Christmas Greeting sent by seafarers who previously visited the Mission to Seafarers circa 2000 - 2015A4 colour laser print of several collaged images with messageI enjoyed your warm smile but time has come to say goodbye to you and this beautiful place . Again I am in my homeland with wild elephants , white sand and my family enjoying the beusty of pearl in the Indian ocean and its [sic] Sri Lanka. So if I forgot to say GOOD BYE because I dont like that word. Hope we will meet each other Oneday [sic] cuz this world is small . Enjoy the summer!!! Wish you a merry Christmas ! AND God Bless You!!! / MERRY CHRISTMAScrew 717, flinders street, mission to seafarers, christmas, elephant, sri lanka, indian ocean

The image portrays how the Celia Little room (Celia Little plaque on the wall) was used mid 20th C. and date of similar image (see record 0221) The inclusion of the bell from the 'Moreton Bay' vessel dates the image to post 1957 when the bell was presented to the Mission. Used as a sitting room or lounge area at the Mission to Seafarers Melbourne. The image also shows the style of dress and style of magazine covers of the time. On the table stands the shield for the annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney. (see item 0608)The photograph is significant in that it captures the essence of the Mission to Seafarers mid-20th century. It identifies the main use of the Celia Little room as a reading area. It also helps date and track locations of other objects in the heritage collection. A black and white photograph of two men in the Celia Little room at the Mission to Seafarers Melbourne. The top left of the photograph is a bell fixed to the wall that has a bell pull with a long piece of decorative knot-work attached to the clapper. The room is set up as a lounge area with at table left of the centre against the wall. The table is laden with magazines and papers on top of a tablecloth. A picture frame is sitting on the table and leaning against the wall that has a 'shield' or 'coat of arms' displayed. (see also VC records 221 and 0608) One of the men is standing central in the photograph, in a white jumper holding a magazine and half turned towards the wall.The second man is sitting in a chair in the bottom right side of the photograph and appears to be reading. A few tops of chairs are seen at the very bottom of the photo and on the wall are a plaque to the left, a framed picture to the right of the first man's head and another in the far right top corner. The room appears to be lit from the left.melbourne, bell, men, magazine, chairs, wains coting, papers, mission-to-seafarers, celia-little-room, bell-pull, picture-frame, 1940s, celia little, plaque, shield, soccer, football

This is a photograph of crew members that formed the football team of the S.S. Hororata. The vessel was ordered by the New Zealand Shipping Co Ltd of London, completed in 1914. In august of that year she was requisitioned ( as A20) for transport of the Australian expeditionary force in WW1. In WW2 she was known as the SS Waroonga and torpedoed in 1943. (Internet ref 2018) This vessel was a regular visitor to Melbourne and crews visited and contributed donations to the MTS.This photograph provides an early record of the many crew based football (soccer) teams that would enjoy matches when ashore with other crews. The Mission to seamen organised and promoted many such matches and encouraged the friendly competition during outings. In addition this particular group photograph is of interest as it indicates the many talents and interests of the crew through the items and animals the individuals are posed with. Sepia toned photograph of the S.S. "Hororata" Football Team dated April 1923. The photograph has been mounted onto a brown cardboard frame with the text 'S.S. "Hororata's" Football Team/April 1923' on the top and the bottom. The photograph itself is of 24 men in three rows, 9 on the top row, 8 in the middle row and 7 on the bottom row. The man in the bottom row furthest left is kneeling behind a bird cage with a cockatoo in it. The man second from the left is holding a guitar. The man third from the left is holding a cat. The man fourth from the left is lying down peeking through the buoy with the text "S.S. Hororata's/Plymouth". The man second from the right is holding a lute and the man furthest right on the bottom row is also kneeling behind a bird cage with a cockatoo. In the middle row, the man second from the left is holding a banjo. The man third from the right is holding a flute. The man second from the right is holding an accordion. All other men in the middle and top rows have their arms crossed. The men are situated on the ships deck. Behind them is a ladder and what appears to be a door opening and on the left side of the photograph are some ropes and a pulley system.On lower edge of mount handwritten in black ink: S.S. "Hororata" Football Team April 1923hat, 1923, uniform, pulley, cap, banjo, guitar, rope, cockatoo, accordion, flute, cat, ladder, ss hororata football team, ss hororata, lute, ww1, ww2, troopship, ship crew, deck, soccer, football, sports, crew photo, crews and ships

This book documents visitation fo seafarers to the Williamstown rest from 1945-47. The book appears to have been donated. The contents are signed in some instances by what appear to be whole crew. It provides an insight into the comments and also the practice of some seafarers who adopted other identities such as Churchill or Clement Atlee. The book predates the requirement to supply official ID and registration.The book and register is one of the earliest to survive, only one or two others have survived as records of seafarers visiting the Missions. It is therefore significant as an example of a register and entries names, home ports , ships and commentary. Front cover: VISITORS BOOK in gold gilt. Spine: white sticker WILLIAMSTOWN M.T.S/VISITORS 1945-7.williamstown, seafarers, logbook, signatures, seamen, sailors, mission to seafarers, seamen's mission, betty mcaleese, ships name

"Crossing the line" ceremonies were routinely conducted when a crew member made their first crossing of the equator. This photograph depicts aspects of that ceremony and, as Allan Charles Quinn is the photographer, it is obviously not his first crossing. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting aspects of the life of a young man who went to sea in the period immediately following World War II.Black and white photograph depicting aspect of the "crossing the line" ceremony performed at sea on the Ariston. This ceremony was performed to mark a person's first crossing of the equator.Black ink on reverse: Crossing the equator 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston, letters-from-abroad

"Crossing the line" was an important maritime ritual and denoted the first crossing of the equator by a sailor. This photograph has been taken by Allan Charles Quinn and obviously is not his first crossing but depicts aspects of the ceremony, in particular the way in which crew members would dress up to represent King and Queen Neptune. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the "crossing the line" ceremony aboard the Ariston in 1946. Crew members are dressed as King and Queen Neptune.Black ink on reverse: Crossing the equator/ 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston, letters-from-abroad

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. The man appears to be at the Mission to Seafarers, the Celia Little room usually used as a reading and quiet room. On the table is the shield annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney.The presence of the framed football shield in the image links this image to other objects in the MTSV collection and helps confirm location of Celia Little room and the era of the photograph to mid 20th C.Black and white photograph of a man reading a magazine taken a table with a collection of different magazines. A framed shield appears to the left of the frame.Ilford paperphotography, flying-angel, club-room, black-and-white, mission-to-seafarers, stage, celia-little-room, shield, soccer, football

This window, in memory of Captain Robert Sunter, was unveiled on the 14 February 1936 performed by Mr R. H. Martin, chief officer of the Manunda. The funds were raised by the crew of the ship Manunda. It was made after "In the anxious hours of waiting" by G M Langley, a print donated by the Godfrey sisters and also located in the St Peter chapel.Arched stained glass window in a restraint colour scheme made after the print "In the anxious hours of waiting" depicting a sailor guided by the light held by Jesus. The image of the sailor appears to be a portrait of Captain Robert Sunter.To the Glory of God and in memory of Robert Sunter Master Mariner, formerly Captain of the M.V. Manunda. This window erected by his former shipmates and other friends. Respected and loved by his men. Died at Cairns 15th September 1934 “Lo I am with you alway”altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, captain robert sunter, padre frank leslie oliver

This window, in memory of the crew of the ship Jervis Bay, was unveiled on the 14 December 1947 by Mrs Johnson, wife of the Bishop of Ballarat. As mentioned on the plaque below the window, it was a gift of the Ballarat branch of the HLG and the Lucas Girls from Ballarat. E Lucas & Co was a textile company in Ballarat. The "Lucas girls" are known Ballarat-wide for their commitment to philanthropic work during the period of the Great War. From Bronwyn Hughes report: The window was designed and made by Brooks, Robinson & Co. Melbourne, from an old cartoon that was ‘touched up’. The size (24 1⁄2 x 17 1⁄4 inches) precluded the inclusion of any ornamental borders or other decorative features. The order was not received until 1947. Below this window is the plaque from the donors: the Ballarat Branch of the Harbour Lights Guild and Lucas Girls. On the same occasion the mallet, used to launch the ship Manunda was donated to the Mission. (AR1947) Unfortunately it is lost. Arched stained glass windows depicting Jesus floating on the surface of the sea holding out his right hand to seamen who on a raft, their ship sinking in the background.To the Glory of God and in loving memory of the heroism of the Captain and Ship’s Company, of the Armed Merchant Cruiser ‘Jervis Bay’ and the Men of the Merchant Navy November 5th 1940.altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, jervis bay, crew, lucas girls, ballarat branch, hlg, jesus

William Digges Latouche Balden was an 18 year-old cadet on the Samarkund. He and three other crew members: William Archibald Jones, 35 (ship mate), Christopher Ewbank, 19 (third officer) and George P. Worsp, 45 (chief steward) died of oxygen starvation in the ballast tank of the ship on 20 August 1945 while in Geelong. Padre Oliver delivered a service in the St Peter chapel, on the 26th of August 1945, in the 4 men's memory. The window commissionned by his parents, was made by William Aikman (1868-1959), a reknown scottish stained-glass artist, and sent from England. Padre Oliver had met them during a voyage to England. It was unveiled on the 10 April 1949. This is the only imported window and according to Brownwyn Hughes the best quality one from all the opter windows.Arched windows depicting St Nicholas, patron Saint of Ships and Sailors, floating on the sea with a gallon shilling in the background. The small portrait of William Digges La Touche Balden, set within a laurel wreath in the window’s lower section.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, samarkand, william digges latouche balden, cadets, officers, geelong, deaths, victory ship, merchant navy, st nicholas, galleon, william aikman (1868-1959), christopher ewbank, george p. worsp, william archibald jones

This photograph is part of reproductions of images from the MTS archive collection. Framed and mounted black and white reproduction of photograph from the archive depicting an aerial view of the funnel of a ship. A crew member is checking something on the funnel. In the background we can see 4 men playing tennis on the deck3" Deepmission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, padre oliver, crew, ships, seafaring life, sailors, funnel, ship, tennis, early origins, 2016, life onboard

This photograph is part of reproductions of images from the MTS archive collection.Framed and mounted black and white reproduction of photograph from the archive: photograph depict the crew of the Nyanza, Glasgow posing and dressed up for the occasion. 6 are standing in front of the Union Jack and 4 are sitting on a bench., the Nyanza buoy at their feet.mission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, crew, ships, seafaring life, sailors, nyanza, glasgow, life buoy, buoy, lifebuoy, coronation day, 12 may 1937, king george vi, early origins, 2016

This photograph is part of reproductions of images from the MTS archive collection.Framed and mounted black and white reproduction of photograph from the archive depicting Capt Dahlström and 2nd mate of the deck of the ship C.B. Pedersen at sea around 1935mission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, crew, ships, seafaring life, sailors, early origins, 2016, captain hjalmar dahlström, c.b. pedersen

This photograph is part of reproductions of images from the MTS archive collection. The photograph was originally published in the Annual Report 1933.Framed and mounted black and white reproduction of photograph from the archive: Black and white photographs depicting two seamen sweeping the deck of a ship with broomsmission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, crew, ships, seafaring life, sailors, deck, brooms, life onboard, swabbing

This photograph is part of reproductions of images from the MTS archive collection.Framed and mounted black and white reproduction of photograph from the archive: group photograph of Women from the Harbour Lights Guild sitting on the ground and benches in front of the stage at the Flinders Street Mission during a musical event.mission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, padre oliver, crew, ships, seafaring life, sailors

This photograph is part of reproductions of images from the MTS archive collection: the members of the crew S.S. Siltonhall sent the thank you letter and the attached photograph to the Mission after their shipwreck in 1929.Framed and mounted black and white reproduction of photograph from the archive: group photograph of the crew S.S. Siltonhall after the shipwreck in 1929 with the attached letter sent to thank the mission for helping them.mission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, padre oliver, crew, ships, seafaring life, sailors

The permanent exhibition developed by Georgia Melville opened on 27 July 2016Sponsors: Framed and mounted black and white reproduction of photograph from the archive: group photograph of the crew S.S. Siltonhall after the shipwreck in 1929 with the attached letter sent to thank the mission for helping them.mission to seafarers, mission to seamen, flinders street, melbourne, exhibition, early origins, 2016, helen mcpherson smith trust, bendigo bank

The font was donated by Miss E. Davidson and is in memory of two young apprentices who died on the Galgorm Castle with 9 others crew members, after it was torpedoed by a U-49 on 27 February 1917. Fred Hyde was 16, a former pupil of Bury Grammar School. Nigel Hockly was 17. The font cover was donated by Mrs Amelia Shuter in memory of son-in-law, Charles Murray Puckle (husband of Caroline Amelia Shuter) and grand son, William Brian Mortimer (son of William Brook Mortimer and Enid Lucy Ann Mortimer nee Shuter)baptismal font, baptistry, heritage listed, gifts-1917, amelia shuter nee lord, nigel hockly, fred hyde, charles murray puckle, william brian mortimer, caroline amelia shuter, enid lucy ann mortimer nee shuter, galgorm castle, u-49, miss e. davidson

Padre Wong was the first Asian chaplain.In the 1960s due to containerisation, the Mission adapted to be able to better respond the need of the changing origins of the crews.Five columns article illustrated with two photographs of Reverend Wong with his family and the Reverend with asian sailors published on page 84 of the Australian Women's Weekly, 20 November 1963reverend stephen wong, john wong, timothy wong, hong kong, china, chinese, asian, margaret berkeley, 1963

While there are some references from time to time to a war memorial fund in both Mission Annual reports from the 1930s and news clippings the actual organisation has not been well researched. More information is needed about formation and member details. As the board primarily was designed for WW1 it may have fallen out of use post WW2. This War memorial fund may have been superseded by a national organisation see links above. JM 2020.The Katoomba crews led by Captain E. Moodie-Heddle were regular visitors to the Mission from 1914 onwards and assisted with fundraising events and collections.Large Honour board with angled top in dark red stained wood and gilt lettering Patron: Captain E. Moodie Heddle showing member names, president, Vice President, treasurer and Rev Oliver's name at far rightprimarily dedicated to the Merchant seamen of Great war of 1914-1918. see imagecaptain e.l. moodie heddle, s.s. katoomba, frank oliver, honour boards, war memorials

1917 was the year in which the new Mission at 717 Flinders St extension was being built but did not open until after Michaelmas that year. The old Mission opened in 1907 on the Australian Wharf was obviously still in operation. Proposed remodelling of the wharf necessitating removal of the Mission perhaps deferred due to the Great War.This detailed poster intended for visiting crews in 1917 provides some insight into the fact of continued access to the old Mission required circa 1914 by the Port Authority to be vacated. As an ephemeral document it has survived unusually well.A small poster or flyer with blue printed text and featuring the Missions to Seamen, Melbourne flag with logo. Addressed at the top edge as A Message to Men advertising Special Lantern Services in the Seamen's Chapel on the Australian Wharf for Holy Week and Easter 1917.Describes a program of special services and concerts or recitals for the last week of lent and Easter Day. Rev A.G Goldsmith and Rev C L Crossley as Chaplains.lantern services, 1917, wwi, first world war, great war, easter, good friday, missions to seamen, mission to seamen, seamen, seamen mission, chapel, music, maude breaks, miss macaw, jean morrison, marjorie bagge, elsie dallimore, chaplain, alfred gurney goldsmith, c.l. crossley, siddeley street institute

Discovered in the Chapel of St Peter when packing up for renovations. Probably a gift from an Eastern European crew member visiting the Mission TBC.Print of Eastern Orthodox style painting of Madonna and child on gold ground printed inscription lower edge of imageorthodox church, nativity, mary, jesus, crown, angel, artwork-paintings

Synopsis: “In WW1 Melbourne a pioneering network of women at the Mission to Seafarers called the Ladies Harbour Lights Guild supported sailors who risked their lives at sea. The documentary “Harbour Lights” tells the remarkable story of the Ladies Harbour Lights Guild and the lives of seafarers in early 20th century Melbourne. It focuses on Melbourne’s iconic Mission to Seafarers building, its connection to the Great War and to a unique community of ships crew and volunteers. Featuring Melbourne historians, commentators, archivists and architects and rare footage and images of sailing and social life in and around the ports of Melbourne, this film will inform and connect audiences young and old.” Commissioned by Victorian Government The movie was produced in collaboration with the Mission to Seafarers Victoria. It was directed by Jary Nemo and written and produced by Lucinda Horrocks and Jary Nemo with executive producers Sue Dight and Gordon MacMillan. The film features: Jill Garner Kate Darian-Smith Chris McConville Janet Miller (curator) Gordon MacMillan (former seafarer and board committee member) Narrated by Sharon Turley. Music by Richard Chew (professor of the Arts Academy in Ballarat) The film was presented at several festival in Australia and abroad in 2020-2021. Credits: Narrator Sharon Turley Featuring (in order of appearance) Dr Chris McConville, Gordon MacMillan, Janet Miller, Professor Kate Darian-Smith and Jill Garner With Raul S Gantalao Jr, Escoto Lemuel, Ben Schroeder, Cinda Manins And Ian Fletcher, Yuan Jia, Uma Kothari, Gordon Lansley, William Reed and Cheka Samaranayake Directed by Jary Nemo Written and Produced by Lucinda Horrocks and Jary Nemo Music by Richard Chew Executive Producers Sue Dight and Gordon MacMillan Research advisors Geraldine Brault, Maria Culka, Professor Kate Darian-Smith, Ros Fletcher, Professor Uma Kothari, Dr Barbara Lemon, Catherine McLay, Dr Chris McConville, Janet Miller, Rick Mitchell, Duncan ‘John’ Perryman, Dr Annette Sheill and Peter Taylor Archival photographs, music and footage courtesy of Australian Red Cross Society, Central Highlands Libraries, Internet Archive, National Film and Sound Archive, National Library of Australia, Mackarness Family Personal Archives, Mission to Seafarers Victoria, Public Record Office Victoria, State Library of Victoria and US National Archives Music Harbour Lights. Music by Richard Chew. Westering. Music by Richard Chew. Twilight (Crépuscule) by Jules Massenet. Performed by Amelita Galli-Curci. I Love You So, Waltz from The Merry Widow by Franz Lehár. Performed by Elise Stephenson and Harry Macdonough with Orchestra. Harbour Lights 2. Music by Richard Chew. If I Could Fly by Walking Hearts featuring Jennifer Holm. Courtesy of Epidemic Sound. With thanks to Peter Barrow, Sarah Bartak, Lin Bender AM, Patty Braumueller, Csilla Csongvay, Emer Diviney, Moira Drew, Ian Fletcher, Ajith Jayasuriya, Ben Jones, Patience Jones, Cinda Manins, Madeleine Martiniello, Georgia Melville, Elisabeth Moglia, Tara Oldfield, Lyn Pasquier, Nigel Porteous, Rev’d Onofre (Inni) Punay, Dr Rosalie Triolo, Ben Schroeder, David Simpson, Cheka Samaranayake, Daria Wray, the Helen Macpherson Smith Trust and KPMG. A special thanks to The women of the Ladies Harbour Lights Guild 1906 to 1961 Produced in collaboration with The Mission to Seafarers Victoria Created with the support of The Victorian Government Licensing This film has been released under a Creative Commons BY-NC-ND 4.0 International license Acknowledgement of country Project production and development took place on the lands of the Kulin nation. We acknowledge Traditional Owners and pay our respects to Elders past, present and future. Production company A Wind & Sky Production Copyright with © Wind & Sky Productions MMXIX The film was launched on Wednesday 26th February 2020 at the Mission. Speech by Veterans Affairs. Amongst the guests were current and former volunteers (Maria Culka, Gordon MacMillan, Elisabeth Moglia), curators (Georgia Melville, Jay Miller, Geraldine Brault)18mn documentary mixed of photographs from teh collection and interviews about the Ladies Harbour Lights Guild work during WWIladies harbour lights guild, documentary, jay miller, janet miller, geraldine brault, lucinda horrocks, gordon macmillan, jary nemo, kate darian-smith, jill garner, chris mcconville, sharon turley, richard chew, footage, archive

After reading an interview of Elizabeth Fiddian in the Age in 2003 about her time volunteering at the mission, Matt Blackwood and Csilla Csonvay contacted Nigel Porteous to offer to film a documentary. The filming was self-funded: they had a volunteer crew of three, pulled some personal favours to source the equipment, Csilla edited the film at her workplace’s edit suite out of hours. Nick Farnell provided the voice overs for reading out the letters. It was recorded in a week end, on Betacam. They interviewed six or more members, who talked about their experiences, and they intercut their interviews with archival footage from the Mission. The interviews took place both at the Mission as well as in some of the interviewees' homes. The film was premiered at the Mission, and where it was played on a dedicated TV for visitors on a DVD. In 2023, Matt send a digital copy in mp4.The producers met some of the surviving ladies of the Harbour Lights Guild who gave up their Saturdays and Sundays to arrange events and outings for lonely sailors arriving in Melbourne. Documentary including interviews, photographs from the MSTV archives, and reading of Lillie Duncan letters from Charlie.sadie wilson, annette wood, bernice kennett, rodney kent, jan lee, dennis lee, 2003, csilla csongvay, matt blackwood, beverley kent nee oliver, nigel porteous, charlie, lillie duncan, nick farnell, elizabeth fiddian

The Mission to seamen provided special services and support for cadets and officers of the merchant fleets. Officers had access to accommodation at the Mission and were encouraged as senior crew to improve pastoral and counselling skills that may benefit crews at sea. Padre Oliver is in his office, holding the book: Clanbrae: A Golfing Idyll by Pentland PeileThis image depicts Chaplain Oliver and three young seafarers possibly all officers / cadets (one is wearing a Merchant Navy badge) at the Mission circa 1944. Unclear if any of these men were related to Frank Ware.Black and white photograph depicting Padre Oliver, holding an open book and three seamen, one in naval uniform standing and two other men seated next to the Padre. A Mission to Seafarers Flag is in the background. mission to seafarers, frank ware, frank oliver, padre oliver, merchant navy, mn, clanbrae a holding idyll, josephine atkinson

This is a photograph of crew members that formed the football team of the S.S. Tasmania. Taken place on the deck of the ship, it is a snapshot in timeAn addition to the collection of crew photographs in the MTSV Collection with all crew members featured in the image named and dated with name of ship making it a useful research and reference image.Black and white photograph of S.S. Tasmania football team in 1922. The photograph is mounted onto a grey green cardboard frame with the text, 'S.S. "Tasmania's" Football Team 1922' on the top. The bottom reads, 'The Happy Thirteen', handwritten in black ink. The photograph itself is of 13 men in three rows, 6 on top row standing, 4 in the middle row sitting on a bench and 3 on the bottom row sitting with their legs crossed. All men have their arms crossed across their chest. On either side of the front row is a lifesaver with the text "S.S. Tasmania/Plymouth". The men are posed on the ships deck. On front mount with photograph: 'S.S "Tasmania's" Football Team 1922' / The Happy Thirteen Inscribed back:of mount names in ink : Thomas Holohay / William Bridges / James. H. Stone / George Angus / James Arthurs / George Arthurs / C. Quinell / C. (Lawrence/labence ?) / W. Manon / M. Zard / I. Ancell LT/JL ?. Chipperfield / F. Franksuniform, team, s.s. tasmania, 1922, football, crew, life buoy, crews and ships

This is a photograph of crew members on the S.S. R-? Norvag. Inscription and Exact name of ship to be checked..Black and white photograph of S.S. R-? Norvag crewmen in suits and caps or fedoras . The photograph has been mounted onto a cardboard frame. The bottom reads, 'S.S. r-? Norvag" handwritten in black ink. The photograph itself is of 9 men in two rows, 5 on top row standing and 4 in the bottom row sitting on a bench.The men are posed on the ship's deck. On front with photograph:: S.S. Rine-? of Norvag Lwr r. corner very faint in pencil: E.T Lake photo. Lincoln inn , CH-? William Street / Melbnorvag, s.s. norvag, crews and ships

David Conolly was lay reader at the Mission in 1956-57. He's photographed here with Harry Sanderson, self (D.Conolly), "Nobby Clark", Alec Grice and "Ms" Kirkland. According to a list of his ships' visits he maintained the Neleus was in port in August 1957. On his list of names, he had written: (T) Chris Alling, Jan Wilkinson, (P) Brian Mickham.David Conolly has a long standing connection with the Mission .Black and White Gloss print photograph of David Conolly with Crew of M.V. Nordic. The original photograph indicates the ship is actually M.V. Neleus.Hand written in black texta; David Conolly (Lay Reader) visiting Crew of M.V. Nordic Circa 1957 On the back of the original picture: Harry Sanderson, self (D.Conolly), "Nobby Clark", Alec Grice and "Ms" Kirkland on board M.V. "Neleus"lay reader, m.v. nordic, david conolly, ship crew, mission to seafarers, mission to seamen, melbourne, harry sanderson, nobby clark, alec grice, mr kirkland

Found by the donor in 2017 in a thrift or Opportunity shop in Richmond, North Yorkshire, England. The names of the ships featured recalled some of the names and their crews known to have visited Melbourne and recorded in various records associated with the MTSV.Page from a children's book featuring full colour hand drawn illustrations of five ocean going ships.Ships names featured: MV Carnarvon Castle 20,000 tons Union Castle Line; S.S. Majestic, White Star Line 56,000 tons; M.V Chibu Maru, 16,500 tons, N.Y.K Line; S.S. Orontes, Orient Line 20,000 tons, S.S. Empress of Britain, 42,000 tons C.P.R. Line. Printed page of text on reverse starts mid sentence: "...going to Bombay, and then right away for Australia, this time next month she will be on the other side of the world. ..."children's book, ships, illustration, steamships, orontes, empress of britain, chichibu maru, majestic, carnarvon castle