1956, 32, city of heidelberg repertory group, heidelberg theatre company inc, empty

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: empty storage, Empty large spools on racksindustry, aunde

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photogaph of Medic Cpl Peter Whittle at the1st Australian Field Hospital, Vung Tau, South Vietnam, checking the empty triage to see that all is in readiness for incoming casualties. The triage bays were always at peak readiness, 24 hours a day.photograph, 1st australian field hospital, vung tau, medic, cpl peter whittle, gibbons collection catalogue, triage, denis gibbons

Protest rally against Nillumbik Shire Councillors' proposal to sell off 17 community reserves. Held at the site of the former Shire of Eltham offices, at 895 Main Road, which were demolished in August 1996, followed by a march along Main Road finishing at the Eltham Railway Station car park at Luck Street. Estimated attendance was approximately 3,000.Born digital image (3)nillumbik shire council, parks, save community reserves, protest rally

Digital copy of colour photographfred mitchell collection, 1968, eltham, york street, houses, bible street

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Two black and white photographs of two men dressed in suits standing together and shaking hands in one photo. They are standing in a music bowl with a ceiling consisted of six arches descending in size toward the back. Around the stage is a tiered platform of seating. Workmen can be seen working in the background. The man on the right is Frank Wright.frank wright, conductor, music bowl, stage

Ill, maps, p.203.non-fictionPacked with interesting anecdotes this book brings to life events that have escaped or have been overlooked about Australian military historyworld war 1939 – 1945 – aerial operations - australia, catalina - seaplane

A presentation key given to Mr Cliff Young following his victory in the Sydney to Melbourne foot race in April, 1983.A ash presentation box from the City of Melbourne to Mr Cliff Young containing on a blue background a gold-plated 14cm key and a gold-plated badge of the City of Melbourne.On paper attached to the inside lid a logo of the City of Melbourne with the words: "With the Compliments of the Lord Mayor and the Councillors of the City of Melbourne."cliff young, sydney, city of melbourne, lord mayor, key, running

The Otways Quilt is believed to have originated with the Perkins family, landholders in the Beech Forest area. Some of the names or initials on the quilt have been tentatively identified with other farmimg families in the same district.A rectangular quilt hand embroidered in white on 20 square panels, with the names or initlals of settlers in the Otway district, and surrounded with an edging of floral embroidery. It is made of polished cotton backed with cotton sheeting.quilt, beech forest, otway, needlework, perkins

Because there was no Church of England in Lavers Hill, in the early 1920s Christopher Webster made this Otway timber Cross for Anglican services to be held in the Presbyterian Church.Otway timberchristopher webster, presbyterian church, church of england, lavers hill, otway

B/W. Tracks 1 to 4 at Beech Forest, an NA-class locomotive and goods on No.1, an NQR wagon on No.4, and a station building in the right, in the early 1900s. 167mm x 280mm print.beech forest, train, wagon, railway, tracks, train station

"Empty Avenues (Best of Season 1) reimagines the daily life of the artist through the formal languages of television sitcoms and YouTube ‘Best of’ compilations. By doing so the work engages the concept of narrative identity; questioning the extent to which identity is shaped through media influence, and our potential to reformulate understandings of self through narrative reconstruction. What emerges is an absurd, Existential sitcom that explores themes of meaninglessness, isolation, domesticity, and despair. Extended statement: The concept of narrative identity In other words, our understanding of ourselves, the values and goals that we possess, and our place within society can only be grasped within the context of a self-generated historical narrative. However, to what extent is our formulation of narrative identity shaped by pre-existing narrative structures? And how can the implementation of alternative narrative structures potentially reformulate our understanding of ourselves? Empty Avenues (Best of Season 1) explores these ideas by reimagining the narrative identity of the artist through the conventions of traditional TV sitcoms and YouTube ‘Best of’ compilations. Interactions, responsibilities, and leisure activities are taken from O’Brien’s daily life and restaged as scenes within a constructed domestic environment. Through the process of restaging, the work engages uncanniness as a way of generating critical distance and estrangement towards daily life. This process also allows the work to be instilled with a greater sense of subjectivity; utilizing mise-en-scène to externalise the experience of somebody struggling with Existential concerns. This blending of factuality and subjectivity emerges as a magical realist take on a traditional sitcom premise: the Odd Couple scenario. This cliché premise is depicted in Empty Avenues as the relationship between a man and a materialisation of ‘the void’ – a universal nothingness that permeates everything. In these terms, the relationship between the characters can be understood as an embodiment of the conditions that generate the Absurd. In terms of narrative structure, Empty Avenues is presented as a ‘Best of’ compilation instead of a traditionally chronological, cohesive narrative. Such compilations, typically assembled by fans and amateur video editors, feature fragments of scenes that have been removed from their original contexts and reassembled in ways that distort the sequence of events. By presenting Empty Avenues in this way, the work disrupts the temporal conditions of narrative identity that allow for the construction of meaning. As such, scenes are instilled with a greater sense of absurdity and meaninglessness, allowing the audience to share in the Existential perspective of the main character. As a result, both the character and the audience are confronted with a narrative world that is constantly on the brink of both creation and destruction, and are faced with the question of whether they can continue to engage with such a world. At it’s core, Empty Avenues (Best of Season 1) explores the enduring question: how do we find meaningful relationships and pursuits in an immutably meaningless world? "

part of group of tally boards used by shore to ship rescue equipmentWooden board, curved at one end. .Black cloth tacked over with printed instructions (white). detail in English, French, German & Norwegian. Brown cord (hawser) ends whipped, attached.FASTEN TAIL BLOCK TO LOWER MAST WELL UP; IF MASTS GONE, THEN TO BEST PLACE HANDY; CAST OFF ROCKET LINE; SEE ROPE IN BLOCK RUNS FREE; SHOW SIGNAL TO SHORErescue equipment

Your Place is Empty is an expression used in Iran as a way of saying ‘you were missed’. The works in this show are like spaces left behind when someone or something is gone, temporarily or permanently. They are disjointed, fading memories of a long time ago. They have become unreliable fragments, manifesting like floor plans of a childhood home drawn from memory. But the lines are disjointed, no longer connecting enough to make any discernible maps. They are fading trails. Artist Bio Exploring notions of home and memory, Hootan Heydari (Born 1970 in Tehran) melds personal and political histories that often centre on the moment of 1979 when his family fled Iran following the Islamic revolution. Working predominately in sculpture and photography, his work distils echoes of the past into the now with richness and ache. Biographically loaded objects with poetic potencies, such as family photographs and cassette tapes, are at times repetitively stacked and frozen in stillness in custom-made cabinets. Plaster is frequently used as a strong yet fragile material to both coat and cast, associated with building homes and healing broken bones. Farsi text often features – an Iranian refrain that breaks down linear time. Threading through Hootan’s practice is futility, compulsion and repetition: hallmarks of the act of making and the act of remembering.

1958, 45, city of heidelberg repertory group, heidelberg theatre company inc, directed by stella dunn

Cato Lake view from Victoria Street looking towards Sloane Street. This view shows the emptying of the lake carried out in c 2002 for deepening the lake by Shire Council Works. This view shows a tractor working around the empty lake. Coloured photograph of emptied Cato Lake from Victoria Street side looking towards Sloane Street. The lake was emptied in c 2002 for deepening by Shire Council Works. This view shows a tractor working around the emptied lake. In the background are trees with houses amounts them.Written in biro 5.2.2002stawell

Folder prepared for the 50th anniversary of Preston Technical School to hold the school magazine. (note: this is an empty folder, magazine not included)Empty folder. Blue background with mainly red and yellow graphic on front cover. White on blue graphic of school building on back cover "Preston Technical School magazine"preston technical school, pts, school magazines, reunion, nmit,

Emptyequipment/gear, ballarat rsl, ballarat

Used by Mr. Livermore, Snr, and his brothers to construct dams on their properties and for neighbours. It was filled by raising the wooden handle slightly so that the cutting edge bit into the earth. It was tipped by raising the handles higher so that the cutting edge bit in so deeply that the scoop was rotated and emptied.Horse drawn earth moving scoop used for construction of dams, irrigation channels, roads, etc on a farm, orchard, or roads, or where earth needs to be moved. Scoops had no tipping mechanism and needed considerable effort to empty them.rural industry, agriculture, transport, roads

Champion. Emptymiscellaneous

Edgeworth. Emptymiscellaneous, ww2

glass bottle (empty)