Banyule Mayor Craig Langdon agreed to lobby for controls on the use of drones, particularly regarding privacy issues.News clipping, black text.banyule city council, drones, craig langdon

Government Aircraft Factories

Exterior photographs of the house at 3 St Helena Road Greensborough (corner Diamond Creek Road). The house was built in 1920. These photographs are from the Ray White sales brochure 2017. The 4 bedroom property sold in December 2017 for $900,000; previous sales: April 2009, $600,000; June 1981, $36,500; June 1976, $32,500. Digital copy of 5 colour photographs, possibly taken from a drone.st helena road greensborough, diamond creek road greensborough

Drone footage of Charles Anderson Grove Retirement Village off Gillies Street, Ballarat.charles anderson grove, old colonists' association, ballarat, drone footage, aerial, ballarat, retirement village

Originally built by John Hill, a shoemaker at Kangaroo Ground around 1878. In the late 1970s when our Society was the Shire of Eltham Historical Society, an offer was made to the Society regarding use of an old cottage at Christmas Hills. The cottage sat beside Watsons Creek just outside the then Shire of Eltham but following municipal restructuring it now lies within the Shire of Nillumbik. For various reasons the offer ultimately lapsed. At that time some research on the cottage was carried out for the Society by Keith Chappel as part of a larger research project that he was doing. Keith’s notes were taken from Lands Department records and showed that the property was the subject of a permissive occupancy of Crown land comprising the creek reserve. In 1903 a Miner’s Right of one acre in area was granted to Edwin Samuel Birch. In 1907 Birch applied to purchase this land but was unable to because it was part of the creek reserve. The documents show that the cottage existed at that time. Upon Birch’s death in 1932, his daughter, Honor Mary Birch was granted a permit to occupy the residence. Honor Mary Birch, known as Nora, was born 1900, the daughter of Edwin Samuel Birch and Honor (nee Young). In 1939 she married George Henry Williams (aka Henry). Honor died 8 July 1976. Her siblings were Margaret Martin (dec), Bert Birch and Brigidene Brinkkotter. In her will she gave and bequeathed “all the improvements on the land held by me at Christmas Hills under Permissive Occupancy from the Department of Land and Survey consisting of the house property thereon and all the contents of the said house to my nephew Brian Joseph Martin of Christmas Hills aforesaid farmer”. The will described the property as a four room, five square house, about 100 years old with enclosed verandah, including kitchen, combined lounge dining room, bedroom and store room; built of ‘bush slabs’ with a corrugated iron roof. A dairy had been erected in 1935. After her death, the property was acquired by the Melbourne Metropolitan Board of Works in 1978. The property is listed on the Victorian Heritage Database HO200-Hill, later Birch farm complex, 945 Eltham-Yarra Glen Road, Watsons Creek and described as: The house has a steep but simply gabled roof form clad with corrugated iron, vertical adzed hardwood slab front wall construction, split palings to the gable ends; rubble freestone chimney at one end (with added gsi flue), pole-framed Graeme Butler & Associates, 2006: 101 Shire of Nillurnbik Planning Scheme Amendment C13 Heritage Assessments verandah (rebuilt?); six-pane double-hung sash windows; T&G bead-edge boarded ledged & braced door; and paling clad rooms added at verandah ends. A slab-clad large fireplace is at the north corner of the house, with a gsi upper cladding added and an internal lining of rubble stone. The rear facade is different construction, being drop-slab, and sits beneath a rear skillion addition to the main gabled form: this may be more recent construction. The house appears to have been once set up for public display and may have been recreated in part for that purpose. Outbuildings are reached by a track along the east side of the house, including what may have been a creamery (typical standard inter-war design clad with corrugated iron and lined with 1938 Lysaght Queens Head Australia galvanised sheet iron) and a paling clad gabled out-house. Timber outbuildings of differing eras are to the north-west of the house, with pole framing and paling infill construction and Redcliffe brand corrugated iron. Post and rail (front) and split paling (rear) fence remnants line the front boundary. Pepper trees part of house yard landscape49 born digital images (includes one panoramic stitch and nine frames from drone video)birch cottage, christmas hills, early settlers, edwin samuel birch, honor mary birch, john hill, watsons creek

4 born digital videos (2 x 05:27, 1 x 03:08 and 1 x 04:37) drone video footage in MOV file format, 2 born digital images JPG format (and 28 frames (JPG format) extracted from drone videos)aerial photo, arthur's creek, arthur's creek cemetery, video recording

Drone footoge featuring the Old Colonists' Association of Ballarat Inc., retirement village at Charles Anderson Grove. The area to the left is being prepared for 18 additional cottages to be built. old colonists' association of ballarat, drone footage, ballarat, aerial, charles anderson grove, retirement village

Drones, out of control burn offs and badly executed barbecues could lead to a fire disaster across the Diamond Valley and other rural areas this summer, the CFA has warned.News article 1 page, black text.cfa, bushfire warnings, bushfires, country fire authority

Melbourne-based artist Trent Crawford explores how emerging technologies and autonomous systems alter human perception. Velocities I (Gerardo Dottori), traces its lineage back to Italian Futurist painter Gerardo Dottori’s 1942 masterpiece, Aerial Battle over the Gulf of Naples. Dottori’s generation pioneered ‘aeropainting’, using the novel thrill of airplane cockpits to depict dynamic speed and a radical spatial orientation. Crawford contrasts this historic, highly embodied human experience of flight with the cold reality of today's autonomous machine vision. Using the debossed, archival inkjet print process, Crawford strips away the human ‘lens’ and replaces it with that of a computer or machine. The resulting composition points to a modern state of our aero landscape viewed through the automated ‘eyes’ of satellites and drones. Through this haunting visual reorientation, Crawford prompts us to consider the dizzying ideological shifts triggered by our own rapid technological acceleration. Italian Futuristsstonnington contemporary art collection, trent crawford, print, inkjet, futurist, aeropainting, machine, technology, drone, autonomy