Showing 9 items
matching etching horses
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Ballarat Heritage Services
Photograph - Photograph - Black and White, B.E. Minns, Horses Taking a Break by B.E. Minns
... etching horses...Framed etching of two horses.... Watercolour Institute. B.E. Minns etching horses horse signed lower ...B. E. MINNS (17 Nov 1864-21 Feb 1937) Born Newcastle, New South Wales Died: 21 Feb 1937, Sydney, New South Wales Benjamin Edwin Minns was the Foundation President of the Australian Watercolour Institute. Framed etching of two horses.signed lower right "B.E. Minns"b.e. minns, etching horses, horse -
Ballarat Heritage Services
Photograph, B.E. Minns, Drawing by Arthur Lindsay
... etching horses... Office goldfields b.e. minns etching horses signed lower left ...A pencil landscapesigned lower left "A. Lindsay"b.e. minns, etching horses -
Eltham District Historical Society Inc
Document - Folder, Mackenzie, Andrew
Andrew Mackenzie OAM (1952-), librarian, expert on the life and paintings of Walter Withers and Frederick McCubbin; compiler of "The Etchings, Lecture Notes and Writings of Victor Cobb" and "Walter Withers: The Forgotten Manuscripts", author (for the Famous Australian Art Series) of "Hans Heysen", "Albert Namatjira" and "Walter Withers"; author of "Holesch 1910-1983: Horse Paintings" and of "Frederick McCubbin 1855-1917:"The Proff' and his art"; curator of exhibition "A Tribute to Victor Cobb" and exhibition of artworks of City of Box Hill; co-curator of exhibition "Snugglepot and Cuddlepie and other Fairy Folk of the Australian Bush"; member of the Victorian Artists' Society, Old Water Colour Society's Club and Pastel Society of Victoria. Contents Letter from Andrew Mackenzie to Russell Yeoman, 19 December 1987, regarding planned exhibition of Walter Withers material and lecture to Eltham Historical Society. Nomination from Sue Law, President Eltham Historical Society, 23 January 1990, for Andrew Mackenzie to receive an Australian Heritage Award. Newspaper article: "Eltham honors artist", Diamond Valley News, 16 October 1990, re unveiling of commemorative plaque to Walter Withers in Eltham, designed by John Ebell. CV for Andrew Mackenzie undated but post 1990. Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. Newspaper article: "McCubbin talk of immense interest", The Courier Ballarat, 9 January 1992, report of lecture at Ballarat Fine Art Gallery by Andrew Mackenzie on Frederick McCubbin. Magazine article: "Art on show", The Australian Women's Weekly, January 1993, photographs of people attending exhibition of works of Frederick McCubbin, Queensland Art Gallery, including Andrew Mackenzie author of a new limited edition book on McCubbin. Newspaper article: "Meet Andrew Mackenzie", The Heidelberger 23 February 1994, his background and interests, his next project to research Hayward Veal. Letter from John Withers to Sue Law (Eltham Historical Society), 4 August 1994, notifying that he had nominated Andrew Mackenzie for a future Australia Day Award (attaching his documentation). Newspaper article: "Artist's portrait of tragic child is a special find", no publication details, details of forthcoming Sotheby sale which included Frederick McCubbin's portrait of daughter Mary who died in 1894 following an accident, with comment by Andrew Mackenzie. Notice of General Meeting of Eltham District Historical Society, 10 September 2014, speaker Andrew Mackenzie on Walter Withers. Newspaper clippings, A4 photocopies, etcwalter withers, frederick mccubbin, annie mccubbin, mary mccubbin, john withers, john ebell, kathleen mangan, james edward, on the wallaby track, fontainbleau eltham, william mcgregor of mount macedon, patrick watson, ballarat fine art gallery, margaret rich, sotheby's, justin miller, russell drysdale's "the outrider", hugh ramsay's "portrait of a young girl", benjamin duterrau's "portrait of matilda stanfield", eugene von guerard's western district landscape, jimmy watson, queensland art gallery, shirley florence, bettina macaulay, graham drummong, valerie drummond, susan anderson, jane henderson, maria poulos, hayward veal, andrew mackenzie -
Eltham District Historical Society Inc
Photograph, Collection of wood
Etching of country scene, a horse pulling a rudimentary cart with three men collecting wood and possibly stones from underneath trees on a rough track. Two huts are in the background. Early settlers often had to make use of what was available in their local environment to build their shelters. Today roadside collection of firewood is regulated by the State government. Unknown location, unknown artist and unknown date.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book," Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, other areas, pioneer life, country scene, country roads -
Bendigo Historical Society Inc.
Print - ETCHING OF VIEW STREET SANDHURST 1859, 1859
Black and white etching of View Street buildings. Dudley House. Mechanics Institute. Henry Jackson. Pikes bridge with children crossing. Horses & carts. People walking. Timber slats over creek. View street going towards Barnard street. Etching copy of original. View Street. Sandhurst. 1859. Survey & Post Office. FH 566 Not Found 8.12.2022place, bendigo, view street buildings. 1859 -
Clunes Museum
Artwork, other - ETCHING, PEN &INK, ARTIST; MRS. JANET McDONALD (NEE DRIFE)
MRS. JANET McDONALD WED. IN WESTERN AUSTRALIA, LIVED THERE FOR 50 YEARS, BEFORE RETIRING TO SERVICE STREET CLUNES, NEXT DOOR TO RIDLEYS.WOODEN FRAMED PEN AND INK DRAWING OF A LADY WITH HORSE AND DOG, GIVEN TO MRS. JEAN HOLLAND AS A WEDDING GIFT FROM THE ARTIST, MRS. JANET McDONALD, WHO WAS HER AUNT.local history, illustration, etching, paintings, drawings -
Old Colonists' Association of Ballarat Inc.
Work on paper, Harold Herbert, 'The Broken Plough' by Harold Herbert, 1921 – c.1923
Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School.A framed etching showing a farmer with a plough which is being pulled by a team of horses.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farming, horses, animals, plough -
Old Colonists' Association of Ballarat Inc.
Work on paper, Harold Herbert, 'An Old Cottage Cornwall' by Harold Herbert, c1923
Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School. It is also known as Lime Kiln Cottage. A framed etching showing cottage in Cornwall. A proof was exhibited in London at the Fine Art Society in 1923.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farming, horses, animals, plough, lime kiln cottage -
Federation University Art Collection
Work on paper - Artwork - Bookplate, John Shirlow, Bookplate for R.M. Chirnside by John Shirlow
... founded etching classes at the Working Men's Institute. Throughout ...John Shirlow (1869-1936) John Shirlow was the first Australian to make etching the basis of his career. Schooled in Melbourne, he studied for a time with Artur Loureiro and attended design classes at the National Gallery School from 1890 to 1895. Specialising in renderings of old Melbourne buildings, which are now of great historical interest, he drew directly onto the plate in reverse. In 1929 he founded etching classes at the Working Men's Institute. Throughout his life a prominent figure on the Victorian art scene, he was involved in various choirs and bushwalked with R.H. Croll and C.J. Dennis. He was a Trustee of the National Gallery of Victoria from 1922 to 1936. (http://www.portrait.gov.au/people/john-shirlow-1869)Etched bookplate for R.M. Chirnside showing the head of the racehorse 'Linass'. Posthumous printing from the original etching plate in 2010.On plate "Ex Libris R.M. Chirnside Linass"bookplate, john shirlow, r.m. chirnside, linass, etching, printmaking, horse, racehorse