Showing 85 items matching decorative tiles
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Villa Alba Museum
Photograph - Second Bedroom Fireplace, Villa Alba, c.1882
... that are inset with plain and decorative tiles produced by the company... that are inset with plain and decorative tiles produced by the company ...The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the second bedroom of Villa Alba. The original 1880s white marble mantel, obliquely positioned in the northwest corner of the room (one of two examples in the house) is the most ornate mantel in the first floor bedrooms. The central visual element in the mantel is an upturned conch shell surrounded by stylised foliage and flowers. The two upright carved supports of the mantel are sinuously carved in all almost rococo manner. The mantel is inset with monochrome surround tiles and ornate polychrome glazed tiles in a manner reminiscent of Ottoman Iznik tile work. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom -
Villa Alba Museum
Photograph - Hearth Tiles, Main Bedroom Fireplace, Villa Alba, Mintons Ltd, c.1882
... that are inset with plain and decorative tiles produced by the company... marble) fireplaces that are inset with plain and decorative tiles ...The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the gold, black and white hearth tiles of the fireplace in the main bedroom at Villa Alba. The twelve geometric, visually interlocking tiles feature an abstract flower within a black border. There are twelve parts of the pattern on each tile.fireplaces, mintons, mintons - tiles, villa alba --- main bedroom -
Mont De Lancey
Wash Stand, Circa 1930s
... drawers, and decorative floral tiles. Inlaid decorative design..., with marble top, two wooden drawers, and decorative floral tiles ...See picture of family history.Wooden wash stand on castors, with marble top, two wooden drawers, and decorative floral tiles. Inlaid decorative design on the wood, and brass handles on the drawers. Part of a 4 piece bedroom suite.bedroom suites, washstands -
Surrey Hills Historical Society Collection
Photograph, Tavistock at 192 Union Road, 1978
... tile roof and decorative chimneys. This photo of the windows... tile roof and decorative chimneys. This photo of the windows ...See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister.Colour photo of the front of Tavistock at 192 Union Road, Surrey Hills before restoration during 1978-1982. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys. This photo of the windows at the front of the house is prior to stripping of the white paint from the decorative tiles.tavistock, milverton girls school, victorian style, houses, joyce walker, marjorie vahland -
Mont De Lancey
Functional object - Tile - Ceramic
... Two decorative ceramic tiles. 1 x Blue and white, Pot...-and-dandenong-ranges Tile - Ceramic Functional object Two decorative ...Two decorative ceramic tiles. 1 x Blue and white, Pot with leaves, with a flower in each corner. 1 x Brown and cream with a gum nut design.tiles, wall tiles -
Flagstaff Hill Maritime Museum and Village
Ceramic - Tile, circa 1878
... “within” the depth of the tile. Rather than their decorative... missing. This decorative floor tile was recovered from.... There is a large chip missing. This decorative floor tile was recovered ...This Minton floor tile is from the wreck of the LOCH ARD along with other examples of this manufacture recovered from the wreck site and form part of the collection at Flagstaff Hill. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London when it ran into the cliffs of Mutton Bird Island near Port Campbell and was wrecked on June 1st, 1878. The LOCH ARD was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-metre-high ceramic masterpiece of vivid glazed colours. The almost total loss of life and property from the LOCH ARD registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles – ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line ships that sailed from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the LOCH ARD is of State significance. Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history. A square Minton floor tile with a black and apricot pattern against a chocolate brown background. There is a large chip missing. This decorative floor tile was recovered from the shipwreck of the LOCH ARD. On the back, or base, of the tile is inscribed the number “46” and the letters “Minton & Co Patent Stoke upon Trent”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, encaustic tile, melbourne international exhibition, floor tile, minton floor tile -
Mont De Lancey
Wash Stand
... cupboard two shelves and decorative pink floral tiles. Mirror... drawers, one cupboard two shelves and decorative pink floral tiles ...Part of Wandin Sebire's bedroom suite.Marble topped wooden wash stand with two drawers, one cupboard two shelves and decorative pink floral tiles. Mirror in centre.bedroom suites, washstands -
Mission to Seafarers Victoria
Plaque - Opus sectile tablet, 1936
... ceramic panel with inscription and decorative glazed detail tiles... centre rectangular ceramic panel with inscription and decorative ...The memorial tablet was unveiled in the St Nicholas chapel at the Port Melbourne mission (Beach Cnr Nott St) on Wednesday 24 June 1936. The ceremony was performed by her nephew, Reverend John Smerger Drought - her sister's son. Another plaque was erected the same month in the Williamstown Institute. (Annual Report 1936) Along with the windows in the St Peter chapel in the Central Institute, those were the 3 memorials similar to the ones erected in memory of Miss Tracy. Miss Ethel Godfrey was born in 1861 at sea on the vessel called Copenhagen. Daughter of a pioneer, and settler Frederick Race Godfrey MLA and subsequently Lay Dean at St Paul's. Ethel Studied in Melbourne and abroad at Brussels and became a singing teacher and performer. In 1906 she took on the role of Honorary General Secretary to create and lead the volunteer organisation "The Ladies Harbour Lights Guild" and subsequently helped establish similar groups in Newcastle, Brisbane, Sydney, Hobart, Adelaide and also established the mission in Southampton in the UK. The structure of the LHLG was used as a model framework by similar groups supporting Missions around Australia and the Globe. A key achievement was the fundraising campaign for the memorial chapel in St Peters built in 1917 by Walter R.Butler. She died the 7 July 1935, and is buried in the St Kilda Cemetery.On her retirement in 1930 after some 25 years, Miss Godfrey together with Chaplain Gurney Goldsmith was recognised in the journal The Church and the Sailor, as a key influence and promoter of the formation of Harbour Lights groups across the suburbs of Melbourne, Victoria and Australia, the Ladies Harbour Lights Guild, Melbourne being the first such auxiliary group in the world.Clay base rectangular plaque with inlaid blue ceramic regular tesserae surrounding the ceramic centre rectangular ceramic panel with inscription and decorative glazed detail tiles. Support is a metal frame with inset wood pieces .To the Glory of God and in memory ops/ a much loved leaderAthel Augusta Godfrey, / one of the founders/ of the ladies Harbour Lights Guild/ of which she was honorary general secretary / Until 1930./ This memorial erected in the year of her death."memorial plaque, plaque, lhlg, port melbourne, chapel, brooks robinson and co, reverend john smerger drought, sectile tablet, opus sectile mosaic, mosaic, ethel augusta godfrey 1861-1935 -
Glen Eira Historical Society
Photograph, Beauville Avenue, 39, Murrumbeena, 2001
... porch with decorative cast iron door, tiled roof and decorative... with decorative cast iron door, tiled roof and decorative cast iron ...Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with unpainted variegated brown brick features. Features include a large brick porch with decorative cast iron door, tiled roof and decorative cast iron entrance gates.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick features, cast iron work door, cast iron work gates -
Glen Eira Historical Society
Photograph, Beauville Avenue, 10, Murrumbeena, 2001
... with two decorative open arches, tiled roof, 2 sets of matching... with two decorative open arches, tiled roof, 2 sets of matching ...Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. From Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p63: The inclusion of shops in Murrumbeena Road and a common parkland developed at the rear of the properties were complemented by the construction of a gas display home at No. 10 Beauville Avenue.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of cream rendered house with decorative unpainted brown brick features. Other features include a porch with two decorative open arches, tiled roof, 2 sets of matching double sashed windows with large square pane within each set, agapanthus lining the brick paved driveway and a cast iron work metal letterbox with number "10" on it. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, sash windows, paved drives, cast iron work, letter boxes, gas display houses -
Warrnambool and District Historical Society Inc.
Decorative object - Esam Money Box, 1850
This money box is believed to be an antique Prattware piece modelled on a n English Methodist Chapel. It was a gift to a young girl, Sarah Ann Esam born in 1850 in Lincoln, England. Her parents John and Ann Esam emigrated to Australia in 1865 with six children one of whom was Sarah. John Esam became well known in Warrnambool as an engineer and windmill maker. His best known windmill is the one he made for "Lyndoch". Sarah Ann Esam died in Henna Street, Warrnambool in April 1915 on Easter Monday. This money box is of considerable significance because of its age, its artistic attractiveness and its connection to the Esam family who were prominent in Warrnambool in the 19th century. This glazed piece of pottery is a child's money box modelled on an English Methodist Chapel. It has a blue tiled roof with yellow edges, a slot for coins at the back.and two chimneys at each end of the building. The primary colour of the cottage is white It has two storeys, the upper one has six lead light windows framed with yellow and the ground storey has two brown doors with lead light fan windows. There is a pink colored figure standing in one corner of the base. The base is green representing grass. The edges of the base feature blue crosses interspersed with yellow dots. The black inscription on the front is artistically written. One chimney is damaged.as are the four base corners. S. ANN. ESAM. Born August 8th LINCOLN 1850esam, money box, prattware -
Surrey Hills Historical Society Collection
Photograph, Californian Bungalow (dem) on NW corner of Westminster and Whitehorse Road, 1920-1929
Built for a client by Albert Harbert in the 1920s. Albert built many local homes. This is a fine example of its style with double gables and return verandah. A black and white photograph of a weatherboard Californian Bungalow style house with a tiled roof. It has an L-shaped verandah with solid pillars decorated with stucco which is also on the chimney. The weatherboards are decoratively notched and the upper sections of the grouped windows have diamond panes. Framed by a woven wire fence along the street frontage. An immature garden.californian bungalow, house styles, westminster street, whitehorse road, mr albert harbert, 1920-1929 -
Mt Dandenong & District Historical Society Inc.
Lidded Box, c late 1800s to 1940s
Mr JH Quinton of Olinda, Victoria had the unusual hobby of carving coconut shell. Over a 50 year period he carved thousands of curios and household articles. Supplies of coconuts were sent to him by his brother in Singapore. Known in the Dandenong Ranges as "The Coconut King", he carved many series, including Australian animals, likenesses of hundreds of men prominent in public life, tableaux of sporting activities, including a series depicting cricket strokes, a coconut tea set, butterflies, buttons and boxes. Mr Quinton was an engraver and his considerable can be seen in the fine detail and sense of movement he was able to capture in his carvings.Decorative cube shaped box made from small tiles made from coconut shell. Brown in colour with a hinged lid. Additional carved decoration comprising acorns, flower and butterfly. Inside lid lined with red velvet.jh quinton, coconut shell, carving -
Glen Eira City Council History and Heritage Collection
Decorative object - Tile, approx 2012
... Decorative object tile made in germany city of caulfield city of glen ...tile, made in germany, city of caulfield, city of glen eira -
Surrey Hills Historical Society Collection
Photograph, Tavistock at 192 Union Road, 1978
... tile roof and decorative chimneys.... tile roof and decorative chimneys. The date is approximate ...The date is approximate. Tavistock was built c1890. The side windows on the front room are a later addition in a different style from the original windows. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister. See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983Colour photo of the north side of Tavistock at 192 Union Road, Surrey Hills revealed when this side of the property was partially without a fence; taken while re-fencing. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys.tavistock, milverton girls school, victorian style, houses, joyce walker, miss marjorie vahland, nurses -
Surrey Hills Historical Society Collection
Photograph, Chimneys of 'Tavistock' at 192 Union Road, Surrey Hills, 1978
... , of red brick construction with a patterned slate tile roof... in style, of red brick construction with a patterned slate tile ...See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983 The date is approximate. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister.Colour photo of the roof and chimneys of 'Tavistock' at 192 Union Road, Surrey Hills. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys.tavistock, milverton girls school, victorian style, houses, matron joyce walker, miss marjorie vahland -
Kew Historical Society Inc
Photograph - Cottage, probably East Kew, A. Aberline, 1920s
The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.An elevated, modest weatherboard house, photographed towards the end of the construction phase. The lower section of the weatherboards are exposed and stained. The upper section is rendered with rough-cast. The tiled roof has a single gable that extends over the centrally placed front porch. On the porch, the door and single sidelight are filled with coloured leadlight whereas the casement windows in the front rooms contain plain glass. The leadlight and the wrought iron of the verandah are the only decorative elements of the utilitarian design. The location of the house, which was advertised for sale, has not to date been identified. The real estate photograph is mounted on the reverse of a subdivision plan for the Harvest Home Estate, Kew East.Photographer's stamp, lower right on mount: "A. Aberline, Glenferrie"houses - kew, bungalows - kew, real estate photographs -
Flagstaff Hill Maritime Museum and Village
Ceramic - Tile, circa 1878
... their decorative patterns being glazed onto the surface of the tile... their decorative patterns being glazed onto the surface of the tile ...This Minton floor tile is from the wreck of the LOCH ARD. Other examples of this manufacture have been recovered from the wreck site and form part of the collection at Flagstaff Hill. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London when it ran into the cliffs of Mutton Bird Island near Port Campbell and was wrecked on the early morning of June 1, 1878. The LOCH ARD was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-metre-high ceramic masterpiece of vivid glazed colours. The almost total loss of life and property from the LOCH ARD registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from gold and wool was increasingly being spent on magnificent private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent were their new range of colourfully patterned but very durable floor tiles – ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased within the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) that were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast.The Minton encaustic floor tile is significant for its method of manufacture which makes it durable as well as decorative. The shipwreck of the LOCH ARD is of State significance. Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.A square Minton floor tile with a black and beige pattern against a white base. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. On the back, or base, of the tile is inscribed the number “46” and the letters “Minton & Co Patent Stoke upon Trent”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, minton floor tile, encaustic tile, melbourne international exhibition, floor tile -
Flagstaff Hill Maritime Museum and Village
Ceramic - Floor Tile, circa 1878
... their decorative patterns being glazed onto the surface of the tile... their decorative patterns being glazed onto the surface of the tile ...This Minton floor tile is from the wreck of the Loch Ard and is currently on display in the Great Circle Gallery at Flagstaff Hill. The iron hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with a high value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well packed Minton porcelain peacock, a two meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. Wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-molded casting. When fired, the resulting tile was colours-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a dark brown, beige and white pattern. The tile has a piece broken off along one side and some chipping along the edges. This ‘encaustic’ floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO Patent ..."flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile -
Flagstaff Hill Maritime Museum and Village
Ceramic - Floor Tile, circa 1878
... their decorative patterns being glazed onto the surface of the tile... their decorative patterns being glazed onto the surface of the tile ...This Minton floor tile is from the wreck of the Loch Ard. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a white background, and beige, dark blue, light blue and black geometric pattern as well as leaves in the design. The tile has corner broken off and some chipping along the edges. The reverse has five rows of five evenly spaced holes. The back of the tile has inscriptions. Made by Minton & Co. at Stoke upon Trent. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO / PATENT / STOKE UPON TRENT"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile, minton tile, minton & co., stoke upon trent -
Queenscliffe Maritime Museum
Decorative object - Tile, floor
... -and-the-bellarine-peninsula Tile, floor Decorative object Tile, triangular ...Floor tile recovered from Loch Ard wreckTile, triangular marble floor salvage, loch ard, tile -
Port Melbourne Historical & Preservation Society
Decorative object - Tile, Market shops, Bay Street, Port Melbourne, 1910s
Piece of green tile from the 1916 renovation of the market shops in Bay St, Port Melbourne (Ref. plans for the renovation, items 34.01-.02)built environment, business and traders -
Dutch Australian Heritage Centre Victoria
Framed Tile
Tile baking has long been an important industry in The Netherlands with tiles produced for walls and floors as well as at individual requests to commemorate an event or special occasion.A white ceramic tile hand painted in brown with figures of a farming couple from Brabant, a verse, a coat of arms, the words "Noord-Brabant" and various decorative designs. Faintly visible on the back are the ink-stamped words: "plateelbakkerij schoonhoven" (a ceramics factory in Schoonhoven). A handwritten inscription reads: "Sjaan en Ad van Wanrooy, Erp, Nederland. 30 November 1980".tiles, dutch, brabant -
Dutch Australian Heritage Centre Victoria
Wall Tile (Tegel)
Square off-white tile depicting a traditionally clad farmer's wife holding a basket of eggs and watching a hen running from her newly-laid egg. There appears also a proverb written In dialect: "Je kan d'eiers nie telle, vòdat je z'in 't bènnetje eit." (You can't count your eggs till they're in the basket.) A decorative border surrounds the scene and includes © with the initials R.S. The illustrations and wording are in brown. A hook for hanging has been affixed to the back.On the back the tile is inscribed MOSA HOLLAND and bears the numbers 213. -
Whitehorse Historical Society Inc.
Decorative object - Tile
... Mitcham melbourne Tile Decorative object Green glazed rounded tile ...Green glazed rounded tile.ceramics, earthenware -
Whitehorse Historical Society Inc.
Toby Jug
Made by White Bros. (now Vitclay) as a wedding present for T.S. Luke, Accountant of Australian Tesselated Tile Co.Brown glazed traditional Toby JugUncle Tobydomestic items, ornaments / decorative -
Whitehorse Historical Society Inc.
Decorative object - Garden Tile, c1888
... Sandy clay coloured garden edging tile, square base... Mitcham melbourne Garden Tile Decorative object Sandy clay ...Garden edging manufactured by White Bros which is now known as Vitclay.Sandy clay coloured garden edging tile, square base with decorative top.'White Bros/Registered/2/3/88/ pressed onto front of tile.ceramics, terracotta -
Glen Eira Historical Society
Album - Album page, Heatherbrae, 73 Neerim Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Heatherbrae HO46 https://vhd.heritagecouncil.vic.gov.au/places/120933 (as at 28/10/2020) "Heatherbrae" at 73 Neerim Road, Glenhuntly, is a substantial Victorian residential complex made up of two principal construction stages (pre 1876 and c. 1890) and outbuildings including stables. It is aesthetically, historically and socially significant. Its aesthetic value is demonstrated by the manner in which the two periods of construction survive, the earliest being of greater architectural interest on account of its tower and facade treatment, the latter phase adopting a common villa form. The importance of the complex is heightened by its intact state and surviving outbuildings. "Heatherbrae's" historical significance lies in its link with locally known business man and Shire of Caulfield councillor, John Charles Holland. Its social value rests on its ability to demonstrate a past lifestyle.Page 142 of Photograph Album with four photographs (three landscape, one portrait) of Heatherbrae on Neerim Road.Handwritten: "Heatherbrae" 73 Neerim Road [top right] / 142 [bottom right]trevor hart, verandah, chimneys, decorative brackets, cast iron columns, return verandah, garden, 1870's, intricate lacework, neerim road, booran road, 1880's, 1890's, mansion, john c. holland, bluestone foundations, italianate, iron roofed balcony, cast iron balustrade, balcony, ornamented pediment, mosaic tiles, cast iron lookout, flagpole, george f griffiths, mcgowan, tower, caulfield, heatherbrae, cast iron work, victorian style, john holland, porte-cochere porches, lead lights, george griffiths, mansions, stables, councillors, outbuildings -
Glen Eira Historical Society
Album - Album page, Neerim Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Property is included the City of Glen Eira's Amendment C190glen as HO177 Ida Villa. As of 18/03/2021, Amendment C190 is noted as "Approval Under Consideration" by the Minister of Planning.Page 147 of Photograph Album with one landscape photograph of a Victorian brick house on Neerim Road.Handwritten: Neerim Road [top left] / 234 [under photo] / 147 [bottom left]trevor hart, neerim road, arched windows, verandah, porch, decorative brackets, bull nosed verandah, cast iron columns, ross land sales, ross, carnegie, victorian style, cast iron work, polychrome bricks, brick houses, tessellated tiled deck, ida villa -
Glen Eira Historical Society
Album - Album page, 84 Orrong Crescent, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for 84 Orrong Crescent https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) "St. Reliers" at 84 Orrong Crescent is important as an unusually excessively enriched asymmetrical villa residence of the Boom period. From Victorian Heritage Database citation for HO50 84 Orrong Crescent Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) An imposing Italianate two storeyed asymmetrical villa with overpainted stuccoed surfaces to the facade, distinguished by their ornate treatment. Unusually rich ornamentation includes the acanthus leaf impost capitals, aedicules with swags and volutes, foliated panels to the frieze, ashlar treatment to the lower level and quoins above. The two storeyed cast iron verandah with timber frieze rail protects a black and white tiled floor. The hipped roof has patterned slates.Page 152 of Photograph Album with two landscape photographs of Bonhurst on Orrong Crescent.Handwritten: 84 Orrong Crescent [top right] / NOW 84 - PREVIOUSLY 120 ORRONG CRESCENT / "BONHURST" [under bottom photo] / 152 [bottom right]trevor hart, verandah, porch, slate roof, garden, decorative brackets, fanlight, protruding bay, bay window, garden lamp, asymmetrical, bonhurst, st reliers, rendered, orrong crescent, caulfield north, cast iron work, victorian style, mansions, house names, slate roofs, italianate style