A digital image of the "For Sale' poster for 8 Drysdale Street Port Melbourne. It was the childhood home of Doc DOHERTY.built environment - domestic, drysdale street, doc doherty

Framed AwardNational Trust, City of Greater Geelong, Geelong and Regional Branch National Trust of Australia (Victoria) and City of Greater Geelong, Heritage Award, This award is presented in recognition of the contribution this place has made to conservation of heritage in the Geelong region, Former Drysdale Free Library and Hall 18-20 High Street Drysdale, External and internal repairs and construction of a disabled entry ramp, May 2016m Funding body Working Heritage, Committee of Management Chair Helen Weston, Planning Construction Consultant Tim Hubbard, Executive Officer Ross Turnbull, Wendy Jacobs Architect, Chris Mantello Mantec Projects builder

The Drysdales were licensees for the period of their daughter Denise's growing up.Photo of previous licencee name "Drysdale" exposed after creating the 'distressed look' on the building's face of the Old Fountain Inn Hotel during restoration and renaming "Sloaney Pony", 2006built environment - commercial, business and traders - hotels, david thompson, fountain inn, sloaney pony

George Eddington arrived in Australia in 1839 and named and established property in 1841 calling the property Ballangeich after a Pass near his home town of Stirling in Scotland. It is situated 151 miles west of Melbourne and to the south of Mortlake and was originally part of the Mortlake shire, which was proclaimed 26th Jan 1864. Nearest streams are the Hopkins Riverand Lyall and Drysdale creek running through good agricultural land. This map relates to the breaking up of large runs which the Victorian government enabled through selection acts of the 1860's. The previously larger runs which were mainly cattle and sheep based were now more open to closer settlement and a greater variety in farming.The lots range in size from approximately 50 acres to around 600 acres.Some areas are set aside for reserves. By 1886 the population of Ballangeich had grown to around 600 with an hotel, three state schools and a church.Tri weekly coaches ran to Colac, Warrnambool and Camperdown providing access to supplies mail and communication. This map is typical of many which were produced in the 1860's in Victoria during a significant period of Victoria's and Warrnambool district history.Rectangular light card paper with black text showing allotments of land The area is coloured in green with scale at bottom right cornerAt the top: Plan of the Agricultural area of Ballangeich 1865 At the bottom left: Prepared by the Board of Lands & Works in accordance with the Amending Land Act 1865 Lands & Survey Office Melbourne 13th April 1865. With signaturehistory of warrnambool, ballangeich, land surveys victoria 1865, lands act 1865 victoria, ballangeich map 1865

Book. ALEC H CHISHOLM COLLECTION. 316 page hardcover book of a collection of fishing stories by various authors, Australian and overseas, with drawings by Australian cartoonists and B & W photos of fish. Published in 1966 by Lansdowne Press, Melbourne and printed by the Speciality Press, Clayton, Victoria. Contributors include - Bob Dyer, Arthur Upfield, Russell Drysdale, Zane Grey, Nino Culotta, Ion Idriess. Catalogue sticker ''2173 POL'' on spine. Handwritten in biro on flyleaf ''For Alec, with kind regards, Jack Pollard''.Jack Pollardbooks, collections, fishing, alec h chisholm collection, fishing, angling, jack pollard, australian authors

Document. Norman Penrose collection: annual report and Balance Sheet 1949 for The Ballarat Fine Art Public Gallery Association. Has list of acquisitions and some pictures of paintings including 'Richmond Bridge, Tasmania' by George Lawrence, 'A Football Game' by Russell Drysdale and 'Eaglemont, 1889' by Arthur Streeton.person, bendigo, norman william penrose, norman penrose collection, ballarat art gallery annual report and balance sheet 1949

Pencil markups and comments in Robin Boyd's writing on the article "Vision and confidence in art for textiles" by Sydney Ure Smith, p8russell drysdale, william dobell, textile design, walsh st library

"Patricia Boyd" handwritten in green pen inside front coverrussell drysdale, william dobell, textile design, walsh st library

Hardcover w/ Dust Jacketaustralia , walsh st library

Hardcover w/ Dust Jacket"Penleigh Boyd"australia , walsh st library

Born 26/2/1924. Ordained 1956. Turiff Home Missionary 1948, Birchip (HM) 1948–49, Mt Isa (Methodist Inland Mission) 1949–51, Drysdale 1952–55, Goroke 1956–57, Sea Lake 1961–65, Avoca 196–67, Strathmore 1967–72, Ballarat West 1973–76, Joined the UCA 1977. Without settlement 1976 while transferred to Rochdale (UK), Boronia, Malvern (6 years), Peterborough (UK). Retired to Geelong in 1989, and died late 1997. Wife: Ruth (4 daughters).Head and shoulders B&W photo."The Rev. Ken Eddy"eddy, kendall w.

Rev. Edward King (1825 - 1905) Wesleyan minister born in England. Entered the ministry in 1846 in England. Came to Australia in 1857. Stationed at: Melbourne East, Brighton, Creswick, Tarnagulla, Castlemaine, Williamstown, Geelong West, Daylesford, Warrnambool, Williamstown, Preston, Drysdale, Colac, Maldon, Beechworth. President of the Victorian Conference of the Methodist Church of Australasia in 1877. Made a supernumerary in 1893. Died at Armadale in 1905.Sepia toned waist length carte de visite studio portrait of the Rev. Edward King."With love from Ed. King"

Caroline Elizabeth Newcomb (1812 - 1874) woman squatter. Born in London and emigrated to Hobart Town in 1833. She went to Port Phillip in 1836 as governess to the children of John Batman. She met Anne Drysdale in Geelong and they set up a farming partnership. Caroline Newcomb joined the Wesleyan Methodist Society in 1839 and became the first secretary of the Methodist Church at Drysdale, founded in 1849. After Anne's death in in 1853 she continued to run the Coryule property. On 27 November 1861 she married Wesleyan minister the Rev James Davy Dodgson. She died at Brunswick on 3 October 1874. She was buried beside Miss Drysdale at Coryule.Sepia toned enlarged reproduction of original full-length studio portrait of Mrs Caroline Dodgson, formerly Miss Caroline Newcomb. caroline elizabeth newcombe, anne drysdale, rev james davy dodgson, coryule, geelong, hobart town, john batman, squatter, methodist, drysdale

Reverend John Kissack Arnold was a home missionary at Mansfield and was ordained in 1923 for Overseas Mission work. He was appointed to Drysdale, Newtown, Geelong, Yarram, Kyabram, Castlemaine, Kew and Moonee Ponds. He was born in 1895 and died on31 July 1955.B & W head and shoulders studio portrait of the Rev John Kissack Arnold, mounted on grey card.Rev. J.K.Arnoldrev john kissack arnold, home missionary, methodist, overseas mission

Large oblong silver tray with handles at each end, engraved flowers and leaves and an inscription in the centre."Presented To Miss Dyson, Organist Drysdale Wesleyan Church By The Choir & Congregation As A Token Of Esteem 24-3-90"drysdale wesleyan church

Hat was purchased from Myers Geelong by Jean Inglis for use in the Royal Melbourne Sheep Show 1988. Jean made the blue patches which are attached to the hat. They are hand spun, woven and dyed by Jean in Geelong, with the dyeing done in Drysdale. Earliest Date: 1988Cream colouored wool hat with navy blue patterned patches affixed. Two labels on inside "Bermona / Trend / LONDON" and another warning not to wear in the rain.jean inglis, royal melbourne sheep show

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

Oil on composition board

Originating in New Zealand, the Drysdale, represented by Bilby Bill, was developed in the 1930s at Massey University (Canterbury) by crossing a coarse haired Romney and the hardy Cheviot breed. First imported to Australia in 1975, the Drysdale, due to a genetic abnormality, produces coarse, long staple fleece. This same gene also gives them their horns, something that generally does not occur in the parent breeds. Their fleece grows very fast, up to 25cm every six months; as such shearing is carried out twice a year. The coarse and hard wearing wool is mostly used for the manufacture of carpets. The Drysdale is a medium to large stocky sheep, weighing approximately 55kg and produces about 6 to 8kg of fleece per animal annually, which is 35 to 45 microns in diameter. The yarn used on the National Wool Museum’s Axminster Gripper Loom to make the Manor House Rug is spun from the wool of Drysdale sheep.Taxidermied male Drysdale sheep. Medium sized animal with white body coloration. Large horns protruding from the top of the skull. drysdale, sheep, new zealand

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke KeoghVirtual Imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie