Colour photograph of LERHS members Judy Davies and Rosemary Douglas with author Don Love at East Gippsland Art Gallery at opening of Our Maritime History exhibition Bairnsdale Victoriaexhibition, clubs, historical society

This photograph is recorded as depicting a street of shops and London houses at Burke Museum in the 1990s. It features an indoor recreated historical streetscape of the 19th century. Within the shop window recreation are objects on display, including hats. The Street of Shops exhibition is still on display at Burke Museum and features objects collected in 1979 through the community by Roy Harvey (also author of Background to Beechworth from 1852), to provide insight into eras of the past. This exhibit displays a collection of over 30,000 items, many dating back over 150 years. The ‘street of shops’ tell the story of the changing town and its community.This photograph is of social significance to the Beechworth area and the Burke Museum as it depicts a still-exhibiting museum display that is of value to the community. The artefacts exhibited in the photograph all have a strong connection to the Beechworth area, having been donated by members of the local community, and are of special value to that community. It is also a record of the curating work of Roy Harvey, a local historian, author and museum curator, as well as a depiction of the curating and exhibition practices of the 1990s, when the photo was taken.This is a colour rectangular photograph printed on paper.Obverse: Est London House 1856 / mantles, manchester, robes, gowns, bonnets / rundle and roberts. Reverse: 53307street of shops, historical streetscape, recreated shops, roy harvey, museum exhibit, burke museum, beechworth, 19th century museum display, victorian artefacts, community, exhibition history, shop history, shop recreation, hats, bonnets, manchester, robes, gowns, rundle and roberts

This is a souvenir mug produced for visitors to the ‘Mary Rose’ Exhibition in Warrnambool (December 1994 to February 1995). The ship ‘Mary Rose’, built in Portsmouth, England in 1509-10, was historically of major significance. She was the spearhead of a master plan to give England superiority on the high seas. Using new technology of the time, heavy artillery was mounted on the lower decks of this ship and this overloaded the ship. In 1545 she sank in Portsmouth Harbour with the loss of 700 lives as she was about to set sail to defend the English against the French invaders. In 1982 the hull of this ship was raised to the surface and the contents recovered. Over 200 items from the wreck were brought to Warrnambool and displayed in 1994-5 at the Warrnambool Art Gallery. This mug is of interest as it is a memento of the ‘Mary Rose’ Exhibition held in Warrnambool in 1994-5. This exhibition was an important event in the 1990s in Warrnambool and attracted many visitors. This is a cream-coloured china mug with a handle and a raised black and cream image of the ‘Mary Rose’ ship on one side and printed material in brown on the other side. It has the distributor’s name on the bottom with a map of Victoria and a brown dot showing the location of Warrnambool. It is a souvenir of the ‘Mary Rose’ Exhibition held in Warrnambool in 1994-5. “Mary Rose” Exhibition Warrnambool 1994-1995 Lady Bay Creations Warrnambool Australia mary rose ship, mary rose exhibition in warrnambool, history of warrnambool

Souvenir glass from Bendigo Jubilee Exhibition 1901/1902, etched around glass is scene of Town Hall, flowers and wording Bendigo Exhibition 1902 To May from Mother.bendigo, history, exhibition

Brochure: treasures from the past. Drawing of the eighty pound log that served the late Dr. Henry Backhaus as a chair and pulpit, 1852. Dr. Backhaus was the first ordained clergyman on the Bendigo goldfields. A display of treasures from the past will be held in the Eaglehawk Town Hall. Sunday October 25th, 1970 at 2pm.bendigo, history, exhibition

A booklet titled ' Private Lives, Public Heritage.' An exhibition of Historic Photographs presented by Bendigo Art Gallery in conjunction with the Museum of Victoria. Sponsored by the Bendigo Advertiser and the Bendigo Building Society. Cambridge Press Bendigo.1988. bottom left corner of front cover has a number sticker, 0124 THO Original copy not in this box.MOSAIC number unrelated to items in Box 147 Found copy added to box 16.20.2023. BPbendigo, history, photographs, exhibition, photography, photographs, history, bendigo, bendigo history. bottom left corner of the front cover has a number sticker, 0124 tho.

The Lakes Entrance Regional Historical Society held a shipwrecks exhibition in the Coast Guard building during the month of January 2025. Twenty five banner were produced for the display telling the stories of shipwrecks along the East Gippsland coast. The exhibition was well attended and enjoyed by many. The Orbost and Mallacoota Historical Societies have displayed part of the exhibition during 2025 and it is expected to be displayed at Paynesville in February and March 2026.Colour photograph of part of display at Shipwrecks Exhibition exhibition, shipwrecks, maritime history

Local newspaper article about a social history exhibition at Bundoora Homestead in 2014. The exhibition traces the history of Bundoora Homestead as Bundoora Repatriation Hospital from the 1920s. Newspaper clipping, text and photographs.Written on clipping DV Leader 15-10-2014bundoora homestead, bundoora repatriation hospital

"Coming Home" was a social history exhibition exploring the history of Bundoora Homestead, particularly its time as Repatriation Hospital (1920-1993). The Exhibition ran from October to December 2014.Copy of news article, black and white text and photographs.

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Newspaper article titled "Potions and Pills on Show" at the Bendigo Post Office, Bendigo Advertiser Friday 7 February 2014. Artefacts for the Post Office Gallery exhibition were donated from NDSN for the exhibition "A history of Health "A Cure for all Ills: Medicine in Bendigo" nurse education, nursing administration

The bottle was donated to the museum by Ron and Joan Parker for use in the exhibition ' A history of the Vineyards in Sunbury' held in the George Evans Museum in 1996. The vineyard was planted in 1992.Conventional bronze green glass bottle with indented base. Cream, gold & maroon printed labels. On the front there is a map impression of Longview Gorge in Sunbury. On the back there is geographical and historical information about the vineyard. There is black cap with a thin gold band at its base which covers the neck and opening of the bottle.Front label: " LONGVIEW CREEK / SUNBURY / PINOT NOIR / 1994 / Produce of Australia"; " S A A 5300" embossed on the glass around the base of the bottle.wines, wineries, longview creek vineyard, longview gorge, parker, joan, winemakers, hodgson, david, ron, george evans collection, 1990s

First Women's Cricket match played in Bendigo in 1874 Two advertising flyers, promoting the Bendigo Historical Society Exhibitions at History House, 11 Mackenzie Street Bendigo. 1. "Frisky Matrons and Forward Spinsters, Australia's First Women Cricketers in Bendigo". Exhibition 29 April - 15 June 2024. 2. "Treasures from the Collection" Exhibition October 2024 - May 2025.first women's cricket game played in 1874, women's cricket, cricket

Production of the mugs was inspired by the interest of visitors in purchasing a mug like the ones on display created by an artist Catherine Bell in 2017 for the Sounding Histories exhibitions.This mug added to the Mission collection as a contemporary example of MTSV memorabilia and promotion and features bth current logo and image of the building complex.Pale gray ceramic drinking mug with a mid-blue lining and a large handle (1668). Colour image transfers decorating outer walls.The Mission to Seafarers logo in a blue oval with 'Caring for Seafarers since 1857' printed in blue underneath is printed on the front. On the back in dark gray is a stamped effect of a street scape with Mission buildings with 'www.missiontoseafarers.com.au . On the underside a paper lined is adhered with a printed barcode and price of $12.00. mtsv memorabillia, mug, souvenir, mtsv shop, marketing

The Chinese Community in Bendigo a unique history an exhibition presented by the Golden Dragon Museum 56 pages with black & white and colour photographs published by the Golden Dragon Museum printed by Bart n Print.Golden Dragon Museumbook, bendigo, chinese, bendigo-history-chinese

Greg’s work has grown out of a Buddhist/ecological perspective. Graduating with a major in Ecology, he worked in the scientific and art commissioning world, becoming a full-time art maker from the mid 1980’s. Much of his work is textile based, but drawing, printing and photography are other passions, each influencing the other. Greg's interests in physics, ecological theory, Buddhist ideology and years of observation, have all contributed to an aesthetic investigation dwelling upon underlying energies, patterns and relationships inherent in this world: the patterns of water drops on leaves, the way water flows over a bush track. The inspiration is endless. Winner of the 2025 Expressions Wool Quilt Acquisitive Prize. Exhibition history includes Tamworth National Fibre Exhibition, Hobart Art Prize, Sorrento Art Prize, National Contemporary Art Prize, Art Quilt Australia, travelling exhibitions (Ararat and Goulburn Regional Galleries), many other Art Prizes and Group shows. Work is held in the Powerhouse and National Wool Museum.Wool quilt featuring circle and line designs in blue, yellow and orange tones.art quilt, expressions: the wool quilt prize, acquisitive award, prize, quilting, wool, greg somerville, textiles, artwork

The flyer advertises a complimentary event to be held on the 23rd September 2017 in association with the Sounding Histories Exhibition at the Mission to Seafarers, 717 Flinders Street, Melbourne. One of several events held to celebrate the Mission to Seafarers 100 years of service at the Flinders Street building.One of the few physical records of the event. The event generated some gifts and donations.Small flyer predominantly blue wash with variable text advertising an event.See image for details. The printing advertises an event to be held under the general title of Sounding Histories. There is a small logo in the lower right hand corner.mtsv, sounding histories exhibition, 100 years of service, mission to seafarers, 100th anniversary, centenary, sounding histories, exhibition, performance, events, installation, sea shanties, concerts, music, songs, sailors, seamen, seafarers, flinders street, 2017, cultural events, the rogue academy, cameron bishop, anne wilson, maree clarke, artworks, deakin university, fiona lee, amanda shone, dinner, volunteers, michael needham, catherine bell, bishop and reis, michael graeve, anne scott wilson, community

108 p.; 22 cmnon-fictionA chronicle of the first decade (1972–1982) of the Kooweerup Potato Festival in Victoria, Australia. It delves into the history, community involvement, and cultural significance of this unique festival, which celebrated the region's rich potato farming heritage. koo wee rup potato festival, koo wee rup (vic.), kooweerup (vic.)

The history of the scouting movement in Sunshine dates back to 1921, when Mrs Jessie McKay, the wife of George McKay helped to set up the 1st Sunshine Scout Troop at the Sunshine State School. By 1921 the scout troop had purchased the former Pentecostal Church in Martin Street and converted it into a scout hall. The Sunshine & District Historical Society Cottage Team held an exhibition to honour the history of scouting in the Sunshine District. The display included various archival documents and objects from the society's vast collection of scouting memorabilia from the district. The exhibition was hosted by the Sunshine & District Historical Society Curator, Alan Dash, a former Scout Master & District Commissioner of the Sunshine District.Scouting and Guiding in Sunshine 1921 until presentscouts, scouting, guides, exhibition

A poster printed by the RMIT in 2018, to promote an exhibition of works at the MTSV about the interelationships between labour, working life and artistic practice. BACKGROUND The Work of Art was an exhibition about labour, working life and artistic practice. The exhibition explored three aspects of art's relationship to work: (1) artworks about contemporary labour, (2) the labour of art-making itself and (3) the often precarious aspects of life as a working artist. Throughout the exhibition, different artists "worked" from the space of the gallery, revealing the layers of manual, emotional and intellectual labour involved in the work of art. CONTRIBUTION I was invited to develop the exhibition by the "Murphy Group", a group of researchers at RMIT. As the lead co-curator for the exhibition, I researched the history of artistic responses to working conditions. Through this process I identified a gap - while many artists have explored the conditions of labour and working life in their artworks, fewer have drawn attention to the working conditions of artists themselves. This became a key theme in the exhibition. The exhibition presented the work of nine contemporary Australian artists, including high profile and mid-career artists like Bindi Cole and Bek Conroy, alongside the work of emerging artists. In addition to the display of artworks throughout the space, five artists worked performatively, bringing to life the processes and manual labour involved in artmaking. A public forum extended the complex discussion on the relationship between art, work and labour. SIGNIFICANCE The works were presented in the context of a public space that has a strong relationship to contemporary labour - the Mission to Seafarers in Docklands. The Mission to Seafarers is a working mission that provides support to ship-workers. Presenting the works in this space created a real connection between the artworks and the lived experience of precarious labour. The exhibition reached a large audience including over 1000+ visitors in 10 days. It fostered a high engagement on social media and attracted media coverage including a feature in ArtsHub.A record of the ongoing involvement of the MTSV in art, and working with the art community by providing a suitable venue and display space.A3 size yellow paper promotional poster, double-sided. Three-quarters of the front of the poster is covered with the repeated line "Art, Labour & Working Life" in large font, to form ten rows. These rows are in outline form except for picked out words which are in entirely black characters and these cascade down, a row at a time, a word at a time, to form the same line ("Art, Labour & Working Life"). rmit, 2018, events, labour, working life, artistic practice, hiring event, cultural events, multimedia, nicholas walton-healey

This certificate has been designed and drawn by James McKain Meek, one of several produced by him to sell to local families in Warrnambool and district as a means of raising money to support his family. James Meek (1815-1899) was a fish canner, fisherman, fishmonger, storekeeper, café proprietor, explorer, gold digger, accountant, writer, librarian and above all an outstanding calligrapher. After being a pioneer settler in the Ballarat area and residing also in Port Melbourne he came to Warrnambool and lived in the area in the 1850s and 60s. He explored much of the Terang area and the Otway Ranges, speaking and writing of the great potential of the latter area. One of Meek’s calligraphy works won an award in the International Exhibition of Melbourne in 1861 and some of his works are in various art galleries and museums today. Thomas Fidler was a Warrnambool butcher who married Fanny Cockman in 1849 in London.This certificate is of great significance as one of the calligraphy works of James Meek, a 19th century resident of Warrnambool, celebrated today as a talented calligrapher. The certificate was displayed in 2015 in a James Meek exhibition at Ballarat Art Gallery. The item is also of social significance showing how the more affluent 19th century families recorded and preserved their family history. This is a certificate hand drawn by James Meek. It is a template that enables the owner to insert the details of a family tree, in this case the 19th century family of Thomas Fidler and Fanny Cockman. The certificate is in grey and black shadings with highly ornamental scrolls and patterns. The document has been produced in black ink. It has a central column with spaces for names and side tablets to include more information. The side tablets are star-shaped and the central column has attachments of various shapes – circles, rectangles etc. The base of the column has further ornamental scrolls, swirls and lacework and features sketches of three emus on one side and three kangaroos on the other side. The certificate is mounted on white cardboard. Some of the Fidler family names have been produced in printed letters and some names have been added later by a family member. ‘Th. os Fidler’s Family Register 1865’ ‘The Family Keepsake’ ‘A Present For Home’thomas fidler and fanny cockman, james meek, history of warrnambool

This is an album of Australian official photographs of Australian participation in World War One. Enlargements of the photographs could be obtained in the 1920s from the Australian War Museum in the Exhibition Buildings in Melbourne. World War One (1914-1918) was a highly significant event, not only in world history, but also in Australian history – a time when Australia participated to a strong degree, with a great number of Australian men and women dying in the war. These photographs were important in the 1920s as they showed war scenes and military activities that were not available to the public when the war was in progress. They are still important today showing Australian military action in World War One, a signal event in Australia’s history. The number of World War One War Memorials in most Australian towns and small settlements is an indication of the effect on the Australian people of the sacrifice of the lives of so many young people. Warrnambool was just one place in Australia that built a war memorial in the 1920s and continues today to remember World War One heroes as well as those from later wars. This is a brown photograph album containing 72 black and white photographs of Australian soldiers in World War One (Gallipoli, Palestine, France etc). The photographs have been commercially produced. There are four photographs to each page mounted on card. The cover is cardboard and the pages are bound with multi-coloured string. The cover has an imprint of a lady (ancient Greek style).Stamp of Warrnambool & District Historical Society world war one, history of warrnambool

This is a typewritten account of the history of Port Fairy from 1810 to 1890. It was written by William Earle (1850 -1902). In an addenda at the back of this folder there is a note from William Earle which indicates that the booklet was written in 1896 ‘as a result of a prize offered by several residents in a Schedule issued in connection with a local Industrial Exhibition, which Prize it secured’. Does this refer to the 1896-7 Warrnambool Industrial and Art Exhibition? No evidence of this has yet been found. As this folder was given to the ShipLovers Society of Victoria Library in 1963, some ten years before Earle’s history was reprinted in 1973, it is an early copy of Earle’s original work and may have been produced in the late 19th century or early 20th century. The original material was first published by the Port Fairy Gazette in 1896.This folder is of great interest as it is an early copy of Earle’s History of Port Fairy, an important historical publication. This is a black cardboard folder containing 120 typewritten foolscap pages about the history of Port Fairy 1810-1890 (written by William Earle). Inside the front cover there is a stamp of the ShipLovers Society of Victoria Library. The front cover has a sheet of white paper stuck on with adhesive tape. It has a black and white sketch of an anchor, a sailing ship and a rope. The pages are attached to the folder with four metal studs. There is a loose sheet inside with a note about the donor of the folder and a name handwritten on the front cover. ‘W.Earle’ ‘Presented by Mr Owen, Warrnambool, May/1963’ history of port fairy, william earle, shiplovers society of victoria

This medallion was awarded by the Commissioners of the Warrnambool Industrial & Art Exhibition to ten boys from the Kew Asylum who sent handmade items (basketware, matwork etc ) for display at the Education Court of the Exhibition. The Warrnambool Industrial & Art Exhibition, held in Warrnambool from December 1896 to March 1897, partly to commemorate Queen Victoria's Diamond Jubilee, was a signal event in Warrnambool's history, with one report suggesting that over 70,000 people attended the various activities held over these months. These included concerts, operas, displays, business stands, sporting events and competitions. The earliest surviving voice recordings made in Australia were produced in Warrnambool at this Exhibition and there were various other 'firsts'. The medallion awarded to the boys at the Asylum for the high quality of their work, was made by the Melboune firm of Stokes and Sons who had a stall and machinery at the Exhibition and made small souvenir Exhibition coins on the spot for visitors to buy. As well as the gold medallion the boys were also given by the Commissioners some small souvenirs to the total value of 12 shillings. This medallion is of great historical value as it is a precious and rare memento of the 1896-7 Warrnambool Industrial & Art Exhibition, an important event in Warrnambool's history..1 A round gilt-bronze medallion with a bust image of Queen Victoria and lettering on one side and a laurel wreath and lettering on the other side .2 A square black box with a metal hinge and clasp. The inside is lined with dark blue satin and silk and has a sunken area to hold a medallion. The maker's name is printed in gold lettering on the inside top of the lid.Warrnambool Industrial & Art Exhibition 1896-7 Diamond Jubilee Awarded to Idiot Asylum Kew For excellence of Workmanship Basket & Matwork & Photos of Asylum Stokes & Sons Medallists Melbournewarrnambool industrial & art exhibition, kew asylum medallion, medallion, 19th c exhibition warrnambool, warrnambool, warrnambool history

In 1934, Victoria and Melbourne celebrated their centenaries. Realising how impossible it would be for the majority of Warrnambool residents to participate in the Victorian celebrations, the organising committee of the Warrnambool Centenary celebrations devised a week long comprehensive programme of activities including exhibitions, a pageant re-enactment at the breakwater and a mass children's display at the showgrounds. Sir Harold Gengoult Smith officially opened the Warrnambool Centenary Exhibition of Arts, Crafts, Antiques and Historical Relics. This booklet was designed and written in 1934 for the Warrnambool Centenary festivities by Frank H. Ford, Lava Street, Warrnambool. The souvenir booklet contains a brief history of Warrnambool, a map and description of Warrnambool and its facilities in 1934.The last three pages include a business directory which would be useful for research.A twenty page booklet printed on shiny paper. The front cover has a black and white photo of nine swimmers in the water (five male & four female) some with surfboards. There is a 4mm green line printed 12mm from the upper edge and a 3mm green line printed 6mm from the lower edge of the cover. There is green printing over the photograph on the front cover. On the rear cover there are two small black and white photographs of an aerial view of the city of Warrnambool and the Hopkins Falls in flood. The green line extend across the rear cover and are intersected by a perpendicular 4mm green line running from the upper to the lower edge 18mm to the left of the spine. Words are printed in black on the rear cover and the printer details are printed in green at the bottom edge.Front cover: Centenary Souvenir of Warrnambool Warrnambool Centenary Festivities 13th to 24th November 1934 Price 9d Rear Cover: Beautiful Warrnambool "City of the West" Victoria Australiawarrnambool, frank h. ford, foyle photos, a. wilkins photos, warrnambool centenary festivities 1934, warrnambool souvenir, warrnambool business directory

These are souvenir medals of the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition organised by a local committee under the chairmanship of the Mayor, Walter Hickford was one of the most important events in Warrnambool's history. It ran for three months and was said to have attracted 70000 visitors. It was held in Liebig Street and utilised both the civic centre buildings and temporary buildings erected for the event. It had several exhibition courts featuring art worksand business exhibition stands, competitions,entertainments and visiting experts in various fields. These medals were made at the exhibition at the stand of Stokes and Son. Visitors to the exhibition were able to get a gold silver or bronze medal made while they watched and the medal was then perforated ready to put on a watch chain or pendant. Thomas Stokes came to Australia in the 1850's and established a successful business in Melbourne manufacturing buttons, medals and tokens. The business was called Stokes and Son following a fire in 1893.These medals are of great significance as a memento of an important event in Warrnambool -The Warrnambool Industrial and Art Exhibition of 1896-7. Medals such as these would have been in the homes of many residents of Warrnambool and district and beyond after 1896..1 This silver circular medal has text around the outer rim and an image of Queen Victoria on the reverse. On the obverse is text and an image of the Warrnambool Exhibition building erected for the occasion. The medal is secured by a red thread , button and clear tape to a piece of card. On the card is a hand drawn sketch the Warrnambool Exhibition building and a hand drawn sketch of a profile of Queen Victoria . .2This silver circular medal has text around the rim and an image Warrnambool Exhibition building on the reverse and on the obverse a stylised coat of arms topped by the rising sun . Inside the field is a sailing ship, a pick and shovel , a sheep and sheaf of wheat .1 on the Reverse : around the rim, Struck at the Exhibition mint. On the obverse : Industrial exhibition 1896 Warrnambool. .2 On the obverse : Industrial exhibition 1896 Warrnambool.warrnambool, great exhibition of warrnambool, 1896 exhibition warrnambool, warrnambool exhibition medal

This is a programme of a concert called ‘Grand Symphonic Concert and Irish Ballad Night’ staged by the Warrnambool Orchestral Society at the Warrnambool Town Hall on July 10th 1902. The conductor was Louis Bayer (1857-1907). Born in Germany, Bayer came to Warrnambool in 1891 and, with his wife, Eleanor, taught piano. violin, orchestration and singing and established the Warrnambool Orchestral Society. In 1896-7 Bayer was the musical director of the Warrnambool Industrial and Art exhibition, composing the Cantata for the opening ceremony and directing over 60 musical performances, including 22 operas and many concerts. Bayer was a composer and wrote several operas, including one called ‘Federation’. Bayer’s wife was an accompaniste at this symphonic concert and two of his sons played the horn and the drums. The soloists at this symphonic concert included Minnie Sloane, Lucy Meares and J. Robertson. This programme is of great significance as it features a concert conducted by Louis Bayer, one of the most important musicians in Warrnambool’s history. This is a yellow-coloured piece of paper folded in two to make four pages. The pages have details of the concert programme, a list of members of the orchestra, one advertisement and a front page with the concert headings in a fancy border. The pages are somewhat torn at the folds and there is heavy staining, especially on the back page. warrnambool orchestral society, louis bayer, history of warrnambool

This is a poster advertising an art exhibition by the Warrnambool artist, Robert Ulmann. The exhibition was held in the Naringal Hall in November/December 1982. Robert Ulmann (1927-1999) was born in Zurich, Switzerland where he studied sculpture and painting. After living in Canada for some time he came to Australia in 1969. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River west of Uluru. He exhibited extensively in city and regional galleries and won numerous awards for his artistic works. His love of wildlife extended to his interest in the Southern Right Whale and he was greatly responsible for publicizing the annual appearance of the whales at Logans Beach in Warrnambool and protecting their environment. His studio in Warrnambool is still visited by many tourists. This poster is of interest as it concerns an art exhibition of the work of Robert Ulmann, a well-known Warrnambool artist of the 20th century. This is a sheet of white paper with black edging. It is an advertisement for a Robert Ulmann Art Exhibition. The page has a sketch of three birds with Robert Ulmann’s signature underneath. robert ulmann, history of warrnambool