Showing 161 items
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Federation University Historical Collection
Booklet, Rescue and Recovery Operations in Mines After Fires and Explosions, 1916
... Explosions, 1916...explosions ...Green soft covered bookletmining, explosions, james w. paul, h.m. wolfin -
Federation University Historical Collection
Equipment - Equipment - Scientific, VIOSH: Equipment for creating Dust Explosions which are the result of high concentrations of combustible dust particles
... VIOSH: Equipment for creating Dust Explosions which are the ...Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Dust explosions are the result of high concentrations of combustible dust particles rapidly combusting inside an enclosed space. When mixed with oxygen these fine particles can ignite when in contact with a spark, metal ember, cigarette butt or other source.Wooden box with metal edges on top. Chrome handle and indicator buttons for Power, Air, Compression, Spark. Hinged front section that opens to show contents. Electrical Engineering lecturer Graeme Hood remembers Paul Brass demonstrating this unit to show how dangerous a combination of dust and electricity it. The demonstration would take about 1 minute, and would culminate with a loud bang which would make everyone jump. This item was probably last used by Paul Brass.viosh, victorian institute of occupational safety and health, dust explosion, combustible dust particles, enclosed space, spark, ember, cigarette, oxygen -
Federation University Historical Collection
Book, Government Printing Office, Rescue and recovery Operations in Mines After Fires and Explosions, 1916
... Explosions, 1916 ...108 pages soft covered booklet covering rescue and recovery operations in mines.james w. paul, h.m. wolfin, rescue, recovery, mining, fire, explosion -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people. -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people. -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people. -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people. -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W, Photograph
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people.hiroshima, nagasaki, atomic bomb aftermath, b&w photography, war photography -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people. -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people. -
Dandenong/Cranbourne RSL Sub Branch
Photograph - Photograph, B&W
The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people. -
Orbost & District Historical Society
black and white photograph, C1914
This is a photograph of a railway camp, set up to house workers and their families when building the Bairnsdale to Orbost Railway from 1914-1916. The man in the foreground was one of three men killed in an explosion "noon on the railway construction works at Hagen's Cutting, about two miles from Orbost, three men being killed. The victims were John Carroll, con- tractor, his son, Peter Carroll, and John Sullivan, a navvy. The gang had just finished work, and the three stayed behind to draw a blasting charge, which had missed fire yesterday. J. Carroll was using a pick, and it is presumed that the tool struck a percussion cap, and fired the charge. He and Sullivan were killed instantly, Carroll being literally blown to pieces. Fragments of his body and garments were recovered from the surrounding bush, and the main portion of the trunk, with leg attached, was hurled a distance of 200 yards. Peter Carroll was terribly- injured, and he died before medical aid arrived." (from The Mercury Saturday March 114 1914) The Bairnsdale-Orbost railway was opened in 1916 to serve the agricultural and timber industry. Because of the decline in traffic and heavy operating costs, the line was finally closed in August, 1987. Orbost Railway Station was opened on Monday 10 April 1916 as the terminus of the Orbost railway line, and closed in 1987. The station was located on the west side of the Snowy River despite the town of Orbost being on the east side of the river, in order to save on the costs of a bridge over the river, which at the time had highly variable levels. This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost.A black / white photograph of a campsite. There is a kitchen outside a rough construction. Men and women are standing in the backgroundd with one man and a dog in the foreground.on back - "Man with dog killed in explosion"orbost-railway transport railway-bairnsdale-orbost explosion-railway -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
During Exercise “Fiery Cauldron” the Squadron experienced an explosive ordnance detonation incident on 12 March 1988 when a long buried 20 pounder shell exploded as the result of a fire. Twelve members were injured, six requiring hospitalisation. The area of the explosion was cordoned off and the matter investigated by an Ordnance Technical Officer.Four colour photographs of the area on Puckapunyal training range where a shell exploded during Exercise " Fiery Cauldron " 5 -20 March 1988. The explosion occurred near vehicles of ' A ' Squadron 8/13 Victorian Mounted Rifles. -
Bendigo Historical Society Inc.
Plan - Great Extended Hustlers, April, 2014
Seven men were killed at the Great Extended Hustler's mine disaster on 2nd May 1914 by an explosion of dynamite occurring as the men were waiting at the plat to ascend the mine at the end of their shift. No blame was attached to anyone in the findings of the inquisition. It was unknown what caused the dynamite to explode. This document formed part of the research done at the time by Bendigo Historical Society, of the 100 years commemoration of the mine disaster, held at Hustler's Hill in 2014. One page plan, computer generated, annotated to show the worksite of the miners prior to when the explosion occurred at the Great Extended Hustlers mine in May 1914. The location of Martin, Ryan, Thomas, Campbell, Blair and Chinn are described. great extended hustlers, goldmining, accident, 1914 -
Surrey Hills Historical Society Collection
Book, Spectrum Publications, The Funding of Wisdom: Revelations of a Library's Quarter Century, 1982
The author lived locally. 361p; This book deals principally with experience after the second world war in an environment of tertiary education. It testifies to the unprecedented pressures imposed on such resources by the "information explosion" which accompanied the phenomenal developments in education, science and industry. Title page: signed by the author: Axel Lodewycks Front Endpaper: Book given to me by /Axel as I spoke to him / about his life & home in / Mont Albert and the the Bull / family and Medlow. / 1985 & 1990 / J F Hall361p; This book deals principally with experience after the second world war in an environment of tertiary education. It testifies to the unprecedented pressures imposed on such resources by the "information explosion" which accompanied the phenomenal developments in education, science and industry.Title Page: signed by the author, Axel Lodewyeks. Front end paper: Book given to me by / Axel as I spoke to him / about his life & home in / Mont Albert and the Bull / family and Medlow. / 1985 & 1990 / J F Hall(mr) karel axel lodewycks, university of melbourne - library - history, college librarians - victoria - melbourne, baillieu library, world war- 1939-1945, (mrs) jocelyn f hall -
Stawell Historical Society Inc
Slide, Ian McCann, Contructing Lake Bellfield
Big Explosion at construction of lake Bellfieldlake bellfield -
Stawell Historical Society Inc
Slide, Ian McCann, Constructing Lake Bellfield
After an explosion at the construction of Lake Bellfieldlake bellfield -
Stawell Historical Society Inc
Slide, Ian McCann, Constructing Lake Bellfield
Explosion during construction of Lake Bellfieldlake bellfield -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: SEPIA PHOTO OF AN AMMUNITION DUMP EXPLOSION NEAR BAILLEUL, POSTCARD, 1914-1918
Postcard, WW1, sepia photo of an explosion in the background of an open field. Defoliated trees at at right. Handwritten in pencil on the back Explosion ammunition dump near Bailleulpostcard, postcard, ww1, bailleul, france, explosion -
Stawell Historical Society Inc
Slide, Ian McCann, Blasting the wall, 1965
Colour Slide. Showin a explosion creating the wall of the dam.lake bellfied -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, History Of Explosive Ordnance Disposal In The RAN
A Film, DVD with a black and white photo of an explosion at sea.Compliled by LAudio, CDR Peter Talbot RANfilm, dvd, ran, cerberus collection -
Stawell Historical Society Inc
Slide, Ian McCann, Blasting at Lake Bellfield, 1960's
Colour Slide, shoing an explosion during the constuction of Lake Bellfieldgrampians, lake bellfield -
Stawell Historical Society Inc
Slide, Ian McCann, Making The Dam Wall, 1960's
Colour Slide, Showing an Explosion to shpe the side of the lake, at Lake Bellfieldgrampians -
Stawell Historical Society Inc
Slide, Ian McCann, Lake Bellfied showing explosion frrom the road, 1960's
Lake Bellfield Under constructionColour Slide: Showing an explosion from the road with a police car in the foreground -
Stawell Historical Society Inc
Slide, Ian McCann, Lake Bellfield Uner Construction, 1965
Lake Bellfield under constructionColour Slide: Lake Bellfield showing a shed and amoke from an explosion. -
Stawell Historical Society Inc
Slide, Ian McCann, Lake Bellfield under constion from the road, 2022
Lake Bellfield under constructionColour Slide: View form the road after an Explosion, with a Police car in the foreground -
Stawell Historical Society Inc
Slide, Ian McCann, Blasting at Lake Bellfield, 1960's
Colour Slide, showing the dust cloud from an Explosion at lake Bellfield during construction.grampians, lake bellfield -
Bendigo Historical Society Inc.
Document - GREAT EXTENDED HUSTLERS MINE - MAP WHERE EXPLOSION OCCURRED
Hand drawn map on beige paper where an explosion occurred in the mine killing seven men. They were Blair, Ryan, Forster, Thomas, Campbell, Martin and Chinn. Map shows where the men were, how far from the point of explosion.mine, gold, great extended hustlers., great extended hustlers mine, map where explosion occurred, blair, ryan, forster, thomas, campbell, martin, chinn -
Federation University Historical Collection
Document - Report, Report on Explosion in Machine Shop, Ballarat School of Mines, 1943
Handwritten report outlining the explosion that occurred in the machine shop at School of Mines Ballarat in 1943 and envelopeballarat school of mines, h.w. goldsmith, machine shop, explosion, report -
Wangaratta Art Gallery
Textile, Mohsen Meysami, Between the Devil and the Deep Blue Sea, 2017
“Between the devil and the deep blue sea!” is a special work to me for different reasons. It was my first experience ever working with textile, and it was my first major artwork that I made and exhibited in Australia. I moved to Australia in 2011 and lived in Perth for 5 years before I moved to Melbourne in 2016. I didn’t have a chance to make many artworks when I was living in Perth and it was mainly because I needed to work full time in order to afford the living costs. Melbourne was totally different though. I moved to Melbourne after I was awarded Australian Postgraduate Award (APA) to study my PhD at RMIT University. This was a fantastic opportunity for me, not only because it helped me financially, but also because it gave me the opportunity to develop my practice and research experience. Being new in Australia and Melbourne though, I needed to familiarise myself with the art community in Australia and find ways that I can introduce myself and present my art. I knew that exhibiting in Australia will be challenging and I thought I can start with looking for opportunities like group shows and awards. The Wangaratta Contemporary Textile Award was the very first one that I applied for and it was definitely a great starting point for me. It gave me the confidence to look for other opportunities and that my decision for working with the material and methods that I had no previous working experience with, was a right one. Between the devil and the deep blue sea! is about a dilemma. A dilemma where on one side there is all the memories of the past, home, family, and friends. Everything that was once a life and now is only a memory. There is the threat of death, terrorism and violence and there is no hope for a better future. On the other side, there is a better chance for staying alive, but there is nothing clear about the future. Where you go and what you will be called; A terrorist? Or someone that is there to take the jobs and money!? We are watching the news and seeing tragic accidents happening all over the world every day, but what makes us indifferent to the suffering of others was something that I became interested to learn more about it. From the beginning of my project, I was interested in discovering more about the notion of indifference and that came from my own position as an observer. I am an Iranian living in Australia. On the one hand, I am observing wars and conflicts in the Middle-East from a distance and on the other hand, from not much a distance! I am living in Australia with a great distance from the Middle-East in terms of the geographical distance and the differences in socio-political situations. On the other hand, and despite Iran’s current safe situation, there is no guarantee for a stable peace in the future. Being not here nor there, I am an observer who won’t be in peace in peaceful Australia, and can’t feel the depth of the pain for people living in war-torn countries such as Syria and Iraq. The indifference phenomena can be studied from different disciplines, however, there can not be a simple and unique explanation for its cause. Regardless of different explanations for the causes of the indifference, what I am most interested in is to explore the ways I can show the “indifference” itself. For this, I seek to focus on my simple interpretation of the phenomena, which in my mind is “seeing tragedy, not tragic.” In other words, whether the indifference is caused by information overload, or distance from the sufferer for example, people don’t feel the pain and can’t understand the conditions others in pain are experiencing. Based on this explanation, the focus of my artworks is to depict and highlight the contradiction between the pain and the indifference. In my art practice, I often use colourful and attractive materials in combination with a visual language that reference to the aftermath of tragic events of wars, to provide a symbolic representation of indifference in the form of an artwork. This is my artistic approach in explaining the notion of “indifference”, that can illustrate my ideas around “seeing tragedy, not tragic”. to give voice to my own concerns and position as an Iranian artist, I am interested in utilising visual elements from traditional arts of Persia and the Middle-East. In selecting rugs and fabrics that I use in my artworks, the weaving quality is not my concern. Moving beyond this, I am looking for features which express and underpin concepts such as antiquity, resistance, simplicity, and peace which sit in stark contrast to the terrorising and militant image of Middle Eastern people portrayed by the mainstream media. Nowruz (Persian New Year) 21 March marks the Persian New Year and the first day of spring in Iranian calendar. It’s the time of the year when all Iranians and many other Farsi speaking nationalities (Afghans, Tajiks, etc.) celebrate together. My wife and I are planning a trip to Iran for the new year holidays and it would be our first time to celebrate the new year with family and friends in Iran since 2011. It is believed that Nowruz has a long history of around 3,000 years and is rooted in Zoroastrianism, an ancient Persian religion that predates both Christianity and Islam. Every year Iranians celebrate this very special event at different times and it’s because the exact time of the new year depends on the exact calculation of when the length of the day and the night are equal. There are many things about the Persian new year to be excited about and sitting around the Haft-Seen table (7sin) with family is with no doubt the most exciting one. Haft-Seen is a set of seven symbolic elements beginning with ‘S’ in Farsi that Iranians arrange them together to decorate a table that family sit around and celebrate the beginning of the new year. The most common items found in Haft-seen decoration are: Sabzeh: Wheat, barley, mung bean or lentil sprouts growing in a dish, Samanu: Sweet pudding made from wheat germ, Senjed: Dried Persian olive. Seer: Garlic Seeb: Apple Somāq: Sumac Serkeh: Vinegar Sekkeh: Coin that symbolise health, wealth, abundance, etc.Wangaratta Art Gallery Collection, Acquired with the assistance of Robert Salzer Foundation.A used Persian Rug that has had a motif of two heads and an explosion hand-stitched onto it.mohsen meysami, textile, rug