mount Gambier.Program for the Annual Conference of the Victorian Decentralisation League at Portland September 14th and 15th 1948. Eight pages, black and white including photographs and mapsdecentralisation, programme, programme, annual conference, 1948, 1940s, post war -
Bendigo Military Museum
Book - BOOK, CREATION of WW1 WAR GRAVES, CRANE David, "Empires of the Dead", 2013
"EMPIRES OF THE DEAD" - HOW ONE MAN'S/ VISION LED TO THE/ CREATION OF WW1'S/ WAR GRAVES"Hard cover book with Dust Cover. Hardcover - cardboard, black colour buckram, gold print on spine. Dustcover - Paper, white, red and black print on front, spine, back and front and back flaps. Illustrated front, black and white photographs (top) soldiers from the rear, (bottom) war graves. Back cover - colour copy of oil painting "The Cemetery, Etaples" 1919 by Sir John Lavery. 289 pages, paper, cut, plain, off white. Illustrated black and white and colour photographs. End papers - red.ww1, books, war graves -
Moorabbin Air Museum
Manual (Item) - Wright Engine R975-Ec2 Sectionalized
Description: 50 pages. Unknown publisher/date of creation. Pilot's Notes Level of Importance: World. -
Clunes Museum
CARBON PAPER
Used for making one or more copies simultaneously with the creation of an original document using either ballpoint pen or typewriterFoolscap sheets of carbon paperColumbia Commander Patent No. 201748 Columbia Ribbon & Carbon Co. (Aust), Copperplate, Standard Weight Guaranteed Letter Perfectcarbon paper -
Tatura Irrigation & Wartime Camps Museum
Document, Teltscher George et al, Hay Internment camp notes, pre 20th July 1984
A most interesting account of the creation of the Hay Internment camp, money, notes, the designer, printer to the now extremely expensive collectors item.Statement of account of the creation of the Hay internment camp money, notes, the designer and printer.Under the above subject title, is depicted the two shilling note under which are the kangaroo and emu as is the Australian coat of arms.They support a representation of 3 huts from a drawing of the late George Teltscher. It is in a clear plastic cover, red margin and back. michael vort- ronald, george teltscher, hay internment camp -
Vision Australia
Photograph - Image, Broom making machine, July 1965?
Broom making machine at the Queensland Institute for the Blind. Image is also located at Queensland State Archives with creation attribute to Lands Dept.2 x black and white photographsqueensland institute for the blind, employment -
Victorian Aboriginal Corporation for Languages
DVD, Ramahn Allam, Talking Language with Ernie Dingo, 2013
In this six-part series, Ernie Dingo explores the revival, maintenance and creation of languages which are in a constant state of change. He reveals the complex balance between language and relationship to country, and discovers how this balance has been affected since European colonisation. Ernie asks an important question of the Elders he meets - What is the future of the Aboriginal language spoken in their community?DVDgunditjmara, yirrkala, yolngu, arnhem land, ngarrindjeri, coorong, vicki couzens, arrernte, alice springs, yindjibarndi, roebourne, bill harney, wardaman, language revival