Associates Cup Donor: Deed of Gift: No The trophy was originally donated when women could only be associated members of RBYC with the then RNCE requirement there should be at least one female on board. The trophy was not used for a number of years until females became full members and in 2007 was reintroduced with the requirement that the skipper must be a female member of RBYC and holding a current AYF card. The race was then incorporated with the ladies short course Bliss Series on the Saturday with the Associates Cup on Sunday. First Winner: Hot Prospect, J. B. Searle 1980 associates, cup, bliss, female skipper

Visit to Dunmoochin prior to Clifton Pugh's home being destroyed by fire in 2002. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 1995, barreenong road, cottles bridge, dunmoochin

Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 2016-05-14, art gallery, barreenong road, clifton pugh, cottles bridge, dunmoochin, maurice hurry

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

This convict transport of 333 tons was skippered by Master William Sever. Built at the Thames in 1786, she carried 101 female convicts. After returning to England, she was put on the London - Jamaica run and was captured in 1811 in the West Indies. Large model of "The Lady Penrhyn" first fleet

This ship carried only one male convict and 49 female convicts. She was of 350 tons and skippered by Master John Mason. Built at the Thames in 1786, She operated in England until 1797 when her registration transferred to Fort Royal. Martinique, after which little is known. Model of "The Prince of Wales"

In January 1926, Captain Peder Emanuel Johannessen had taken his older daughter Augusta, 22, as his secretary onboard. From articles in newspaper she was apparently born in Australia (Bunbury or Albany) and it was the first the time she was back to Australia. The ship William Mitchell was berthed next to the Skaregrom at the same time. The skipper, Stuart Wilkie, had also his wife and their little girl onboard. Later the same year, the captain brought his younger daughter, Anna, 12 onboard along with her mother and a brother. In December during a storm, the windjammer was demasted. The previous skipper of the Skaregrøm, August Bengston, had also taken his daughter Gudveig on board as related by Captain Archie Orka in his log while on the Skaregrøm (See Sea History Magazine).This photograph in the MTSV can be matched up with several links to the Johannsen / Johannssen family and to a famous ship the Skaregrom. Unusually it depicts a female family member aboard ship and further research suggests that some families were accustomed to living and sailing aboard merchant ships.Black and white photograph with thin white border depicting a young woman wearing an ankle length white dress and arm in arm with an older man in suit on the deck of ship. Although detached from album the number 13 on the back and the glue traces indicate this picture was originally in the grey album pages The legend on the page says: Captain and Miss Johannsen on board the "Skaregrøm". On verso Stamp in purple ink: Herschelll's Prints -Pathe Agents / in blue ink: "394" Handwritten in pencil: "13"skipper's daughter, norway, skaregrom, p.e. johannesen, seafaring families, anna johannessen, august bengtson, gudveig bengtson, augusta johannessen, peder emanuel johannessen, skaregrøm, reverend john reginald weller (1880-1969), weller album, augusta johannsen, augusta johansen, peder even johannessen

Silver rounded square pendant depicting a male and female to the right and left of a central fruit tree. The pendant has an attached barrel ring and cable chain with decorative S clasp with curlycues. Intersecting MS mark; two pin holes at 12 and 6. matcham skipper, pendant, necklace, silver, jewellery

Round rubber mould depicting a female nude with Pegasus.Nonematcham skipper, mould, jewellery, nude, pegasus.

Round plaster relief depicting two female nudes. Nonematcham skipper, relief, jewellery, nude

Round Plaster Mould depicting a male and female nudeNonematcham skipper, mould, jewellery, nude

Round plaster mould depicting a kneeling female nudeNonematcham skipper, mould, jewellery, nude

Oval silicon mould depicting a female amongst hanging vines.Nonematcham skipper, mould, jewellery, female

Rectangular silicon mould depicting a male and female nude.Nonematcham skipper, mould, jewellery, male, female, nude, lovers

Round rubber mould depicting two female nudes embracing. The reverse side contains the mould S. 51 of a stallion. Nonematcham skipper, mould, jewellery, nude, female

Round Plaster Mould depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude, lovers

Oval resin mould depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude

Plaster mould of a diamond shaped pendant setting depicting two female nudes. Nonematcham skipper, mould, jewellery, pendant, nude, female

Square plaster relief depicting a reclining female nude and standing male nude amongst palm trees.Nonematcham skipper, relief, jewellery, nude, male, female

Oval plaster relief depicting two seated female nudes.Nonematcham skipper, relief, jewellery, nude, female

Rectangular plaster mould depicting a male nude with two female nudes and a child.Nonematcham skipper, mould, jewellery, nude, female, child

Oval rubber mould depicting a female nude with oblong shape.Nonematcham skipper, mould, jewellery, nude, female

Rectangular silicon mould depicting a woman's face.Nonematcham skipper, mould, jewellery, female

Plaster mould depicting a male and female nude.Nonematcham skipper, mould, jewellery, nude

Round plaster mould depicting a male and female seated nude.Nonematcham skipper, mould, jewellery, nude, male, female

Plaster Mould of an oval design depicting a male and female nude.Nonematcham skipper, mould, jewellery, nude

Rectangular plaster relief depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude

Round resin relief depicting a female profile.Nonematcham skipper, school of matcham skipper, relief, female

Round bronze medallion depicting two lovers embracing.Nonematcham skipper, bronze, medallion, nude, male, female, lovers

Oval silver broach depicting a female nude and unicorn in the sea.Broach clasp on reverse and pin holes and 12 and 6. matcham skipper, broach, silver, jewellery, unicorn, female, nude