This shield records the junior cyclists who were high achievers in the Geelong region during this period.Indicates the boom time experienced for Junior Cyclists at the Geelong Cycling Club during the late 1990s and early 2000.A mahogany coloured wooden shield with brass plated plaques containing inscriptions of winners of the Junior Track Aggregate races during the years 1997-2007. There is an emblem of a cyclist and a banner at the top centre of the shield. "Geelong West Cycling Club/Junior Track Aggregate/Sponsored by F & S Newton/1997/Ryan Moody/1998/Tim Buckley/1999/Renee Hoppen/2000/Daniel Hudgell/2001/Matt Pope/2002/Chesney Milne/2003/Josh Beer/2004 Mitchell Elmer/2005/Leigh Howard"geelong west cycling club; junior track aggregate; sponsored by f & s newton; ryan moody; tim buckley; renee hoppen; daniel hudgell; matt pope; chesney milne; josh beer; mitchell elme; leigh howard;

Cardboard poster with recruiting photo of a crown with A F A flanked by two union flags. Flags with a map of Australia with soldiers in front.A.I.F.1916 Australia will be there underneath. R McGeehan-photographer The Central Studio Elm Grove Ripponlea MelbA.I.E.F. 1916 Australia will be therephotography, photographs / slides / film

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett

Identified as: BACK ROW LtoR: J. Tulloch, E. Miskin, A. Hill, D. Ryan, C. Dohrmann, G. Harris, M. Landmann, B. Knights 3RD ROW LtoR: F. Webster, J. Murphy, A. Mitchell, T. Good, R. Proctor, R. Larsen, W. Gladwyne, E. Fraser, W. Kinross, P. Munro 2ND ROW LtoR: R. Blake, L. Warmbrun, R. Frost, E. Thompson, R. Davies, A. Webb, Benjamin Elms, W. Morrison, G. Rae, D. Enticknap, J. Burgess, W. Crellin, FRONT ROW LtoR: C. Potter, N. Smart, F. Parsons, A Sutton, A. Woffenden, Cr. D. Howie, H. Irwin, H. Davidson, D. McDougall, M. Walker, W. Peters The donor Ralph Maxwell Rae was a foundation student, whose father was a member of the 1st Fathers' Club. Ralph married fellow student Jean Gladys Towt in 1947. The original framed photo hangs in hallway at Chatham Primary School. A black and white photograph of 40 men. They are all wearing suits.mr j tulloch,, mr e miskin,, mr a hill,, mr d ryan,, mr c dohrmann,, mr g harris,, mr m landmann,, mr b knights,, mr b elms,, mr w morrison,, mr g rae,, mr h irwin,, mr f webster,, mr j murphy, j. (mr), mr a mitchell,, mr t good,, mr r proctor,, mr r larsen,, mr w gladwyne,, mr e fraser,, mr d enticknap,, mr j burgess,, mr w crellin,, mr c potter,, mr w kinross,, mr p munro,, mr r blake,, mr l warmbrun,, mr r frost,, mr e thompson,, mr r davies,, mr a webb,, mr n smart,, mr f parsons,, mr a sutton,, mr a woffenden,, mr / cr d howie,, mr h davidson,, mr d mcdougall,, mr m walker,, mr w peters,, chatham school fathers club, 1928

This book includes a description of the early settlement of Wattle Park; who owned the farms prior to it becoming parkland; and the development and management since including the Melbourne and Metropolitan Tramways Board.This book includes a description of the early settlement of Wattle Park; who owned the farms prior to it becoming parkland; and the development and management since including the Melbourne and Metropolitan Tramways Board.wattle park, trees, box trees, golden wattle trees, she-oak trees, (mr) james atkinson, aborigines, first tree, (mr) hector bell, croquet, golf, orienteering, (mr) henry de carle, (mr) john lawler, (mr) walter craig, (mrs) eliza welch, the grange, (miss) effie eliza ball, hawthorn tramways trust, (mr) - membrey, metropolitan tramways park, (mr )david pureau, by-laws, g. t. usher, o. fenwick, f. c. garyder, e, bennet, a. snowden, g. tweedy, (mr) (sir) arthur stanly, (mr)alan holt, (mrs) a bennet, world war, 1939-1945, eucalypts, elm trees, ash trees, (ms) faye shepherd