Hand-coloured photographeltham (london)

Sepia photographeltham (london)

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.beryl bradbury (nee stokes) collection, brian wright, eltham (london), eltham common, eltham shire ranger

Colour photographeltham (london)

A sextant is an astronomical instrument used to determine latitude and longitude at sea by measuring angular distances, especially the altitudes of the sun, moon, and stars. It is a doubly reflecting navigation instrument and used mainly by sailors to measure the angular distance between two visible objects. The name comes from the Latin sextans, or “sixth part of a unit,” because the sextant’s arc can be 60° or 120° of a circle depending on the model used. The primary use was to measure the angle between an astronomical object and the horizon for the purposes of celestial navigation. The estimation of this angle is known as sighting or shooting the object, or taking a sight. This angle and the time when it was measured is used in order to determine Greenwich Mean Time and hence longitude. Sighting the height of a landmark on land can also give a measure of distance from that object. History: The development of the sextant was as an improvement over the octant, an instrument designed to measure one's latitude. The octant was first implemented around 1731-present but can only measure angles up to 45°. As larger angles were needed to allow the measurement of lunar objects - moon, stars and the sun - at higher angles, the octant was superseded by the sextant. The sextant is a similar instrument but better made and allows larger angles from 60° to 120°. This improvement allows distances to be accurately calculated thereby giving longitude when used with a chronometer. The sextant was derived from the octant in 1757, eventually making all previous instruments used for navigational positioning obsolete. The sextant had been attributed to by John Hadley (1682–1744) and Thomas Godfrey (1704–1749), but reference to the sextant was also found later in the unpublished writings of Isaac Newton (1643–1727). Earlier links can be found to Bartholomew Gosnold (1571–1607) indicating that the use of a sextant for nautical navigation predates Hadley's implementation. In 1922, the sextant was modified for aeronautical navigation by Portuguese navigator and naval officer Gago Coutinho. It should be noted that the octant and quadrant are in the same family as they were, and all are, regarded as sextants. The sextant is representative of it's type and although not fully complete it demonstrates how 18th,19th and 20th century mariners determined their latitude and longitudinal to determine their position on a chart, allowing them to navigate there way across the world's oceans. It also demonstrates the skill and workmanship of the early instrument makers that operated scientific instrument businesses from London and other areas of England to provide most of the navigational instrumentation used by commercial and military navies of the time.Sextant with square, fitted box of polished wood, "Hezzanith" brand. Box contains many parts for the sextants use. On certificate "Heath & Co, London. Sextant Number Y 822". Catch on lid "DEFIANT LEVER" and "PATENT NUMBER 187.10". Maker's certificate is attached to the inside of the box.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sextant box, sextant, hezzanith, heath & co, navigational instrument, george wilson heath, astronomical instrument, instrument manufacturers, scientific instrument, navigation, celestial navigation, octant, quadrant, lunar navigation

.1) Hinged lid wooden box with brass fittings and green felt covered rests inside. .2) "Fuller" type circular slide rule calculator Model No. 1. .3) Brass stand which slots into one end of box and holds calculator in position for ease of use. .4 ...7) Instruction booklets for operating the calculator. .8) Letter from importer re enquiry for circular slide rules to be used at Thompsons Engineering and Pipe Works.Imprinted on bakelite base of cylinder "Stanley / Trade Mark".trades, drafting, instruments, measuring

Information about and from Eltham England. Postcard: Eltham Town Sign, Passey Place, London Brief history of the origins of Eltham, England. Description of "the gavel and stand", object which the Society donated to EDHS Newsletter No 132, May 19982 Pages. I booklet newsletter. 26 pages. I postcard HG Booklet 31eltham society (london), harry gilham collection, gavel

A gift from The Eltham Society, England to Eltham District Historical Society on the occasion of Australia's bicentenary in 1988. Script accompanying an 87 slide slide-show about Eltham, England. Includes photo on the inside cover of a group of people with names indicated by pieces of paper cut into arrow shapes with names written on and pasted onto photo. Bound booklet. 17 pages.HG Booklet 32bicentenary, bob harris, clifford crate, david brock, eltham society (london), harry gilham collection, lionel backhurst, margaret taylor, ruth fletcher, sally simmons

Colour photographeltham society (london), gwen orford, margaret taylor, sugarloaf reservoir, doug orford

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6melbourne, wallan, pretty sally, margaret taylor, clifford crate, eltham society (london)

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6melbourne, wallan, pretty sally, margaret taylor, clifford crate, eltham society (london)

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6melbourne, wallan, pretty sally, margaret taylor, clifford crate, eltham society (london)

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6melbourne, wallan, pretty sally, margaret taylor, clifford crate, eltham society (london)

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6melbourne, wallan, pretty sally, margaret taylor, clifford crate, eltham society (london)

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6melbourne, wallan, pretty sally, margaret taylor, clifford crate, eltham society (london)

Probably taken in January 1998 on a sight-seeing excursion when the Society hosted visitors Margaret Taylor and Clifford Crate from the Eltham Society in Eltham, England. Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6margaret taylor, clifford crate, eltham society (london), wilsons promontory

Paperback; 128p. : ill,maps,ports,facsim,geneological table ; 23cm.ISBN 0951590707eltham society (london)

from EDHS Newsletter No. 122, September 1998 - There is a new display in our local history cabinet in the Eltham Library. This time we have used our growing collection of material on Eltham, England. It includes the painting by Lionel Backhurst presented to us on behalf of Eltham Society by Clifford Crate. The booklet on the Eltham town sign that Clifford also brought is in loose leaf format so we have been able to include the whole of that which really presents an excellent summary of the important historic buildings of Eltham. Also on display is another painting by Lionel which was presented to Russell and Marion Yeoman. (Much of this material was presented to the Society during a visit by Margaret Taylor and Clifford Crate of the Eltham Society during Christmas/New Year 1997/98.)Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6activities, art, clifford crate, displays, eltham library, eltham society (london), lionel backhurst, local history, margaret taylor

This historic site of Australia’s first open-air gallery is being redeveloped in 2023 for multi-housing fronting the Research Creek. In 1955, Ian and Joan Hassall moved to Eltham. They took a property on the corner of Zig Zag Road and Main Road, Eltham, north of the township (later known as 1215 Main Road). In July 1962, they opened their open-air gallery. Hassall’s Roadside Galley, “…cradled in the fold of hills to the north of Eltham” inspired by Ian’s own experience of exhibitions along the Embankment in London. The property included remnants of a stone quarry, paintings were hung on screens and removed at night. Various pedestals, that looked like giant mushrooms displayed sculpture, pottery, and jewellery. It had a small natural amphitheatre at the foot of a little sandstone cliff that fall away to the bed of a stream. To enter the gallery, a visitor crossed a small freestone bridge of oriental design, built by Hassall from local stone. The bridge spanned the stream flowing beneath great willow trees. Near the entrance wooden figures were displayed formed from pieces of local wood, said to speak to Ian Hassall’s sense of fun. Hassall’s Gallery was the first gallery of its kind in Australia. Ian became a full-time artist and when it first opened, he exhibited paintings he had made while touring the outback with writer and fellow Eltham resident Alan Marshall. He also exhibited other Australian artists over time including locals Lindsay Edward and Peter Glass.daryl morrow collection, eltham heights luxury living, hassalls roadside gallery, housing development, real estate development, research creek, 2023-07-10

This historic site of Australia’s first open-air gallery is being redeveloped in 2023 for multi-housing fronting the Research Creek. In 1955, Ian and Joan Hassall moved to Eltham. They took a property on the corner of Zig Zag Road and Main Road, Eltham, north of the township (later known as 1215 Main Road). In July 1962, they opened their open-air gallery. Hassall’s Roadside Galley, “…cradled in the fold of hills to the north of Eltham” inspired by Ian’s own experience of exhibitions along the Embankment in London. The property included remnants of a stone quarry, paintings were hung on screens and removed at night. Various pedestals, that looked like giant mushrooms displayed sculpture, pottery, and jewellery. It had a small natural amphitheatre at the foot of a little sandstone cliff that fall away to the bed of a stream. To enter the gallery, a visitor crossed a small freestone bridge of oriental design, built by Hassall from local stone. The bridge spanned the stream flowing beneath great willow trees. Near the entrance wooden figures were displayed formed from pieces of local wood, said to speak to Ian Hassall’s sense of fun. Hassall’s Gallery was the first gallery of its kind in Australia. Ian became a full-time artist and when it first opened, he exhibited paintings he had made while touring the outback with writer and fellow Eltham resident Alan Marshall. He also exhibited other Australian artists over time including locals Lindsay Edward and Peter Glass.daryl morrow collection, eltham heights luxury living, hassalls roadside gallery, housing development, real estate development, research creek, 2023-07-13