Bottle/decanter stopper with cork being attached to brass topp carved with animal head on face of metal. Metal bottom on bottom of cork.bottle decanter stopper

History of the Loch Ard: The Loch Ard got it’s name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic.The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Glass decanter stopper; hand blown. The bulbous glass head has floral motif, neck is six-sided, base has textured surface. The stopper was, recovered from the wreck of the Loch Ard. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, decanter stopper, stopper, hand blown, bottle stopper

Cut glass decanter with stopperdomestic items, crockery

Used for port on dining in nightsCrystal decanter - crystal stopper with plastic insert - silver neck no inscription. Diameter 1405/6 rvr

Probably belonged to the Locke familyClear glass tableware. Two tapered conical decanters with stoppers. One clear glass jar with a stopper - a lid with a molded knob.glassware containers decanters jar tableware

Glass pickle and vinegar decanter with glass stopper in a silver cradle. Two items. decanters

Crystal decanter, with EPNS (?) top. Stopper missing. 20TH LIGHT HORSE REGIMENT (Victorian Mounted Rifles) Presented by LIEUT. A. CLARK October 1937decanter, mess property, decanter, mess property

3 Glass Cordial Decanters with Stoppers embossed with pattern of lemons & leaves of of star pattern on base Other glassware belonging to this set are: 11800 (this one) 11801 11802glass technology, glassware

Three Glass Cordial Decanters with stoppers embossed with pattern of Lemons & Leaves of star pattern on base Other glassware belonging to this set are: 11800 11801 (this one) 11802glass technology, glassware, carafe

3 Glass Cordial Decanters with stoppers embossed with pattern of Lemons & Leaves of star pattern on base Other glassware belonging to this set are: 11800 11801 11802 (this one)glass technology, glassware

This "art deco" style of containers were very popular by the "art and trendy" socialites, be they in the city or in rural towns and properties. This style was very popular in the 1940's to 1950's. The octagonal shape provided the stability of the decanter with its "expensive" contents. Because of its style it blended in well with any lavish meal and socio economic "upper" class environment. It was a part of social atmosphere of elegance and wealth be it in the city or on a rural property. This is very significant to the Kiewa Valley rural "society" environment. At the time of its use the wealth of Australia was "riding on the sheep's back", that is rural income(primary producers), on the whole, was well above that in the cities (industrial). It was in a period where large wealthy property owners could spend lavishly on trendy domestic items.This octagonal glass decanter with its egg shaped stopper is made in an "art deco" style and reflects the 1950's style of bold design. The decanter "stopper" has been cut in a "diamond" cut to reflect the sunlight as does a diamond ring. The stopper is tapered down to permit easy placement and removal. The Stability of the decanter is increased by the broad base and octagonal (8) sides tapering going up the sides.decanter, glass, art deco glass ware, spirits container

The plain glass square-based decanter comes with a stopper. The decanter narrows slightly as it approaches the base and the upper lip of the opening curves outwards. There is an illegible inscription scratched into the surface of the base.Inscription scratched into base. (Illegible)glass, decanter

This object was presented by Dr Dennis Moriarty (Dean of the Irish Faculty of the RCSI) to Professor A B Baker (Dean of the Faculty RACS) at the 6th International Conference of Reciprocating Examination Boards of Anaesthesia (CIREBA) in Wellington, New Zealand 1990. The crystal decanter, made by the manufacturer Waterford, is well known as the first glass making factory in Ireland. The hallmarks on the sterling silver plaque also verify this piece was made in Dublin.Large Waterford Ship's crystal cut decanter with ball-shaped stopper and Irish sterling silver plaque and chain around neck.[on plaque] FACULTY OF ANAESTHETISTS RACS / FROM FACULTY OF ANAESTHETISTS RCSI / MAY 1990 [hallmarks on plaque] TW / Dublin hallmarks / cursive script Dmoriaty, dennis, rcsi, baker, ab, cireba, waterford, crystal

From the late Miss E. M. SebireClear glass whisky decanter with ground glass stopper. Has Peter Dawson's Scotch painted on decanter. Specially manufactured to commemorate centenary of Company. decanters

Blue and beige coloured decanter with a cork stopper. Top is dark blue with handle. Bottom half is beige with Wallaby Airlines printed in blue ink. Has RAAF emblem with RTFV underneath a Caribou (DHC-4) and 35 SQN emblem. Vietnam 1964-1972 First In Last Out written in blue along bottom.Vietnam 1964-1972 First in Last Out qrittenn in blue along bottom. On reverse of Jug is the story of RAAF Transport Flight Vietnam and No 35 Squadron RAAF. Known as WAllaby Airlinesvietnam history - 1945 - 1975, raaf, bottles, 35 squadron, wallaby airlines

Glass decanter, square shape, diamond pattern finish, glass stopperwine decanter, mess property, wine decanter, mess property

A cruet also known as a caster, is a small container to hold condiments such as oil, vinegar, mustard, pepper. Its shape and adornments will depend on the specific condiment for which it is designed. Cruets were made in silver, silver plate, ceramic and glass, and sometimes a combination of two materials, usually as a glass body with a silver or silver plated top.This item is an example of domestic tableware commonly used in the early t0 mid 20th century.An early Sheffield plate stand with four glass decanters. Two with silver lids and two with glass stoppers. Tray has very ornate design.cruet domestic table-setting sheffiels ashberry-philip

The decanter was gifted to members of the Board and Fellows of the Australasian Faculty by Dr. Abu Baker Suleiman on behalf of the Academy of Medicine of Malaysia. Dr. Suleiman, Master of the Academy, presented the decanter during the silver jubilee of the Academy which was established in 1966. Bulbous shaped pewter decanter with long ribbed neck and ring shaped pewter stopper.PRESENTED TO / DEAN, FACULTY OF ANAESTHETISTS / Royal Australasian College of Surgeons / [crest of Academy] / ON THE OCCASION OF THE / SILVER JUBILEE / ACADEMY OF MEDICINE OF MALAYSIA / 1991 [hallmark] Selangor / Pewterdr abu baker suleiman, academy of medicine of malaysia, selangor pewter

The Decanter set was originally given to Dr John Paull by Dr Geoffrey Kaye and were later donated to the College by Paull . The decanter label, coaster and tray were crafted by Geoffrey Kaye and includes his initials inscribed into each piece. "LEY" Pewter refers to the pewter containing a large percentage of lead which in this case there is 80% tin and 20% lead.Glass decanter of cylindrical form with glass stopper and a pewter label which hangs over the decanter. The decanter sits on a ley pewter coaster which has three ball feet. Six crystal, sherry glasses sit on a ley pewter tray which has three ornamental feet. [Decanter] (03) / 500ml , [decanter label] SHERRY / G.K. 1972, [under decanter coaster] G.K. 1972. / "LEY" PEWTER, [under tray] G.K. 1972 / "LEY" PEWTERdr geoffrey kaye, dr john paull, ley pewter

The crystal glass decanter is in a plain, square-shaped style and has a large glass stopper. The four matching glasses have round bases and are about a third of the height of the decanter itself. Some illegible writing has been scratched into the surface at the bottom of the decanter.Inscription scratched into bottom of decanter base. (Illegible)decanter, glassware, crystal, glass, glasses, decanting set, decanter set

NO BRAND. ETCHED DESIGN OF CIRCLES, FLOWERS AND LEAVES AROUND CENTRE OF DECANTER. TAPERING OF NECK WITH FLANGE. NO STOPPERlocal history, domestic item, decanter

With stopper - One of a pair, catalogue number 99container, decanter

Clear glass decanter with red grape design and glass stopper.decanters

Owned by Miss Eva SebireEarly wine decanter with floral and leaf etching around the base. Has patterned glass stopper.decanters, eva sebire

Belonged to Colonel Otter.2 x brass Wine stoppers with patterned tops, and with a screw and cork.bottle stoppers, decanter stoppers