Heidelberg Golf Club: 75th anniversary - the Eaglemont Room set up for dinner. 16 August 2003.Colour photograph of Eaglemont Room75th anniversary celebrations, 75th year, heidelberg golf club - history, eaglemont room

Heidelberg Golf Club: 75th anniversary - Eaglemont Room and Club members 16 August 2003. Colour photograph of Eaglemont Room and patrons75th anniversary celebrations, 75th year, heidelberg golf club - history, eaglemont room

Heidelberg Golf Club: 75th anniversary - President Kevin McLean enters Eaglemont Room 16 August 2003. Colour photograph of guests and President75th anniversary celebrations, 75th year, heidelberg golf club - history, eaglemont room, kevin mclean

Heidelberg Golf Club: 75th anniversary - Captain Gavin Duncan enters Eaglemont Room, 16 August 2003.Colour photograph and caption in album75th anniversary celebrations, 75th year, heidelberg golf club - history

Heidelberg Golf Club: Eaglemont Room decorations from the 75th Anniversary black tie dinner 16 August 2003. Colour photographs of table settings75th anniversary celebrations, 75th year, heidelberg golf club - history, eaglemont room

Colour slide in a mount. 35 Outlook Drive, Eaglemont (1964), Victoria, Australia. (Architects: Montgomery, King and Trengove.)Made in Australia / 35 / JAN 65M / House Eaglemont (Handwritten) / / Montgomery King & Trengrove (Handwritten)melbourne, slide

Colour slide in a mount. 35 Outlook Drive, Eaglemont (1964), Victoria, Australia. (Architects: Montgomery, King and Trengove.)Made in Australia / 33 / JAN 65M / House Outlook Drive Eaglemont (Handwritten) / Montgomery King & Trengrove (Handwritten)melbourne, slide

One of a series of overlapping aerial photographs of the Heidelberg/Greensborough area, covering Eaglemont, Heidelberg, Ivanhoe East & Viewbank. North boundary Hurstbridge railway, South boundary Ivanhoe East, East boundary Bulleen RoadLaminated colour aerial photographeaglemont, heidelberg, ivanhoe east, viewbank

This volume (4) of the Banyule Heritage Places Study: Heritage Areas deals mainly with areas in the Heidelberg, Eaglemont and Ivanhoe areas. Were Street Montmorency is mentioned.63 pages, col. illus., maps.heritage places, were street, heidelberg, ivanhoe, eaglemont

Report prepared by Graeme Butler on behalf of City of Heidelberg and Heidelberg Heritage Advisory Committee. Area covered is from Eaglemont in the south to Macleod in the north.This study identifies neighbourhood character, documents past development and the capacity of the environment for future development.Part one of set of three books. Paperback, 189 pages, Illus., maps. 2 copies.Stamps: Yarra Plenty Regional Library Service, and, Withdrawnheidelberg, macleod, heidelberg heritage advisory committee, graeme butler, plenty river, eaglemont

Pamphlet on Box Hill Artists Camp and the move to Eaglemont, near Heidelberg when the term Heidelberg School began to be used, in 1988. The Box Hill Camp was made on David Houston's property on Gardiners Creek, south of Canterbury Road, between the present sites of Bowater Scott and Box Hill Golf Club.Pamphlet on Box Hill Artists Camp artists camps, roberts, tom, mccubbin, frederick, streeton, arthur, conder, charles, abrahams, louis, houston, david, gardiners creek

Two volumes of the Banyule Heritage Places Study. Vol. 1: An Urban History [1837-1940s], covers Heidelberg, Ivanhoe, Greensborough and Janefield (Bundoora). Vol 2: Building Citations - Part 2, Data Sheets L-Z deals mainly with houses in the Heidelberg, Eaglemont and Ivanhoe areas. Approx 300 pages, col. illus and maps.historic houses, ivanhoe, eaglemont, heidelberg, banyule city council, greensborough

This house won the Victorian Architecture Medal for the RAIA’s Best House Of The Year in 1965.Colour slide in a mount. The Williams House (1963), 4 Glenard Drive, Eaglemont, Victoria, Australia. (Architect: Charles Duncan.)Made in Australia / 30 / JAN 65M / House, Glenard Drive, Ivanhoe (Handwritten) / Charles Duncan melbourne, slide

Colour slide in a mount. Desbrowe Annear House, 36-38 The Eyrie, Eaglemont, Victoria, Australia, 1903. (Architect: Harold Desbrowe Annear.)Made in Australia / Encircled 27 (Handwritten)melbourne, slide

Colour slide in a mount. Image of the sketch plan of the Desbrowe Annear House (in Robin Boyd's handwriting), 36-38 The Eyrie, Eaglemont, Victoria, Australia (1903)Made in Australia / Encircled 37 (Handwritten) / Encircled A (Handwritten)slide, robin boyd

Ladies' AGM Dinner 2000: held in the Eaglemont Room.Colour photograph and caption.ladies' golf, agms, annual general meetings

Heidelberg Golf Club: 75th anniversary - stage and window in the Eaglemont Room 16 August 2003. Colour photograph of stage and window75th anniversary celebrations, 75th year, heidelberg golf club - history, eaglemont room

Phillip Oliver Ely was born in Greensborough, played for Greensborough Football Club and lived for some time in Eaglemont3 p. text, photographs and transcriptions of newspaper clippingsely family

Heidelberg Golf Club: 75th anniversary - John Murray Master of Ceremonies for the celebrations speaking to the crowd in the Eaglemont Room. 16 August 2003.Colour photograph of speaker at podium75th anniversary celebrations, 75th year, heidelberg golf club - history, eaglemont room

Mr Louis Amiet came to Greensborough in 1896 as Headmaster of Greensborough State School, remaining until his retirement in 1916. He retired to the Eaglemont area.Digital copy of black and white photograph.louis amiet

Document. Norman Penrose collection: annual report and Balance Sheet 1949 for The Ballarat Fine Art Public Gallery Association. Has list of acquisitions and some pictures of paintings including 'Richmond Bridge, Tasmania' by George Lawrence, 'A Football Game' by Russell Drysdale and 'Eaglemont, 1889' by Arthur Streeton.person, bendigo, norman william penrose, norman penrose collection, ballarat art gallery annual report and balance sheet 1949

The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.An almost identical plan of the ‘Pointed Firs Estate’ is in the State Library of Victoria. The plan unusually uses a photograph to show the panoramic views from the Estate. A prospective purchaser could expect to look across the Yarra Valley to Eaglemont and Heidelberg. The 36 lots advertised for sale faced Doncaster Road, Houghton Street, Maud Street and Thackray Street in Balwyn North.subdivision plans - balwyn, pointed firs estate

Sepia photograph: Diggings at Myers Creek July 20, 1867 Victoria, Australia. Tents on left side, partly built hut on right side, three men one sitting two standing. Physical description: copy of original, unmounted. Inscriptions/Markings: from copy by Claver Carroll, Myers Creek Diggings 1867, Vic AustraliaBatchelder Photoplace, land, mining, dolly carroll, c/o 9 brooke st, eaglemont, vic. 3084

Two seasons, the first on the 14th & 15th August, 1952 was part of the Company’s 1952 playbill and contains advertisements from local retailers in Ivanhoe and Eaglemont and advertises the forthcoming play, The Playbill by Terrance Rattigan, embracing The Browning Version and Harlequinade. The second season, on 2nd October, 1952 was in aid of City Of Heidelberg Eisteddfod Society Prize Fund and the Society acknowledges the Group's co-operation. Scans of original programs that are printed on both sides of single sheets.reg markham, ken proctor, leonard tonge, keith featherstone, clement meadmore, mel morgan, lois james, helen hyne, graeme tonge, jim howard, george tanner, patricia walker, bruce mcbrien, peter maxwell, laurie woods, peter goad, jack campbell, gwynneth roberts, reg rudd, max mundy, fred tipping, thora berg, stella guererro, the ringer, city of heidelberg repertory group, eistdford hall, 1952, 4, directed by joyce carthew

1_Program contains advertisements from local retailers in Ivanhoe and Eaglemont advertises the forthcoming play, lists the cast and crew, with details of the cast, synopsis of scenes and when each act occurs. 3_1 Refers to detail of staging with ‘average’ acting, with best performance by Lois James. 3_2 Detailed Review, includes performance dates; Thursday 1st and Friday 2nd May, 1952. Increased size of audience and detail of the staging and favourable descriptions of the actors and producer. All items in good condition 1_Photocopy on white A4 paper from scanned original program that is printed on both sides of single sheet. 3_1 photocopy of cutting from unidentified newspaper article. 3_2 Cutting from unidentified newspaper article. Black type face on newsprint paper which has an ecru tone. The Review is glued onto paper. 6_Photocopy of cuttings from unidentified newspaper articles elaine robinson, reg morkham, stella guererro, esme kopman, ken proctor, elaine hill, lois james, joyce carthew, thora berg, reg rudd, claudia, city of heidelberg repertory group, eistdford hall, directed by mel morgan

Various documents (not Annual Returns) relating to finance of Arts Bendigo: Statement for Account Israel Philharmonic Orchestra (1984); Application for assistance from the Arts Development Fund of the Victorian Ministry for the Arts ('General Application 1986') - date of application 29/7/1985 (includes report of activities of AB for 1984); 5/5/1995 - order for wine from Eaglemont Cellars; Statement of Receipts & Expenditure for performance (Tokyo Flute Ensemble 12/8/1984). Receipts for 11/6/1983 (Bill Dillard & His Blue Serenaders).arts bendigo, israel philharmonic orchestra, merle hall

Walter Withers (1854-1914) was born in Handsworth, Warwickshire, England. He migrated to Australia in 1882 and in time was to become one of the country's most famous painters. In 1887/8 he spent a year in London and Paris during which time he married Fanny Flinn. When he returned to Melbourne he was engaged by publishers doing black and white illustrations. In the late 1880's he became associated with artists who formed the renowned "Heidelberg School" and in 1890 moved to "Charterisville" at Eaglemont. He lived in the Heidelberg area until 1903 when he purchased a house on two and a half acres (one hectare) at the corner of Brougham and Bolton Streets, Eltham. He had long been attracted to the Eltham area, but needed access to Melbourne for his painting classes. The extension of the railway in 1901 made the move possible. He remained in Eltham until his death and is buried at nearby St Helena. Many of his important paintings were painted during these later years. There are important collections at the National Gallery of Victoria and the Geelong Art Gallery. His Eltham house remains and his name is honoured by a small park at the corner of Bible and Arthur Streets. Source: Information panel produced for Heritage Display exhibition by EDHS 1990.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg (duplicate of original)eltham local characters, pioneers and painters, sepp, shire of eltham pioneers photograph collection, walter withers, eltham, southernwood

Walter Withers (1854-1914) was born in Handsworth, Warwickshire, England. He migrated to Australia in 1882 and in time was to become one of the country's most famous painters. In 1887/8 he spent a year in London and Paris during which time he married Fanny Flinn. When he returned to Melbourne he was engaged by publishers doing black and white illustrations. In the late 1880's he became associated with artists who formed the renowned "Heidelberg School" and in 1890 moved to "Charterisville" at Eaglemont. He lived in the Heidelberg area until 1903 when he purchased a house on two and a half acres (one hectare) at the corner of Brougham and Bolton Streets, Eltham. He had long been attracted to the Eltham area, but needed access to Melbourne for his painting classes. The extension of the railway in 1901 made the move possible. He remained in Eltham until his death and is buried at nearby St Helena. Many of his important paintings were painted during these later years. There are important collections at the National Gallery of Victoria and the Geelong Art Gallery. His Eltham house remains and his name is honoured by a small park at the corner of Bible and Arthur Streets. Source: Information panel produced for EDHS exhibition in 1990. john withers collection, artist, sepp, shire of eltham pioneers photo collection, walter herbert withers, walter withers

Walter Withers (1854-1914) was born in Handsworth, Warwickshire, England. He migrated to Australia in 1882 and in time was to become one of the country's most famous painters. In 1887/8 he spent a year in London and Paris during which time he married Fanny Flinn. When he returned to Melbourne he was engaged by publishers doing black and white illustrations. In the late 1880's he became associated with artists who formed the renowned "Heidelberg School" and in 1890 moved to "Charterisville" at Eaglemont. He lived in the Heidelberg area until 1903 when he purchased a house on two and a half acres (one hectare) at the corner of Brougham and Bolton Streets, Eltham. He had long been attracted to the Eltham area, but needed access to Melbourne for his painting classes. The extension of the railway in 1901 made the move possible. He remained in Eltham until his death and is buried at nearby St Helena. Many of his important paintings were painted during these later years. There are important collections at the National Gallery of Victoria and the Geelong Art Gallery. His Eltham house remains and his name is honoured by a small park at the corner of Bible and Arthur Streets. Source: Information panel produced for EDHS exhibition in 1990.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg 120 format B&W negative B&W printsepp, shire of eltham pioneers photograph collection, eltham, walter withers, artist

Walter Withers once lived at the corner of Bolton and Brougham Streets, Eltham. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p105 Walter Withers, one of Australia’s most famous artists, once lived in Southernwood, the weatherboard house at the corner of Bolton and Brougham Streets, Eltham. Withers, one of the first prominent artists to live in Eltham, was known for his lyrical paintings of the Australian bush and is associated with the Heidelberg School of artists.1 Withers was born in 1854 at Handsworth, Warwickshire, England, the grandson of an artist. He studied art at the Royal Academy of Arts, London. But in 1882 his father, opposing an artistic career for Withers, ordered him to go to Australia. However, after working as a jackaroo on several country properties for 18 months, Withers resumed painting in Melbourne, where he enrolled in evening art classes at the Melbourne National Gallery school of painting under G F Folingsby. Employed as a draughtsman by William Inglis & Co, then by Ferguson & Mitchell, lithographic printers, Withers produced portraits in black-and-white for several periodicals. His work was exhibited in the Old Academy, Melbourne. At this time he met and became life-long friends with artists Frederick McCubbin, Tom Roberts and Louis Abrahams.2 In 1887 Withers went to England and married Fanny Finn. They lived in Paris for awhile, where Withers studied at the Academie Julian. After his return to Melbourne in 1889, Withers lived at the artist camp at Eaglemont, then moved close to the Charterisville mansion, where he established a studio and sub-let cottages to other artists. Around 1892 Withers opened a Collins Street studio, had his first exhibition, and started giving painting classes. One of his pupils was Norman Lindsay,3 also to become a prominent artist. Withers had long been attracted to Eltham, but had to wait until 1903 to live there, after the railway line was extended to Eltham in 1902. He could then commute to the painting classes he gave in Melbourne.4 Withers lived on the two and a half acres (1.0ha) Bolton Street property with his wife and five children. They were joined for a short time by prominent painter Sir Hans Heyson who took lessons from Withers. Withers added a studio to the Queen Anne/Edwardian style seven-bedroom home, which had been built in 1891. Each bedroom included a fireplace and most rooms had 12 foot high (3.6m) ceilings. The house retains several fine leadlight windows. Withers painted his largest canvas The Return from the Harvest in 1905, at his Eltham studio. He is represented in national, state and regional galleries, and in many private collections in Australia and abroad. In 1904-05 Withers was president of the Victorian Artists’ Society. Withers at times stayed during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham. Withers lived in Eltham until his death in 1914, aged 60 years. He had been plagued by rheumatism and in later life by heart and lung disease. It is said he died of a stroke peacefully in a rocking chair in front of the lounge-room fire. He is buried at St Helena in the St Katherine’s Anglican Church cemetery.5 In 1983, the auction of the house sparked fears that it would be pulled down, or substantially altered. Fortunately the new owners decided to retain the house. Some security was given to the house’s future when it was later included in the Heritage Overlay to the Nillumbik Planning Scheme. The property is also important because it is one of only a few left in the district, which were once owned by noted artists. These include three in Warrandyte: one formerly owned by Penleigh Boyd, another by Frank Crozier, and the other by Danila Vassilieff; and two in Eltham: Percy Leason’s in Lavender Park Road and Justus Jörgensen’s Montsalvat. A small park at the corner of Bible and Arthur Streets, Eltham is named in Walter Withers’ honour.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, bolton steet, brougham steet, eltham, southernwood, walter withers house