Showing 4 items
matching cross cultural theme
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Whitehorse Historical Society Inc.Clothing - Flower girl dress, C 1990's
... cross cultural theme... theme Japanese & Western Nil - Cream Satin - Cross cultural ...- Flower girl dress worn by 7-year-old. - Japanese theme due to new husband's heritage.- Cream Satin - Cross cultural design (Japanese/Western) - Pin tucked cummerbund & back tie with fringe - Pin tucked and lace underskirtNilwedding clothing, cross cultural theme, japanese & western -
Wyndham Art Gallery (Wyndham City Council)Photograph, Fassih Keiso, Evidence of Absence, 2018
... as informing the cross-cultural themes characterizing his... as informing the cross-cultural themes characterizing his ...Fassih Keiso was born 1956 in Syria and has lived and worked in Melbourne since 1993. He describes the influence of having lived in both countries for significant amounts of time as informing the cross-cultural themes characterizing his interdisciplinary practice. His work employs various media from painting to photography, performance, video, and installation. Each work is governed by a central idea that usually links Arabic contemporary life, culture, and politics with broader global issues.photography, cross-cultural, arabic contemporary life -
Federation University Historical CollectionBook, University of Ballarat Research + Innovation Digest
Black, soft covered book of 48 pages outlining research at the University of Ballarat. Contents include: * Case studies in keeping food safe, Benu Adhikari * technologies that combat climate change - Alberto Boretti *Learning t lead- leading to learn, Neil Trivett * Depression, diabities and motivation, Mirella Di Benedetto * Valuing Lake Wendouree, Julian Lowe * What's in a name, Laura Kostanski * Optimizing Regional & International Research, John Yearwood * Sport, physical activity and health research, Warren Payne * Climate secrets in the sediments, Peter Gell * Injury prevention and saftey promotion research theme, UB Sports injury centre, Caroline Finch, Men's Sheds & other learning places, Barry Golding * New economy, new work, new qualifications, Erica Smith * Cross-cultural communication in a shrinking world, Georgina Tsolidis * Child Protection & family services reform, Angela Murphy * making a difference for older Victorians, Sally Wellard * Making good (and goodly) profits, jackie tuck * Not too much 'ordinary' about Teh Ordinry, Lorraine Sim * Gaming Machines & regional gamblers * Toe nail clippings revel their secrets, Kim Dowling * Magnificently preserved megafaunal trackways in the Victorian volcanic plans, Stephen Carey * A stuttering start for a stunning outcome, Grant Meridith * Supporting patients & their careres, Anthony Love * Out of Africa and beyond, James O'Meara * Taking a hard look to avoid hard knocks, Caroline Finch and Dara Twomey * Skilling people for business success, Andy Smith * Promoting risk awareness in industry, David Borys * researching China's Rise & Rise, Mike Willis *Sex hormones link to heart disease, Fadi Charchar * Human factors in computer security, Paul watters * Are our rivers up the creek, Peter Gell * Women as managers7 entrepreneurs, Glenice Wood * Revisoning values and norms, Jane Mummery * 'Wimmera" - an epic Poem, Homer Rieth * Recycling, consumerism, climate change and art peactice, marie Purtill * Investing in ecologically sustainable development, Jerry Coursisanos * Indigenous peoples of the goldfields, Fred Cahir * Artists install images of sustainability, Jill Orr * addresing disadvantage& inequality with passion, John Smyth * Breaking up insulin haxamers, Mark Myersaborigines, mens shed, wimmera, gambling, megafauna, gell, golding, carey, cahir, purtill -
Merri-bek City CouncilOil on MDF, Raafat Ishak, Cairo, 2020-21
Raafat Ishak is a Melbourne-based artist working across painting, installation and site-specific drawing. His work delves into the exploration of identity and the challenges of navigating life between two cultures, particularly influenced by his teenage emigration from Cairo, Egypt. Ishak employs a graphic visual language in his art, drawing inspiration from both architecture and his Arabic heritage. His artistic practice is situated at the crossroads of the personal and the political, delving into themes of utopia through the use of romanticised imagery. Through his work, Ishak seeks to scrutinize and interpret the complexities of cross-cultural dialogue.
