An Hawaiian music and dance ensemble who toured Australia at different periods 1911 - 1930Paper program for an entertainment from Hawaii the Land of Flowers and Song performed at the Athenaeum Theatre commencing Boxing Day December 26 1924; coloured cover - yellow; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, music theatre, a night in honolulu, frank talbot, carroll, kaai's hawaiian troubadours

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

"Sure as Night Follows Day" by Jan Irvine-Nealie, 1995.masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001)

Scan of a ticket for Gem Pictures Empire Day Grand Picture Night.theatre, film, entertainment, gem, rash, gem pictures, ticket, empire day, r. wall, h.j. christian

A man uses a white cane crossing a street at night in Newcastle. His cane reflects the photographer's flash and is illuminated against the dark night.Black and white photograph of a man using a white cane at nightOrientation and mobility at night - Newcastle Please return to RBSwhite cane day, royal blind society of new south wales

Dugout Night is an annual event where Legatees gather and enjoy the company of fellow Legatees ("comradeship"), usually in April, close to Anzac Day. A dugout in wartime provides protection for soldiers from small arms fire, artillery bombardment and attack from the air. The sign could have been made to publicise Dugout night or most likely as a caption for photographs of the event displayed at Legacy House.Legatees supported each other by coming together for various events throughout the year. Dugout night was an annual gathering where Legatees could socialise together.White A4 poster for Dugout night.In black ink, 'Dugout Night / April 16th / Until the battery ran out ..........' Reverse side written in pencil 16/4/2008, (presumably the date of the event).comradeship, legatee event, dugout

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Tales of Day and Night Author: Guy de Maupassant Translated by Marjorie Laurie Publisher: T Werner Laurie Ltd Date: 1951Label on spine cover with typed text PAT 843.8 MAU Pastedown front endpaper has sticker from Warrnambool Children’s Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, tales of day and night, guy de maupassant, marjorie laurie

Rare old photograph of a stormy night on Griffith IslandRare photograph of a stormy night on Griffith Island taken with a standing cameraBlack and white photograph of a stormy night on Griffith IslandRocks on Griffith Island Port Fairy A Stormy night R.Scott photobeach, sea, seascape

Note by T.H. Kneen 8 April 1992, "Included in photo: Chief Veterinary Officer of D of A Mr. Talbot seated with walking stick. Second from his left Bill Macauley, Curator Egg-Laying Competition. On his right T.H.K. and kneeling third from right Bill Stanhope Poultry Expert D of A."Black and white photograph. Large group of men, women and children outside the Administration Building. N.U.P.B.A. Field Day (National Union of Poultry Breeders). Also see B91.430.On reverse, "Poultry Field Day 1954 27.2.54." and, "Fred M. Day Press & Commercial Photographer 10 Ailsa Grove Ivanhoe Phone JX 1944."administration building, poultry, chief veterinary officer, bill macauley, curator, egg-laying competition, bill stanhope, poultry expert, mr talbot, field day, main building, public day

Newspaper cutting from The Sun, 20/2/1926, glued to an A4 sheet with a cartoon from "Mr. Melbourne Day by Day", observing a lady passenger climbing aboard a W class tram, commenting about the high steps involved in boarding tramcars.trams, tramways, tramcars, cartoons, tramcar design, passengers

A colour photograph of Steavenson Falls in Marysville in Victoria, illuminated at night.A colour photograph of Steavenson Falls in Marysville in Victoria, illuminated at night. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s. This postcard was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville.NU-COLOR-VUE/ OF/ AUSTRALIA MARYSVILLE, VICTORIA. The Steavenson Falls illuminated at Night by its own hydro-electric/ power. (Ministry of Tourism and Forests/ Commission of Victoria) PLACE/ STAMP/ HERE POST CARD NCV.167 - NUCOLORVUE PRODUCTIONS PTY. LTD./ COPYRIGHT Printed in Australiamarysville, steavenson falls, victoria, postcard, nucolorvue productions, souvenir, john steavenson

A colour photograph of Steavenson Falls in Marysville in Victoria, illuminated at night.A colour photograph of Steavenson Falls in Marysville in Victoria, illuminated at night. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s. This postcard was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville.NU-COLOR-VUE/ OF/ AUSTRALIA MARYSVILLE, VICTORIA. The Steavenson Falls illuminated at Night by its own hydro-electric/ power. (Ministry of Tourism and Forests/ Commission of Victoria) PLACE/ STAMP/ HERE POST CARD NCV.167 - NUCOLORVUE PRODUCTIONS PTY. LTD./ COPYRIGHT Printed in Australiamarysville, steavenson falls, victoria, postcard, nucolorvue productions, souvenir, john steavenson

A photo of Stanley Savige on Victorian Election night in 1930 from a Comradeship committee photo album. According to Wikipedia Stan Savige unsuccessfully "ran for the Victorian Legislative Assembly Electoral district of Caulfield on the Nationalist Party of Australia ticket" in 1930. (source: Wikipedia). The photo also shows Stan's mother and his daughter Gwen, as well as Legatees Syd Birrell, Norm Smith and Herb Greenway as marked by pen notations in the border. The photo is part of a photo album of Comradeship activities (from 1930 to 1977) see items from 01027 to 01036.A record of Stan Savige standing for election in the Caulfield elections in 1930. The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Black and white photo of a group of people with Stanley Savige on election night 1930.Handwritten in blue ink: "Caulfield Election Night 1930. / Syd Birrell / Norm Smith / Stan's mother / Gwen / Stan Savige / Herb Greenway"stan savige, comradeship, savige

Winner of end of year print competitionMounted landscape including the night sky.landscape, stars, night

White soft covered book with red and black printing. Red "rising sun". Previously called A Night of a Thousand Suicides.Cowra - The Night of a Thousand Suicides cowra, japanese pow's, japanese pow excapes

Colour photograph of Flagstaff Hill at night. warrnambool, flagstaff hill, lighthouse, night

Aerial photograph of London by night. london, night, england, aerial, lights

Digital images of a night scene at Daylesford.vincent street, daylesford, night, shops, streetscape

Photograph of Marysville at night, a few years after the 'Black Saturday" bushfire.marysville, night, bushfire, black saturday

This card is an invitation to attend a Night in the Gardens in March 2016 to celebrate the 150th Anniversary of the Warrnambool Botanic Gardens. The first site of the Warrnambool Botanic Gardens was near the mouth of the Hopkins River but this site proved unsuitable and a new location ( the present location) was found in 1866 bounded by Cockman Street and Botanic Road. In 1877 William Guilfoyle was commissioned to provide a new plan for the Gardens. An important curator was Charles Scoborio ( 1872 to 1906 ) This card is of minor interest as a memento of the celebrations in 2016 to celebrate the 150th anniversary of the Warrnambool Botanic Gardens A black rectangular card with white text.Night in The Gardens warrnambool botanic gardens, charles scoborio

Digital image of drink coaster from Bundoora Hotel (also known as Winston's Night Club Bistro), 1990s.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of coaster, dark green with red logo. "Winston's Night Clun Bistro" and "Bundoora Hotel"bundoora hotel, winstons night club bistro

Colour photograph of a building in Omeo at night. 2017, great alpine road, omeo high plains, omeo, high country, streetscape, heritage, night

Colour photograph of Omeo at night.2017, great alpine road, omeo high plains, omeo, high country, streetscape, heritage, night, post office

Colour photograph of the Melbourne Arts Centre and buildings lit during White Night. A number of photographs of luminations from White Night Melbourne.melbourne, melbourne art centre, white night, spire

Advertising poster for a performing arts production by University of Ballarat 3rd year Performance Company, a dreamplay. Director Kim Durban; designer/writer Tony Kazepis; design consultant Daryll Cordell; Lighting designer Michael Jankie. It was performed at New South Theatre, Camp Street, Ballarat. There were five night performances staring at 8.00pm and one Sunday performance staring at 5.00pm from 31st May-5th June, 2003 This was an Arts Academy Visual Arts PhD Research Presentation. Bookings via MajesTix.Original Poster 2003. White writing on a black, green and brown background.kim durban, tony kazepis, daryll cordell, michael jankie, the night before the day tomorrow, arts academy university of ballarat, visual arts phd research presentation, new south theatre