The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 'dance frock' by Park Avenue Gowns is one of a number of garments in the collection by this designer.Metallic thread silk cocktail dress and wrap by Park Avenue Gowns, 1960. Virtually identical dresses by the designer were featured in the Australian Women's Weekly in 1960, described as 'dance frocks', to which the wide flairing skirt would be well suited.Label : "Park Avenue Gowns"women's clothing, cocktail dresses, dance frocks, australian fashion - 1960s, fashion designers - melbourne (vic) - park avenue gowns

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. This house continues to occupy the property at 5 Munster Avenue Carnegie (Google map image capture Feb 2019).Page 136 of Photograph Album with one landscape photograph of an Edwardian house on Munster Avenue.Handwritten: Munster Street / Avenue [top right] / 136 [bottom right]trevor hart, garden, verandah, bull nosed verandah, edwardian, coloured glass, corrugated iron roof, bay window, gable, chimneys, porch, munster avenue, carnegie, box bay window, weatherboards, cast iron work, timber houses

Clements Avenue Automotive is an automobile repair and service business in BundooraBusiness card, printed in colour both sidesLocation map, contact detailsautomotive repairs, bundoora, clements avenue bundoora

History, description and maps of the Soldiers Memorial Avenue Hobart. Includes map, with location of memorial trees.Single sheet printed in colour both sideswar memorials, hobart

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO137 32 Queens Ave, Caulfield East https://vhd.heritagecouncil.vic.gov.au/places/35536 as at (30/10/2020) The house at no. 32 Queens Avenue, Carnegie, was built in 1888 and formed one of an identical pair since demolished. It was built for and formed part of a land development scheme undertaken by one of Sir Matthew Davies group of speculative companies known as the Freehold Investment and Banking Company of Australia Ltd. It is historically and aesthetically important. It is aesthetically important (Criterion E) as an unusual terraced building form in Glen Eira that stands apart from its neighbours which were built predominantly after the tum of the twentieth century and which is further distinguished by the cast cement ornamentation applied to the central porch.Page 168 of Photograph Album with one photograph of a house on Queen's Avenue. Handwritten: 32 Queen's Avenue [top right] / 168 [bottom right]trevor hart, cast iron lacework, decorative brackets, chimneys, verandah, porch, cast iron columns, queens avenue, 1880's, sir matthew davies, matthew davies, freehold investment and banking company of australia ltd, cast cement ornamentation, arches, caulfield racecourse, portico, stone columns, full length french windows, fanlight, caulfield, race course, queen's avenue, caulfield east, land subdivision, victorian style, cast iron work, rendered mansions, lead lights, terraced buildings

This is a photograph of The Avenue leading to the Sunbury Asylum. it is lined with pine trees and post and rail fences. At some stage oak trees were also planted along the avenue. In the late 1990s the trees along the west side of The Avenue were removed as a result of housing development. They were later replaced.The Avenue was the main entrance leading to the former Sunbury AsylumA non-digital copy of a black and white photograph of a tree lined avenue with a white border. Unmounted.Written on the photo: Asylum Avenue/ Sunburysunbury asylum, trees, fences, the avenue, george evans collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Cream crepe empire line evening dress. The bodice has a halter beck and is heavily beaded. The dress was purchased from Park Avenue Gowns of MelbourneLabel: Park Avenue Gowns, Melbourneevening dresses, fashion - melbourne -1960s, park avenue gowns, desley reid, fashion design, fashion -- 1960s

Built c 1889. The current Church of Christ is on the left. One of the foundation families was that of Mr and Mrs John Woodhead, who owned the land from Union Road to Warrigal Road and from Canterbury to Bona Vista Avenue in 1885. Mr Woodhead built 'Kirkland' in Union Road - in 1889/90. The land for the church was given by Mr Woodhead. Photograph taken in 1990.A coloured photograph of a weatherboard building with two windows at the front with brown painted surrounds, and a brown painted wooden door. There is a path leading to the door and looks to be a building on each side. There is a large tree in the background.Church of Christ/ Surrey Avenuekirkland, house names, union road, surrey hills, warrigal road, canterbury road, bona vista avenue, (mr) john woodhead, church of christ, churches

Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. Source: Glendonald School for Deaf Children (1951–91); https://www.findingrecords.dhhs.vic.gov.au/collectionresultspage/GlendonaldSchoolforDeafChildren; Accessed 05/09/2018.Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Photograph of the front garden of Glendonald taken from Marshall Avenue."The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old."glendonald - marshall avenue - kew (vic), education - deaf children - victoria

Rare view of mast Gully rd with sign post for St.Kilda Avenue ( contextual or historic information)Digital copy of original postcard published on ebay. The Rose Series P.2910 Mast Gully Road & St.Kilda Avenue, Upwey, Vic.( inscription) The Rose Series P.2910 Mast Gully Road & St.Kilda Avenue, Upwey, Vic.mast gully rd, st kilda ave, roads, upwey, signpost, rose series, subjects in context

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. National Trust - 9 Lynedoch Avenue, CAULFIELD NORTH VIC 3161 - Property No B3310 https://vhd.heritagecouncil.vic.gov.au/places/65663 - this record is just one photo with no text; the photo is almost identical to the photograph of the smaller gate on this album page. Page 124 of Photograph Album with two square photographs of gates.Handwritten: Lynedoch Avenue [top right] / 124 [bottom right]trevor hart, gates, cast iron gate, caulfield north, gate, hedge, cast iron spears, stone plinths, masonry column, masonry pillar, lynedoch avenue, st kilda east

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Botanical Gardens and Alexandra Avenue, Melbourne. Coloured postcard. Weir collection."Botanical Gardens and Alexandra Avenue, Melbourne"postcards, george and edith weir, botanical gardens - melbourne, alexandra avenue - melbourne, weir collection

In October 1918 the name of Albert Street Koroit was changed to ANZAC Avenue as a memorial to those who served during World War One. An Avenue of trees was planted in their honour Koroit Avenue of Honour in ANZAC Avenue, Koroit.koroit, koroit avenue of honour, world war one

Early panorama of Daylesford circa 1900 with views of Wombat Hill from Western Avenue. Taken by J. J. Crawford of Mitiamo late resident of Daylesford.A unique early view of Daylesford showing large areas of vacant land pre modern development.2 B&W photos forming panorama of Daylesford township, looking South East to Wombat Hill & beyond with many buildings clearly visible. 3 women/girls in foreground. Circa 1900. Mounted on 2 pieces of cardboard, stuck together by sewing red fabrick onto mounting boards. Taken at western Avenue by J. J. Crawford of Mitiamo Victoria photographic studio a late resident of Daylesford. J.J. Crawford Mitiamo (Stamp) Donated to Daylesford & District Historical Society by (J.J. Crawford Mitiamo) (late of Daylesford) D13wombat hill, town views, clothing

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Yarra from Alexandra Avenue, Melbourne. Coloured postcard. Weir collection."River Yarra from Alexandra Avenue, Melbourne"postcards, george and edith weir, alexandra avenue - melbourne, yarra river, weir collection

Coloured photo of House in Humphries Avenue, Mitcham, to be demolished.humphries avenue, mitcham.

Fifth Book of the Victorian Readers (Second Edition). Hard coverbooks, primary reader

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress, by a Melbourne designer, is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.Short sleeved and high waisted dusty pink silk dress with silk organza lining. The bodice is encrusted with pearls and beads.Label: Park Avenue Gowns, Melbournepark avenue gowns, costumes, women's clothing, evening dresses, rosemary vaughan-smith

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO57 Alnwick, 11 Railway Parade Murrumbeena https://vhd.heritagecouncil.vic.gov.au/places/35369 as at 30/10/2020 Alnwick" is situated at no. 11 Railway Parade, Murrumbeena, and was built for Sir James Patterson, former Commissioner of Public Works and Railways and Premier and Chief Secretary at the time. It is historically and aesthetically significant. It is historically significant (Criterion A) as the home of a former Premier and MLA who held a multitude of senior positions during his term of office spanning between 1870 and 1895. These positions included Commissioner of Public Works, Vice President of the Board of Land and Works, Postmaster General, Commissioner of Railways and Commissioner of Trade and Customs and Minister of Railways. Importantly, he held these offices during the period of Colonial expansion leading up to the economic crash of the early 1890s. It is aesthetically significant (Criterion E) as an early example of the Queen Anne style in Glen Eira and as an isolated early building facing the railway station in Murrumbeena.Page 170 of Photograph Album with one photograph of a house on Railway Avenue.Handwritten: Railway Avenue [top right] / 170 [bottom right]trevor hart, chimneys, verandah, porch, 1890's, alnwick, railway parade, sir james patterson, james patterson, single storey, murrumbeena station, red brick, gable, murrumbeena, railway avenue, victorian style, house names, queen's avenue, queen anne style, protruding bay windows, premiers, polychrome bricks

This two storey Spanish mission house was built on land originally part of the Tara Hall Estate.Two storey house at 2 Tara Avenue, sold in 2018 and to be demolished in 2020.kew (vic) - houses - demolished, 1 tara avenue - kew (vic)

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 14 'Marshall Avenue, Kew' by the artist Joy Stewart. Inscription: "Marshall Avenue - Kew". Signed lower right: "JStewart". joy stewart, marshall avenue (kew)

‘Adeney Avenue’ was the title given to this painting following its donation to the Kew Historical Society, yet the work’s origins predate the naming of Adeney Avenue in 1907 [originally gazetted as ‘Park Street’ (1865) and ‘Park Street South’ (1875).] Park Street ran between High Street and Parkhill Road beside what was later to become ‘Victoria Park’. This area was described in 1851 as “…a dense forest of gums and wattles which were to be largely cleared by 1888 after the naming of a recreation reserve”. The Reserve was still bisected by an unnamed creek in 1896, when the area was surveyed by the MMBW. The panoramic vista selected by the artist would appear to include ‘Eborensis’ (c.1895) on the corner of Parkhill Road and what was then Park Street, with views across cleared land towards the distant ranges. In the 19th century, north Kew was largely undeveloped farms stretching down to the Yarra. Oil on canvas by an unidentified artist of a panoramic view depicting what is now known as East Kew with mountains on the horizon. In the foreground is a two storey brick residence - Eborensis - located on the northeast corner of Parkhill Road and what is now Adeney Avenue. The view of the landscape and its rolling hills resulted from farming practices adopted following colonisation and settlement. Trees in the foreground and in the distance include remnant Eucalypts and introduced exotics.Label on rear of frame states "House on corner of Adeney Ave & Parkhill. [Regd. 254"]. Otherwise unsigned and undatedadeney avenue (kew), eborensis, park street (kew)