George Eastman (1854 – 1932) was an American entrepreneur who founded the Eastman Kodak Company with Henry A. Strong on September 4, 1888 in New York USA.and helped to bring the photographic use of roll film to the general population with an affordable box camera. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera.and helped to bring the photographic use of roll film to the general population with an affordable box camera. This Eastman Box Camera is typical of the cameras used by amateur photographers c 1916 and some of the photographs in CMHS collection may have been taken with this cameraA small black Eastman Camera No.0 Model A Plate : MADE IN USA / BY / EASTMAN / KODAK COMPANY / ROCHESTER N.Y / USA/ ..... Circular stamp : USE FILM / NO. / 127 US Patents, 1903,08,16; Film 127 kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography, eastman camera, early settlers, moorabbin, bentleigh, cheltenham

Kodak was founded by George Eastman and Henry A. Strong on September 4, 1888 in New York USA. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera. The first model of the Kodak camera appeared in 1888. It took round pictures 6.4 cm (2.5 in) in diameter, was of the fixed focus type, and carried a roll of film enough for 100 exposures. Its invention practically marked the advent of amateur photography, as before that time both apparatus and processes were too burdensome to classify photography as recreation. The first films had to be loaded into the camera and unloaded in the dark room, but the film cartridge system with its protecting strip of opaque paper made it possible to load and unload the camera in ordinary light. The Brownie camera was introduced in 1900, creating a new mass market for photography. This Kodak Brownie Box Camera is typical of the cameras used by amateur photographers c 1940A metal Kodak Brownie Box camera with a leather case, and an empty folder for negatives and prints Front ; KODAK / 'KODET' LENS / Brownie Flash 11 / CAMERA / MADE IN ENGLAND BY KODAK LTD LONDON Folder The Pleasures of PHOTOGRAPHY / Make Photography Your Hobby kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography,

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Blurred vision of a tree against brown landscape and blue/grey sky.jenny gibson, 69 smith street gallery, artist-run initiative, artist-run space, photography, landscape, melbourne art galleries, colour photography, digital photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, digital, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Digital output on canvasart, artwork, marijke groothuis, photography, digital, gippsland campus, churchill

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling. african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, photography, digital, portrait, australian first nations art, first nations photography

The snapshot envelope made for T Griffin's Pharmacies has beige and red cover with two interior pockets. These pharmacies were located at 241 Bay Street and 364 Graham Street, Port Melbourne. Prior to digital photography a roll of film would be left to be developed into a set of prints. The customer could choose the size and number of prints which were returned accompanied by a set of negatives.on reverse 2/5 (price) 20 (size) 1 (no of films) 6 (no. of prints)business and traders - chemists, thomas griffin, bay street, graham street

'Collider' is a video site-response work that investigates the physical and conceptual notions of Bundoora Homestead Art Centre and surrounding Bundoora Parklands as matter, memory and phenomena. The project spanned three years of the artist’s life, visiting as both a local resident and an exhibiting artist at the Centre, involving a long-term process of “mapping” the site. The work looks to make visible, the hidden frequencies embedded within the buildings and parklands, including the social and geological. A complicated space, once a volcanic vent (Mt Cooper, 9.5 million years ago), home to over 60,000 years of continuous First Australian culture, long-term indigenous and (recent) settler land use, a place of respite for returned soldiers; visitors today generally experience the site as a place of leisure. Collider aims to disrupt this view, asking the viewer to look below the surface and experience a deeper sense of place. Using video sequences, this work places the Bundoora Homestead site within a shifting scale of material territories, molecular energies and entropic disorder. Collider includes both abstracted and live video sequences shot throughout the Homestead grounds and across the Bundoora Park and Mt Cooper area that appear to be capturing unknown, signalling phenomena. Time flowing and dissolving across the landscape."My practice sits within an expanded notion of landscape photography, combining video, photography, sound, installations and site responses. I’m interested in the idea of landscape as a transmutable zone where the unseen forces of the material world interact with embedded layers of time and history. Projects revolve around site research, science fiction/fact, the weirdness of ecologies and the realities of quantum matter. I try to represent what is sensed rather than understood, through both observational and uncanny visualisation. Using investigative material processes to make images (scanners, camera-less photography, digital/analogue manipulation, motion graphics) I attempt to question or disrupt the way others can view an image. This material approach is key to how and why I work. With 22 years experience in gallery-based exhibitions, art fairs and site specific/responsive projects, I have participated in over 50 exhibitions including projects for: Dark Mofo, Northern Centre of Contemporary Art, Testing Grounds, Charles Sturt University Gallery, Bargoonga Nganjin Library, c3 Contemporary Art Space, Centre Pompidou (FRA), Bus Projects, The Narrows, Peloton, 1st Floor, Linden, Seventh, Strange Neighbour, and many more. I have a BA (Fine Arts – Sculpture) RMIT, was the founder of seventh gallery and am the founder and current director of c3 Contemporary Art Space in Melbourne." - Jon Butt

This is a set of six staff photographs of the Army Survey Regiment’s Officers, Warrant Officers and Sergeants, and each of its four Squadrons at Fortuna, Bendigo in December 1982. Note - Air Survey Squadron’s photo was probably taken in July 1982 as they appear in winter dress. Air Survey Squadron was responsible for aerotriangulation, photogrammetric feature extraction and the AUTOMAP 1 system. Typical tasks were flight planning the acquisition of aerial photography, pugging, mensuration and block adjustments, photogrammetric extraction of topographic features from aerial photography, digital feature editing, map compilation, operating the scanner/plotter, operating the AUTOMAP 1 system and computer programming by civilians. Cartographic Squadron was responsible for the production of the following military products: Joint Operation Graphics, small-scale RAAF Air Charts, large-scale topographic line maps and orthophotomaps. Cartographic technician tasks were scribing, compiling, retouching, masking, type setting, type stickup, terrain embossing, correcting and proving quality control. Headquarters Squadron was responsible for the planning and coordination of map production and contracts. It also performed administrative and support functions such as personnel administration, pay, finance, transportation, records, map Library, kitchens, messes and facility maintenance. It was staffed by Army personnel from RASvy, RACT, AACC, RAAOC and RAEME corps. Other supporting staff at this time included the RAAF Liaison Officer, RAN Liaison Officer and several civilians employed in administration, the Q-Store and grounds maintenance. A component of the Army Svy Regt’s cartographic map production was carried out by the Detachment, a sub-unit located at Bonegilla next to the School of Military Survey. Lithographic Squadron was responsible for the reproduction of map materials and printing of military map products. The main tasks undertaken by photographic technicians were photographic enlargements, reductions and duplication of map reproduction material and processing of aerial photography. Printing technician tasks included platemaking, offset printing, map stock despatching and proofing.This is a set of six staff photographs of the Army Survey Regiment’s Officers, Warrant Officers and Sergeants, and its four Squadrons, at Fortuna, Bendigo, 1982. The black and white photographs are printed on photographic paper and scanned at 300 dpi. are part of the Army Survey Regiment’s Collection. Film negatives were scanned at 600 dpi. .1) - Photo, black & white, 1982, Officer of the Army Survey Regiment. Back Row L to R: Karen Byrne, Bob McHenry, Rob John, Ian Rose, Neil Taylor, Chris Gehrmann, Graeme Wastell, Bob Williams, Chris Mazur, Struan Robinson and Dave Sankey. Front Row L to R: Bruce Keeley, Duncan Burns, Mick Byrne, John Charland, unidentified, Jim Mitchell, CO LTCOL Peter Eddy, Graham Baker, Stan Vote, John Bloor, Roger Rix and Peter ‘Blue’ Blaskett. .2) - Photo, black & white, 1982, Warrant Officers and Sergeants of the Army Survey Regiment. Back Row L to R: Greg Gilbert, Mick Sarson, Don Musgrave, Stu Thaxter, Greg Buckingham, Bob Rogister, Don Mawson, Bill Jones, Doug Carswell, Max Colletti, unidentified, George Austen, John Cain, unidentified, Bob Clisby, Rick Warren, Bob Croxton, unidentified, Greg Francis-Wright, Bruce Gordon, Brett Van Leeuwin, Col Cuskelly, unidentified, Garran Hill, Steve Egan, Bruce Wetzig, Dennis Learmonth, unidentified, Mick Davey, John McCracken, Bruce Bowers, Barry Lutwyche, Alan Glanville, Cliff Webb, Kevin Boehm, Dave Critchlow, Noel McNamara and Gavin Neilson. Middle Row L to R: Les Dixon, Rob Bogumil, Bill Friswell, unidentified, Heather Slater, Pat Lumsden, unidentified (x2), Phil Meagher, George Graham, unidentified, Jim Beard, Kevin Kennedy, Rowan Gillies, Don Williams, Gary Warnest, Jim Gill, Peter Barrett and Ralph Chant. Front Row L to R: John Bennett, Kevin Macquire, Dick Manley, Alan Bunn, Noel Coulthard, Jim Jefferies, Jeff Lynch, Dave Thompson, Jim Mitchell, Graeme Birrell, RSM WO1 Bob Mason, Graham Squire, Ken Slater, Mick Dempster, Ted Burgess, Don Musgrave, Brian Mead, Peter Biorac and John Barrie. .3) - Photo, black & white, 1982, Air Survey Squadron, Army Survey Regiment. Back Row L to R: Greg Gilbert, Rob Straube, Wayne Lloyd, Steve Drummond, Eric Nicolson, Cliff Webb, Harald Mai, Geoff Havelberg, Bruce Gordon, Greg Buckingham, Brett ‘Dutchy’ Van Leeuwin, Bob Croxton, Peter Tangey, Scheryl Delforce, Marianne Degroot, Annette Godden, Peter Jones, and Barry Miller. Middle Row L to R: Ken Talbot-Smith, Mick Davey, Steve Coulson, unidentified, Greg Byers, Mark Casey, Ian Nelson, Mark Lander, Nick Van Dalen, Kristin Isaac, Santina Argetto, Lorraine Talbot-Smith, Terry Wicker, Max Colletti, Bruce Bowers, Peter Peterson, unidentified and Dave Irving. Front Row L to R: George Timmins, Alan Glanville, Les Dixon, Chris Parkinson, Jim Jefferies, Neil Taylor, unidentified, Chris Gehrmann, OC MAJ Graham Baker, Bruce Keeley, Duncan Burns, Graeme Birrell, Mick Dempster, Ted Burgess, Ray Lawson, Don Musgrave, Kevin Kennedy, Allan Strain and Jim Gill. .4) - Photo, black & white, 1982, Cartographic Squadron, Army Survey Regiment. Back Row L to R: Don Williams, Cathy Regan, Denise Marshall, Di Soutar, Ian Fitzgerald, Alan Staley, Andy Godden, John Tempest, Dan Cirsky, Robin Marshall, Jamie McCrae, Stuart Hibbert, Dave Lawler, Barry Hogan, Gerry Gates, Warren Hall, Peter McCurdy, Tom Bloxham, Ben Taresenko, Dave Upton and Scott Payne. Middle Row L to R: Jan Minchin, Megan Reynolds, Gayle Humphries, Carla Dell, George Holland, Bob Bright, Fiona Mackie, Ian McKenzie, Brad Peppler, Gina Neilson, Gai Amato, Ginny Rowe, Jackie Van Beurkereng, Tracy Parker, Carmel Butler, Ilen Isaac, Greg Else, Dennis Learmonth and Terry McIntyre. Front Row L to R: Bob Rogister, Bill Friswell, Stu Thaxter, Col Cuskelly, John Bennett, Struan Robinson, Bob Williams, John Barrie, OC CAPT Mick Byrne, Roger Rix, Gary Warnest, Ian Rose, Karen Byrne, Rowan Gillies, Dave Critchlow, Noel McNamara and Barry Lutwyche. .5) - Photo, black & white, 1982, Headquarters Squadron, Army Survey Regiment. Back Row L to R: unidentified (x3), Don Mawson, Doug Carswell, unidentified (x3), Rick Warren, unidentified (x4), Bruce Wetzig, Kevin Boehm and unidentified. Middle Row L to R: Dave Murphy, unidentified, Bob Sheppard, unidentified, Pat Lumsden, unidentified (x6), Jim Beard, Heather Slater, Penny Knott and Graham Dudley. Front Row L to R: unidentified, Dick Manley, Kevin Macquire, Bob McHenry, John Charland, unidentified, RSM WO1 Bob Mason, CO LTCOL Peter Eddy, Jim Mitchell, Rob John, John Bloor, Peter ‘Blue’ Blaskett, Dave Thompson, Graham Squire, Alan Bunn, and John McCracken. .6) - Photo, black & white, 1982, Lithographic Squadron, Army Survey Regiment. Back Row L to R: Neville Carr, Paul Baker, Kim Reynolds, Gary Drummond, Chad Hardwick, unidentified, Roy Hicks, Jim Ash, Greg Rowe, Gary Kerr, Peter Dillon, Peter Breukel, Brian Fauth, Paul Davis, Josh Degroot, Alan Virtue, Gary Tremain, Warren Shirley, Mark Doherty, unidentified, Le-Anne Shirley, Steve Egan and Russ Mollenhauer. Middle Row L to R: Terry Winzar, Keith Quinton, Rhys De Laine, unidentified, Stuart Ridge, Mick Gillham, Graham Hales, John Whaling, unidentified, Ken Peters, Laurie Justin, unidentified, Martin Van der Maele, Di Chalmers, and Frank Lenane. Front Row L to R: Gavin Neilson, John Cain, Peter Barrett, Greg Francis-Wright, George Austen, Ralph Chant, Jeff Lynch, OC CAPT Stan Vote, Ken Slater, Noel Coulthard, George Graham, Garran Hill, Rob Bogumil and Bill Jones.No personnel are identified. No personnel are identified. .1P – Annotated on front “OFFICERS MESS DEC ’82” .2P – Annotated on back “SGTS MESS DEC ’82” .4P– Annotated on front “CARTO SQN DEC ’82” .5P– Annotated on front “HQ SQN DEC ’82”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, carto, litho

Four months after the discovery of the Roentgen tube the Ballarat School of Mines were conducting pioneer X-ray demonstrations in Ballarat. This photograph is thought to be taken at that time, and is framed along with some of the x-rays taken at that time. Digital copy of two men sit in front of x-ray equipment at the Ballarat School of Mines. The man in the foreground is John McKenzie Sutherland. The copy is from the original framed 1896 X-Rays (Cat. No. 1243)ballarat school of mines, x-ray, xray, scientific instruments, john sutherland, sutherland, photography, foto, roentgen tube, john m. sutherland, john sutherland

A class photograph of Watsonia High School WaHIGH 1985 Year 7D. Student names are printed on photograph.A colour class photograph of Watsonia High School WaHIGH 1985 Year 7Dwatsonia high school, school photographs