Black knitting machine featuring crank handle and circular knitting needles, with gold lettering. CYMBAL / FOREIGNknitting, socks, machines, manufacturing, cymbal

Wind up stuffed monkey with cymbals.toys, soft toys

Coloured photo of McKinnons Dance Band. Five men in the photo. They have cymbals, banjo, piano and wind instruments. Playon Band 1985 written on the back.photo, group, bandsmen, peter ellis collection, playon band, mckinnons dance band

Two black and white photo of men playing musical instruments. The first photo is three men wearing wide brim hats. One is playing a banjo, one an accordion and the third is watching them. The second photo is six men, one has a concertina, four have accordions and the sixth has drum and cymbals.photo, group, musicians, peter ellis collection, musicians

Black and white photo of the Henschke Band. There are six men and a boy. Written on the back is: Top Row L - R: Instruments. Clarinet. Flugelhorn. Cornet. Bottom Row: Bass Drum & Cymbals, E flat Saxhorn, E flat Saxhorn, E flat Bass. German Band. Henschke band, Mocuita, SA. Band formed 1888.photo, group, musicians, peter ellis collection, german band, henschke band, clarinet, flugelhorn, cornet, bass drum & cymbals, saxhorn, bass saxhorn

This item was donated to the museum by Joseph Dallimore. Dallimore was brought up at Lake Gillear, and as a young man he left Australia to travel overseas both to help his parent's business in the wool trade and for pleasure. He wrote many letters to his parents keeping them updated with the prices he received from selling wool and on his travels. Later in life Dallimore enlisted in the Australian Army and went on to have a distinguished career during the Boer War. He would have collected this piano whilst on service in South Africa.South African thumb piano from the Zulu culture. It is a wooden panel board with 15 iron finger keys in it. They are stuck onto the wood at one end with some sort of glue and also held in place by an iron rod passing over the top of them. At the bottom of the board is a metal panel and attached to that is a small circular cymbal. There is a string tying the metal panel to the wooden board.There are no original markings on this although the original museum label is still stuck to the bottom which says, ' Native piano ( Mashona)' on it in script.south africa, joseph dallimore. war, boer war, zulu, finger piano, music

This photograph contains an array of different musical instruments being used by a band in a performance. The instruments visible in the photo include the Cymbals, Double bass, Trumpets, Trumbones, Tuba and Clarinets. Given the assortment of instruments present it is clear that this ensemble is an orchestral band. All of these instruments require the musician to be sitting while performing as depicted in the photograph. This photo was taken in 1997 and highlights the diversity of the band members, which includes both young and old men and women all working together to deliver a performance. While the details of the event are still unknown, it is safe to assume that this was taken during a formal performance due to the formal attire worn by the band members. This photo captures a specific time and event in amazing detail while showcasing the historic use of these intruments in a social setting. This photograph carries great historic significance as it depicts the historic use of these instruments within the context of an orchestral band performance. With this knowledge, one can track the importance and use of these instruments across time as well as understand the type of events and activities associated with the people and communities that attended these gatherings, as both performers and audience members. Black and white rectangular photograph printed on matte photographic paper, unmounted.reverse: 2671 / 1997.00007 / Agfo [watermark]band, band members, instruments, musical instruments, trumpet, black and white, formal attire, musical performance, 1997, brass instruments, percussion instruments, woodwind instruments, orchestra

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. In 1937 he was living at 302 Drummond Steet South, Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed pencil drawing of a plaster cast of a human figure known as the Dancing Faun, a marble sculpture first recorded in 1665, when Albert Rubens listed it as in the collection of the Grand Duke of Tuscany in Florence (probably long owned by the Medici). By 1688 the sculpture was held by the Uffizi in Florence. In September 1800 the sculpture was sent to Palermo along with other treasures to avoid plunder by the French army, but it was returned to the Florence in 1803. By the 18th Century the Dancing Faun gained a reputation as one of the finest ancient sculptures in existence. A faun makes music by simultaneously playing the ‘crotala’ (similar to cymbals) in his hands and the ‘scabellum’ or ‘croupezion’ under his right foot. In Victorian Education Department examinations, this sculpture was sometimes called the "Clapping Faun".Written on the mount board below the drawing "Drawing Human Figure from the Cast. for art Teacher's Certificate 1931 by Albert E. Williams. Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, art teacher's certificate, a.e. williams, alumni, drawing from the cast, drawing from the antique, drawing the himan figure from the cast, dancing faun

In 1932 the call was put out to the ABC to start a military band. The band’s task was to record music to play on air four times a week, and to perform live concerts for the public. By November 1933 a band was put together with 40 musicians from around Australia. The band was initially conducted by Captain H. E. Adkins, Director of the Royal Military School of Music, Kneller Hall, London. After the tour, Adkins returned to his position at Kneller Hall, and Stephen Yorke, a retired bandmaster of the Gloucestershire Regiment, was brought out to Australia to become the permanent director and conductor of the band, which he did until the band closed in 1951. During the band’s 17 year history they presented a sizable program of music. Their final concert received a standing ovation from its audience of 1500, with a teary-eyed Yorke. 27 Parts concert band instrumentation + numerous uncut cards Quick March Key Signature: Bb Major Instrumentation: Oboe Solo & 1st Bb Clarinets 2nd Bb Clarinet 3rd Bb Clarinet Bassoon 1st Eb Alto Saxophone 2nd Eb Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone 1st Eb Horn 2nd Eb Horn Solo Bb Cornet 1st Bb Cornet 2nd Bb Cornet 3rd Bb Cornet 1st Trombone 2nd Trombone Bass Trombone Euphonium (Treble Clef) Euphonium (Bass Clef) Basses Side Drum Bass Drum & Cymbal Uncut March Cards: Concert Flute & Piccolo Db Flute & Piccolo Eb Alto Clarinet Bb Bass Clarinet 3rd Horn in Eb 4th Horn in Eb and doubles of above list.On envelope: QM132, ...in the Park (Joseph Bergeim), .. alance of Parts in Southland, See Mr. Whaite, Q345brass band, australian broadcasting commission, marching band, concert band

7 PLATES AND ONE MISSING AIF 7th Division Band Championship Palestine 2nd March 1941 Won by 2/24 Battalion Bandmaster L/SGT L.G.SKANE DRUM MAJOR L/SGT P.C Russell side drums pte w.h. wilson pte r.k. johnson tenor drum pte. e.w.j. Forrest Bass Drum Pte N.M. Hogan Cymbals Pte E.Brear Buglars Pte GH Rickard PTE M.A. Johnson Suprano Coronet Pte G FERGUSON SOLO Coronets CPL D.W.Duncan PTE H.T PARSONS PTE DH FRAZER REPIANO CORONET PTE RD BLACKBURN FLUGEL HORN PTE. H.J. GAYLORD 2ND CORONETS PTE R.R. MATHER PTE J.W.COOK 3RD CORONET PTE L.J.MCDONALD SOLO HORN PTE D.M.GRAY HORNS PTE W.H.B SINCOCK PTE B HOLM BARITONES PTE M.R. CRICK PTE A.L. WARWICK EUPHONIMS PTE. E.A.SINCOCK PTE H.R CLOGAN TROMBONES PTE H.J SINCOCK PTE G.W. BARRETT BASS TROMBONE PTE E.G. MOFFAT

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.