The cuffs belonged to Rev Dr Alan Watson, Presbyterian Moderator.R033.1 and R033.2 Presbyterian Moderator's white cotton lace cuffs gathered onto white cotton tape with four button holes.presbyterian moderator, regalia, rev dr alan watson

Replica Nurses operating Cuffsuniform, ww1

These matching cuffs could be attached to and detached from sleeves as needed in order to embellish an outfit and for ease of cleaning as cuffs would soil more quickly than the rest of an outfit. Their original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.These lovely handmade cuffs enabled more personalisation and variety of outfits as well as facilitating more efficient cleaning of clothes.A pair of cream-colored lace cuffs made of silk tapes with infilled needle stitching. Hand-made.female, lynne findlay collection, cuffs, lace

This lace collar and matching cuffs could be attached to and detached from clothing as needed in order to embellish an outfit and for ease of cleaning as collars and sleeve ends would soil more quickly than the rest of an outfit. The original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This lovely set of handmade collar and cuffs enabled more personalisation and variety of outfits as well as facilitating more efficient cleaning of clothes.Cream-colored lace collar and matching cuffs. Cream color. Collar has a tape tie. One of the cuffs has a more rounded end than the other. Hand-made.female, lynne findlay collection, collar, lace, cuffs

These lace collar and cuffs could be attached to and detached from clothing as needed in order to embellish an outfit and for ease of cleaning as collars and cuffs would soil more quickly than the rest of an outfit. Their original owner is unknown, but they were purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This lovely set of handmade collar and cuffs enabled more personalisation and variety in people's outfits as well as enabling more efficient cleaning of clothes.Pair of cream-colored lace cuffs. One side has a more rounded end than the other side. Hand-made.female, lynne findlay collection, collar, cuffs, lace

This lace collar and matching cuffs could be attached to and detached from clothing as needed in order to embellish an outfit and for ease of cleaning as a collar and sleeve ends would soil more quickly than the rest of an outfit. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This lovely hand-made handmade set of collar and cuffs enabled personalisation and variety of neckwear and sleeve ends as well as enabling more efficient cleaning of cumbersome clothes.Cream colored lace collar and a pair of matching cuffs with infilled needle stitching. Hand-made.female, lynne findlay collection, collar, cuffs, lace

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Eight white starched cuffs with stud holes at the sort edges. Some bear laundry marks.presbyterian deaconess, deaconess hilda elizabeth foster

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]CL052.1 and CL052.2 Stiffened linen cuffs with chrome studs or cuff links. There is a laundry number inside the cuff.presbyterian deaconess, deaconess hilda elizabeth foster

Mayoral robe worn with jabot and lace cuffs. Black Faille ceremonial robe with lapin collar and cuffs and cream lining.Unknowncity of greater bendigo ceremonial item

Reproduction of Paddy Glasheen's colours for the 100th anniversary of Grand Voyage winning the 1920 Boort Cup.Paddy Glasheen's colours were worn by him when driving the Hall of Fame trotter Grand VoyageReproduction of original colours. Blue with red sleeves and green capPaddy Glasheen embroidered on the cuffs.

Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill

Baby's cream silk short sleeved top with V neck and hand sewn scalloped neckline, cuffs and hem is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shirec1900 and this item shows the skill and craftsmanship of the women of these families Baby's cream silk short sleeved top with V neck and hand sewn scalloped neckline, cuffs and hemclothing,needlework, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

This lady’s full length cream silk long sleeved nightgown with lace insert around neckline and cuffs is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 1930'sEarly settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families A lady's full length cream silk long sleeved nightgown with lace insert around neckline and cuffs c1930clothing, petticoats, fashion, moorabbin, bentleigh, cheltenham

Made by a relative of the Cochrane familyDecorative bands with insertion of lace edged with buttonhole loops. Superimposed on the lace are bunches of embroidered grapes.embroidery, whitework, garments, 1900-20, scotland

This lace collar could be attached to and detached from clothing as needed in order to embellish an outfit and for ease of cleaning as a collar would soil more quickly than the rest of an outfit. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This lovely handmade collar enabled more personalisation and variety of outfits as well as facilitating more efficient cleaning of clothes.Cream-colored lace collar with infilled needle stitching with a tape tie. Hand-made.female, lynne findlay collection, collar, cuffs, lace

This garment would have been worn by young girls as a summer fashion, perhaps in the 1970s. Similar- patterned garments may still be worn today but perhaps without the cuffs on the legs. This garment is retained as an example of women’s fashions in the mid to late 20th century and will be useful for display. This is a pair of women’s shorts. They are made of cotton (velveteen) and are multi-patterned with a dark red background with pink, orange and yellow flowers. There are cuffs at the end of the legs and a zip down the side. The waist is lined with white material and there are five buttons attached to the waist band. The maker’s label is also attached to the waist band.‘Styro SW All Cotton’ladies fashion, hotpants

These are from the Temple estate.. George Temple(1832-1918) started Temple's Store opposite the Post Office and packed stores to Bendoc. Donor was grand-daughter of Dr Kerr, first doctor in Orbost who was married to Hilda Kerr, one of the Temple daughters. These items are examples of common jewellery items worn by by women in the early 20th century.Assorted bead chokers and cuffs. Four cuffs and four chokers.jewelry beading costume-accessories temple-family

This cotton nightgown was worn by women in the 19th century. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This is a lovely example of a type of nightgown worn by women inside the home in the 9th century. Handstitched cotton nightgown which has a front opening yoke with 4 buttons and buttonholes. Embroidered trim on cuffs and edges of neckline and yoke. Cream white in colour with four pintucks on each side of front opening and trimmed with embroidery at base of tabs.female, lynne findlay collection, nightgown

Use: Domestic. FashionApplique lace cuffs

Use: Domestic. FashionBobbin lace cuffs

Cuffs on nurse uniforms were made to be detachable for ease of laundering. Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. The Red Cross was ostensibly non-military in line with its principles of neutrality and independence. While a group of 20 nurses were sent to Europe by the NSW Division of the Red Cross, most Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. These cuffs are part of a complete World War I Red Cross nurse uniform held by the Museum which was worn by a young woman who later moved to Emerald. The uniform is emblematic of the variety of ways in which women contributed to the war effort.Two pairs of white starched cuffs for a nurse uniform. Each cuff has a buttonhole at each end which would enable the cuff to be joined by cufflink-like buttons.On each cuff, printed: 'NURSE 8 G' On each cuff handwritten: 'Stoddart'red cross, world war 1, nurse uniform

This girl's white long sleeved blouse made from lace,voile and net and was probably made for a special occasion c1900. The delicate needlework flowers on the net insert on front of blouse and the over sleeves exhibit a high standard of skill. The fine pintucks on the front, collar and cuffs are finished by small white beads sewn around the edges. The eyes for the hooks on back opening seam are hand-sewn The women of the early settler families were skilled dressmakers and made the clothes for their families as they established market gardens and farms in Moorabbin Shire This girl's blouse made from lace,voile and net is an example of the high needle work skill of the women of the early settler families in Moorabbin Shire c1900 A girl's white,long sleeved, tulle blouse,with a high collar stiffened by 4 metal wires. The tulle has pintucks front and back with inserted decorated net panels and sleeves . The long lace outer sleeves have lace edging at the cuffs. The whole blouse is lined with tulle. .The high collar has horizontal pintucks and has small white beading along top and base. The lining tulle has horizontal pintucks and beading and lace edging on the cuffs of the inner sleeves. Hooks and eyes fasten the back of the blouse and ribbon is inserted at waist to produce a flared effect over hips clothing, brighton, moorabbin, bentleigh, cheltenham, pioneers, dressmaking,lacework, craftwork, tulle, net, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire , dairy farms, fruit orchards

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Long black satin dress with black beading on the wide collar and neckline. The sleeves cuffs have black lace at the cuffs.women's clothing, australian fashion - 1920s, evening dresses

Two copies of the same small Ball & Welch knitting pattern booklets, c.1940's. The front cover depicts a man wearing a knitted balaclava. Inside are various patterns for clothing - caps, sleeveless pullover, waistcoat muffler, armlets, man's socks and mittens, kneecaps and scarves. The Wool Department at Ball and Welch in Melbourne offered free advice for knitting problems.non-fictionTwo knitting pattern booklets for home knitters, c.1940's. The Wool Department on the Ground Floor at Ball and Welch in Melbourne offered free advice for knitting problems. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.knitting, knitting patterns, knitting equipment

A green covered paperback knitting book with the title printed in white letting at the top c.1940's. The front cover depicts three photographs - a child wearing a knitted jumper and cap holding a teddy bear, a person wearing knitted mittens putting on a knitted sock, and a pair of white cotton crocheted ladies prettily decorated gloves. Inside are various patterns for clothing - caps, sleeveless pullover, waistcoat muffler, armlets, man's socks and mittens, kneecaps and scarves. non-fictionTwo knitting pattern booklets for home knitters, c.1940's. The Wool Department on the Ground Floor at Ball and Welch in Melbourne offered free advice for knitting problems. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.knitting, knitting patterns, knitting equipment

Trousers Camouflage Jungle elastic cuffsuniform, c2000, army

D. Pair of cuffs or putees, weavingweaving, garments, metal thread, bags, burma, shan province, wedding costume

THE JACKET This jacket has been tailored to flatter the wearer’s figure. It also has elements that keep it in good shape and condition, preserve it from soiling and give it a longer life: - the hooks and eyes that join the jacket to the skirt allow the outfit to be made in two pieces but fit close to the body without exposing undergarments - the seams for the metal stays have been cut and stitched to allow maximum movement of the wearer and still keep a trim figure - the discreet breast pocket allows the wearer to keep a handkerchief, coins or other small items close at hand - the lining includes removable padded shields to absorb underarm perspiration - the lining has two cotton loops attached for hanging up to air and freshen it - new cuffs have been attached over the original sleeves that have buttonholes but no buttons. The buttons may have been used to replace missing buttons on the front of the jacket or perhaps to repair worn cuffs The amber coloured satin jacket is fully lined, has turned-back cuffs, a band collar, and looped, coffee-coloured braid trim. A row of closely spaced, round bronze buttons with a floral motif form a decorative closure most of the way down the front of the jacket, below which are metal hooks and eyes that finish at the waist. Underneath the cuffs there is a closely fitted cuff with a row of three button holes but no buttons. The jacket lining has vertical metal stays spaced around the midriff, sides and back. There is an absorbent, removable pad hand-stitched to the underarm section of each sleeve opening. A small satin pocket is stitched discreetly onto the lining above the chest on the right-hand side. There are also two cotton loops sewn onto the lining. Several small metal rings are sewn at intervals around the inside of the waist A satin bow from the same fabric is attached at the centre back of the jacket at waist level. antique satin jacket, colonial evening jacket, ladies evening jacket, 19th century ladies satin jacket, evening outfit

Light Blue Cover with image of Cuffs & Helmet Authors Helen Doxford Harris and Gary Presland law, crime