George Eastman (1854 – 1932) was an American entrepreneur who founded the Eastman Kodak Company with Henry A. Strong on September 4, 1888 in New York USA.and helped to bring the photographic use of roll film to the general population with an affordable box camera. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera.and helped to bring the photographic use of roll film to the general population with an affordable box camera. This Eastman Box Camera is typical of the cameras used by amateur photographers c 1916 and some of the photographs in CMHS collection may have been taken with this cameraA small black Eastman Camera No.0 Model A Plate : MADE IN USA / BY / EASTMAN / KODAK COMPANY / ROCHESTER N.Y / USA/ ..... Circular stamp : USE FILM / NO. / 127 US Patents, 1903,08,16; Film 127 kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography, eastman camera, early settlers, moorabbin, bentleigh, cheltenham

Kodak was founded by George Eastman and Henry A. Strong on September 4, 1888 in New York USA. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera. The first model of the Kodak camera appeared in 1888. It took round pictures 6.4 cm (2.5 in) in diameter, was of the fixed focus type, and carried a roll of film enough for 100 exposures. Its invention practically marked the advent of amateur photography, as before that time both apparatus and processes were too burdensome to classify photography as recreation. The first films had to be loaded into the camera and unloaded in the dark room, but the film cartridge system with its protecting strip of opaque paper made it possible to load and unload the camera in ordinary light. The Brownie camera was introduced in 1900, creating a new mass market for photography. This Kodak Brownie Box Camera is typical of the cameras used by amateur photographers c 1940A metal Kodak Brownie Box camera with a leather case, and an empty folder for negatives and prints Front ; KODAK / 'KODET' LENS / Brownie Flash 11 / CAMERA / MADE IN ENGLAND BY KODAK LTD LONDON Folder The Pleasures of PHOTOGRAPHY / Make Photography Your Hobby kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography,

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Blurred vision of a tree against brown landscape and blue/grey sky.jenny gibson, 69 smith street gallery, artist-run initiative, artist-run space, photography, landscape, melbourne art galleries, colour photography, digital photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, digital, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Digital output on canvasart, artwork, marijke groothuis, photography, digital, gippsland campus, churchill

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, photography, digital, portrait, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling. african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This is a set of six staff photographs of the Army Survey Regiment’s Officers, Warrant Officers and Sergeants, and each of its four Squadrons at Fortuna, Bendigo in December 1982. Note - Air Survey Squadron’s photo was probably taken in July 1982 as they appear in winter dress. Air Survey Squadron was responsible for aerotriangulation, photogrammetric feature extraction and the AUTOMAP 1 system. Typical tasks were flight planning the acquisition of aerial photography, pugging, mensuration and block adjustments, photogrammetric extraction of topographic features from aerial photography, digital feature editing, map compilation, operating the scanner/plotter, operating the AUTOMAP 1 system and computer programming by civilians. Cartographic Squadron was responsible for the production of the following military products: Joint Operation Graphics, small-scale RAAF Air Charts, large-scale topographic line maps and orthophotomaps. Cartographic technician tasks were scribing, compiling, retouching, masking, type setting, type stickup, terrain embossing, correcting and proving quality control. Headquarters Squadron was responsible for the planning and coordination of map production and contracts. It also performed administrative and support functions such as personnel administration, pay, finance, transportation, records, map Library, kitchens, messes and facility maintenance. It was staffed by Army personnel from RASvy, RACT, AACC, RAAOC and RAEME corps. Other supporting staff at this time included the RAAF Liaison Officer, RAN Liaison Officer and several civilians employed in administration, the Q-Store and grounds maintenance. A component of the Army Svy Regt’s cartographic map production was carried out by the Detachment, a sub-unit located at Bonegilla next to the School of Military Survey. Lithographic Squadron was responsible for the reproduction of map materials and printing of military map products. The main tasks undertaken by photographic technicians were photographic enlargements, reductions and duplication of map reproduction material and processing of aerial photography. Printing technician tasks included platemaking, offset printing, map stock despatching and proofing.This is a set of six staff photographs of the Army Survey Regiment’s Officers, Warrant Officers and Sergeants, and its four Squadrons, at Fortuna, Bendigo, 1982. The black and white photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. No personnel are identified. No personnel are identified. .1P – Annotated on front “OFFICERS MESS DEC ’82” .2P – Annotated on back “SGTS MESS DEC ’82” .4P– Annotated on front “CARTO SQN DEC ’82” .5P– Annotated on front “HQ SQN DEC ’82”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, carto, litho

This is a set of 14 photographs of RA Svy technicians operating photogrammetric equipment in Air Survey Squadron, Army Survey Regiment, Fortuna, Bendigo; and the School of Military Survey Bonegilla c1960s to c1980s. The Wild B9 stereo plotter were introduced in 1962 and the Wild B8 stereo plotter was introduced in 1966. The Wild B9 and B8 stereo plotters were used for plotting topographic detail and contours. These analogue machines were manually controlled by adjusting the control knobs for the orientation of the 3D image. The B9s used a four and a half square, and the B8s used a nine-inch square photo image on a film or glass diapositive which allowed highly accurate extraction of map features. At first, plotting with B8 and B9 stereo plotters was undertaken at the aerial photography scale of 1:80,000 in pencil onto a controlled plotting sheet. Sheets were then inked up and reduced photographically to the 1: 100,000 publication scale for scribe impression production. In the early days topographic detail and contours were plotted with a pencil or ink pen mounted at the far end of the pantograph arm. The plotting procedure was upgraded to direct plotting in ink with photographic reduction to publication scale. In 1975 four B8s were upgraded with tri-axis locaters as part of the Input Sub-system to enable digital extraction to AUTOMAP 1’s topographic database. When AUTOMAP 2 was introduced in 1982 these B8s were upgraded, and additional machines added to expand the Army Survey Regiment’s digital capture capability. There are several more photos catalogued in the Victorian Collections database of RA Svy personnel operating Wild B9 and B8 stereo plotters.Photogrammetric Equipment – Army Survey Regiment, Fortuna, Bendigo c.1981. . .7) – Unidentified technician operating Wild B8 stereo plotter in AUTOMAP 1 at ASR. .8) - Wild B8 stereo plotter in AUTOMAP 1 at ASR. Photogrammetric Equipment – Army Survey Regiment, Fortuna, Bendigo. c1981. .9) – ASR’s CPL Dave Cook in AUTOMAP 1 operating a Wild B8 stereo plotter. This is a set of 14 photographs of RA Svy technicians operating photogrammetric equipment at the Army Survey Regiment (ASR), Bendigo and the School of Military Survey (SMS) Bonegilla. c1960s to c1980s. The photographs are on 35mm colour slides and were scanned at 96 dpi. .1) - Photo, colour, c1964. Unidentified ASR technicians operating analogue Wild B9 stereo plotters. .2) - Photo, colour, c1974. ASR’s SPR Mick Minchin operating an analogue Wild B8 stereo plotter. .3) to .6) - Photo, colour, c1980. Photogrammetry Instructor SGT Neil ‘Ned’ Kelly at the SMS operating an analogue Wild B8 stereo plotter. .7) - Photo, colour, c1981. Unidentified technician operating Wild B8 stereo plotter in AUTOMAP 1 at ASR. .8) - Photo, colour, c1981. Wild B8 stereo plotter in AUTOMAP 1 at ASR. .9) to .14) - Photo, colour, c1981. ASR’s CPL Dave Cook in AUTOMAP 1 operating a Wild B8 stereo plotter..1P to .14P - Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, photogrammetry

This is a set of eight photographs of technicians operating photogrammetric equipment in Air Survey Squadron, Army Survey Regiment, Fortuna, Bendigo. c1960s to c1980s. The Wild A9 Stereocomparator and Wild B9 stereo plotter were introduced in 1962. The Wild B8 stereo plotter was introduced in 1966. Technicians used the Wild A9 Stereocomparator to accurately measure between pass, tie, and survey control points on aerial photographs. The Wild B9 and B8s were used for plotting topographic detail and contours. These analogue machines were manually controlled by adjusting the control knobs for the orientation of the 3D image. The B9s used a four and a half square, and the B8s used a nine-inch square photo image on a film or glass diapositive which allowed highly accurate extraction of map features. At first, plotting with B8 and B9 stereo plotters was undertaken at the aerial photography scale of 1:80,000 in pencil onto a controlled plotting sheet. Sheets were then inked up and reduced photographically to the 1: 100,000 publication scale for scribe impression production. In the early days topographic detail and contours were plotted with a pencil or ink pen mounted at the far end of the pantograph arm. The plotting procedure was upgraded to direct plotting in ink with photographic reduction to publication scale. In 1975 four B8s were upgraded with tri-axis locaters as part of the Input Sub-system to enable digital extraction to AUTOMAP 1’s topographic database. When AUTOMAP 2 was introduced in 1982 these B8s were upgraded, and additional machines added to expand the Army Survey Regiment’s digital capture capability. This is a set of eight photographs of technicians operating photogrammetric equipment in Air Survey Squadron, Army Survey Regiment, Fortuna, Bendigo. c1960s to c1980s. Black and white and colour photos are on photographic paper and scanned at 300 dpi. .1) - Photo, black & white, c1965. Unidentified technician operating a Wild A9 Stereocomparator. .2) - Photo, black & white, c1965. Unidentified technician operating a Wild B9 stereo plotter. .3) - Photo, black & white, c1967. L to R: Unidentified technician, SPR Ken Jeffery operating a Wild B9 stereo plotter. .4) - Photo, colour, c1974. Unidentified technician, operating a Wild B8 stereo plotter. .5) - Photo, black & white, c1974. Unidentified technician operating a Wild B8 stereo plotter. .6) to .7) - Photo, black & white, c1979. Unidentified technicians operating a Wild B8 stereo plotter. .8) - Photo, black & white, c1985. Unidentified technician in AUTOMAP 2 operating a Wild B8 stereo plotter..1P, .2P, .4P, .5P, .7P – no annotations. .3P – annotated ‘Standing - , Seated SPR Ken Jefferies (sic). .6P – annotated with date ‘1979’ .8P – annotated ‘AUTOMAP 2’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, photogrammetry

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, justus jorgensen

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, third place

Photo was taken on a Pentax k1000 on 35mm B&W film. And burned and dodged in the darkroom with a filter of 5 layered on filter 2. Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, second place, emilion clark

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, first place

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat

Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, great hall

This is a photograph of Air Survey Squadron, one of the Army Survey Regiment’s four squadrons, taken at Fortuna, Bendigo, c1988. Air Survey Squadron’s main functions were aerotriangulation and digital photogrammetric extraction of 3D topographic features from aerial photography, using Wild B8s coupled to the AUTOMAP 2 computer system.This is a photograph of Air Survey Squadron at the Army Survey Regiment, Fortuna, Bendigo, c1988. The photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. .1) - Photo, black & white, c1988: Back Row L to R: SPR Mark Linwood, SPR Trevor Roddam, SPR Noel Brinsmead, CPL Mark Lander, CPL Frank Downie, SPR Sandy Craig 3th Row L to R: SPR Steve Rundle, unidentified, Darren Wilkinson, CPL Dave Longbottom, SPR Max Watson, unidentified, SGT Paul Hopes, unidentified. 2nd Row L to R: SGT John ‘Shep’ Shepherd, SPR Paul Boulton, SPR Stuart Bowd, SPR Paula (Golding) Brinsmead, SPR Jo Otto, CPL Steve Coulson, SPR Steve Linane, CPL Chris ‘Charlie’ Brown. Front Row L to R: SSGT Bruce ‘Hap’ Hammond, WO2 Barry Lutwyche, LT Struan Robinson, SSM WO1 Alan Hancox, OC MAJ Peter Clark, LT Simon Buckpitt, WO2 Neil ‘Ned’ Kelly, SSGT Noel ‘Macca’ McNamara.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey

These five photographs of map production and the car park area were taken at Fortuna, Bendigo, c1980s. The first three photographs were taken in Air Survey Squadron, where aerotriangulation and digital photogrammetric extraction of topographic features from aerial photography were undertaken. Photo .4P was taken in Cartographic Squadron’s Correcting Section, located in the Attic. The technicians were probably involved in a rapid response map production, as they all were wearing field uniforms. The Army Survey Regiment’s Duty Room, RAP and Carpark appear in Photo .5P. It was probably taken from the top steps near the SGT’s accommodation block in 1986. Photos .4P and .5P are also published with item 6395.17P.This is a set of five photograph of Map Production and car park, at the Army Survey Regiment, Fortuna, Bendigo, c1980s. The photographs were printed on photographic paper and is part of the Army Survey Regiment’s Collection. Photograph .1P was scanned at 200 dpi. The others were scanned at 300 dpi. .1) - Photo, black & white, c1980s: CPL Marrianne (Van De Zee) De Groot measuring aerial photographs with a stecometer. .2) - Photo, colour, c1980s: Two unidentified technicians assessing a flight line diagram. .3) - Photo, black & white, c1980s: SPR Scheryl Delforce digitising map features on an AUTOMAP 1 Graticon table. .4) - Photo, black & white, 1986: L to R: CPL Andy Lucas, SPR Chris Gordon, unidentified, SPR Jan (Crighton) Minchin, SPR Robin Marshall, CPL Frank Downie, SPR Gayle Humphrey, unidentified technicians in the Attic, Fortuna. .5) - Photo, black & white, 1986: Army Survey Regiment Duty Room, RAP and Carpark at Fortuna. .1P - Annotated on back ‘Maryanne Degroot’ .2P, .4P to .5P – no annotation .3P - Annotated on back ‘Scheryl Delforce’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, carto, aerotrig

These four photographs of SPR Santina (Argetto) Straube capturing topographic features – plotting with a Wild B8 stereo plotter were most likely taken in c1980. Introduced in 1966, the Wild B8 stereo plotter was used for plotting topographic detail and contours. These analogue machines were manually controlled by adjusting the control knobs for the orientation of the 3D image. The B8s used a nine-inch square photo image on a film or glass diapositive which allowed highly accurate extraction of map features. At first, plotting by B8 and B9 equipment was undertaken at the aerial photography scale of 1:80,000 in pencil onto a controlled plotting sheet. Sheets were then inked up and reduced photographically to the 1: 100,000 publication scale for scribe impression production. In these photos SPR Santina (Argetto) Straube was plotting with a pencil or ink pen mounted at the far end of the pantograph arm. The plotting procedure was upgraded to direct plotting in ink with photographic reduction to publication scale. In 1975 four B8s were upgraded with tri-axis locaters as part of the Input Sub-system to enable digital extraction to AUTOMAP 1’s topographic database. When AUTOMAP 2 was introduced in 1982 these B8s were upgraded, and additional machines added to expand the Army Survey Regiment’s digital capture capability. This is a set of four photographs of a technician capturing topographic Features with a Wild B8 stereo plotter in Air Survey Squadron – Army Survey Regiment, Fortuna, Bendigo. 1980. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) Photo, black & white, c1980. SPR Santina (Argetto) Straube operating a Wild B8 stereo plotter..1P to .4P – no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, photogrammetry

Photos .1P, .2P, and.4P were most likely taken in the 1980s and photos .3P, .5P to .7P in the c1990s at the Army Survey Regiment, Fortuna, Bendigo. Despite lacking annotation on exact dates, locations and personnel, they are positively identified. CPL Ian Nelson in photo .1P is operating a Wild Pug 4 point transfer device in Air Survey Squadron c1980s. Control points were transferred onto the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion. SPR Viv (Hawkins) Doherty in photo .2P, SPR Jeanette Drury-Lane in photo .5P and SGT Sandy Craig are operating a Wild B8 Stereoplotter coupled to a digital workstation in Air Survey Squadron c1994. Topographic features were extracted with the B8 in 3D and feature coded with attributes, using keyboard, menu, keypad and voice inputs to the computer. The features were stored in the AUTOMAP 2 digital database for subsequent cartographic production and printing. CPL Mick Ellis in photo .3P is operating the Optronix 4040 Scanner/Film Writer in Lithographic Squadron c1990s. In scanning mode, compilation sheets were mounted on the drum and scanned. The resultant raster file was vectorized, feature coded with attributes and stored by cartographic technicians in the AUTOMAP 2 database. In film writing mode, digital cartographic files were output at very high resolution for each print colour on photosensitive film, for subsequent finalisation, platemaking and printing.This is a set of seven photographs of technicians operating map production equipment at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, c1980s. CPL Ian Nelson operating a Wild Pug 4 point transfer device in Air Survey Squadron. .2) - Photo, colour, c1980s. Wild B8 Aviograph stereoplotter feature extraction, SPR Viv (Hawkins) Doherty in Air Survey Squadron. .3) - Photo, colour, c1990s. CPL Mick Ellis operating the Optronics 4040 Scanner in Lithographic Squadron. .4) - Photo, colour, c1984. AUTOMAP 2 Graphic Edit Workstation, SPR Craig Kellet in Cartographic Squadron. .5) - Photo, colour, c1994. Wild B8 Aviograph stereoplotter feature extraction, SPR Jeanette Drury-Lane in Air Survey Squadron. .6) - Photo, colour, c1994. AUTOMAP 2 Graphic Edit Workstation, L to R: unidentified, SPR Rachel (Stanford) Scott, CPL Chris Wynn in Cartographic Squadron. .7) - Photo, colour, c1994. Wild B8 Aviograph stereoplotter AUTOMAP 2 Graphic Edit Workstation, L to R: unidentified (x2), SGT Sandy Craig in Air Survey Squadron..1P – no annotations .2P – annotated “Stereoplotter Workstation. The operator has the use of keyboard, menu, keypad and voice for input to the computer. Feedback is given through voice and screen messages.” .3 to .7P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, air survey, litho, aerotrig, automap 2