This disc was a project supported by the Festival of the Dreaming, a festival leading up to the 2000 Sydney Olympic Games.This disc is a significant research tool as it contains contemporary film of the early indigenous people of Australia.A video disc titled, The Dreaming Reels. it is a compilation of scenes from the Hadden expedition to the Torres Strait in 1898, Lake Tyers settlement, Northwest Scientific Exploration in the Kimberleys, the aboriginal camp at Orbost in 1921, the Douglas Wylie Expedition in 1926, Princess Charlotte Bay 1926-1927 and McRobertson's Expedition. It also contains footage from several Australian films depicting Aborigines. aboriginal-history dreaming

Discussion of aboriginal religion, often called "The Dreaming".6 p. typescriptaborigines

Book contains information about the history of Glory Boxes.Soft cover book " The Glory Box" 'A Chest Full of Hopes and Dreams' Printed by Lillydale Museum'A Chest Full of Hopes and Dreams'glory boxes

Sepia mounted photograph of a jockey on a horse, standing on the race track. Believed to be A. J. Boardman on Ta....as Dream.Printed on front: Chr. Christiansen Sunbury Studios Handwritten on back: P. Collett A. F. Boardman and Ta...as Dreamchris christiansen, photographers, boardman, a. f., collett, p., a. j., jockeys, horse racing, sports, george evans collection

The discovery in a Melbourne park (opposite the Osborne Peninsula, North Warrandyte) of an enigmatic Aboriginal stone tool led writer Jenny Brown on a fascinating journey that connected her with expert anthropologists, archeologists, Indigenous elders and knowledge holders to discover what it was. The stone tool invited many interpretations and spun off just as many amazing stories and experiences. It also afforded Jenny the appropriate canvas to tell of her own time-warping encounters with the extraordinary "otherness" of Aboriginal Australia, and with an especially marvelous character, the late Elder of the Yuin Tribe of southern NSW, Guboo Ted Thomas.193 pages : illustrations (chiefly colour), maps, portraits ; 30 cmindigenous history, aboriginal artefacts, warrandyte, archaeology

Index, bibliography, notes, ill, p.179.non-fictionHistory, artifact and art combine to evoke a time in colonial Australia when the Motherland, and the British Army in particular, loomed large. Challenges our understanding of Australia's military history and the primacy of the Anzac legend.australia - history - military, australia - relations - great britain

Trevor ‘Turbo’ Brown (1967-2017) was a Latje Latje man who was born in Mildura and spent much of his early life on the streets. He was adopted by Herb Patten and his wife Aunty Bunta, and moved to Melbourne where he took up boxing, rapping and breakdancing. ‘Turbo’ completed a Diploma of Arts (Visual Arts) from RMIT University in 2005 and his first solo exhibition at the Koorie Heritage Trust in Melbourne was a sell-out. His work is now held in many significant collections. Turbo painted animals because, as he told Uncle Herb, when he was a teenager living on the Mildura streets and the Murray riverbank, the animals were his only friends. Using bright colours and bold outlines, he usually worked on a large scale and painted quickly using unmixed acrylic paint. His engaging pictorial style and distinctive creatures from the Dreamtime made his works pulsate with an irresistible and syncopated beat.wombat

Includes pamphlet on the interpretation of rock art in the Flinders Ranges - explanation of the symbols used; six sheets relating individual Flinders and Gammon Range myths - lost children, giant serpent, mistletoe bird, native orange, old woman/child/kangaroo, eagle/crow/magpie; composition of the AdnyamathanhaIllustrationsadnyamathanha, flinders ranges, gammon ranges

Some time before the end of the year 1962, two great panels of Aboriginal art were begun. They were painted for part of a screen placed behind the Communion table in the Yirrkala church, and represented the two main, creative legends governing the lives, the behaviour and the ritual of the Aborigines belonging to a wide area of northeast Arnhem Land. Gives a brief outline of circumstances surrounding the panels. Lists the artists for each moiety. Maps show the territory of the people mentioned in the text. For each panel, there is a description of each section and an explanation of associated myths. Dua panel - the Djankawu journeys. Yiritja panel - legend of Banaitja. Glossary of terms.b&w art reproductionsyirrkala, yirrkala church, arnhem land

Story in Language and English with illustrations.Illustrations, colour photographs, word lists, CDmarringarr, folklore, storytelling, northern territory

CDgunnai, education

illustrationsstorytelling in language, marri ngarr people

This guide shows Melbourne?s Aboriginal places so that people using it can gain easy access to and a greater knowledge of them. Important historical events occurred at some of them. Others are Archaeological sites where there are still physical remains of Aboriginal activity before settlement. Locations have been mapped and Melways references and maps are included.maps, b&w illustrations, colour illustrations, colour photographs, word listswoi wurrung, wurundjeri, boon wurrung, kulin, yarra yarra, yarra river, werribee river, bunjil, waa, moieties, maribyrnong, sacred sites

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, g. siluth

ScreenprintSigned 'Sonia Lawson' lower right under printed image. Numbered XXIII (23), lower left corner under printed image.

Gift of Mack Jost, 1993

Gift of the Julie Millowick Acquisitive Award, 2003

Karen Casey (1956 – 2021) Palawaaustralian first nations art, female artist, projection, video art