Rev. Gray Birch was ordained in 1966 and served in Midland, Kwinana, Karratha, AIM, AIM National Mission/Frotntier Services, Commission for National Mission, Frontier Services. Lockhart and Lyneham.B&W head and shoulders photograph of Rev. Gray Birch, Secretary Frontier Services."Rev Gray Birch - Sec Frontier Services"birch, gray, rev.

ICI Deer Park was one of the most important industrial sites in Victoria, the birthplace of Australia’s commercial explosives industry and later a major chemicals, plastics, and fertiliser hub. The factory operated from 1875 until the early 2000s and shaped the entire civic, employment, and suburban landscape of Deer Park, Sunshine, St Albans, and the western suburbs. Darcy Worcester, an ICI employee was a keen photographer. He took many photographs around Melbourne when he was working for ICI during 1955 and 1956. These photographs provide a rare glimpse of the ICI Factory, Deer Park and other locations in Melbourne and Victoria during the mid 1950's5893.01 - Darcy Worcester Photograph Collection - ICI Factory Station Road Entrance Deer Park.jpg 5893.02 - Darcy Worcester Photograph Collection - ICI Factory Deer Park Looking Towards Mess Room.jpg 5893.03 - Darcy Worcester Photograph Collection - ICI Factory Deer Park West Side.jpg 5893.04 - Darcy Worcester Photograph Collection - ICI Factory Deer Park West Side.jpg 5893.05 - Darcy Worcester Photograph Collection - ICI Factory Deer Park West Side.jpg 5893.06 - Darcy Worcester Photograph Collection - ICI Factory Deer Park East Side.jpg 5893.07 - Darcy Worcester Photograph Collection - ICI Oil Store And Cooling Tower From South East.jpg 5893.08 - Darcy Worcester Photograph Collection - ICI Calander Section.jpg 5893.09 - Darcy Worcester Photograph Collection - ICI Factory Witton Street From John McLeod Reserve.jpg 5893.10 - Darcy Worcester Photograph Collection - ICI Factory Picnic Races Maddingley Park Bacchus Marsh.jpg 5893.11 - Darcy Worcester Photograph Collection - ICI Housing Estate Deer Park.jpg 5893.12 - Darcy Worcester Photograph Collection - View Towards ICI Housing Estate Deer Park.jpg 5893.13 - Darcy Worcester Photograph Collection - Deer Park Kindergarten Millbank Drive Cnr Station Road.jpg This kindergarten was built by voluntary labour. 5893.14 - Darcy Worcester Photograph Collection - ICI Recreation Club Entrance Ballarat Road.jpg 5893.15 - Darcy Worcester Photograph Collection - ICI Recreation Club Rear Ballarat Road.jpg 5893.16 - Darcy Worcester Photograph Collection - Exhibition Gardens Melbourne.jpg 5893.17 - Darcy Worcester Photograph Collection - Exhibition Building Melbourne.jpg 5893.18 - Darcy Worcester Photograph Collection - Entrance To Government House Melbourne.jpg 5893.19 - Darcy Worcester Photograph Collection - Approach To Shrine Of Remembrance Melbourne.jpg 5893.20 - Darcy Worcester Photograph Collection - Shrine Of Remembrance Melbourne.jpg 5893.21 - Darcy Worcester Photograph Collection - View From Top Shrine Of Remembrance Melbourne Government House Side.jpg 5893.22 - Darcy Worcester Photograph Collection - View From Top Shrine Of Remembrance Melbourne Looking North West.jpg 5893.23 - Darcy Worcester Photograph Collection - View From Top Shrine Of Remembrance Melbourne Looking South.jpg 5893.24 - Darcy Worcester Photograph Collection - View From Top Shrine Of Remembrance Melbourne Looking West.jpg 5893.25 - Darcy Worcester Photograph Collection - View From Top Shrine Of Remembrance Melbourne Looking North.jpg 5893.26 - Darcy Worcester Photograph Collection - Flinders Street Station Flinders Street Cnr Swanston Street Melbourne.jpg 5893.27 - Darcy Worcester Photograph Collection - Old House In Melbourne East.jpg 5893.28 - Darcy Worcester Photograph Collection - Pt. Londsale.jpg 5893.29 - Darcy Worcester Photograph Collection - Unlabelled.jpg 5893.30 - Darcy Worcester Photograph Collection - Botanical Gardens Melbourne.jpg 5893.31 - Darcy Worcester Photograph Collection - Derrimut Farm.jpg 5893.32 - Darcy Worcester Photograph Collection - Derrimut Farm.jpg 5893.33 - Darcy Worcester Photograph Collection - Derrimut Farm.jpg 5893.34 - Darcy Worcester Photograph Collection - Mt. Macedon Cross.jpg 5893.35 - Darcy Worcester Photograph Collection - Unlabelled.jpg 5893.36 - Darcy Worcester Photograph Collection - Unlabelled.jpgici, deer park kindergarten, ici recreation club, exhibition gardens, exhibition building, government house, shrine of remembrance, flinders street station, mt. derrimut farm, mt. macedon cross, station road, ballarat road, millbank road, deer park, melbourne, mt. macedon, mt. derriut, derrimut

The Sunshine Choral Society was founded in the early 1900s. James "Jim" Burns Gray was one of the Society's founding membersLet That Blessing Be Restore To The C..... Andante Quasi recit J. E. Gray Sunshinesunshine city band

Aged 18 years 10 months on the day she was named Miss Lakes EntranceBlack and white photograph of Margaret Mary Darcy . She is shown in dark frock and short sleeved cardigan seated at a cafe table holding a milksahake, Lakes Entrance Victoriagenealogy, celebration

Digital image (tif) of original photograph of four men at ship's rail, with Capt Harry Gray of the Weeroona at left, in uniform. Refer 2180 for the original photo'Alf's Uncle Harry Gray Captain of Weeroona on left'transport - shipping, captain george henry (harry) gray, ps weeroona, paddle steamers

Family history by Kay Walker, great grand-daughter of George and Jane Gray. The Gray family were the owners of the 'Cleir Hills' nursery in Cottlesbridge.George Gray's parents lived in Greensborough in the 1850s. His father Owen was a local storekeeper.Spiral bound folder with clear cover. Approx 40 photocopied pages of Gray family history.gray family, george gray, cleir hills, cottlesbridge

John Gray was "actively associated with all movements for the benefit of neighbours and fellow citizens". [Quote from the official tribute on his death in 1909.] He was very active in the Surrey Hills Progress Association in the early 1900's. The rotunda built in the Surrey Gardens by the Progress Association in 1912 was dedicated to him. John Gray was born in 1861 in Eldorado. He died on 7 December 1909 in Surrey Hills and is buried in Box Hill Cemetery (M0472). He married Emma Beckett in 1888 at 'Guildford Villa' in Essex Road, the Beckett home. They are listed in both the 1903 and 1906 electoral rolls in Arundel Crescent; his occupation is given as bootmaker. The Alan Holt property register identifies this as 24 Arundel Crescent, known as 'Tumberumba'. John and Emma had a large family: (Gunner) John Robert Gray (1888, Surrey Hills - 21 June 1917, France) Benjamin Walter Gray (1890, Surrey Hills - 1949, Heidelberg) Herbert Harry Gray (1892, Surrey Hills - 1959, Queensland) William Beckett Gray (1897, Surrey Hills - 1899, Surrey Hills) Norman Douglas Gray (1901, Surrey Hills - 1947, Sydney) Evelyn Lizzie Gray (1906, Surrey Hills - 1983) Evelyn married Reginald Roberts and was the donor of this photo. Black and white portrait photo of John Gray shows a well-dressed, bearded gentleman with a receeding hairline.surrey hills progress association, surrey gardens, surrey gardens rotunda, john gray, john gray memorial rotunda, arundel crescent, box hill cemetery

This framed print of the famous clipper ship “Schomberg” is associated with Flagstaff Hill’s collection of artefacts from the wreck of the “Schomberg”. The original was painted in 1992 by maritime artist Philip J. Gray. This limited edition print is number 9/1000. ABOUTH THE SUBJECT – “Schomberg” The Schomberg was a luxury ship built in 1855 to bring immigrants from the UK to Australia in superior comfort. The voyage could take three months or longer but Captain ‘Bully’ Forbes thought that he could sail the Schomberg from Liverpool to Melbourne in a record time of 60 days. On October 6th 1855 the Schomberg left Liverpool on its maiden voyage. She carried 430 passengers plus 3000 tons cargo including rail lines for Geelong and iron for a bridge in Melbourne. After 78 days at sea, on December 27th, Schomberg ran aground near Peterborough, Victoria. All on board were rescued the next day by the passing steamer SS Queen. Gray is well known for his depiction of maritime history. His meticulous attention to detail shows the enormity of the immigrant clipper with its huge billowing sails compared to the tiny figures at work on the deck. The busy crew can be seen attending to the rigging, as can a group of sailors working on the bow under supervision. He identifies the company logo of the Black Ball Ship Line by the flapping white flag with its black circle. Divers from Flagstaff Hill including Peter Ronald (former director) salvaged artefacts and personal effects from the wreck, to be preserved and displayed. Amongst these is the famous Schomberg Diamond ring. ABOUT THE ARTIST – Philip James Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [ref. Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. [ref. Sunbury Leader, Nov 15 2013] Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. The subject of the sailing ship “Schomberg” is significant for is connection with the 1800s vessel “Schomberg” and the historic role the ship, and other similar ships, played to transport migrants and goods into Australia. The print is significant as it is a limited edition of an Australian maritime artist. Print in gilt timber frame. "The Colonial Clipper Schomberg" by Australian maritime artist Philip J Gray, 1992. Signed and numbered, Limited Edition print 9/1000. Depicts clipper ship “Schomberg”, in full sail at sea with land in background. Backing of frame has illegible adhesive label and pencilled text. Stamp In pencil “FLAGSTAFF HILL” and “FLAGSTAFF C”. Illegible text on adhesive label. Signature [Philip J Gray] Stamped as a limited edition of SCHOMBERG Handwritten edition "9/1000"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, sailing ships, schomberg, clipper ship, colonial clipper, limited edition print, 9/1000, philip j gray, marine artist

Gray-Y Boys Gymnastics club. See KVHS 1557; "Below Bogong - A History of Mount Beauty" compiled by Di Edmondson Chapter 9, Page 298 and "The Story of Kiewa" by Alex McCullough.Early sporting and fitness club for Mt Beauty for boys and men. See KVHS 1557. This activity is of historic and social significance and can be compared with activities of today especially as Mt Beauty was built as a construction town for the Kiewa Hydro Electric Scheme and is now a small town with the added influence of tourism.This is a suite of photos pertaining to all facets of the Gray-Y programgray-y club, gymnastics club, mt beauty

christopher gray, chippo, dalai lama, artist, artwork, gippsland campus, churchill

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Henry Gray, Mayor of Kew 1885-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Henry Gray, Mayor [of Kew] 1885-6mayors of kew (vic), cr. henry gray, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Bandsman William Gray A. I. F. 1914 –1918 The Gray Family respected residents of StawellPortrait photograph of a World War 1 soldier in uniform on an oval shaped image on a post card.No 1301 Bandsman Wm. Gray, B. Company A.I.F. 39th Battalion 10th Infantry Brigade. On Active Service Abroad Grammond Gordon Studios, Stawell.stawell ww1

Nellie Gray, born in Ballarat in 1885, was a daughter of Thomas Gray and Ellen Gray, nee Hodge. She was a granddaughter of Linton miner William Hodge. Nellie was noted for her singing voice, and sang at concerts around Australia, and overseas. Nellie was involved in Linton events and activities throughout her life (her grandparents William and Mary Hodge lived at Linton until their deaths in 1905 – see Hodge family file.) She often sang at church services and other events at Linton, e.g. she sang at the Old Lintonians' Association 2nd reunion in November 1914 - an evening entertainment at the Parish Hall. After WW2 Nellie retired to live at LInton. She died in Ballarat in 1976. Black and white photograph of a young woman wearing long gown, standing with hands holding paper on a lectern."Nellie B Gray 1908, presented by her niece Mrs M M Thomson".nellie beatrice gray

Black and white photographWritten on back of photograph: "Mr. W. Gray, MLA and Mrs. Gray".

Coloured photo of L - R - Beryl Gray, Gracelyn Rajakulenthiran, Norma Jamieson, Bill Gray.gray, beryl, bill, rajakulenthiran, gracelyn, jamieson, norma

Johnny Gray was born in England and came to Australia in 1959, and grew up in Broadmeadows, Pascoe Vale, and educated at Broadmeadows Tech. In 1970 he began professional wrestling, competing in countries around the world. Retiring from wrestling he became a health and fitness consultant. His Christian pilgrimage began with the Leighton Ford crusade and at the time of the interview he was an elder at Moonee Vale UC.One photo is of Gray wearing his wrestling costume and the other is of his head looking sideways.C&N identification on both.gray, johnny, professional wrestler, moonee vale uc

ABOUT THE ARTIST – Philip James Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [ref. Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. [ref. Sunbury Leader, Nov 15 2013] Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. [other references: Sunbury Art Society Inc. Oct-Nov 2012] HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Print of the sailing ship Loch Ard by artist Philip J. Gray, 1993. Depicts the Loch Ard in full sail at sea, figures on deck. Limited Edition number 54/925. Print is adhered to a piece of chipboard and is stamped by the framer, Ian's Picture Framing of Warrnambool.Signature of "Philip J. Gray" , "54/925" Stamped on back "IAN'S PICTURE FRAMING, 48 KEPLER STREET, WARRNAMBOOL 3280, PH: (055) 628 022, FAX: (055) 628 145"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, print, philip j. gray

Talk given to Hrorsham District Historical Society by A.J.H Gray of "Swinton" Glenorchy on 15 March 1967. Blue Card Cover with dark blue binding tape. Black hand written titleall Underlined: Glenorchy Origin and Growth By A.J.H. Gray of Swinton March 1967.stawell

Scrapbook of newspaper clippings of various events and stories on Port Phillip Bay steamers and shipping events in general 1888 to 1976. Kept by Captain George Harry Gray who was skipper on the Bay steamers Hygeia & Weeroona.Signed by other bay steamer skippers? Or crew members of Gray's ship?transport - shipping, captain george henry (harry) gray, ps hygeia, ps weeroona

Set of two Colour prints of Jim Dowell, Dean Filgate and Keith Kings standing in front of W2 427 at Bylands - TMSV - on 24/11/1985. Photo by Richard Gray of Wellington.On rear in ink "Bylands, 24/11/85, Richard Gray (Wellington) Photo" on both prints.trams, tramways, bylands, tmsv, w2 class, tram 427

This was erected in 1912 by the Surrey Hills Progress Association to commemorate "one of Surrey Hills most highly respected and revered citizens". The rotunda was demolished in the 1970s. A bronze plaque in tribute to John Gray is now on a stone cairn in the gardens. John Gray was a local citizen very active in community affairs who had died in 1909. The Brass Band rehearsed in the room below which also became a meeting room for many local groups.B&W photocopied image of the John Gray Memorial Rotunda in the Surrey Gardens. The octagonal rotunda has a distinctive domed cupola and is elevated on an enclosed timber base graduated to the slope of the site. A door and 2 windows can be seen in the exposed faces of the base. A group of 4 boys sit on or stand behind the timber railing.surrey gardens, john gray memorial rotunda, rotundas, parks and reserves, gray, john, surrey hills progress association

Reproducation of a image of Charles Gray. portrait, charles gray

This instrument is used for judging flower size. It was made by Harold Gray, the curator of the Sunshne Gardens and was used by him for judging shows, exhibitions etc.Four circular gauges made from plastic sheet material (celluloid) for judging flower sizes (primarily chrysanthemums and dahlias). Made by Harold Charles Gray for judging shows, exhibitions etc.See item for measurement marks

Death notice of William 'Bill' Gray.gray, bill

Soldier Killed First World WarB/W Photograph Oval Framed Image of Harold Grey S/N 6205Harold Elroy Gray 6205ww1