Showing 81 items matching "crown matches"
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Anglesea and District Historical SocietySafety Matches, Crown Bryant & May's Safety Matches
... Crown Bryant & May's Safety Matches......crown matches...Bryant & May's Crown Made in Australia Safety Matches...bryant & may matches crown matches Bryant & May's Crown Made in Australia Safety Matches Early matches. ...Early matches. Brown paper package containing eleven boxes of safety matches. Made in Australia. Product information printed on red and blue and label attached to brown paper.Bryant & May's Crown Made in Australia Safety Matchesbryant & may, matches, crown matches -
Tatura Irrigation & Wartime Camps MuseumMatchbox holder, A W, 1940
... ...Crown match box...Holds box of Crown safety matches....Holds box of Crown safety matches. Matchbox holder A W ...Made in camp 1 by A. W. for Mr F J Haslinger. Given to Helmut Ruff as a memento when released from camp. 1947.Beaten copper holder for matchbox. Holds box of Crown safety matches.match box holder, crown match box -
Tatura Irrigation & Wartime Camps MuseumAccessory - Copper matchbox holder, 1940
... Holds box of "Crown" Safety matches...Holds box of "Crown" Safety matches Accessory Copper matchbox holder ...Made in Camp 1 by AW (Initials on back) for Mr. FJ Haslinger in 1940. Given to Helmut Ruff as a momento when released from Camp 1 in 1947Beaten copper holder for matchbox, patterned. Holds box of "Crown" Safety matchesholder - matchbox, haslinger fj, ruff h, camp 1, tatura, ww2 camp 1, personal, effects, smoking, accessory, copperwork -
Whitehorse Historical Society Inc.Container - Empty match box
... 'Bryant and Mays' Crown Safety matches, Made in Australia. Average contents 60...'Bryant and Mays' Crown Safety matches, Made in Australia. Average contents 60 Container Empty match box ...From Box Hill Historical SocietyEmpty Bryant and May match box. Red and dark blue cover with a red crown in the middle. 'Bryant and Mays' Crown Safety matches, Made in Australia. Average contents 60as abovepersonal effects, smoking accessories -
Koroit & District Historical Societysafety match box holders
... match boxes. Each has advertising or promotional printing on them. cover a contains an original box of Bryant and May crown safety matches....match boxes. Each has advertising or promotional printing on them. cover a contains an original box of Bryant and May crown safety matches. safety match box holders ...rectangular metal wrap around covers for safety match boxes. Each has advertising or promotional printing on them. cover a contains an original box of Bryant and May crown safety matches.a. advertising E. Bourke's Koroit Hotel with a photo of the Australian Eleven 1930 on reverse. b. Photo of the Dog on the Tucker Box with a poem "Bill the Bullocky" on reverse. c. Souvenir of the coronation of Queen Elizabeth II -
Orbost & District Historical Societymatch box cover, 1950-1960's
... The matches are Bryant & May's Crown Safety Matches. it is a rectangular cardboard box with a sliding cardboard drawer. ...The matches are Bryant & May's Crown Safety Matches. it is a rectangular cardboard box with a sliding cardboard drawer. ...This was owned and used by J.G. Ralston of Orbost. John Gavin Ralston was born 26 July 1914 at Eden, N.S.W. and came to Orbost in the early 1920's, with his parents and siblings. They lived at the corner of Tennyson and Salisbury Streets. Jack was educated at Orbost Higher Elementary School before being apprenticed to William Ross at the Snowy River Mail as a lino-type operator. He married Jean Cameron. After WW11 when he served overseas in the islands) He resumed his trade at the Snowy River Mail until 1949 when began J.G.& J.M. Ralston, Seed & Produce Merchants. Jack Ralston was very involved in the Orbost sporting community, the Presbyterian Church and the Orbost Municipal Band. He also served in the Orbost sub-branch of the R.S.L. He died on April 15 1967. (ref. Margaret Smith O.D.H.S. Newsletter) Collecting match box holders / grips was a popular hobby. They were made to fit over a box of matches for protection. Some were especially produced for significant occasions. This item is an example of a very common personal item rarely used today.A painted metal matchbox cover with a thin wooden matchbox inside. It is cream coloured with a picture of a cricketer being bowled out. In the top right hand corner is "OWZAT". The matches are Bryant & May's Crown Safety Matches. it is a rectangular cardboard box with a sliding cardboard drawer. The box has a paper label with text reading, "BRYANT & MAY'S CROWN SAFETY MATCHES" and an image of a crown. The top and bottom side has a purple striking paper, to light match. Bottom and sides of sliding drawer are a green color.J.G.Ralstonmatchbox-holder smoking-accessories ralston-j.g. -
Blacksmith's Cottage and ForgeMatchbox and Matchbox Holder, Box : Bryant and May's, early 20th. century
... This Man wishes he did Matchbox:Bryant & May's "Crown" Safety Matches...Source: www.wikipedia.org Local social history of Bacchus Marsh box souvenir sport item cricket match team cyril jones border inn cover novelty Cover/spine: Strike The Border Inn Bacchus Marsh for a good spot Phone 16 Cyril Jones, Proprietor. Cover/side: This man always calls in at the Border Inn. This Man wishes he did Matchbox:Bryant & May's "Crown ...The Bryant and May Factory is located in the suburb of Cremorne in Melbourne, Australia. It was constructed in 1909 as the Empire Works to a design by prolific Melbourne architect William Pitt. It was purchased soon after by British safety match manufacturer Bryant and May who significantly expanded the building adding an additional level and the landmark clock tower. Bryant and May were unique in that they operated as a model factory providing workers with conditions and amenities which even today seem generous. These included a dining hall and sports facilities such as a tennis court and bowling green which were constructed in the 1920s. Bryant and May ceased Australian match manufacture in the early 1980s as a result of import competition. Their iconic Redheads matches are now imported from Sweden. The complex has since been converted for use as offices and showrooms but is extremely well preserved. It is listed on the Victorian Heritage Register. Source: www.wikipedia.org Local social history of Bacchus MarshMetal matchbox holder for a matchbox-one side has a photo of a local cricket team, the other side has a caricature of a man's face when held one way up is smiling and when turned up the other way the face is looking unhappy. The cover is blue with yellow. The matchbox cover is made of a thin veneer wood. The makers inscription is in blue and red.Cover/spine: Strike The Border Inn Bacchus Marsh for a good spot Phone 16 Cyril Jones, Proprietor. Cover/side: This man always calls in at the Border Inn. This Man wishes he did Matchbox:Bryant & May's "Crown" Safety Matchesbox, souvenir, sport, item, cricket, match, team, cyril, jones, border, inn, cover, novelty -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Manufactured objects, safety matches Bryant & May Ltd, 20thC
... PREVENT FIRES/ BRYANT & MAY'S / a crown in an oval shape / SAFETY MATCHES/ MOTORISTS USE ASHTRAY/ AV. ...The public were slow to purchase these safety matches because of the higher price . safety matches bryant & may's pty ltd phosy jaw disease early settlers moorabbin bentleigh richmond cheltenham lights lamps tobacco PREVENT FIRES/ BRYANT & MAY'S / a crown in an oval shape / SAFETY MATCHES/ MOTORISTS USE ASHTRAY/ AV. ...Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia, such as the Bryant and May Factory, Melbourne; and owned match factories in other parts of the world.Bryant and May survived as an independent company for over seventy years, but went through a series of mergers with other match companies and later with consumer products companies. To protect its position Bryant and May merged with or took over its rivals. In 1971 the Northern Ireland factory, Maguire & Patterson closed down following a terrorist attack.. In the 1980s, factories in Gloucester and Glasgow closed too leaving Liverpool as the last match factory in the UK, until December 1994. The former Australian match factory, in Melbourne, closed in the mid-1980s. The registered trade name Bryant and May still exists and it is owned by Swedish Match, as are many of the other registered trade names of the other, formerly independent, companies within the Bryant and May group. The British match brands continue to survive, as brands of Swedish Match, and are made outside the UK. Matches were first produced by Bryant & May in Australia in 1909. The Redhead name applies to the red striking heads of the matches which were introduced to Australia in 1946. The logo on the matchbox depicted the head and shoulder of a redheaded woman and has had four major updates since that time with a number of special issues depicting animals, birds and notable persons also producedThe Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these safety matches because of the higher price .A box of safety matches with unused matches made by Bryant & May Pty Ltd , Richmond Victoria Australia. The tray containing the matches slides inside the open ended cover.. The striking patch is on both sides of the cover.PREVENT FIRES/ BRYANT & MAY'S / a crown in an oval shape / SAFETY MATCHES/ MOTORISTS USE ASHTRAY/ AV. CONTENTS 60 / Made in Australiasafety matches, bryant & may's pty ltd, phosy jaw disease, early settlers, moorabbin, bentleigh, richmond, cheltenham, lights, lamps, tobacco -
Orbost & District Historical SocietyMatch box
... Silver match box with crown hinged lid. Front is engraved....Vesta cases were in great use between the 1860's and 1940', but the invention of the pocket petrol lighter initiated a decline in the use of these items. match-safe silver smoking-accessories vesta-case Silver match box with crown hinged lid. Front is engraved. ...These pocket-sized cases for carrying matches took their name from 'Vesta', the deity that presided over the domestic focus (hearth) in Ancient Rome. Vesta cases were in great use between the 1860's and 1940', but the invention of the pocket petrol lighter initiated a decline in the use of these items.Silver match box with crown hinged lid. Front is engraved.match-safe silver smoking-accessories vesta-case -
Glenelg Shire Council Cultural CollectionFunctional object - Box of Matches - Bryant & May, Bryant & May, 1940s
... The label has the words ' Bryant & May's Safety Matches' printed on it. There is a picture of a crown in the centre in an oval. ...Top: Bryant & May's / Crown / Made in Australia / Safety Matches / 1/3 Under: From / Leighton & Margaret Buzzard / 4.2.88 Side: Strike One Side / 1940s...matches throughout the 20th century but had adopted the brand name - Redheads - by 1946. Bryant & May was a significant Quaker owned business which was founded in the mid 1800s in the UK. They spread to various countries including Australia where they produced the Crown ...The Bryant & May factory was located in Richmond, Melbourne and was a typical red-brick Victorian factory. It manufactured matches throughout the 20th century but had adopted the brand name - Redheads - by 1946.Bryant & May was a significant Quaker owned business which was founded in the mid 1800s in the UK. They spread to various countries including Australia where they produced the Crown Safety Matches during the early 1900s through to the 1940s when they took the brand name Red Heads. The factory in Richmond is listed on the Victorian Heritage Register. Rectangular carboard box. Wrapped in light brown paper. The top of the box has a coloured label fixed onto it. The label is mainly navy blue and red with white text. The label has the words ' Bryant & May's Safety Matches' printed on it. There is a picture of a crown in the centre in an oval. The box is unopened. There are several smaller boxes of matches inside. On the opposite side to the label there is text written in a black marker pen.Top: Bryant & May's / Crown / Made in Australia / Safety Matches / 1/3 Under: From / Leighton & Margaret Buzzard / 4.2.88 Side: Strike One Side / 1940saustralian manufacure, industry, 1940s, domestic, portland, glenelg shire, melbourne, richmond, bryant & may -
Bendigo Military MuseumFunctional object - WATER PURIFYING KIT
... There are also two "books" of army matches. Red cover with a crown over two swords and a leaping kangaroo. ...There are also two "books" of army matches. Red cover with a crown over two swords and a leaping kangaroo. ...The bag is a clear plastic with a zip lock top. It is a heavy duty plastic. Instructions for use are printed on the outside. There are two strips of water sterilizing tablets. 10 pills each. There are also two "books" of army matches. Red cover with a crown over two swords and a leaping kangaroo. survival, water, purification -
Kiewa Valley Historical SocietyBox Matches, mid to early 1980's
... In brown script and on a blue background "BRYANT & MAY'S and below this "CROWN" below this and on a red background with faded and worn letters "SAFETY MATCHES" On either side of the top side and in smaller print "MADE IN AUSTRALIA" and opposite "AVERAGE CONTENTS SIXTY"...The early settlers in the Kiewa Valley found these matches an important necessity for not only rural life but also for the recreational "smoko". fire starters cigarette lighters bbq lighters domestic fire starters In brown script and on a blue background "BRYANT & MAY'S and below this "CROWN" below this and on a red background with faded and worn letters "SAFETY MATCHES" On either side of the top side and in smaller print "MADE IN AUSTRALIA" and opposite "AVERAGE CONTENTS SIXTY" This small box of "safety" matches has an inner "drawer" which can be slid open to reveal the "match" sticks. ...This box of matches was up until the 1980's the major source of lighting "small" fires, mainly for cigarettes, pipes (smoking), BBQs, gas/ kerosene heaters and "clearing" rural shrub by small fires. It was not until flint based battery and lighter fluid (hand held lighters) were introduced did the need for "matches" (a more dangerous application of instant fire starters) become relegated to a lower level "demand" item. The limited quality supplied in a box could also not compete with hand held gas and "lighter fluid" lighters. Box of matches belonged to the "yesteryear" fashion accessory's most important list. Matches had become obsolete for the major stream of users as cheaper, easier to use and longer lasting "cigarette" lighters were produced.This match box of Australian make and vintage in origin, was originally manufactured by a British Match Box Company (Bryant and May in Bow London), which expanded to the Australian "Colonies". The Australian subsidiary was at Cremorne, Melbourne. It was typical of goods, which had their "founding fathers" based in "the Mother Country" (England). The early settlers in the Kiewa Valley found these matches an important necessity for not only rural life but also for the recreational "smoko".This small box of "safety" matches has an inner "drawer" which can be slid open to reveal the "match" sticks. The small bowl shaped phosphorous at one end of a "match" is the fire starter(phosphorus) which when lit would "flare" up and provide a small flame. This typical box of matches held an average of sixty matches. The top of the match box has a "glued on" signage with manufacturer's details. In brown script and on a blue background "BRYANT & MAY'S and below this "CROWN" below this and on a red background with faded and worn letters "SAFETY MATCHES" On either side of the top side and in smaller print "MADE IN AUSTRALIA" and opposite "AVERAGE CONTENTS SIXTY"fire starters, cigarette lighters, bbq lighters, domestic fire starters -
Bendigo Military MuseumMemorabilia - MEDALLION, BENDIGO CADETS, C.1908
... numismatics-badges-military metalcraft Cadets Front: "Bendigo Cadet Matches" Back: "1908 won by E Chamberlain" Silver Medallion iron cross shape with crown on top and circular centre with decorative edges. ...Silver Medallion iron cross shape with crown on top and circular centre with decorative edges. Metal ring at top.Front: "Bendigo Cadet Matches" Back: "1908 won by E Chamberlain"numismatics-badges-military, metalcraft, cadets -
National Vietnam Veterans Museum (NVVM)Functional Object, Match Box
... Matchbox Australian Made Brymay Matches Standard matchbox with green top embossed with crossed swords, kangaroo & royal crown. Match Box Functional Object Functional Object Bry May ...Standard matchbox with green top embossed with crossed swords, kangaroo & royal crown.Australian Made Brymay Matchesmatchbox -
Glen Eira Historical Society
Ephemera - Caulfield Cricket Club
... “Nurse to the rescue for Wiaks” by Paul Amy cutting from Glen Eira Port Phillip Leader 19/02/2013 on century by Harry Nurse in match against Yarraville. “VTCA South Caulfield Crowned Twenty 20 Champion” cutting from Glen Eira Port Phillip Leader 12/03/2013 on win by South Caulfield in state wide Twenty 20 Cup. ...“Nurse to the rescue for Wiaks” by Paul Amy cutting from Glen Eira Port Phillip Leader 19/02/2013 on century by Harry Nurse in match against Yarraville. “VTCA South Caulfield Crowned Twenty 20 Champion” cutting from Glen Eira Port Phillip Leader 12/03/2013 on win by South Caulfield in state wide Twenty 20 Cup. ...This file contains two items. A menu and programme for Caulfield Cricket Club. Includes handwritten list of names of office-bearers and printed list of sponsors. Thirty-four newspaper clippings on Caulfield Cricket Club. “Haviland, Pritchard give Caulfield Boost”, cutting from Caulfield Port Phillip Leader, 21/12/2010 on recent match. “Daron Cruickshank Shows His Class” cutting from Caulfield Port Phillip Leader 11/01/2011 on Daron Cruickshank from Trinidad-Tobago who whit 111 not out in recent match for Caulfield against Ormond. “Century Lifts Monds, Another Ton For Hansen” cutting from Caulfield Port Phillip Leader on 01/02/2011 on recent centuries by Michael Hansen of Ormond in matches. “Fields Take Minor Premiership” cutting from Caulfield Port Phillip Leader 08/03/2011 on forthcoming match of Elsternwick against Coburg. “Richo’s Century Puts Caulfield in Driver’s Seat” cutting from Caulfield Port Phillip Leader 15/03/2011 on Shaun Richardson’s 160 for Caulfield against Brunswick in a recent match. “Caulfield Up for Challenge” by Brad Beitzel cutting from Caulfield Port Phillip Leader 22/03/2011 on forthcoming match against Coburg. “Fielders Work For It. Sliver of Hope Going Into Day Two” by Paul Amy, cutting from Caulfield Port Phillip Leader 29/03/2011 on recent match of Caulfield against Malvern. Photograph, cutting from Caulfield Port Phillip Leader 05/04/2011 of batsman Matt Lawrence who had announced his retirement, pictured with unnamed wicket-keeper. “‘Grub’ will be missed” cutting from Caulfield Port Phillip Leader 12/04/2011. Obituary of Tony Sheehan who represented Caulfield in 170 matches. “Caulfield Goes in to Bat Early” cutting from Caulfield Port Phillip Leader 03/05/2011 on recent recruits Adam Warren and Rob Bartlett for forthcoming season. “South Caulfield on Top” cutting from Caulfield Port Phillip Leader 01/11/2011 on prospects of South Caulfield Club and recent matches. “Monds Break Duck” cutting from Caulfield Port Phillip Leader 31/01/2012 on recent win by Ormond Club. “Help To Put Cancer Fund in the Pink” article from the Caulfield Port Phillip Leader dated 07/02/2012 concerning the Caulfield South Cricket Club’s participation in Pink Stumps Day in order to raise funds for cancer research. “Premier Cricket” by Brad Beitzel, cutting from Caulfield Port Phillip Leader 14/02/2012 on recent watches of local clubs. “Damiano’s Three Tons A record” by Brad Beitzel, cutting from Caulfield Port Phillip Leader 28/02/2012 on batting record of Ricky Damiano. “Caulfield Digs In. Baldry Leads Lower Order Fight Against Malvern” by Paul Amy, cutting from Caulfield Port Phillip Leader 13/03/2012 on undefeated season of Caulfield club and future match. “Fields Bound For Glory. Rugged Day for Elsty” by Brad Beitzel cutting from Caulfield Port Phillip Leader 20/03/2012 on success of Caulfield Club. “Fielders Perfect Finish. Golden Summer Capped by Premiership” by Brad Beitzel cutting from Caulfield port Phillip Leader 27/03/2012 on undefeated season of Caulfield Club. “Caulfield Leaders Pay Hospital Visit to Club Stalwart. That Was For ‘Morro’” by Paul Amy cutting from Caulfield Port Phillip Leader 02/03/2012 on visit to ill Brian Morrison. “Caulfield Hearts Heavy After Death of Club Legend ‘Morro’” by Paul Amy cutting from Caulfield Port Phillip Leader 10/04/2012 on death of Brian Morrison. “Big Send Off For Legend ‘Morro’” cutting from Caulfield Port Phillip Leader 17/04/2012 on funeral of Brian Morrison. “Cricket Season to Commence” clipping from unnamed journal or magazine, hand dated 10/12 on new cricket season. “Christiansen Cracks Ton in Elsternwick Victory”, cutting from Glen Eira Port Phillip Leader 30/10/2012 on century by Cam Christiansen in match against Malvern. “Harwood Hits Hard to Set test For Caulfield” by Paul Amy cutting from Glen Eira Port Phillip Leader 13/11/2012 on performance of Shane Harwood in match against Melton. “ ‘Richo’ To The Rescue” by Paul Amy cutting from Glen Eira Port Phillip Leader 11/12/2012 on performance of Shaun Richardson in match against Williamstown. “Victorian Turf Cricket Association South Poised for Outright Win Against Bernies” cutting from Glen Eira Port Phillip Leader 29/01/2013 on match between South Caulfield and St. Bernards. “Tough Chase Awaits Caulfield” cutting from Glen Eira Port Phillip Leader 22/01/2013 on prospects of Caulfield Club. “Stateswide Twenty 20 Cup. South Caulfield Gets The Chance To Play At the MCG” photocopy of article in Glen Eira Port Phillip Leader 12/02/2013 that the team is to play in the MCG in finish of Twenty 20 Competition. “Nurse to the rescue for Wiaks” by Paul Amy cutting from Glen Eira Port Phillip Leader 19/02/2013 on century by Harry Nurse in match against Yarraville. “VTCA South Caulfield Crowned Twenty 20 Champion” cutting from Glen Eira Port Phillip Leader 12/03/2013 on win by South Caulfield in state wide Twenty 20 Cup. “Sub-District Cricket Finals. Caulfield Up Agianst Melton and Weather” cutting from Glen Eira Port Phillip Leader 19/03/2013 on semi-final match between Caulfield and Elsternwick. “Cricket Championship Team” photograph cutting from Glen Eira Port Phillip Leader 09/04/2013 of Championship Caulfield Club with thirteen players named in caption. “Cricket High Hopes for Scholarship Winner” cutting from Glen Eira Port Phillip Leader 16/04/2013 on cricket scholarship for Adam Cosgrove, aged twelve.caulfield cricket club, ormond cricket club, elsternwick cricket club, south caulfield cricket club, north caulfield glenhuntly cricket club, malvern cricket club, sheehan tony, damiano ricky, oakleigh cricket club, morrison brian, little harold, christiansen cam, harwood shane, richardson shaun, murrumbeena cricket club, carnegie cricket club, mcg, melbourne cricket grounds, nurse harry, reilly geoff, shipley colin, jacobs bill, lahiff tommy, haviland james, pritchard heath, cruickshank daron, hansen michael, lawrence matt, warren adam, baldry leigh, vtca, twenty 20 club, cosgrove adam, cricket, cricket clubs, cricketers, sporting clubs, sports -
Warrnambool and District Historical Society Inc.Artefact, Fold out leather frame with 2 sepia photographs of soldiers, Early 20th Century
... crown above it. The photograph of the WW1 soldier has Hana Studio Ltd 22**** which although unreadable has been matched with another photograph to read,” 22 Bedford St Strand London. ...crown above it. The photograph of the WW1 soldier has Hana Studio Ltd 22**** which although unreadable has been matched with another photograph to read,” 22 Bedford St Strand London. ...This frame contains two as yet unidentified soldiers from two of Australia’s earliest overseas conflicts. The WW1 soldier has the rank of Captain and the Boer War soldier has the three stripes of Sergeant. It is possible that he belongs to the Coronation Contingent of Edward V11 in 1902.These soldiers were selected form all over Australia with 42 coming from Victoria. The Australian War Memorial cites a number of approximately 16000 soldiers who fought in the Boer War from 1899-1902. Of that number 282 died in action or as a result of wounds while around 320 died as a result of disease and accidents. Six received the Victoria Cross as well as other awards for bravery. The First World War had more drastic consequences for Australia. From a population of less than 5 million, 416809 men enlisted of whom over 60,000 were killed with 156000 wounded gassed or taken prisoner. Australian fought from 1914-1918 from Egypt, Turkey, and the Western Front in Europe. These photographs are representative of many photos which are kept in remembrance of Australian soldiers who fought in wars particularly the two world wars. The Boer war photo is a rarer one.This bi- fold photo frame is rectangular in shape with a rounded section at each top. It is leather in composition and has the Rising Sun insignia in each arch which appears to be metal. There are glass covering two photographs one of a Boer War soldier and the other of WW1. It is hinged in the middle with a double layer of leather which is broken .The Boer war photograph has a coloured flag and medal ribbons. The two Rising Sun badges have Australian Commonwealth Military Forces. The frame itself has J C Vickery Regent St W stamped on the back in gold with a crown above it. The photograph of the WW1 soldier has Hana Studio Ltd 22**** which although unreadable has been matched with another photograph to read,” 22 Bedford St Strand London. The photograph of the Boer War soldier has no studio identity. warrnambool history, unknown soldiers of warrnambool, boer war soldier, world war 1 soldier -
Parliament of VictoriaPortrait of Prince Albert, Coutts, Gordon 1865-1938 et al, Prince Albert, after Winterhalter, 1896
... The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown....The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown. albert, prince consort of victoria, queen of great britain, 1819-1861 winterhalter, franz xaver, 1805-1873 coutts, gordon (1865-1938) Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’. ...In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938) -
Moorabbin Air MuseumUniform (item) - Royal Australian Air Force (RAAF) Service Dress Jacket With Trousers And Forage Cap
... Match TRS Waist 90cm Label on Forage Cap ADA 1997 NSN 8405 66 090 0104 Service No. A113102 Name: Bagley (Keith Ian) Royal Australian Air Force (RAAF) service dress jacket with trousers and forage cap, blue/grey,including medal bar. The jacket features two breast pockets and two hip pockets, with King's Crown ...Label on Jacket A.G.C.F Vic 1989 8405-660374775 Size:100S Match TRS Waist 90cm Label on Forage Cap ADA 1997 NSN 8405 66 090 0104 Service No. A113102 Name: Bagley (Keith Ian) -
Vision AustraliaDocument - Text, C.H. Nipper, Past and the Present 1866-1971 by C.H. Nipper - unordered extracts a, 1960-71
... These are: Admittance of Aboriginal people (1/2 page) Blinded soldiers (5 pages) Blindness - causes and prevention (4 pages) Buildings and Land (Snippets) - gas - grant of crown land - heating - insurance - water Change of name (1 page) Deaf-Blind and the Multiple Handicapped (3 pages) Education (9 pages, 1 missing) Employment: - Placement of blind people in employment (1 page) - Insurance brokerage as a profession of the blind by Fred C Tolstrup (3 pages) Fundraising (Snippets) - Coles Book Arcade - Sporting matches Kiosks for the Blind (1/2 page) Music (5 pages) Nursing (2 pages) Organ (Snippets) Ormond Hall (3 pages) Pensions (1/2 page) Rehabilitation Training centre (3 pages) Talking Book Library (1 1/2 pages)...These are: Admittance of Aboriginal people (1/2 page) Blinded soldiers (5 pages) Blindness - causes and prevention (4 pages) Buildings and Land (Snippets) - gas - grant of crown land - heating - insurance - water Change of name (1 page) Deaf-Blind and the Multiple Handicapped (3 pages) Education (9 pages, 1 missing) Employment: - Placement of blind people in employment (1 page) - Insurance brokerage as a profession of the blind by Fred C Tolstrup (3 pages) Fundraising (Snippets) - Coles Book Arcade - Sporting matches Kiosks for the Blind (1/2 page) Music (5 pages) Nursing (2 pages) Organ (Snippets) Ormond Hall (3 pages) Pensions (1/2 page) Rehabilitation Training centre (3 pages) Talking Book Library (1 1/2 pages) Royal Victorian Institute for the Blind C.H. ...When author C.H. Nipper created historical overview of the first 60 years of the RVIB, various topics were covered by an unordered series of pages on individual topics. These are: Admittance of Aboriginal people (1/2 page) Blinded soldiers (5 pages) Blindness - causes and prevention (4 pages) Buildings and Land (Snippets) - gas - grant of crown land - heating - insurance - water Change of name (1 page) Deaf-Blind and the Multiple Handicapped (3 pages) Education (9 pages, 1 missing) Employment: - Placement of blind people in employment (1 page) - Insurance brokerage as a profession of the blind by Fred C Tolstrup (3 pages) Fundraising (Snippets) - Coles Book Arcade - Sporting matches Kiosks for the Blind (1/2 page) Music (5 pages) Nursing (2 pages) Organ (Snippets) Ormond Hall (3 pages) Pensions (1/2 page) Rehabilitation Training centre (3 pages) Talking Book Library (1 1/2 pages)2 page foreward and 17 page historyroyal victorian institute for the blind, c.h. nipper, blind soldiers, deaf-blind, ormond hall, fundraising, rvib nursery, nellie melba, alice mcclelland, charles halle, blinded soldiers bowling club, talking books, employment, aboriginal and torrens strait islander people, pensions, fred c tolstrup, blindness, rehabilitation, education, buildings -
Sunbury Family History and Heritage Society Inc.Photograph, Sunbury Football team, C 1890s
... Later football matches were played on railway land in Evans and Macedon Streets. In 1949 the Shire of Bulla Council passed over 26 hectares of Crown land for a new recreation ground, now the Clarke Oval. ...Later football matches were played on railway land in Evans and Macedon Streets. In 1949 the Shire of Bulla Council passed over 26 hectares of Crown land for a new recreation ground, now the Clarke Oval. ...The first recorded football match played in Sunbury was in 1881 when Sunbury played Keilor on Munro's Ground which was located on land bordered by Barkly, Shields, Harker and Evans Streets.By 1892 Sunbury Club officially became known as 'The Swifts". A later game was recorded in 1895 but it wasn't until 1897 that it became a recognised football team at a meeting convened by W.A. Eadie in the Royal Hotel. Later football matches were played on railway land in Evans and Macedon Streets. In 1949 the Shire of Bulla Council passed over 26 hectares of Crown land for a new recreation ground, now the Clarke Oval. Since that time that site has been Sunbury's home ground. Sporting clubs have played an important part in the Sunbury's social life from the latter half of the nineteenth century to the present day.A non-digital copied black and white photograph of a men's football team standing and seated in two rows in front of a picket fence. sunbury football club, "the swifts', football, sporting clubs -
Whitehorse Historical Society Inc.Leisure object - Doll, 1949
... match the dress. Cream net socks and cream plastic shoes.|The hat is straw with blue frill around the brim and five blue bows around the crown tied with blue ribbon. ...match the dress. Cream net socks and cream plastic shoes.|The hat is straw with blue frill around the brim and five blue bows around the crown tied with blue ribbon. ...The donor Margaret was born in 1944 and grew up at 31 Drummond Street Blackburn. The doll was a gift at 5 years old.A walking doll A child's doll resembling a small child dressed in summer clothes and a straw hat, She has blonde hair plaited and tied with blue ribbons. The dress is floral cotton with white collar and two press studs in centre back. Floral pants match the dress. Cream net socks and cream plastic shoes.|The hat is straw with blue frill around the brim and five blue bows around the crown tied with blue ribbon. Eight items including the doll.Pedigree E#Englandtoys, dolls -
Tennis AustraliaRacquet, Circa 1967
... A wooden racquet, featuring a decal of a stylized wreathed crown, on both sides of throat. Inscription, from head to stem, on both sides: SLAZENGER/MATCH POINT/GENUINE "STRATA-BILT" CONSTRUCTION. ...Tennis A wooden racquet, featuring a decal of a stylized wreathed crown, on both sides of throat. Inscription, from head to stem, on both sides: SLAZENGER/MATCH POINT/GENUINE "STRATA-BILT" CONSTRUCTION. ...A wooden racquet, featuring a decal of a stylized wreathed crown, on both sides of throat. Inscription, from head to stem, on both sides: SLAZENGER/MATCH POINT/GENUINE "STRATA-BILT" CONSTRUCTION. Inscription along left side of stem: A SLAZENGER RACKET HAS WON/NINE OF THE LAST FOURTEEN/U.S. MENS SINGLES CHAMPIONSHIPS. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Painttennis -
Melbourne Tram MuseumDocument - Event Materials, Victorian Tramways Social Cricket Association, "Souvenir Programme - Itinerary", 1958 to 1968
... matches played and teams. Centre stapled. Inside covers have space for autographs. .1 - 8 pages inside a blue card cover, Feb. 3-10 - 1958 - has adverts for Carlton United beers (Victoria, Melbourne, Fosters and Abbots) and Coles & Garrard eye care. .2 - 8 pages inside a dark blue stippled cover, 24/2 to 2/3 1964 - with ads for Coles and Garrard eye care and the Three Crowns North Melbourne hotel. .3 - 8 pages inside a semi gloss off white card cover, 5/2 to 12/2/ 1968, with ads for Coles and Garrard eye care....matches played and teams. Centre stapled. Inside covers have space for autographs. .1 - 8 pages inside a blue card cover, Feb. 3-10 - 1958 - has adverts for Carlton United beers (Victoria, Melbourne, Fosters and Abbots) and Coles & Garrard eye care. .2 - 8 pages inside a dark blue stippled cover, 24/2 to 2/3 1964 - with ads for Coles and Garrard eye care and the Three Crowns North Melbourne hotel. .3 - 8 pages inside a semi gloss off white card cover, 5/2 to 12/2/ 1968, with ads for Coles and Garrard eye care. ...Set of three Souvenir Programmes for the Victorian Tramways Social Cricket Association v the South Australian Tramways Club for the 1958, 1964 and 1968 visits. Lists the Members / Committee of the MMTB, ATMOEA, officials of the VTSCA, the itinerary, results of previous matches played and teams. Centre stapled. Inside covers have space for autographs. .1 - 8 pages inside a blue card cover, Feb. 3-10 - 1958 - has adverts for Carlton United beers (Victoria, Melbourne, Fosters and Abbots) and Coles & Garrard eye care. .2 - 8 pages inside a dark blue stippled cover, 24/2 to 2/3 1964 - with ads for Coles and Garrard eye care and the Three Crowns North Melbourne hotel. .3 - 8 pages inside a semi gloss off white card cover, 5/2 to 12/2/ 1968, with ads for Coles and Garrard eye care.trams, tramways, cricket, sports, social club -
![Medal from yellow copper zinc alloy with somewhat sharp six points. The obverse has a central and textured design of the Royal Cypher 'GRJ VI', surmounted by a crown. A circlet, the top of which is covered by the crown, surrounds the cypher and is inscribed 'THE PACIFIC STAR'. The ribbon is tactile with red, navy, and light blue stripes. [I believe that the ribbon on 202508.259 and 202508.260 have been swapped at some point.]](/media/collectors/64a5077bc83bd7b7b94f4211/items/68a521b6c440dfc18c4df8f8/item-media/68a5259cc440dfc18c4eaa02/item-fit-380x285.jpg?cb=6)
Returned Nurses RSL Sub-branchMedal - Pacific Star, unknown
... crown, surrounds the cypher and is inscribed 'THE PACIFIC STAR'. The reverse is engraved with 'VFX53656 J.G. GIBSON'. The ribbon is tactile with red, navy, and light blue stripes. The dark blue, red, and light blue stripes signify equal contributions of the Navy, Army, and Air Force across all fronts. It is worth noting that typically the Second World War 1939-45 Star ribbon would be matched...crown, surrounds the cypher and is inscribed 'THE PACIFIC STAR'. The reverse is engraved with 'VFX53656 J.G. GIBSON'. The ribbon is tactile with red, navy, and light blue stripes. The dark blue, red, and light blue stripes signify equal contributions of the Navy, Army, and Air Force across all fronts. It is worth noting that typically the Second World War 1939-45 Star ribbon would be matched ...Medal belonged to Joan Grace Gibson (Mitchell) Service numbers: VFX53656 VX53656 VX38752. The Pacific Star is a military campaign medal instituted by the United Kingdom in May 1945 for award to British and Commonwealth forces who served in the Pacific Campaign from 1939 to 1945, during the Second World War. The reverse is plain, however Stars issued to Australian personnel typically have recipient names engraved on the reverse.The medal is of high significance and should be kept in the collection.Made from yellow copper zinc alloy with somewhat sharp six points. The metal of the medal is cool-to-touch. The obverse has a central and textured design of the Royal Cypher 'GRJ VI', surmounted by a crown. A circlet, the top of which is covered by the crown, surrounds the cypher and is inscribed 'THE PACIFIC STAR'. The reverse is engraved with 'VFX53656 J.G. GIBSON'. The ribbon is tactile with red, navy, and light blue stripes. The dark blue, red, and light blue stripes signify equal contributions of the Navy, Army, and Air Force across all fronts. It is worth noting that typically the Second World War 1939-45 Star ribbon would be matched with a medal that also states the Second World War 1939-45 Star. However, this Second World War 1939-45 Star ribbon is matched with a medal that denotes the Pacific Star. [I believe that the ribbon on 202508.259 and 202508.260 have been swapped at some point.]. 'VFX53656 / J.G. GIBSON' [Engraved on reverse of medal]wwii, ww2, world war two, commonwealth forces, joan grace gibson, pacific theatre -
Ringwood and District Historical Society
Legal record - Real Estate & Stock Institute of Victoria Contract of Sale (C.E.Carter of Ringwood - Agent), Vendor: Eleanor Florence BELLCHAMBERS. Purchaser: Harold Wildridge SUTHERLAND - June, 1946
... match the title. The final document is Carter’s account sales statement to Mrs Bellchambers, showing the £5 deposit, the purchaser’s cheque for £81 8s, Carter’s commission of £4 10s, a valuation fee of £1 1s, and a net amount of £80 17s 8d remitted to her. Copy of contract and correspondence with covering typewritten summary - Lot 114, Plan of Subdivision 7884, Part of Crown ...Copy of contract and correspondence with covering typewritten summary - Lot 114, Plan of Subdivision 7884, Part of Crown Allotment 29, Parish of Warrandyte, Certificate of Title Volume 6749, Folio 1349666AI Summary using CoPilot (29/8/2026): "These papers relate to the 1946 sale of Lot 114, Plan of Subdivision 7884, part of Crown Allotment 29 in Warrandyte Parish, owned by Mrs Eleanor Florence Bellchambers of Munro Street, Ringwood, and sold to Mr Harold Wildridge Sutherland, a soldier living in Hawthorn. The contract, prepared by C.E. Carter, set the price at £90, with a £5 deposit and the balance payable within 14 days of receiving Commonwealth Treasury consent, which was required under wartime National Security regulations. The contract followed the 1946 Real Estate Institute conditions and included the usual clauses about title, easements, tax adjustments, and government approval. Attached is also a 1923 contract showing that the same land had previously been sold to Lena (Eleanor) F. Bell Chambers for £90 under instalment terms through agents Keogh & King, with detailed conditions about fencing, quarrying restrictions, instalments, and plan registration. The 1946 correspondence shows the administrative steps for the new sale: Godfrey Stewart & Co., solicitors for Sutherland, returned the executed contracts and requested the vendor’s signature, valuation certificate, and Form 5 for Treasury consent. They also noted a discrepancy in the spelling of Bellchambers’ Christian names on the title versus the contract and asked whether she wished them to act for her. Carter forwarded the required forms and confirmed that Mr Bellchambers had no solicitor. Shortly afterwards, both Mr and Mrs Bellchambers instructed Stewart & Co. to act for them and confirmed that their names should match the title. The final document is Carter’s account sales statement to Mrs Bellchambers, showing the £5 deposit, the purchaser’s cheque for £81 8s, Carter’s commission of £4 10s, a valuation fee of £1 1s, and a net amount of £80 17s 8d remitted to her. -
City of Greater GeelongPhotograph - Carousel Restoration, Elphinstone, Victoria, Stewart Strachan, 1997-1999
... crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match...crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match ...This image is part of a collection of 35mm colour transparencies taken by photographer Stewart Strachan during the carousel restoration project which took place in Elphinstone between 1997-1999. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. In around 1996, the carousel was found quietly rotting away in a Victorian shed by collector and restorer Rick Furlong, who saw its beauty and potential, then gathered a team of specialist historians, craftspeople and artists to work on the project of authentic restoration. Rick Furlong – Collector, Restorer and Project Manager Lindsay Mew – Woodcarver and Foundry Artist, dismantled, sectioned and cleaned the horses. Graeme Wright – Artist, who stripped up to 40 layers of paint from the horses and completed colour research for each individual horse. Kurt Simmons - Dismantled, sectioned and cleaned the horses. Andy Bull – Carpenter and Joiner, restored the floorboards, platforms, drums and crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match the originals, believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing. The period matched organ and steam engine were sourced from New South Wales and Tasmania respectively. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, the Steampacket Place Development Board purchased the Armitage-Herschell portable steam-driven carousel as a major feature on the revitalised waterfront.Colour image showing a man painting a wooden panel.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, steam engine, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, armitage-herschell, stewart strachan photograhy, elphinstone, rick furlong, artists, mordialloc -
City of Greater GeelongPhotograph - Carousel Restoration, Elphinstone, Victoria, Stewart Strachan, 1997-1999
... crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match...crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match ...This image is part of a collection of 35mm colour transparencies taken by photographer Stewart Strachan during the carousel restoration project which took place in Elphinstone between 1997-1999. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. In around 1996, the carousel was found quietly rotting away in a Victorian shed by collector and restorer Rick Furlong, who saw its beauty and potential, then gathered a team of specialist historians, craftspeople and artists to work on the project of authentic restoration. Rick Furlong – Collector, Restorer and Project Manager Lindsay Mew – Woodcarver and Foundry Artist, dismantled, sectioned and cleaned the horses. Graeme Wright – Artist, who stripped up to 40 layers of paint from the horses and completed colour research for each individual horse. Kurt Simmons - Dismantled, sectioned and cleaned the horses. Andy Bull – Carpenter and Joiner, restored the floorboards, platforms, drums and crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match the originals, believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing. The period matched organ and steam engine were sourced from New South Wales and Tasmania respectively. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, the Steampacket Place Development Board purchased the Armitage-Herschell portable steam-driven carousel as a major feature on the revitalised waterfront.Colour image showing rows of curved timber in a workshop.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, steam engine, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, armitage-herschell, stewart strachan photograhy, elphinstone, rick furlong, artists, mordialloc -
City of Greater GeelongPhotograph - Carousel Restoration, Elphinstone, Victoria, Stewart Strachan, 1997-1999
... crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match...crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match ...This image is part of a collection of 35mm colour transparencies taken by photographer Stewart Strachan during the carousel restoration project which took place in Elphinstone between 1997-1999. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. In around 1996, the carousel was found quietly rotting away in a Victorian shed by collector and restorer Rick Furlong, who saw its beauty and potential, then gathered a team of specialist historians, craftspeople and artists to work on the project of authentic restoration. Rick Furlong – Collector, Restorer and Project Manager Lindsay Mew – Woodcarver and Foundry Artist, dismantled, sectioned and cleaned the horses. Graeme Wright – Artist, who stripped up to 40 layers of paint from the horses and completed colour research for each individual horse. Kurt Simmons - Dismantled, sectioned and cleaned the horses. Andy Bull – Carpenter and Joiner, restored the floorboards, platforms, drums and crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match the originals, believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing. The period matched organ and steam engine were sourced from New South Wales and Tasmania respectively. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, the Steampacket Place Development Board purchased the Armitage-Herschell portable steam-driven carousel as a major feature on the revitalised waterfront.Colour image showing illustrations of horses attached to a board.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, steam engine, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, armitage-herschell, stewart strachan photograhy, elphinstone, rick furlong, artists, mordialloc -
City of Greater GeelongPhotograph - Carousel Restoration, Elphinstone, Victoria, Stewart Strachan, 1997-1999
... crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match...crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match ...This image is part of a collection of 35mm colour transparencies taken by photographer Stewart Strachan during the carousel restoration project which took place in Elphinstone between 1997-1999. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. In around 1996, the carousel was found quietly rotting away in a Victorian shed by collector and restorer Rick Furlong, who saw its beauty and potential, then gathered a team of specialist historians, craftspeople and artists to work on the project of authentic restoration. Rick Furlong – Collector, Restorer and Project Manager Lindsay Mew – Woodcarver and Foundry Artist, dismantled, sectioned and cleaned the horses. Graeme Wright – Artist, who stripped up to 40 layers of paint from the horses and completed colour research for each individual horse. Kurt Simmons - Dismantled, sectioned and cleaned the horses. Andy Bull – Carpenter and Joiner, restored the floorboards, platforms, drums and crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match the originals, believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing. The period matched organ and steam engine were sourced from New South Wales and Tasmania respectively. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, the Steampacket Place Development Board purchased the Armitage-Herschell portable steam-driven carousel as a major feature on the revitalised waterfront.Colour image showing detail of wooden carousel frame.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, steam engine, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, armitage-herschell, stewart strachan photograhy, elphinstone, rick furlong, artists, mordialloc -
City of Greater GeelongPhotograph - Carousel Restoration, Elphinstone, Victoria, Stewart Strachan, 1997-1999
... crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match...crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match ...This image is part of a collection of 35mm colour transparencies taken by photographer Stewart Strachan during the carousel restoration project which took place in Elphinstone between 1997-1999. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. In around 1996, the carousel was found quietly rotting away in a Victorian shed by collector and restorer Rick Furlong, who saw its beauty and potential, then gathered a team of specialist historians, craftspeople and artists to work on the project of authentic restoration. Rick Furlong – Collector, Restorer and Project Manager Lindsay Mew – Woodcarver and Foundry Artist, dismantled, sectioned and cleaned the horses. Graeme Wright – Artist, who stripped up to 40 layers of paint from the horses and completed colour research for each individual horse. Kurt Simmons - Dismantled, sectioned and cleaned the horses. Andy Bull – Carpenter and Joiner, restored the floorboards, platforms, drums and crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match the originals, believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing. The period matched organ and steam engine were sourced from New South Wales and Tasmania respectively. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, the Steampacket Place Development Board purchased the Armitage-Herschell portable steam-driven carousel as a major feature on the revitalised waterfront.Colour image showing a wooden carousel horse from behind on a metal frame inside a room. Orange coloured stones can be seen embedded in the horse.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, steam engine, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, armitage-herschell, stewart strachan photograhy, elphinstone, rick furlong, artists, mordialloc
