Off white cotton crocheted collar - full circle. Pattern of multiple trebles. Scalloped edge with points. Cuffs - full circle. Pattern of multiple trebles.costume accessories, female, crocheted collar and cuffs.

9059.1 Victorian handmade needle run lace collar 9059.2 Lace collar with two press studs 9059.3 9059.4 9059.5 Light blue crocheted silk collar and cuffs. c1920s. 9059.6 Cream silk crocheted collar 9059.7 Hand crocheted Picot collar, c.1930s 9059.8 Cream silk crocheted collar, 1920s to 1930s 9059.9 French needle run lace collar 9059.10 Black silk faille collar, c. 1920s

Thick white cotton crocheted collar. Half circle scallop pattern and scallop edges. Open pattern. Two matching full circle cuffs of crocheted cotton. Hand made in 1960's by Lillian May Ellison (nee Rogers) Natimuk. Stored inside box 11400 650.Labelled ; Grandma Ellison made these.costume accessories, female, crocheted collar and cuffs.

The heavy quality of the cloth in this lady's night gown suggests it may have been made for use as a shroud. It has been, and still is, a common practice to bury a woman in a night gown. This item has no known local provenance but is retained because of its interpretive character and use in displays.This is a night gown made of white, heavy cloth with hand crocheted cuffs, collar and front panel. It has long sleeves and is gathered on the shoulders and the bodice. There is one mother of pearl button on the front of the bodice. shrouds, women's vintage clothing

High round neckline, edged with 1.5cm wide lace. Centre front panel is pintucked with a centre front opening, fastened with ten metal hook and eye fasteners. Five metal press-studs also fasten the overlap of pintucks, but these are possibly a later addition. A 3.5cm wide panel of fine watermark silk defines the waistline, in three 1.5cm pleats. Centre back seam has one .5cm flat pleat or tuck on either side. A 5.5cm panel of fabric is overlaid with a net based, beaded braid, of small black jet beads in a floral design-This braid extends around the neckline, and down each side of the front to below the bustline. This beading is also sewn of the eight cm wide sleeve cuffs. A cream crochet collar-most likely a later addition, is now stitched over the beading around the neckline. Garment is lined with black polished cotton.costume, female, victorian black silk beaded bodice.

The women of the pioneer families were very skilled at dressmaking , needlework and lace making. The early settlers had to be self reliant and made and repaired their own clothes, haberdashery and furnishings These tools were used to make crochet work doilies, antimacassars, and add decorative work to lingerie, collars, cuffs, baby clothes, bonnets and bibs.5 assorted steel crochet work hookscraftwork, crochetwork, needlework, early settlers, pioneers, moorabbin, bentleigh, cheltenham, steel manufacture

Cream coloured hand knitted baby jacket with long sleeves. Fold back collar in zig zag pattern. Body of jacket with vertical zig zag pattern. Sleeves with zig zag pattern. Front opening. Collar, cuffs and hem have crocheted edges in silk thread. Cream satin ribbon tie at neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket

This bodice belonged to Mary Crombie, an early Victorian dentist, who lived in Brighton while she was studying at the Australian College of Dentistry in the mid-1900s, and later returned to the area in her retirement from 1949-1971. Mary Margaret Crombie (1884-1971) was born at Coan Downs Station near Walgett, northern New South Wales, where her father Henry was station manager. After Henry’s untimely death in 1895, Mary and her mother loved for a few years with family members in St Kilda, before moving into a cottage of their own, ‘Rosewood’, at 42 Asling Street, Brighton around 1899. From here, Mary attended Oberwyl Ladies College in St Kilda and later the Australian College of Dentistry, one of only a few women to study dental surgery at the time. She was apprenticed to Ada Tovell (1865-1932), one of Victoria’s first female dentists, who had her own practice in Collins Street. Mary graduated in 1907 and the following year moved with he mother to Yarram in South Gippsland, where she took over the running of a practice owned by Sale dentist Charles Trood, eventually purchasing it from him in 1915. Speaking to a Brighton newspaper in 1961, Mary said she believed that she was the first woman to start a dental practice in Gippsland. For some locals, this took a little getting used to: “Many were amazed, and had some misgivings, when they found that the local dentist was a woman,” she said. “I always remember a huge farmer (he was about 6 ft. 4 in.), who had fortified himself at the local hotel to face the ordeal of visiting the dentist. He almost turned and ran when he saw me. … He was still more amazed when I pulled out his tooth without undue trouble.” The farmer was the best advertisement she could have asked for, telling everybody about the diminutive lady dentist who had calmly extracted his tooth. Mary practiced in Yarram until her retirement in 1949. After selling her practice she returned to Brighton, where she spent the last two decades of her life residing at 25 Oak Grove. Following her death in 1971, her relatives in Brighton donated a number of items from her home to BHS.Black satin bodice, boned, with black faceted glass buttons down the front. High collar. Both collar and cuffs are edged with a black net ruffle. Two rows of seven black crochet-covered buttons at each cuff, fastening with loops. Stray brown threads poking through fabric around the collar, shoulders and back indicate that these areas may originally have featured lace embellishments.mary crombie, 1900s

Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill

Twenty page knitting pattern book featuring black and white text and images. The colour cover shows a woman leaning on a chair and holding a stick, wearing a crochet top and silk skirt.front: [printed] Patons / charm / BOOK No. 756 / COMING FASHIONS / Knit and crochet a dress, / top and bonnet - an / evening blouse (or beach / cover-up) - a cable- / trimmed jumper - and / three collar and cuffs sets. / 2'6 / 25 CENTSfashion, design, knitwear, home made, wool, pattern book, patons