This kind of beads was commonly worn by women in the early to mid 20th century. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of mauve faceted beads. Faceted beads have many flattened edges done in such a way as to make them look like a cut gemstone.decorative items, women's jewellery, fashion accessory

Folder containing sheets of information on parts, and instruction sheets for the operation of the different facets of the Northrop loom.Folder containing sheets of information on parts, and instruction sheets for the operation of the different facets of the Northrop loom.Northroptextile machinery, british northrop loom co. limited, weaving looms, weaving machinery

The origin of this necklace of facetted amber-coloured glass beads is unknown. However, its design is reminiscent of jewellery that was fashionable in the late 19th and early 20th centuries.This necklace of facetted amber-coloured glass beads is an example of a women's fashion accessory of the late 19th and early 20th centuries. Necklace; metal chan with facetted ambe beads attached to the lower half. A small chain is added to the clasp. Each teardrop-shaped amber-coloured glass bead is linked to smaller round, lighter-coloured beads, which are then joined to the chain links.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, accessory, fashion accessory, necklace, facetted beads, amber beads, glass beads, late 19th century, early 20th century

Hat pin with multi-faceted glass topcostume accessories, hat accessories

Dry point etching. Circular, olive green and black foliage. Limed wood frame, single window mount.Front: 'Facet of a site v/s Herthe Kluge-Pott 2001' - pencilfemale artists, women

Gray-Y Boys Gymnastics club. See KVHS 1557; "Below Bogong - A History of Mount Beauty" compiled by Di Edmondson Chapter 9, Page 298 and "The Story of Kiewa" by Alex McCullough.Early sporting and fitness club for Mt Beauty for boys and men. See KVHS 1557. This activity is of historic and social significance and can be compared with activities of today especially as Mt Beauty was built as a construction town for the Kiewa Hydro Electric Scheme and is now a small town with the added influence of tourism.This is a suite of photos pertaining to all facets of the Gray-Y programgray-y club, gymnastics club, mt beauty

Part of collection of carpenter's tools used on sailing ships from England to AustraliaThin round 'rat-tail' file with flat faceted endtrades, carpentry

Dry point etching. Circular, taupe and black foliage. Trees can be seen in the image, branches, bush and undergrowth. Limed wood frame, single window mount.Front: 'Facet of a Silent Site v/s Herthe Kluge-Pott 2001' - pencilfemale artists, female artist, women

Award of achievement for Ballarat Tramway Museum's interpretive centre presented at the Conference of Tramway Museums Australasia in New Zealand 2023.Demonstrates the recognition of the work done by the 2023 Ballarat Tramway Museum team in the creation of the museums exhibitions. Clear perspex, multi-faceted, four-sided, free standing award with inscription.Logo - COTMA Conference of Tramway Museums of Australasia Bill Kingsley Award for Achievement 2023 Ballarat Tramway Museum for Building a new Museum Interpretive Centre Further Logos: BRILL, BI, BT.H, OB, GEballarat tramways, btm, awards, bill kingsley award

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour, round, faceted. Part of an opium pipe used by the Chinese.chinese, pipe, goldfields, gios, earthenware, terracotta, opium

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour, round, faceted. Part of an opium pipe used by the Chinese.chinese, pipe, goldfields, gios, earthenware, terracotta, opium

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High Street in Wodonga, but a new warehouse was built in Melbourne Road later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal cable chain necklace with an oval pendant and a faceted green/brown glass setting."© SARAH COV" - thought to be first used in 1953 is on the lower back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, pendant

Ornamental ruby glass lustre with ten faceted prism teardrop vase. Some sections of top are enamelled.domestic items, ornaments / decorative

Long hatpin with stamped, round metal mount, dark blue faceted glass stone in centre, on long pin with pointed end.costume accessories, hat accessories, hat pin

Dean Collection, refer Cat No 4575PDecorative drinking glass. It has a wide bowl. On the stem is a multi faceted ball. The base is fluted. Engraved into the glass is the Rats of Tobruk Association logo.ww2, rats of tobruk

Diving mask by maker Kirby Morgan, of modern design. Used for all facets of diving, used off shore on oil rig diving and Construction.OCEANEERING Santa Barbara Kirby Morgan New Line California Kirby Morgan TM Diving Systems Int'l 0355

Sanitary provisions were an important training facet at annual camp.Black and white photograph of bush latrine at temporary camp site during Exercise Run a Muck, Puckapunyal 1968, conducted by 8/13 Victorian Mounted Rifles.

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Pair to 3850.Cut glass lamp bowls, decorated in criss-cross pattern around bowl, creating numerous facets. Circular base and brass top with metal tags.Front: Rd. No 5373 (stamped in base) Rd. No 218630 (stamped in top)birmingham collection, lamp, decorative, household, lighting

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. This handbag was donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Evening purse of gilded mesh with brass frame and chain handle. The base of the bag features a mesh fringe. The clasp includes a faceted red glass gem.purses, fashion accessories, lilian cohen, mcintyre collection, evening wear

Medium length hatpin with round resin head, aligned pattern of square and pyramid shapes.costume accessories, hat accessories, hat pin, faceted

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High Street in Wodonga, but a new warehouse was built in Melbourne Road later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Small rectangular gold metal pin with a faceted pink stone inlay on the proper left side and a faceted clear stone on the proper right side. Two raised flower motifs on the proper right side. The 10k stamped on the back surface suggests it is made of 10 karat gold.The abraded areas on the clasp on the back expose underlying silver coloured metal indicating that the clasp is plated."Sarah / SC / 10 YRS / Coventry" raised inscription on the front surface. "® cTo / 10 K" stamped on the lower proper left side of the back surface, indicating 10 karat gold. The ® symbol indicates that the manufacturer's mark is federally registered with the US Patent and Trademark Office. The 'cTo' is the trademark by O. C. Tanner Jewelry Co. in Salt Lake City, U.S.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pin, jewellery pin

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Pair to 3851Cut glass lamp bowls, decorated in criss-cross pattern around bowl, creating numerous facets. Circular brass base and brass top with metal tags.Front: Rd. No 5373 (stamped in base) Rd. No 218630 (stamped in top)

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Displayed at History House.Brown satin-covered shoes. Embroidered pattern of flowers over surface. Cotton-reel heel. Large oval button on front with decorative pattern of polished faceted metal.Front: (left) 38 (sole of shoe) (right) 94 (sole of shoe) Inside: Made in England for Buckley & Nunn Ltd, Paris. Melbourne London. (gold text on leather sole lining)

Cakestand belonged to donor's grandmotherHeavy glass footed cake dish (may be crystal). Diamond pattern on top part, with a lip around the edge. The glass dish is faceted. Base radiated sun burst pattern.domestic items, food & drink consumption

Ken Arnold is an author and publisher of books about the history of various facets of Bendigo history. His first book was published in 1978.Hardcover book. Purple front and back covers with B&W photos. 400 pages Bendigo Its Environs The Way it Was Volume 3 by Ken Arnold A brief history of the areas around Bendigo illustrated with B&W photos and maps. Published in 2013 by Crown Castleton Publishers, Bendigo. Printed by Trojan Press, Port Melbourne, Victoria 'M & J Qualtrough' sticker on front cover. Signed in ink by Ken Arnold, June 2023 on title page.bendigo environs, history

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a flat metal circular head. There are two circles of narrow patterns around the outer edge. The centre is decorated with three shiny black faceted shapes producing a spoke like appearancecostume female head ware accessories, hat pin