Ladies fashion shoes made in Fitzroy by Ivan Porter of Goold & Porter Pty Ltd, during the 1940s and 1950s.Worn by Doris Melbourne, wife of Arthur, who worked for the State Electricity Commission of Victoria. They would have attended the many social events that took place in Bogong and Mt Beauty during the construction of the Kiewa Hydro Electric Scheme. They lived at Lower Bogong where the steps of their house can still be seen and later, at Bogong Village and Mount BeautyLadies fashion shoes, black, leather and latex with red insole and resin sole, pointed toes, low stiletto heels. Size 4 Three looped narrow black bands joining front and side of the shoe on the outer edge of each shoeBy Ivan porter'Made by/ Goold & Porter Pty Ltd./ Leather & Latex/ Insole/ Resin Sole (Size) 4 is indented on the sole between the toe and heelfashion shoes; lower bogong; secv; goold & porter shoe manufacturers

Par tof the womens casual 'sportwool' uniform for the Winter Olympic games, 2002LAND ROVER GO EVERYWHERE FOOTWEAR Du Pont certified Thermolite Thin insulation LAND ROVER GO EVERYWHERE FOOTWEARfashion, shoes, costume, sport, salt lake city

Part of the womens formal uniform for the Winter Olympic games, Salt lake City, 2002Part of the female formal uniform.ANNA FIORIfashion, shoes, costume, sport, salt lake city

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of open-toed women’s fashion shoes made of black leather with gold edging. The sling back shoes feature a narrow stiletto heel. The shoes were designed and manufactured by Paragon of MelbourneBelle Chasseur / PARAGON / REMI / Made in Australia Genuine Leather 8B women's shoes, footwear, sandals

Part of the womens casual "sportwool" uniform for the Winter Olympics, 2002.AUSTRALIA SALT LAKE 2002fashion, costume, shoes, wool, sport, salt lake city

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s.Pair of leather women’s court shoes, manufactured by Mario Valentino of Italy. The yellow leather shoes have a cream leather insole and decorative white leather bows with black polka dots.Label: "MARIO VALENTINO / MADE IN ITALY"international fashion, women's shoes, court shoes, mario valentino

Part of the Mens Winter Olympic Uniform (as worn in the opening ceremony). However, these boots are unused.Pair of mens hiking boots as worn in the Opening Ceremony of the Winter Olympics, Salt Lake City, 2002Land Rover Go Everywhere Footwear Du Pont Certified Thermolite Thin Insulation Land Rover Go Everywhere Footwearfashion, costume, shoes, leather, sport, salt lake city

Hiking socks to be worn with hiking boots for opening ceremony of Winter Olympics, 2002Australia Salt Lake City 2002fashion, costume, shoes, wool, sport, salt lake city

Part of the men's formal uniform for the Salt Lake City 2002 Winter Olympic Games.Pair of brown woollen dress socks for men.Australia Salt Lake City 2002fashion, costume, shoes, wool, sport, salt lake city, olympics

Part of the mens formal uniform for the Winter Olympics, 2002[AQUILA] 1406 40fashion, costume, shoes, leather, sport, salt lake city

A box containing a pair of womens' brown leather high heeled shoes. Each contains four eyelets but not laces. They are stuffed with newspaper. One end of the box has the words 'Kumfit Shoe for Women.' Inside each shoe are the words 'R.O. Henderson. The Beehive Pall Mall Bendigo. (Paragon Shoes.')costume accessories, footwear accessories, shoes, lydia chancellor, collection, shoes, fashion, costume, costume accessories, foot wear, foot wear accessories

A shoebox containing a pair of ladies brown leather high heeled shoes with strap and buckle on the top. One end of the box contains the words 'Bedggood friendly footwear 45-51 33/6 'good company all day long.' The other end has the words, ' R.O. Henderson's Bendigo. Navy. Pinched court. Size 4. Shape marina. Price 33/6. Each shoe is stuffed with a cream knee high sock.costume accessories, footwear accessories, shoes, lydia chancellor, collection, shoes, fashion, costume, costume accessories, foot wear, foot wear accessories

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, shoes

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, shoes

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, shoes

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased these 1890s shoes around 1990 and recalled wearing them to approximately three events before she donated them to BHS in 2019. Di enjoyed the novelty and conversation they would inspire due to their unusual appearance by modern standards. The shoes are indicative of Di's playful approach to clothing and life. The decorative preserved mink pelt with head featured on the vamps of these shoes is typical of Victorian era interest in and prevalent use of preserved animals for decorative purposes in clothing, millinery and household adornment. This fashion reflected social positioning of oneself as being affluent, educated and worldly. Following the death of Queen Victoria's husband Prince Albert in 1861, the Queen's approach to mourning his death influenced social conventions for the public, with the wearing of black becoming a significant aspect of Victorian fashions. The shoes were made by Kendal Milne & Co, a large department store on Deansgate, Manchester. It has traded under various names and owners since it opened in 1832; it traded as Kendal Milne & Co from 1862-1919, and continued to be known by this name for many years after. The store is currently owned by the House of Fraser department store chain and is known as House of Fraser Manchester.Black silk linear quilted uppers of single piece construction with feature centre front vamp seam. Horsehair wadding can be seen along the side of the forefoot where the upper is coming away from the leather soles. Approx 4.5 cm plain black silk covered heel with leather top piece missing from right shoe. Both shoes feature the head of a small preserved mink with glass eyes. The toppling of the vamp features a decorative strip of mink fur. Inside of both shoes is a gold printed manufacturers label on the black silk insole.Manufacturers label - Made expressly for Kendall Milne and Co, Manchester.victoriana, mink pelt, taxidermy, 1890s, fur, di reidie, vintage clothing

From A. & D. Munro's bootmaker's shop. Archie Munro came to Orbost and started a boot shop in Cameron's barn where he was Acting Post Master.High button boots became a fashion in the 1870s when hemlines were fashionable at the ankle, rather than dusting the top of the shoe. Previous to the high button boot was the ankle bootie favored by Queen Victoria. They laced up and gave no support to the ankle. But, when the dress hemline inched up a bit, more of the ankle was exposed. So, industrious shoe designers came up with a taller shaft of the boot, fastened with buttons rather than laces. This item is an example of early fashion.Six small black boot buttons on a silver safety pin.buttons costume accesories footwear

These tokens are customer reward tokens which can be redeemed for a discount when making a later purchase. The practice of using tokens was prevalent in the early settlement of Australia when shop owners issued tokens as a form of currency. These are three of a number of tokens issued by Armstrong shoes which was established by Max Armstrong who once lived in Warrnambool and helped to run the family shoe business here. He was an excellent rower and on his arrival in Warrnambool worked towards reviving the Warrnambool Rowing Club.Interesting items with social and historical significance.001047.1 Round white metal token with penny farthing enclosed in circle on one side and lady’s button up boot. Surrounded by text. Edge plain. 001047.2 Round yellow metal with diagram of astronaut on front surrounded by text. Back has text in centre surrounded by larger text. 001047.3Round yellow metal. Emu and kangaroo with text above and date below. The back image of man surrounded by text. 001047.1 Armstrong shoe mart old fashion value on front with maker’s name Stokes below penny-farthing. On reverse Armstrong boot and shoe warehouse estab. Four generations Stokes Melb. 001047.2Armstrong’s shoes first on the moon. Armstrong shoe mart Frankston. On the reverse text in centre reads “This $1 token gains $1 each year from 1987 till year 2000 AD when worth $14 off next pair of shoes at Armstrong shoe mart 70 Wells St Frankston. Around rim,” Armstrong inflation proof dollar. Edition limited to 5000. 001047.3 On front Advance Australia 1987. On back Armstrong shoe mart shoex 70 Wells St Frankston Look at you shoes others do. Ian M L Armstrong 1984 armstrong shoe token, dollar token, warrnambool, frankston shoe mart,

These over shoes or galoshes would have been worn by a woman wishing to protect the high-heel shoes she was wearing at the time. They would have been used in wintry weather or when walking over rough and wet country roads or tracks, perhaps when going dancing or to a function of some sort. With the advent of common car use and better roads, this type of over-shoe would no longer be used today.These shoes are of interest as examples of the footwear worn by women in the mid 20th century to protect lighter and more fragile shoes. This is a pair of black rubber over-shoes or galoshes for wearing over high-heeled shoes. They have moulded rubber soles with high heels, rubber uppers with a flap to cover the ankles and an opening with two metal press studs with black button tops. The inside is lined with light brown cloth. ‘Dunlop’ ‘DZM’ ‘LZA’ women’s fashions, history of warrnambool

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll

Unable to determine a specific company that manufactured this doll many Japanese companies manufactured dolls of this type for export and these were only marked "Nippon" to show country of manufacture. These dolls marked this way were in production from around 1920 until 1941 when Japanese toy factories began to manufacturing items for war.Unable to be determined provenance relating to specific Japanese manufacturer. The doll is an example of a children's toy from the 1920s-1940s.Porcelain Doll in white fabric dress Doll, female, has porcelain face, composite body with swivel head and limbs. Head has long brown curly mohair wig attached into a hole in the pate; several doll-sized hairpins hold hair in place. Face has open mouth showing two porcelain front teeth, brown eyes of hand blown glass and hand painted features. Back of neck has two pressed holes above maker’s mark. Doll has removable white silk socks and brown shoes with tied ankle strap and hard soles. Doll is wearing old fashioned cream coloured knitted woollen singlet, cream flannel vest with draw-string cotton bodice and scalloped edge. The doll also has a more modern style white cotton dress with pink smocking. Inscription pressed into back of neck, shaded with pencil, "Nippon"Maker’s Mark “NIPPON” (See media section this document for a list of possible manufactures of doll)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, nippon, nippon novelty company, porcelain, japanese doll manufacturer, porcelain doll, vintage doll

This item and its use and design spans the 1800's to early 1900's both in its fashion and application requirements. The genteel factor must be made when applying it to the Kiewa Valley. The evolution of general clothing and apparel has moved from solid(long lasting) and sometimes expensive material and fasteners to a cheaper and more "throw away" fashion of sometimes monthly change in the later 1900's to 2000's.The significance of this item to a rural setting such as the Kiewa Valley not only points to an integration of "modern" fashion in semi remote rural Australian environments but also the limited connections to "high" fashion through magazines and audible (radio) and visual (cinema) advertising. It also "spotlights" the differences between the European and British social networking and lack of interaction between towns and counties to the "Australian" levels of interactions between rural and city environments. Although physical distances in Australia, during this period (1800's to early 1900's) was a retarding factor in the diffusion of the latest fashion apparel it was not as noticeable as when the global communication and the physical travel abilities were "exploded" in the latter 1900's. This shift towards "the smaller" globe scenario has overcome the physical distances that were so apparent in the previous century.This silver button/glove hook was based on late 1800's designs when buttons became more integrated and fashionable than "tie up" laces. This was more so in genteel fashion. The main hook extension from the "pronged" hand piece has been constructed in a way that allows for easy replacement by either longer or shorter hooks.costume accessories, footwear, shoes and boots with buttons, gloves, costume

The construction of these boots suggests that it was not purchased locally or from any large town. It may have been introduced by a wandering caravan trader in clothes and shoes. In this era of rural development shoes, especially children footwear, were regarded as a longer term requirement that only required the soles and heels to be replaced. Multiple shoe types were not common only basics that could be handed down. The policy of one main work/play shoe and one church shoe (special occasion) was the norm at this point in history.Worn by Everil Fisher (girl) at Dederang in 1880. They have 'copper toes' and are 'Hob Nail' These items although very basic were what the region required and was applicable to all levels of society at this time. Durability and no fashion infiltration from larger cities resulted in a spartan attitude to basic living requirements. The rural regions of this area were more in focus to the character of the person rather than what was worn. The personal interactions of everyone in the region were more "true blue" than that of the cities. The concept of "mate-ship' far outweighed the type of fashion being wornBrown/Black ankle high boot for child age 4 (approx). Tongue and six eyelets with broken leather laces. Hob Nail visible on soles and heel. Copper Toes. costume, children's footwear, boots, anklets

Black and white photograph. ( Photo by courtesy of Gazette Newspapers)Photo shows Anderson's Furniture, Speeds Shoes, Flamingo fashions, Cassari Pizza, Ron Mason's Studio, and Guests.

These shoes were called "winkle pickers" because of their pointed toes and came into fashion during the 1960s. These were probably worn by Mary Gilbert and donated by her. Mary was a well-known Orbost teacher and historian. These shoes have a personal association with Mary Gilbert from Orbost and are also typical of the fashion of the 1960s.A pair of deep red patent leather women's shoes with pointed toes and thin heels. The front of the shoe has a decorative small rosette and leaves. Made in USA New Yorkwinkle-pickers women-shoes mary-gilbert

These were probably worn by a young girl as most girls wore side-button boots while the boys wore front-laced ones. The buttonhook was used to facilitate the closing of shoes, gloves or other apparel that uses buttons as fasteners. To use, the hook end is inserted through the buttonhole to capture the button by the shank and draw it through the opening.This item reflects the footwear fashion worn by children in the late 19th to early 20th century.Two small black leather boots. They are side buttoning boots with seven buttons (left boot is missing two). The button hook is metal.On sole : size 6footwear shoes boots

This pair child's or infant's white shoes was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child, circa 1911.This pair of infant's shoes is representative of ladies fashion of the early 1910sPair of baby's or child's white linen shoes. Hand-stitched seams, embroidered upper, and top edges are crocheted and tied with pale blue ribbon. Worn by Robert Barnard c. 1911, son of Mrs. W.N. Barnard, Portland.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, robert barnard, child’s white shoes c. 1911, child’s clothing c 1911, infant's shoes, baby's shoes, baby clothes, baby footwear

Starting in around 1850, women began wearing boots that resembled the ones already worn by men in high society. Women’s Victorian boots were slightly more feminine in nature, however, than those worn by their male counterparts. The boots first worn by women extended to the middle of the calf so that her ankle would stay properly covered underneath her many skirts. These boots often featured laces or a row of buttons to keep them secure to the foot and ankle. Although usually made from durable materials like rubber and leather, boots that were worn purely for fashion were sometimes made of more elegant materials like patent leather or dyed suede. Fashion boots from the Victorian era exude all of the opulence and decadence that are unique to that time period. Design elements like scalloped trims, intricate embroidery, and lace accents were also not uncommon when it came to elaborately designed Victorian boots. Unlike men’s boots, they also boasted a slight heel that was thinner and more feminine in design. How lavish a woman’s boots were greatly depended upon how much money her family had and her place within society. While footwear was standard during this time, shoes were still quite a luxury to the modern Victorian. Only very wealthy women owned multiple pairs of boots that featured eye-catching design elements. https://www.wardrobeshop.com/blogs/victorian-era/an-in-depth-look-at-victorian-footwear These boots appear to be of a practical nature, designed for comfort, warmth, and proof against the rain and mud, rather than high fashion.These ladies' boots are historically significant for their manufacture and use during the Victorian period.Pair of ankle length black ladies' boots with long tan coloured laces.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, boots, victorian, leather, footwear