MEDIUM: Photograph/Print DESCRIPTION: Black and white photograph print No outer frame White board frameSigned, titled and dated under bottom of image on printbanda that, dress photograph

Photograph of Jessie May Partington as a child.Jessie Angus was a Greensborough identity for her work with the local choral society and as a member of the pioneering Partington family.Postcard Studio portrait of small child in lace dress. Photograph in oval mount.In pen on mount: Jessie May Partingtonjessie may partington, jessie angus, jessie scholes, partington family

Photograph. Wedding photograph of Mrs James Mitchell nee Ella Nicholls (Bendigo). Brown cardboard surround. Photograph - black and white 18.5cmX13.5cms. A .5cm wide dark brown border surrounds the photograph, and the edge of the mount. Bride wears a beautiful silk and lace gown, a floral head-dress holds a floor - length veil, and she wears fingerless gloves and carries a large round bouquet.Photo, Eden Studios Melbourne P697. On back of photograph: hand written - About 1912. Mrs James Mitchell nee Ella Nicholls (Bendigo).photograph, person, wedding photo of mrs james mitchell, refer research notes included in clothing box 136

Photograph. This is a photo-copy of 11400.751. A black and white photo mounted on cream card. It is from the Wedding of Mrs James Mitchell (nee Ella Nicholls, Bendigo). A floral head-dress holds a long veil, fingerless gloves, and a large round bouquet complement this beautiful silk and lace dress.photograph, person, copy wedding photo of mrs james mitchell, refer research notes included in clothing box 136

Photograph of troop of soliders in dress uniform and slouch hats, carrying rifles, marching past a townhallphotograph, dress uniform, parade

Long coffee coloured wool lace evening gown with long sleeves and train. According to the donor (see correspondence in supp. file), this gown was made from Australian wool woven in Bradford and made up in Paris. It was given to the Melbourne Legacy Wives Association by Mr Ken Clarke (former head of the Wool Board and a Legatee) for use in a parade of garments by the Legacy Wives Association. This particular gown won an award (Wool Award/Gown of the Year?) in c.1957 and was on display in the window of the Georges department store in Melbourne.Long coffee coloured wool lace evening gown with long sleeves and train. Slip under coffee coloured lace dress. Detail of bodice of coffee coloured lace dress. Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"AC / AUST WOOL BOARDfashion, australian wool board, lace

Black and white photograph of Win Harbeck and Vi Coate wearing fancy dress costumes, photograph taken outdoors in garden. Lakes Entrance Victoriaclothing, genealogy

The brothers in the photograph are George, Alkinos and Dimitri Paizis who arrived in Australia from the Ithacan village of Kioni some time in the 1920s. Their parents were Anastasia and Galeri Paizis. Alkinos Paizis was President of the Ithacan Philanthropic Society from 1966 to 1968A sepia photograph of three smartly dressed men photographed in a photographer's studios. One man is seated and the other two are standing on each side of him.

As a wedding photograph, this photograph shows the fashions of the time, which can be traced back to the 1930s, based on the length and style of the dress. This photograph shows one of the many uses of the Mission.This photograph shows one of many weddings held at the Mission to Seafarers. The image is relevant to the Mission and the services of the affiliated Anglican Church.This is a copy of a black and white photograph of wedding party in the courtyard at Mission to Seafarers. The bride is wearing an ankle length gown with peep toe shoes and a floral headpiece with veil. The groom is in full naval uniform.Pin hole through the top centre of the photograph.hat, coat, uniform, veil, wedding, dress, suit, courtyard, mission to seafarers, seamen's mission, mission to seamen, wedding dress, flinders street, melbourne

Julius Kresny was a superintendent at Raffles Hotel Singapore before being interned. He came over on the Queen Mary and was in Camp 3 Rushworth. He joined the 8th employment company.Black and white photograph of a man front on but head looking to the right of photograph. Dressed in a suit and tie. julius kresny, raffles hotel singapore, queen mary liner

The people in the photograph are dressed up as if a special occasionBlack and white photograph of a group of hop pickers and families, hop poles on ground in front of people, others at back not picked, two bicycles, East Gippsland, Victoriacelebrations, agriculture, farming

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The donor, a resident of Kew, provided a handwritten provenance with the donation. "This is an heirloom dress, worn in Tasmania by a Fletcher relative c. 1860s, 1870s. It was for years, with another in the Queen Victoria Museum and Art Gallery, then borrowed for concerts. In (the) 1990s it was enlarged at the back for a Centenary reenactment. I thought you might like it for your collection."19th century white cotton day dress, photographed as accessioned, which is printed with a design in black. The front has a 3/4 length buttoned opening. The dress has wide ruffles in the same fabric at the base of the skirt. The later 1990s inserts which can be seen in the first and third images have been removed in preparation for the dress to be restored. The buttons are a later addition. Historically appropriate replacement buttons were later added.women's clothing, day dresses, australian fashion - 1870s, coralie coulston

This later photograph of Olive Duncan (in relation to the remainder of the sub-collection) shows a change in hairstyle in dress to earlier photographs. This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation. Black and white photograph of Olive Duncan (showing wedding ring) holding a dog whilst seated in a cane chair in a garden.On reverse of photograph "OLIVE DUNCAN" is written in blue biro.olive duncan, ladies harbour lights guild, lhlg, lillie duncan, dog

One of three photographs of scenes and or individuals in Africa or Japan.Sepia photograph, mounted on card of a man in traditional Japanese court dress. The studio photograph includes the man's swords. "****-hashi Tycoon of Japan"japan - portrait, japan -- court costume

Two Photograph. Top Photograph is team photograph of C Coy in Dress Greens. Bottom Photograph is of a poster for the Naughty 9 Platoon.3 rar, c coy, 9th platoon, photograph

Photograph of Lorrae Desmond in an evening dress singing to troops. Photograph is signed by Lorrae Desmond.To Denis Darling love & kisses Lorrae Desmond Nui Dat March 69 signed May 97lorrae desmond, photograph, entertainment

BLACK AND WHITE PHOTOGRAPH LADY DRESSED IN WHITE FORMAL FROCK WITH WIDE SASH AND ROSE AT WAISTWISH YOU ALL A HAPPY XMAS LIL. REVERSE SIDElocal history, photography, photographs, unidentified photograph

This photograph demonstrates how churches involved themselves in all aspects of people's lives. The young people in the photograph are dressed for a performance.Black and white mounted photograph of a musical group, with instruments, in the vicarage of Christ Church, Anglican Church, Mitcham. The tallest young man in the back is Alwyn Till. The photograph is mounted.christ church, anglican church, mitcham, till, alwyn

Also, black and white photograph number 02892.2 of three children performing Nativity Play at Kindergarten.Black and white photograph child dressed in art smock, painting at easel, at Heatherlea Grove Kindergarten, Lakes Entrance.education

Arthur Koutsouvelis and Aspasia Raftopoulos are the couple in the photograph which was taken. Arthur arrived in Australia from Ithaca in 1952. He and Aspasia were married in February 1954. Aspasia was the younger daughter of George and Ioulia Raftopoulos. Marriage between Ithacans was encouraged by parents, however many many second generation Ithacans married Greeks from other parts of Greece - Ithacans in the day considered that this was marrying a 'xeno', (a foreigner). Some also married non Greeks, although at the time this was the exception. Today, like the rest of Australia, Melbourne's Ithacan community has become diverse. A black and white head and shoulders photograph of a well-dressed lady and man photographed in a shopping strip in a city street.

Image of the French brothers posing from a photograph while dressed in the AIF uniform during World War One.Verso in pencil: "On the left is Sergeant French and on the right is Driver Frenchchatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france. french

The portrait photo is of John (Yiannis) Raftopoulos, father of Michael, Theodora and Dennis. John arrived in Australia in 1912 at the age of 13 together with his father Mihalis Raftopoulos. Mihalis had first come to Australia in 1895 and again in 1906; he finally returned to Ithaca in 1918. John however remained and eventually established his own business, Central Fruit Agency, in Melbourne's Victoria Market. He was also in partnership with his brothers-in-law John and Peter Karantgis in the London Cafe in Elizabeth Street Melbourne.John Raftopoulos was typical of many early young Ithacan males who settled in Melbourne and who with a strong entrepreneurial spirit gradually established themselves in various businesses.A black and white studio portrait photograph of a smartly dressed young man. Original photograph was in a black oval frame .

Picnic in the bush. Probably Black Ranges. Church group.Black and White Photograph of a group of people in a bushland setting. Women wearing long dresses with large hats. Photograph cropped.Dear Mert, There's nothing like keeping up appearances so you see I got as near the Parson as possible. How do you do di de do how as you do de do di do etc. is Jimmy living where hes living now or has he gone away. From yours sinc. M the other side. P.S. don't run away with the idea that it was Jack I was edging up to. Forgot your number its late to go over home. stawell

Seafarers and LHLG members photographed during their zoo outing on New year's day, 1907Small monochrome outdoor photograph, depicting a large gathering of men and women grouped in a rough semi-circle, quite formally dressed, posing to be photographedzoo, 1907, mr dudley le souef, picnic, lhlg, ladies harbour lights guild, sailors, seamen, seafarers, gardens, parks, new year, umbrella

Sisters, Desma and Sophia Paizis are photographed dressed in Greek traditional costumes. They are attending the Grecian Ball which was held at Melbourne's Exhibition Building and were part of a dance group preforming Greek traditional dance. Desma and Sophia were the daughters of Menio and Penelope Paizis, early Ithacan immigrants who settled in Melbourne.A black and white photograph of two young women wearing traditional dress and holding baskets of flowers.

Thought to be taken in YarrawongaOriginal black and white photograph featuring mainly women and children in gypsy dress. Identities unknown. The photograph has been handed down through the Marshall family.Hand written on the back - Gypsy Fair Saturday 24th February 1940

Veil worn by Margary (Madge) Isabelle Brydon. Was later worn by many (about 15) local ladies who lived in the area of Rushworth. Madge's daughters, Molly and Isobel both wore the veil at their weddings in 1938 and 1945. Donor is granddaughter of bride. Veil made by bride and described in the Waranga Basin newspaper at the time. Margary (Madge) Brydon married Edward (Ward) Sprunt at the bride's family home in Carag Carag, Victoria on 10th April 1912. Veil also worn by Mary (Molly) Leith at her wedding to William (Bill) Paynter on 18 January 1932 at Stanhope Presbyterian ChurchCream 1912 cotton net Princess veil. Lace is handmade tape and cotton embroidery. See Also NA3494 -wedding dress, NA3496 - shawl and photograph NA3498costume, female ceremonial

Frederick de Kock first advertised as a teacher of French situated in Mr N Caire's photographic Studio, View Place. In 1882 he began teaching hand painting on ceramics. In 1883 he advertised as a photographer with his own studio on the corner of Mitchell and King Street, which was later named the Bendigo Portrait rooms. In December 1887 Mrs De Kock sold all her goods prior to a move to Sydney. In 1888 Frederick advertised as a representative of the Enlargement Company who was visiting Bendigo to take orders. This information suggests that this photograph was taken between 1883 and 1887.Sepia family photograph of three girls and one boy, date and family name unknown. Siblings dressed for the photograph, youngest child the son carries a walking stick. Photograph by F. de Kock & Co., photographic artists located at corner of Mitchell and King Streets.siblings, family group

The men are all members of the Skiotis family. Standing from L-R: Nick Skiotis and Panos Skiotis, sons of Nick Skiotis senior who is seated in the front on the right. Gerasimos Skiotis is seated on his left. The gentlemen in the photograph all arrived in Melbourne at different times before 1920. Panos Skiotis migrated to Australia in 1913, and then in 1917 went to China where he established himself as a tobacco merchant. Two of his sons, Hector and Denis, were born in China and the third son, Nick, was born in Ithaca when the family returned to Greece in 1936. Denis and Hector migrated to Australia in the 1947.A studio sepia photograph mounted on board of four men. Two are seated in front and two are standing behind them. They are all smartly dressed and have been photographed inn front of some drapes. sikiotis