Black and White Photograph Board of Directors EUFS 1916. Named - Top Row L-R - D.R. Fleming, B. Eyre, D.S. Owen, N. Walker, C. Tibbett; Centre - G. Meriton, W.B. Blainey, A. Kelly, W. Collier, J. Perrow; Bottom - W. K. Burnside (Dispenser), J. Trevean (Secretary), W. J. Martin (President), J. Trevena (Vice President), J. H. Meggs (Treasurer); Inset (top left) J. Spencely; Inset (top right) R. H.Trethewey. Mr. R.H. Trethewey - the father of Mr. Bob Trethewey a former MLA for Bendigo. EUFS Board 15/11/84eufs, directors

Photograph. Harry Biggs Collection. Shops and verandahs, Eaglehawk. One of the shops is EUFS Dispensary and Old Oriental Bank. A person is entering the chemist shop. There are 2 bicycles on the verandah - 1 leaning against a verandah post. A residende above the shop.place, building, commercial, harry biggs collection, eufs dispensary & old oriental bank

Object. Tall clear glass bottle with label for 'Cold Drawn Castor Oil", for internal use dosage 1 teaspoon - 2 tablespoons full. Bottled in Australia by W.K.Burnside Pty Ltd, 34-36 Jeffcott Street Melbourne. W.K.Burnside founding member of Eaglehawk United Friendly Society. EUFS opened in the building that had originally been his Pharmacy in Eaglehawk.121 504medicine, first aid, castor oil bottle

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.