This treadle Bootmaking machine was used by early settlers and market gardeners in Moorabbin Shire, who had to be self reliant, producing their food and making and maintaining their own equipment, clothing and utensils This Claes 'Patent Elastic' boot-making machine is an example of the skills and craftsmanship of the pioneer settlers in Moorabbin Shire c1900 A black, 'Patent Elastic' treadle, boot-maker's, sewing machine.'PATENT ELASTIC' on iron framebrighton, moorabbin, pioneers, bentleigh, market gardeners, early settlers, farm equipment, sewing machine, boot-makers, leatherwork, patent elastic manufacturing company

This item was part of the Daryl Keeble Collection Donation. These covers were typically used at home by the wifes who often cooked jams and used these covers to provide an air proof seal which provided longer preservation timesA waxed bag containing transparent preserve covers & elastic bandsTidy Top Transparent Preserve Covers Containg Transparent Covers, Gummed Labels & Elastic Bands. Instructions for use and recipies are on the back

This lightweight collapsible cane is in four sections joined to each other by elasticized cord. The top section has the top of the cord attached to a metal rivet.White aluminium cane with elastic insert to allow foldingassistive devices, orientation and mobility

This collapsible cane is in four sections joined to each other by braided rubber tubing. Original paper wrapping has instructions on the outside including: 'The top section can easily be identified as it is the thickest of the four and is threaded with an elastic cord for carrying purposes'. An elasticized handle loops around the wrist, when unfolded and in use. When collapsed , the handle loops around the four parts, keeping them folded.4 metal/plastic pieces joined together with an elasticized cordassistive devices, royal national institute for the blind

This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices

This metal frame opens from the side to allow paper to be placed between the two pieces and held into place with a metal clasp on the side. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing hand written notes.1 japanned metal frame with elastic and beadsassociation for the blind, assistive devices

Worn by Swinfield in IraqWorm by Swinfield in IraqOakley clear plastic eye protective goggles. Black and white adjustable elastic strap. Black plastic frame. Face protective foam inner lining. Green fabric covered air slots across the top and bottom of the goggles.Oakley label on the front top frame. White flattened circle with black inner flattened circle on each side front elastic strap. Oakley Logo.iraq, goggles, australian military

Two folded strips of linen interfacing for use on the underside of suit and coat lapels. 1. Cream interfacing 2. Brown linen interfacing1. Special Finish. Superior Elastic Canvas. Heavy 2. Superior Elastic Duck, Specially Made for Tailoring Purposes. Warranted. Pure Linen

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Presbyterian Deaconess' summer hat with a navy-blue grosgrain ribbon. The hat has lining in its crown."Size 1" "with elastic Head Fit Pat. Pending"presbyterian deaconess, deaconess hilda elizabeth foster

Tin container for band-aids - Cream background with red and blackBand Aid Elastic First Aid Dressings. Johnson and Johnsonmedicine, first aid

The first Elastoplast plaster was developed in 1896, when Smith & Nephew (founded 1856) expanded their business to Wound Dressing. This example was retailed by a Kew pharmacistRed enamelled tin used to retail Elastoplast dressings, sold in Kew by A Farrell [Chemist] 80 Cotham Road"Elastoplast Trade Mark / First Aid Dressings / Elastic adhesive / ...wound dressings, elastoplast, a farrell - chemist

Lee Palfrey collection. Refer Cat No 10263. These under garments were for fragmentation protection. This apparel issued to L.Palfrey during Op Catalyst - Iraq. Aug 2005 - Feb 2006.Black garment - under wear, elastic waist, elastic legs at end.Makers printing: “Unisex Pelvic Protective, Anti-microbial Drawers. Main material: 95% Polyester 5% Elastane. Reinforcements 100% silk. Country of Origin: China” “PO No: 05242” Supplier ID No.: J20.lee palfrey, clothing, under garment, protection

Research suggests that this dress dates from the early 1920's when elastic was first used in clothing.Deep cream cotton muslin ladies tea dress. High waisted, square neckline, elbow length sleeves edged in cotton lace. Skirt has four panels of fabric - two side panels extending around front and back, and centre panels at front and back. French seams - some stitched in pink thread - machine stitched. Centre panels have two rectangular inserts of cotton lace. Each side panel has one rectangular insert of cotton lace. Lace inserts are edged on sides with six ball passementerie buttons. Neckline and sleeves edged with cream cotton lace. Soft gathering from neckline of centre front and back. Elastic casing around waist.costume, female, ladies tea dress

Red rectangular tin labelled Elastoplast Trade Mark First Aid Dressings containing first aid dressings.Elastoplast Trade Mark First Aid Dressings Elastic Adhesive Consisting of Medicated gauze pad, Bismuth Subgallate 2-3% on Zinc Oxide Elastic Plaster Made in England by T J Smith & Nephew Ltd Hullfirst aid, elastoplast

Housewife khaki with elastic strapequipment, recent, army

Clothing. Pink nylon woman's panties with gusset and elasticized legs trimmed with 6 cm coffee coloured lace. Elasticized waistband.On tag inside back, ''EMCO'' ''W''costume, female underwear, woman's pink nylon panties

Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006 Blue cotton, Black elastic strap. Sewn Tag Noone Image Wearclothing

Trousers Camouflage Jungle elastic cuffsuniform, c2000, army

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red ribbed skirt with elastic waistband.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Circa 19th century. A pair of child's mid-brown leather leggings that extended over the child's knee. The leggings are lined with a soft napped fabric. They button-up down the outside of each leg, with leather covered buttons. An elastic strip is attached to the bottom of each legging and this passes under the child's boot and is buckled up to keep the legging in place.Circa 19th century. A pair of child's mid-brown leather leggings. The leggings extended over the child's knee. The leggings are line with a soft napped fabric. They button up down the outside of each leg, with leather covered buttons. An elastic strip is attached to the bottom of each legging and this passes under the child's boot and is buckled up to keep the legging in place. A metal button-hook trade marked Ezy Walking is also displayed.No maker's markearly settlers, market gardeners, bootmakers, moorabbin, bentleigh, cheltenham, clothing

During the Covid 19 pandemic, the Mission to Seafarers was forced to close and stopped its activities on site. However the staff continued the ship visiting, shopping and delivering their goods to the seafarers. The wearing of the face mask was enforced during the second lockdown.The face mask is the symbol of the 2020 pandemic. Melbourne had one of the longest lockdowns in the world and the wearing of face masks became a symbol of the pandemic.Blue fabric face mask with black elasticLogo of the Mission to Seafarers with the Flying Angelcovid 19, pandemic, lockdown, face mask, marketing, 2020, mission to seafarers, mtsv shop

Elastic Cloth with leather attachments and metal clipsStamped or burnt in leather H & B 1957 DD Size 38 Police and Firemen engraved on silver metal clipsclothing

Pair of grey striped elastic stocking suspenders

This skirt is part of a matching skirt and jacket suit worn by the donor, Sandra Hooker (nee White) as an 8 year old, on special occasions in the late 1960's. Sandra grew up on a sheep farm near Torquay where woollen garments were a family priority. The suit was given to Sandra as a child, and probably purchased by her grandparents. Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940's – 1980's. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly.Red pleated woollen skirt with elastic waistband.kathryn knitwear, brendan blake, fashion, children, clothing, melbourne, textile industry, 1960s