Susan Ferns was a Diploma Student at the Gippsland Centre for Art and Design.Earthernware slanned and slip trailed with onglaze enamelssusan ferns, jan feder memorial ceramics collection, alumni

Susan Ferns was a Diploma Student at the Gippsland Centre for Art and Design.Raku sculpture Formsusan ferns, jan feder memorial ceramics collection, alumni, australian studio pottery

ferns, nursery, pond

An early black and white photograph of tree ferns along the Michaeldene Track in Marysville in Victoria.An early black and white photograph of tree ferns along the Michaeldene Track in Marysville in Victoria. This walking track links the Steavenson River and the Taggerty Rivers and is a step back in time to Marysville's historic logging past. Sections of this mostly flat circuit follow old tramline alignments, which in places reveal the original timber sleepers on which the big logs were transported to the nearby sawmill. This postcard was produced by the Valentine Publishing Co as a souvenir of Marysville.VALENTINE'S POST CARD A GENUINE PHOTOGRAPHmichaeldene track, walking track, marysville, victoria, tree fern, steavenson river, taggerty river, logging

Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Arts Council.A rectangular landscape of forest ferns painted in oil using shades of green, brown, and blue.Obverse: Elaine Burge/ (bottom right corner)wangaratta art gallery, elaine burge, landscape, forest, healesville, painting

Susan Ferns was a Diploma Student at the Gippsland Centre for Art and DesignEarthernware slabbed and slip trailed with onglaze enamelssusan ferns, jan feder memorial ceramics collection, alumni

Roll of 35mm colour negative film, 9 strips Colour prin 10 x 15 cmFuji HG 200 CA-1kangaroo ground, maroondah aqueduct

Originally contained in a 'magnetic' photo album of scenic photos of Yan Yean and Warrandyte believed to be donated by Mrs Eric Stephenson, Jingalong, 110 Ryans Road, Eltham, Vic. 3095; relocated to archival safe storage.Colour photographhealesville

Rose Series P1687 leisure, grampians, tourism

Black and white photograph of trees and ferns from Government Lookout at Fern tree Gullyverso 'From Government Lookouot Fern Tree Gully 20/2/20'fern tree gully

Glenelg Shire Council recordsPicture of man seated on rock in creek, fern trees in background, Fern Gully, Lower Glenelg National Park.Front: Sticker bottom left. 'Fern Gully, Lower Glenelg National Park' - penportrait photography, fern gully

The Crescent Bridge crossing Sassafras Creek on 'The Crescent' at Sassafras. View of water and ferns. c1912Black and white copy of a post card a bridge with a bush and tree fern background.On front: Crescent Bridge Sassafrassassafras, crescent bridge, the crescent, tree ferns, bridge

Number 6 in commercial series.Small photograph, number 6 in Olinda series, showing view of Olinda Falls with ferns in background. Late 1930s.olinda falls, olinda, ferns

Photo shows two adults with four children among frens. One group appear on higher ground near the top of the photo, while another group of a woman, a small child and a todller are pictured among the ferns lower down."Among the Ferns. Grampians." inscribed in lower, left of photo.recreation, bush-walking

Black and white or sepia photograph. Scene possibly in a Public Garden or on an excursion of small waterfall amongst ferns.public gardens, excursion, waterfall, ferns

A hand sickle is typically used for harvesting grain crops or cutting succulent forage chiefly for feeding livestock (either freshly cut or dried as hay). this one was used for cutting back bracken fern.Sickles were not used as often on farms after the mechanisation of harvesting. They were still used for cutting awkward shaped small plots, for opening a path for the tractors and for clearing bracken. This item is an example of a tool used by the early settlers of the Orbost district.A wooden handled sickle used for fern cutting. It has a steel curved blade.Stamped on blade - RY4 MADE IN ENGLANDtool farming-implement sickle

A fern hook is an agricultural tool used for slashing or reaping crops which are then gathered in sheaves and bundled together. Primarily used for penetrating and cutting through larger and heavier foliage, this example has a bored hole, probably used for attaching a longer wooden handle.fern hook with surface rust, but made from good steel. No handle."PARKER CAST" image of feet in first ballet position, with No 6 under left foot. "1281"parker tools, fern hook, agriculture, churchill island heritage farm

Rose Series post card # P. 90. Sassafras Creek near The Crescent Bridge. View of water and ferns. Post 1920.Rose Series sepia coloured post card showing a small creek running through the centre of the photo edged by rocks and tree ferns.On front: The Rose Series, P. 90. SASSAFRAS CREEK NEAR CRESCENT BRIDGE. VICTORIA.sassafras creek, crescent bridge, creek, bridge, tree ferns, rose series, post card

Black and white photograph. View of ferns and Eucalypts. Possibly an excursion. Photographs B91.409 to B91.417 appear to have come from the same photograph album.ferns, eucalypts, excursion, victorian rainforest

Black and white photograph. View of ferns and trees. Possibly an excursion. Photographs B91.409 to B91.417 appear to have come from the same photograph album.ferns, trees, excursion, victorian rainforest

The Ballarat School of Mines was established in 1870, and was the first school of Mines in Australia.A Ballarat School of Mines printed Certificate on Competency with red seal. Handwritten inclusions. The certificate was made out to Matthew Fern."This is to certify that Matthew Fern has successfully passed the ordinary examination held at the School of Mines in the October term 1890 in the subject of Mechanics as Applied to Mining."ballarat school of mines, fern, mining, mining alumni, matthew fern, alumni, certificate

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series), No.22 / ‘Fern Bridge Gully, Black Spur’ / Albumen silver photograph mounted on boardInscription on reverse: 'Fern Bridge Gully is situated near the summit of the Black Spur, about two miles from Fernshawe. Here the foliage is exceedingly dense, so much so as to exclude daylight in many places. This stream has derived its name from the fact of the Bridge having been constructed of large massive fern tree. The stream which flows beneath the Bridge is one of the sources of the River Watt.’nicholas caire (1837-1918), australia - landscape photography

Mt Calvin, the homestead of Jeanie and Willie Richardson can be clearly seen in the clearing above the men in the picture. The white roof of the Barber homestead is on the right of the picture. A landslide in 1934 destroyed the tree ferned area. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph that is a copy of a Rose series postcard titled 'The Picturesque Road to Mt. Dandenong. Vic.' It shows two men (probably Rose Series employees), one sitting and one standing at the edge of an unmade road. Large tree ferns line the roadside. Handwritten inscription on reverse by John Lundy-Clarke1913 View east from Doughty’s Road showing Jeannie Richardson’s home through the gap in the trees. A little to the right of and below centre of picture can be seen George Barber’s home with Barbers Road turning around the wagon shed that was a little up the hill from the house. The tree ferns in the picture were destroyed in the landslide of 1934. In the distance at the right can be seen F.M. Childs Homestead complex with the Richardson paddocks beyond it.mt calvin, jeanie richardson, willie richardson, george barber, landslide, tree fern