Author Ernst Wolf was an internee who arrived in Australia aboard the Dunera. 68 pages, B&W and colour photos. Soft cover with a map of Germany superimposed on cover. Map of Victoria superimposed on back cover.Celebrating the 90th birthday of Ernst Wolfe, December 30th, 2011, and for the Wolfe family everywheredunera, ernst wolf, exodus

Calico brought from Palestine and embroidered in camp 3 by 14 year old Anne Marie Treftz (now Mrs Anne Marie Reugg)Calico tray cloth, embroidered in many colours, around the 4 edges with scenes depicting the progressive exodus of the Templers from Palestine to Australia by bus, train, camel, and super liner the Queen Elizabeth. Sydney Harbour Bridge, Army personnel and unique Australian fauna. In the centre is an embroidered map of Australia. Around the map are the words: Tatura Camp 3 1942 VictoriaAround the Map of Australia- words Tatura- Camp 3- 1942- Victoriatatura, tray cloth, treftz, anne marie, palestine, kazenwadel, kurt, camp 3, reugg, templers, handcrafts, embroidery, manchester, table, linen

Set of two pamphlets published by the TMSV seeking funds to transport tramcars during the 1970's to Bylands. .1 - A4 photocopied sheet, titled "Bring a Butterbox to Bylands" seeking donations for the transport of a Geelong Butterbox to Bylands. Refers to earlier fund raising ventures. .2 - Folded printed foolscap sheet printed on yellow paper titled "Operation Exodus", asking donations for the transport of Ballarat 17, scrubber (23), Bendigo 11, 5, 25 and scrubber. The Bendigo car acquisition did not occur - see Reg Item 3080.1 Has photos of the Bendigo scrubber, Ballarat 17 and Bylands Railway Station. Printed by Kemara Press Caulfield.trams, tramways, tmsv, donations, transport, ballarat, bendigo

Burgundy board covered bible with full monochrome illustrations. Part 1, Genesis - Exodus V, of a proposed 45 parts. Edited by Donald McCleod DD. "The Holy Bible" printed in gold inside cover.On cover: New Illustrated Bible. Specimen.

Primitive Methodist Sunday School Union. Scholars' examination junior division. This is to certify that Elizabeth Hall of Eaglehawk school passed the half-yearly examination in scripture lessons for May and June 1884, subject: Moses and Exodus. Signed by board of examiners and dated Melbourne August 24th, 1884bendigo, church, primitive methodist

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.

Paperback Background is dark green with sepia photo in bronze coloured frame. Precis on back cover is printed in white lettering. 132 pages.non-fictionBiography of early Warrnambool settler, John Hyland.warrnambool, john hyland, james nicholas, warrnambool mayors

Bendigo Advertiser "The way we were" from Monday, February 28, 2005. Heyday: the surface view of the test shaft, plant and poppet legs of the government shaft at Fosterville (October 1900-April 1903). A pumping plant and winch were purchased from the Tyson's Reef Mine for 900 pounds and removal and assembly cost 723 pounds. Arrangements were also made with the North Stewart Company for the loan of poppet legs, the steam winch engine and buildings. The closing of the shaft led to the exodus from Fosterville.newspaper, bendigo advertiser, the way we were

Vincent Makaravicius was born on the 23rd of January, 1922 in a small Lithuanian village. He was the youngest of six children and after completing his primary education he went on to study horticulture at Kaunas and Vilnius. During WWII, under the threat of Soviet occupation and conscription, Vincent travelled to Germany, before coming to Australia as a refugee after his wife in 1949 on the ship 'Victory.' Vincent eventually settled in Beechworth, working at the local tannery and the Beechworth Asylum, as well as taking on boarders in the tannery boarding house in which his wife and he lived for a number of years. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth-century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Vincent Makaravicius' story is historically and socially significant as it provides a unique insight into the trials, tribulations, hopes, and dreams of Australian immigrants during the mid 20th century. Mr Makaravicius references the turbulent political situation and lack of food in Europe as being the reason for the mass exodus from Europe that saw an influx of refugees and migrants to Australia. His personal account highlights the spirit of survival and perseverance that is quintessential of Australian settler history. His contributions to the township of Beechworth gave him a detailed understanding of the social and historical significance of the township and the people, institutions, and local businesses on which it was built, namely the Beechworth Asylum, the local tannery, and relations between migrants and the established community. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr. Vincent Makaravicius /listen to what they say, beechworth, oral history, burke museum, vincent makaravicius, wwii, lithuania, kaunas, vilnius, soviet, germany, australia, victory, tannery, beechworth asylum, refugee, jennifer williams