A sales book for the Brintons design range 'Damask' acquired when Brintons' Fellmonger Road factory closed.W7194 W7194_2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Brintons Carpets Finest Australian Woven Carpets Damaskfurnishing, brintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), sales, samples

Originally used at St Brigid'e Church , CrossleyWhite satin damask, embroidered and lined with red frabric.IHS embroidered on hood

When the newly married William and Anna Maria Greenlaw acquired the property in 1862, an existing house known as Studley Villa stood on the land. John Hodgson probably built the latter soon after he bought three portions of land here in 1853. The Greenlaws changed the name of the residence to Villa Alba in about 1870 and in 1882-84 rebuilt the house to create the present mansion. After William Greenlaw’s death in 1895, John Ballinger rented the house until 1914. The lease then passed to Samuel and Esther Fripp, who went on to purchase the property in 1918 after Anna Maria Greenlaw’s death in 1918.This rare textile is associated with the most significant period of Villa Alba's history and is an example of the colonial aspirations of its citizens in the boom years of the 1880s before the crash that engulfed the owner.Small white damask tablecloth or napkin embroidered with the crest of William Greenlaw, the owner of Villa Alba in Walmer Street, Kew. The embroidery of the crest and borders of garlands are completed in multicoloured silk thread.Greenlaw crest - griffin holding thistle in beak over initials WGvilla alba, william greenlaw, tablecloths

Sourced at Battersea Vintage Clothing Fair, London in 2005.A good example of an early 20th century corsetEarly 20th century corset underbust style with ivory coloured cotton with lace detail. Front opening with busk and lacing, allowing easy adjusting. Six wide, adjustable suspender straps with fancy metal clips Boning at between one and four inch intervals, mostly no more than two inches apart. Several re-enforced seams inbetween the boning. Lace trim across the top is not original and has been removed. Elastic panel at base for movement. Gossard

These white damask serviettes were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. These white damask serviettes are examples of the needlework skills of the women of the early settler families in Moorabbin Shire c1900 5 White damask linen Serviettes. clothing, haberdashery, damask, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

The rectangular white damask tablecloth was owned by Mrs Murrell (Lily Murrell, née Young, wife of William Murrell) who ran the Linton newsagency during the 1930s and 1940s. Mrs Murrell asked people who came into the newsagency to sign and date the cloth, and later she embroidered the names and dates in various coloured thread. Traditionally such ‘signature cloths’ were used as a fundraiser for charity purposes and date back to the 1890s at least. They were at their height of popularity during World War I and the inter-war period, often embroidered in red or blue. The Linton tablecloth has a number of signatures and dates, some not embroidered, the dates ranging from 1931 to 1945. It is a delightful example of the genre and a wonderful visual record of people who lived in or visited Linton over a period of 15 years.Large ivory damask tablecloth embroidered with signatures in various coloured threads.tablecloths, fundraising, mrs murrell, murrell's newsagency

White Damask tablecloth, with scalloped edge.tablecloths., table linen.

The Tablecloth was purchased at the Emerald Market held in Station Street, Emerald in the 1950's. And it was used in the home of Elaine and Doug Morris from the 1950's until 2016.Cotton (damask- like) tablecloth, white with green stripes'tablecloth

Square, white damask tablecloth, with leaf design and a spoke stiched edge.tableware, table linen, household textiles

Part of the Reverend Chaplain Major Thomas B Williams No 556101 Collection.Set of four religious stoles in four different colours (purple, white, green and red), representing four Christian liturgical seasons. Each is constructed in a similar manner. The fabric for each is silk damask with thistle patterning and a plain fabric lining. Each has two embroidered crests consisting of a grey Maltese cross ringed by a gold and green floral wreath and topped with a queen's crown. the mid point of each has a gold embroidered Maltese cross. .1) Purple damask with yellow lining. .2) White damask with a white lining. .3)Green damask with a yellow lining. .4) Red damask with a yellow lining..1), .3) and .4) - Inside middle - Supplier's name on a white tag with yellow lettering: 'Church Stores, Sydney, Brisbane'.army chaplains, personal equipment, major thomas b williams

Non ministrari sed ministrare translates to "not to be served but to serve"Navy blue unlined damask curtain with 37 brass curtain rings on light blue silk binding. The curtain has a appliqued Presbyterian symbol of a cross, burning bush and text in damask, silk and metal cord."non ministrari sed ministrare"

This item is one of many 19th century items donated to Flagstaff Hill Maritime Village by the Giles Family, and known as the “Giles Family Collection”. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook and worked as a student teacher at Mailor’s Flat Secondary School. The Giles family lived at The Maam, Wangoom in the late 19th century, before moving to New South Wales in 1895, where Henry built bridges. Henry died in 1933 and Mary Jane died seven years later. Flagstaff Hill holds a number of objects associated with the Giles family, which were donated by Flagstaff Hill volunteers Vera and Aurelin Giles (Henry and Mary Jane’s daughter and granddaughter respectively). These are predominantly located in the Lighthouse Keeper’s Cottage and include: Living room • Cloths (made by Vera Giles) • Portraits of Mary and Henry Giles • 1 x dresser • Covers on dresser • 1 x bellows Baby’s room • 1 x blessing (in the baby’s room) • 1 x picture of boy and girl • 1 x rocking chair • 1 x cushion (made by V Giles) • 1 x chest (belonging to Mary Jane Giles’s mother, Jane Fleming who migrated to Australia from Ireland in 1843) • 1 x chest cover • Bed materials Bedroom • 1 x knitted bedspread and cushion cover (knitted by V Giles) • Pillow shams and covers (Mrs Catherine King) • Pillow cases (Mary Giles) • 1 x wash stand (Mary Giles) • Towels (lace knitted by Aurelin Giles) • 1 x washstand cover • 1 x white ceramic dog • Shaving items • 1 x dressing table mirror • 1 x dressing table cover (made by Aurelin Giles) • 1 x framed motto • 2 x texts • 1 x settee (sofa) • 1x wardrobe (Vera Giles donated the wardrobe in the Lighthouse Keeper’s Cottage to Flagstaff Hill. According to Aurelin Giles, it was originally owned by William Swinton junior and was later given to a friend of the Giles family.) Kitchen • Settee covers (made by V Giles) • 1 x sideboard • 1 x butter churner • 2 x pictures • 1 x white cheese dome • 1 x wash-up tray • 2 x jugs • 1 x vegetable bowl and dish • 1 x willow pattern dinner set • Glass butter and jam dishes. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Guest towel, set of 3 white damask guest towels.(Giles Collection) flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles family, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat,, wangoom, 19th century linen, 19th century handcraft, guest towel

Donor, Joe Hermann was a blacksmith, painter, signwriter ,married Elsie Winchester. Hand woven table napkin. White. Damask print. Linen. Print is floral.J Cartledge 18napkin manchester table-linen handcrafts weaving

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Traditional flock wallpaper. 1970s reproduction of 17th or 18th Century design. Damask pattern.Verso: "67547 D3 p [in blue]decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.A large round hand-sewn linen doily with damask centre and lacework border. White linen. handcrafts doily linen lacework

UnknownLadies samples coverlet. Machine stitched. Backed with a patchwork of mattress damask offcuts in a simple slat design.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history

Mrs Florence Holbrook Giles, mother in law of Gwen Giles, obtained the fabrics for her quilts from her sons' upholstery business in Chelsea, Victoria.Square floral linen and cotton quilt with damask centre lined with raw cotton and filled with kapok. Ruffled edge.quilting history, running stitch group, running stitch collection, giles, mrs florence holbrook giles, mrs gwen, quilting - history

From the Betty Jones collection. Doily would have been used during the 1900's as a decorative itemSmall round white hand-crocheted doily with white damask centre. Crochet is attached to centre with feather stitchdomestic items, ornaments / decorative

Three White, damask sideboard cloths with fringed edges along the front and two ends of the cloth. The back edge is hemmed.table linen., household textiles.

White patterned damask apron with bib and pocket trimmed in hand made crochet . Buttoned at back with loop for extension. Bib has no straps.costume, female working

Turner Collection.Part of a collection of clothing donated by Monica Smith (nee Turner). Monica was related to the Hartnell family who were early residents of Kilmore and business owners.Brown silk damask, full length skirt, long sleeves, wide collar/hood. Fragile silk, some lateral tears and shattering, staining.kilmore, turner, smith

Part of the "Wagga" collection. Made by Gwen Giles c.1930 and given by her to Running Stitch. Her husband was an upholsterer and and one of the sources of her cloth.Patchwork quilt of pastel coloured damask squares with dark grey central satin square edged in black. Contains felting fabric. Back is covered in upholstery fabric. Mrs Giles husband, an upholsterer, was one source for her fabrics.quilting history, running stitch group, running stitch collection, giles, mrs gwen, quilting - history

Turner Collection. Wedding dress of Margaret Jane Morrissey who married James Cahill 31 May 1868 at St. Patricks Church, Kilmore KHS holds original Marriage Certificate. Both early Kilmore families.Brown silk damask dress with cotton lining. Front button fastening. Jacquard striped, bustle back. Tearing at armhole, breakage at hem, frayed binding, frayed black braid trim detached in places, staining on collar, accretion on back, pest webbing. Very fragile.wedding, morrissey, cahill

2 White, rectangular, damask linen hand towel with hand embroidered cross stitch borders at both short ends; red cross stitch pattern along one end and an unfinished red cross stitch pattern on the other. Cotton fringe on both ends to complete the hand towel.towels, hand towels

Worn by donor at son's wedding.|Jacquard, a complex and intricate weaving process on a power loom invented bt Joseph Jacquard in 1801. It refers to fabrics or textiles woven by this process of punch cards, using damask, twill, silk or plain weave,wool. The design being woven into the material.1960 Apple green dress and matching coat. There is a silver thread through the weave of the material (Jacquard Design - see History). Dress also trimmed with silver braid. Stand up collar. Back zip and self covered buttons.|Matching coat has round neck - two sets of three self covered buttons and loops.costume, female

Dress worn by Mary (Molly) Sprunt on marriage to John (Jack) Leith on 12 March 1938 at St Andrews Presbyterian Church, Rushworth. Veil was handmade by mother Madge Brydon in 1912 for her wedding. Dress and veil donated by Molly's daughter. Dress also worn by sister - Lyndsay (Lyn) Sprunt for her marriage to George Hendrie on 10 November 1945 at St John's Church Elsternwick. Gown made by Molly and Lyn's aunt Edith Brydon. Veil (NA3495) worn was made by mother Madge Brydon. Donated by Molly's daughter.Cream damask 1938 satin dress. Long sleeves, cross over neckline to a diamond front panel. Skirt cut on the cross, with front pleat. Back skirt has long train. Self-covered buttons at centre back.|See also NA3495 - Veil. Also worn for 1945 wedding with veil. NA3496 - Shawl.costume, female ceremonial