Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland. Donated by Ms. Mary Robinson, acting on behalf of Mrs. W.G. Hutchinson "Tellong", Blackwood River Drive, Balingup, W.A. 6253Black and white photograph showing a man and a dog in front of a paling fence. Man is holding gun to his shoulder in preparation to fire and dog sits to his right looking at the gun.Front: (no inscriptions) Back: Martin Bree

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing wooden tower surrounded by trees, a woman is half-way up a ladder on side of tower.Front: (no inscriptions)esther winifred hall, henty, 1934, portland centenary

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing body of water with small island with trees on it. Mount GambierFront: (no inscriptions) Back: Mt Gambieresther winifred hall, henty, portland centenary, 1932, mount gambier

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing house with wide verandah of three visible sides, behind light-coloured post and wire fence with a metal gate.Front: (no inscriptions) Back: Homestead 1920. Now all creepers and trees.esther winifred hall, photography, henty, portland centenary, 1934

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing stone building (church) in shade of tree with stone fence and iron gate in foreground. Crosses attached to roof of building.Front: (no inscriptions) Back: St. Stephens Church Portland. New fence erected for Centenary 1934.esther winifred hall, portland centenary, 1934, henty

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland. Donated by Ms. Mary Robinson, acting on behalf of Mrs. W.G. Hutchinson "Tellong", Blackwood River Drive, Balingup, W.A. 6253Black and white photograph of people in C19 clothing. In foreground, 2 men and 2 women are posed in a line. The men are carrying shotguns, the women are holding parasols - one open, one closed. Women are wearing bonnets and man on right wears a dark hat.Front: (no inscriptions) Back: (no inscriptions)

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length dresses, posed indoors, standing on a patterned carpet before striped wallpaper. The woman on left is holding an open fan and is wearing a bonnet. The woman on right is out of focus and blurred.esther winifred hall, photography, portland centenary, 1934, portrait photography

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing a stone building with awning at front and ball-shaped finials. Notices pinned to front wall of building and telegraph poles to left of building. Pair of narrow windows set high at front of building and on end wall at right. Street lamp to left of building.Front: (no inscriptions) Back: (no inscriptions)

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph of house with wide verandah, water tank (on left), behind light-coloured pole and wire fence with metal and wire gate. Donated by Ms. Mary Robinson, acting on behalf of Mrs. W.G. Hutchinson "Tellong", Blackwood River Drive, Balingup, W.A. 6253Front: (no inscriptions) Back: Homestead side view

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length costume, posed indoors, standing on patterned carpet in front of striped wallpaper. The woman standing on the right is holding an open fan and wearing a dark bonnet.Front: (no inscriptions) Back: (no inscriptions)1934 centenary, portland, henty

Twenty coloured cards highlighting the 2007 University of Ballarat Visual Art Studentsuniverisity of ballarat, visual arts, alumni, leezette van zanten, dale fort, kelly shine, leah catanese, esther hill, kate vivian, briallen aubrey, elizabeth signorello, michelle grant, ash lieb, yasmine assouad, wendy morell, ashlee maree littlehales, sharrie milligan-brown, alex andrews, alice dennis, yvonne porter, kate weadon, ctherine rookes, andrea eyers

Died January 29, 1899 aged 21 years 9 months Daughter of John and Esther (nee Lewis) Hill Sister to Phoebe Jane, Caroline Elizabeth, Emily Isabella and Albert Richard Ftizsimmons Hill Memorial Cards were commonly handed out to those friends and family paying their respects at the loss of a loved one. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, memorial card, shillinglaw family photo album 3, the art engraving company, 1899, agnes edith hill

This is a school reader used in the 1890s by Maggie Glasgow at Wangoom State School. This school opened in 1865 on the Warrnambool/ Wangoom Road as a Common School but it is now closed. Maggie Glasgow is probably Margaret Glasgow (1880-1954), the daughter of John and Esther Glasgow who were dairy farmers and cheese makers at Blackwood Hill, Wangoom. Jean Glasgow was the daughter of William and Isabella Glasgow who lived in the same area. The Warrnambool and District Historical Society has in its collection examples of the Glasgow butter moulds. This book is of interest as an early school reader for Victorian children. Used in the 1890s this book has some Australian content. The Glasgow children that used this book are members of the Glasgow families important at the turn of the 19th century as cheese makers in the Warrnambool district. This is a hard cover book of 400 pages. Several pages are missing. The cover is dark blue with ornamental patterning on the front and embossed lettering. The text contains many black and white illustrations, some of which have been coloured in by hand. The inscriptions and other written material have been handwritten in black ink and pencil. The pages are partly detached from the binding. ‘Maggie Glasgow, State School No. 645 Wangoom, 31/5/95’ (written twice) ‘Jean Glasgow’ ‘Dear old Mag’ ‘Isie wants a half holiday because L.W. got 20 for English’ maggie glasgow, jean glasgow, history of warrnambool

This book is one volume of a series of six volumes of Bible commentaries. It was a 30 year project for the writer, Adam Clarke. He was the great uncle of Daniel Clarke, a 19th century resident of Warrnambool. Daniel Clarke, as a social worker for the Anglican Church, established the Framlingham Aboriginal Reserve in the 1860s. For thirty years he was a prominent businessman in Warrnambool as a photographer and artist. He is well-known today for his paintings of Tower Hill and the Hopkins River mouth. This book is retained not only because of its antiquarian value but also because of its link with Daniel Clarke, important in Warrnambool’s 19th century history. This is a hard cover book with a black leather spine and black leather trimming on the cover edges. The cover is green with gold lettering and ornamentation on the spine. The pages have a mottled blue and brown pattern on the edges. The cover is a little torn and stained. adam clarke, daniel clarke, bible commentary

Albert John (Jack) Bedggood son of Samuel John Bedggood and Esther Ruth Thompson. Jack born 1903 Box Hill, died 1979 HeidelbergThompson collectionPhotograph on cream card of blonde boy in velvet suit with lace collarMaker's mark: Melbourne Melbourne on front Back inscription: Jack Bedggood when a child Esthers second son our nephewthompson collection, nightingale, bedggood

''Bendigo and District in Colour'' Possible full title - see first page. (by Ken and Esther Stepenell). Seven paged very broad coverage of Bendigo's history and attractions. Includes mention of Dai Gum San Village (and proposed site??)Ken and Esther Stepenellbendigo, history, gold mining, bendigo creek, eaglehawk, peg leg, the garden gully, new chum railway, great extended hustlers, white death, chinese, joss house, sun loong dragon, victoria hill, whipstick forest, talking trams, dia gum san village.

Document. Various legal papers. 1 - 1893 - Letters from Coleman John. Court order Commercial Finance & Prosperity Company Limited v Coleman. 2 - 1893 - Canning Esther Isabelle deceased of Golden Square. Husband Canning Thomas. 3 - Canning - Memos as to distribution of estate. Mentions Canning James Nisbet, Canning J N, and Canning Thos. 4 - 1895 - Canning & Co v Holm. Summons from Canning J N & Co to Holm Gustave of Kimbolton re payment of debt for chaff & oats. 5 - 1888 - Draft codicil Will of Bockelmann Heinrich Christian. Mentions Buckholz Paul Emil Emmanuel. 6 - 1895 - Summons to Seymour George (White Hills) re payment of debt.cottage, miners, connelly, tatchell & dunlop, coleman john, commercial finance & prosperity co. ltd., canning esther isabelle, canning thomas, canning james nisbet, canning j n, canning & co, holm gustave, bockelmann heinrich christian, buckholz paul emil emmanuel, seymour g.

James Alexander Robertson was born 14th June, 1855, at Pentridge. the Coburg area which was known as Pentridge at the time, and prior to the building of the gaol. His parents were James Thomson Robertson and Esther (nee Hale), At age 20 James became the first selector on the Snowy River at Lochend. He took up Lots 1, 2 and 3, in the Parish of Newmerella in 1875; with his selection being ratified on May 1st, 1876. The selection included hill and river flat land in the area near where Icy Creek enters the Snowy River. James gradually improved and farmed the property; he cleared and drained Icy Creek and constructed the first known flood-gate on the Snowy River. To meet his farming commitments he supplemented his income by working on the construction and maintenance of roads and drains in the Newmerella area. He gained a contract with the Bairnsdale Shire council to construct the first road cutting down Burn’s Hill at Newmerella. His tender was for £16 ($32), and it took him, with four others, two months to complete the contract. He was single, and, after his untimely death at aged 29, in 1884, his parents and surviving unmarried sisters and brothers moved from Sarsfield to take over his selection at Lochend. (more information Newsletter April 2013)James Robertson was the first selector of land at Lochend, Orbost.A small black / white portrait photograph, oval shaped with a white background. It is of a middle-aged man with a full beard and moustache.on front at bottom - typed in black -:"James Alexander Robertson, Late of Lochend, Snowy River"robertson-james-alexander lochend-robertson

The inscription "T L" on these early 20th century ladies button-up boots lead to the maker likely to be Tony Lama, a famous USA boot manufacturer, son of Italian immigrants. The "Rome" is the style of boot. The "6" is likely to be the soot size. Tony Lama began work at age 11 years in the leather trade industry, serving an apprenticeship as a shoemaker. He joined the US Cavalry when he was 16, after lying about his age, working as a cobbler to make boots for the soldiers. His workmanship became popular, particularly for the 'Western' style of boot. TONY LAMA boots In 1911 Lama established a company in Texas, first repairing boots, then adapting his shop to manufacture boots in order to meet the many orders he was receiving. He married and he and his wife Esther brought up six children who also went on to work in the family business. The business continued to grow through WWII. Part of the business included custom boot making and Tony's eldest son Joseph presented President Truman with a pair of kangaroo skin boots. The prosperous business became a company and eventually, in 1990, was sold to Justin Industries.This pair of boots is an example of women's footwear dating around the early 20th century. Pair of ladies leather button-up boots. Two-tone style: black bottom strong leather bottom and white, soft kid leather top. Boots have a curved fly fastened by 11 white buttons with metal shanks. Boots are constructed with cork filling. Inscriptions of both boots. "6 101" "TL" " Rome" "Cork Filled"flagstaff hill, warrnambool, maritime-museum, shipwreck-coast, flagstaff hill maritime museum & village, ladies button up boots, footwear, victorian era, granny boots, tony lama, ladie's boots, ladies' fashion, women's clothing, rome, kid leather, two-tone boots, leather boots, button-up boots

dove

Bleak House. Author: Charles Dickens. Publisher: Chapman & Hall Ltd, London. Date: 1873-1900. (See note section this document for more information on Edition). Blue leather hardcover with title on spine in gold lettering, Charles Dickens signature on front cover written in gold lettering. The spine has a Library label.fictionCharles Dickens (1812–1870) was one of the great English novelists of the Victorian era, famous for vivid characters, social criticism, and stories that were first published in serial form. He began as a journalist, rose to enormous popularity during his lifetime, and wrote major works such as Oliver Twist, David Copperfield, and Great Expectations. Bleak House is one of Charles Dickens’s major novels, a sprawling, multi plot story built around the endless Court of Chancery lawsuit known as “Jarndyce and Jarndyce” and its ruinous effect on several families. It is widely regarded as among his finest and most complex works, central to any serious study of his fiction.book, the old curiosity shop, charles dickens, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, flagstaff-hill-maritime-village, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road

The family members are identified as follows: Back row (L to R): Percy Leigh with Phyllis, Robert Beckett (junior), Herbert Ingamells, Annie Leigh with Marjorie, Harry Leigh, Clara Beckett, Arnold Bear (brother of Olly Beckett), William Beckett with Edna, Ben Gray. Middle row (L to R): Robert Gray, Ethel Beckett, Polly (sister-in-law of Harry Leigh), Nelly Ingamells, Eliza Beckett with Esther Leigh, Alice Beckett with Basil, Dorothy Beckett, Olly Beckett, Emma Gray with Norman. Front row (L to R): ??? (a Leigh brother), Kate Beckett, Mabel Beckett, Cyril Ingamells, Bert Gray, Elsie Leigh with Ethel Ingamells. Robert (John Robert) Gray, Ben Gray and Norman Gray were 3 of 6 children of John Gray and Emma Beckett who married at Guildford Villa in 1888. Norman was born in 1901 and looks to be c.3 years old in this photo; the youngest in the family was Evelyn (b 1906) so this would give an approximate date for the photo of 1904. The donor, Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998) and Francis James Renkin who married on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother. Exact date photo was taken was 17 September 1904.Black and white photo at Guildford Villa, 4 Essex Road, Surrey Hills, home of the Beckett family. The family is formally posed with croquet equipment on the lawn of the substantial Victorian-style home which has 3 chimneys and a veranda on 2 sides. victorian style, croquet, percy leigh, phyllis leigh, robert beckett (junior), herbert ingamells, annie leigh, marjorie leigh, harry leigh, clara beckett, arnold bear, william beckett, edna beckett, ben gray, robert gray, ethel beckett, nelly ingamells, eliza beckett, esther leigh, alice beckett, dorothy beckett, olly beckett, basil beckett, emma gray, norman gray, kate beckett, mabel beckett, cyril ingamells, bert gray, elsie leigh, ethel ingamells

Photocopy of Certificate of Title Vol 5807 Fol 1161261 to Carl Julius Otto Draeger for four acres of land being part of Crown Portion 93 at Forest Hill; with verso of C/T Vol 1900 Fol 37984 recording transfers to Lydia Esther Lovell, Lillian Sarah Frances Lovell, William John and Mabel Jessie Brown.Photocopy of Certificate of Title draeger, carl julius otto, canterbury road, forest hill, glen valley road, lovell, lydia esther, lillian sarah frances, brown, william john, mabel jessie

2019, heidelberg theatre company inc, youth production, 434, david peters as scrooge, robbie nicholson as fred, christina savopoulos as abigail, ewan cocking as bob cracrchit, caitlyn bull as emily cratchit, alys nicklin as martha cratchit, gryff nicklin as timothy cratchit, annelise menna as mrs paradiggle, georgina topp as mrs jellby, callum corbett as the urchin, fergus greene as young ebenezer, melanie jackson as fan, nick mcinnes as ebenezer's father, sara burnham as fezziwig, abigail williams as bellle, maddison hill as mrs charr, miles glaspole as gridley/mr stagg, zuzanna wiech as esther/mrs dibler, pablo aguila as old joe, geordie corbet as the ghost of christmas past, josh fernandez as the ghost of christmas present, erich fordham as the ghost of christmas future, carl michelangeli as the ghost of jacob marley, morgan thomas connor costumes/makeup, harry gravell lighting design/operation, tasmin mackie sound design/operation, kara jaeger-pound stage manager, max nicholson stage crew, support from htc committee, set building and ticketing teams, verity adams, david belton, mal cother, anthony nickin, christian orkibi, emma jaeger-pound, jenni & noel purdey, will burgin stevenson, sean tessari and dolly’s school of dance studio

T.R.B. Morton and other investors set up the Freehold Investment Company which set out the township of Blackburn in the 1880s. The Company folded in 1892 but T.R.B. Morton, as one of the liquidators continued auctioning off the land through his company, Morton and Coghill. He was a Nunawading Shire Councillor from 1888 to 1897 and 1899 to 1923, being Shire President four times. Morton Park in Central Road, Blackburn is named after him.Coloured photograph of the Morton family tombstone on grave 1403, Church of England section, Box Hill Cemetery Morton, Thomas Richard Burrowes: 1854 - 1923 Morton, Louisa Mary: 1861 - 1937morton thomas richards burrowes, morton, louisa mary esther, tombstones, morton and coghill, auctioneers, morton park, blackburn

Slaughterhouse Hill was so named because Bennett's butchers had a slaughterhouse there.A view of Linton taken from Slaughterhouse Hill to the north-east of the town. Numerous buildings are identifiable in the photograph. In the middle foreground are the railway station, platform and station-master's house. The Grenville Standard building is visible in Clyde Street, and the Post Office and Bank of NSW buildings can be seen near the corner of Clyde and Sussex Streets. In the distance (along Sussex Street) the Royal Standard Hotel and the Shire Offices (original building) can be seen. St Paul's Church of England is on the far left of the photograph."Esther Cluff, Linton".linton township, slaughterhouse hill

Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood