Tippetts are generational potato farmers at DeanColour photograph of Tippett's farm at Dean, Victoria. dean, flood, tippett, potato, farming, agriculture

Digital ohotograph of potatoes growing in a paddock at Dean.victoria, hepburn shire, farming, agriculture, cropping, potatoes, gum tree, dean

This book was written by Gordon,V.Dean to document the history of his world war 11 experiences, from 1939 till the end of the war and his return to his hometown of Learmonth and finally back into the workforce.Detailing the experiences of our fighting men and the traumas they suffered.Paperback book,light beige in colour.Has photo of Lake Learmonth with Mount Saddleback in left background, in purple with imediately above a photo of Gordon Dean.The title is inscribed in an arch above photoand authors name is at the bottom.(the price of $12.00 is in the top right corner.)"One Day The Sun Will Shine". by Gordon Dean.gordon dean, world war 11 1939 45, wartime experiences

Dean BOWEN (1957- ) Born Maryborough, Victoria, AustraliaFramed limited edition lithograph, printed in colour from various stones.2/15artwork, artist, dean bowen, gippsland campus, lithograph

Marjorie dean's wedding dress is part of the Society's Fashion & Design collectionWedding photo of Marjorie Dean & Alg. Garlick. The bride is wearing a knee-length wedding dress and a medium length veil.Handwritten text: "February 1928. Wedding photo of Marjorie Dean and All. Garlick. Gift together with Marjorie's wedding dress, to Kew Historical Soc from their daughter Val Neilson **** on 5/8/98.wedding photographs, bridal fashion - 1920s, marjorie dean

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2 Dean Avenue, Hawthorn by Margaret Picken.2 Dean Street, Hawthorn, Margaret Picken.artist - margaret picken 1950-

I have been interested in urban design and landscape since a child. My early fascination with maps corresponded to early mark making inspired by maps, topography, legends and aerial depictions. This developed into the use of a bold colour palette often used by map makers to delineate sections, contours and geology. Over time I experimented with a range of techniques and enjoy pushing expected techniques and materials to their limits. Often referred to as having a natural aesthetic, my works use various media, most often paint, textiles and photography. Lisa J. GERVASONI Born Melbourne, Victoria Graduating from Royal Melbourne Institute of Technology where she received a Bachelor of Applied Science-Planning, and the University of Melbourne with a Master of Environmental Studies Lisa Gervasoni's artwork reflects her passion for the landscape and built form. Lisa Gervasoni specialises in photography, embroidery and acrylic paintings on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces. Dedicated to ensuring Lisa Gervasoni has used photography to document urban areas, heritage sites and natural resources of Australia.She has provided over 70,000 images to the National Library of Australia Trove database via the Flickr portal. In 2004 Lisa Gervasoni won the Daylesford Small Art Prize for an embroidered depiction of the Savoia Hotel, and in 2022 she was shortlisted in the Harden Landscape prize. Her art mediums are photography, embroidery and acrylic on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces. A depiction of the Dean Store in stitchery. lisa gervasoni, dean, dean store, stichery, textiles, embroidery

Colour photographs of Canola near Dean, Victoria.dean, canola, horticulture, farmland, volcano

Dean BOWEN (1957 -) Born Maryborough, Victoria Dean Bowen's work combines humour and gentle irony with technical proficiency to explore the world around him. 'The car park epitomises qualities found in the best of his post 1990 work. Born out of the daily grind of stop-start commuting by car along Melbourne's Punt Road to and from his former workplace, the feeling of this large work (just over two metres long) is of duality. On the one hand there is the crowded chaos of a relentless number of cars choking the roads; on the other, order is imposed in his aerial view of cars 'parked' around intersecting roads as well as the actual charting of roads and interstitial spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming tracks from above. And as seen in the famous 'X ray' paintings of Arnhem Land, his cars and buildings are cross-sectioned to reveal the objects (usually humans) within. The impression of Aboriginally is further given by his use of earthy browns and by the outlining of shapes (cars, roads, trees).' (Susan McCulloch) This work was selected by the Art Acquisitions Committee (1995) to be placed in the 1870 Founders Hall at Mt Helen Campus. The Federation University Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A multiprint etching depicting a carpark that won the 1994 Fremantle Print Award;Edition 12/20art, artwork, dean bowen, bowen, etching, multi-plate etching, printmaking, printmaking etching, carpark

Photographs of the loading, transport and off loading of ex MMTB/Metropolitan Transit scrubber tram No. 8W (8) from Preston Workshops to Ballarat on 10/9/1999. All on Kodak Royal paper. Most feature a number of people in the photograph. 1. Loading tram at Preston 2. ditto 3. ditto 4. tram loaded 5. Ready to leave Preston with articulated tram No. 2121 alongside. 6. ditto 7. Arrived in Wendouree Parade, rainy day. 8. ditto at Windmill Drive North - L.Arthur truck 9. Moving to off loading position at Old loop, with tower truck in background 10. Barry James crane about to lift. 11. Lifted off truck 12. About to be lowered onto the ground 13. ditto 14. On the track 15. Crane being packed up. 16. Waiting to be towed. 17. W3 661 being coupled up. 18. ditto 19. Group photo - from left to right - Paul Mong, Mark McKay, Alastair Reither, Stephen Butler, Carolyn Dean, John Phillips, Simon Jenkins, Warren Doubleday and Alan Snowball. 20. Being towed into the depot 21. Crossing Wendouree Parade 22. Being pushed by 671 into 7 Road. Note image 19A used by Museums Australia in a display - collections and people, 9/2001 - display boards. - similar image to 19, photo by Carolyn Dean on Warren Doubleday's camera. Added 2/2002. See item 9623 for other two photographs.Yields information about the BTM Acquisition of the scrubber tram No. 8Set of 22 colour photographs taken by Carolyn Dean. All have "10.9.99" and "Photo by Carolyn Dean" on rear.scrubber tram, delivery of tramcars, unloading, btm, tram 8, tram 8w

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1 Dean Street, Kew by Margaret Picken.1 DEAN ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 dean street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 13 Dean Street, Kew by Margaret Picken.13 DEAN ST., KEW / MARGARET PICKEN ~99 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 13 dean street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 15 Dean Street, Kew by Margaret Picken.15 DEAN ST., KEW / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 15 dean street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5 Dean Street, Kew by Margaret Picken.5 DEAN ST., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 dean street -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 12 Dean Avenue, Hawthorn by Margaret Picken.2 Dean Ave, Haw E, Margaret Picken '98. Woodards - C'well.artist - margaret picken 1950-

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/2 Dean Street, Kew by Margaret Picken.1/2 DEAN ST., KEW / MARGARET PICKEN ~99 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/2 dean street -- kew (vic.)

The President in 1984 was John Dean. The document is dated 10 March 1985 as the presidential year ran from March to the following February. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1980s.White foolscap paper x 1 page with black type of the President's comments in 1984.Signed in black pen 'John Crieghton Dean'.presidents, john dean

Colour digital photograph of snow covering the paddocks around Newlyn and Dean. farm, farming, agriculture, horticulture, potatoes, paddock, snow, weather, climate, winter, dean, newlyn

Invented and made by William B. DeanCast iron and glass lemon squeezer, with gold design on iron.Dean'sjuicers

A cutting from from a Melbourne Legacy President's report showing a photo of Legatee John Creighton Dean (President of Melbourne Legacy in 1984). It was collected to be a record of a photo of past presidents. In World War 2 John served with Australian Electrical and Mechanical Engineers, 2nd AIF in New Guinea and Borneo. He remained in the Australian regular Army after the war retiring in the rank of Brigadier in 1975. He joined Melbourne Legacy in 1975. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee John Dean a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.An article with a black and white photo of Legatee J C Dean - President 1984.past presidents, john dean

Photograph of a bride and two bridesmaids. The bride is Laurie Dean who was married in Mildura in August 1934. The crushed velvet, wedding gown that she wears in the photo is also part of the collection.Crushed velvet wedding gown worn by Laurie Dean, nee Jenkins at her wedding in Mildura, August 1934. Donate day her daughter Mary Deane.laurie dean, wedding photographs

"FRANCIS WILLIAM (Dinky) DEAN BEM". Refer to Cat no 124.2 For Service History.Document, white paper with blue and black print, biographical information of "FRANCIS WILLIAM (Dinky) DEAN BEM". Documents, service history, awards, medals and commendations. This framed document is used for display purposes along with a framed photographic collection. Frame, black plastic frame, with glass front and MDF board back.framed accessories, documents, biography, francis william (dinky) dean bem

Yields information about the activities undertaken on the BTM to celebrate a persons birthday - Simon Jenkins.Series of two colour photographic prints by Carolyn Dean / John Phillips of the celebration of Simon Jenkins Birthday on 21/10/1995. .1 - Simon standing in front of 661, with a suitable destination - photo C. Dean. .2 - At gardens Loop - Len Millar, Darren Hutchesson, Alastair Reither, Paul Mong, Travis Jeffrey, Carolyn Dean, Simon Jenkins, Richard Gilbert, Greg Rodgers, Clayton Giles, Monica Campbell. - photo J. Phillips Printed on Fujicolor paper.On the rear in ink "21.10.95 C. Dean or J. Phillips"btm, depot, celebrations, tram 28

Set of four colour photographs of overhead /bracket arm pole work in conjunction with Powercor on 16.08.2005 in Wendouree Parade. Taken by Carolyn Dean.On rear of all photos "16.8.05" and "Photo by Carolyn Dean" in ink.wendouree parade, overhead, bracket arms

Digital photograph showing potatoes groing in the red dirt at Dean.agriculture, soil, farming, horticulture, potato, hepburn, dean

Yields information about the preparations for the move of tram body 121 to Newstead and the people involved.Colour print of BTM members removing the roof of tram 121 at Bungaree, 29/10/1994. In the photograph are Len Millar, Garry Wood and John Phillips. Photograph by Carolyn Dean, on Kodak paper. See March 1995 Fares Please!On rear in ink "29.10.94 / C. Dean".btm, bungaree, tramcar bodies, tramcar preservation, tram 121

Set of 13 colour prints or photographs taken on the day of the Ballarat Tramway Museums 30th anniversary dinner, celebrations on 22/9/2001 by Carolyn Dean, or others as noted on the back of the photograph. All on Kodak paper. 1959.1 - Depot scene in the afternoon with signs being transferred from tram 45 to tram 18 by Alastair Reither and Dave Macartney, watched by Gavin Young. (image used in Jan. 2002 Fares Please!) .2 - Bruce Worthington, Peter Winspur, Stephen Butler, Greg Rodgers and Carolyn Dean - Photo John Phillips .3 - Craig Stephenson, Richard Gilbert and Warren Banfield .4 - John Phillips, Allison Tooke and Craig Tooke .5 - Bruce Worthington and Bob Merchant .6 - Stephen Butler - organiser speaking .7 - Stephen Butler and Peter Winspur .8 - Stephen Butler and Carolyn Dean - photo Craig Tooke .9 - Richard Gilbert, Stephen Butler, Gavin Young and Carolyn Dean - photo Craig Tooke .10 - Stephen Butler, Bill Kingsley, Gavin Young, Carolyn Dean, Austin Brehaut and Peter Winspur - photo Craig Tooke .11 - Richard Gilbert .12 - Holding their 30 year plaques - Austin Brehaut, Gavin Young, Richard Gilbert, Carolyn Dean, Bill Kingsley, Peter Winspur and Warren Doubleday - photo John Phillips .13 - ditto On rear of photograph in black ink "22.9.01" "Photo by Carolyn Dean" - except forbtm, dinner, 30th anniversary, lake lodge, tram 18, tram 40, tram 45, tram 33

Set of two photographs during April 2004, of the tram track pavement reconstruction in Wendouree Parade - Photo taken at the old Crossing Loop. Photo by Carolyn Dean.On rear of each photo in ink, "04-04", "Photo by Carolyn Dean"road works, wendouree parade

Set of four colour photographs of the trams in the depot building, taken by Carolyn Dean, 6/8/2006. .1 - 661 and 27 on 2 and 3 roads .2 - 14 on 4 road, on jacks .3 - 40 on 4 road, pending lining .4 - dittoOn rear of all photos "6.08.06" and " Photo Carolyn Dean"btm, depot, restoration, tram 661, tram 27, tram 14, tram 40